By Phillip Rawle. For alto flute and piano. Intermediate-Advanced. Score and parts. Published by Forton Music

Flute quartet fl/picc. 2fl. Fl/afl - Intermediate-Advanced

SKU: FT.FM293

Composed by Otto Martin Christensen. Four pieces for flute Quartet. Flute 1/Picc, Flute 2, Flute 3, Flute 4/Alto Flute. Score and Parts. Forton Music #FM293. Published by Forton Music (FT.FM293).

ISBN 9790570481927.

A musical description of four weathers for four flutes – snow, rain, mist and wind. Lush chords, rippling melodies and bustling counterpoint conjure up these four climatic conditions. Wonderfully written for flutes.

Flute Quartet

SKU: BT.EMBZ14973

Some with alto flute. By László Zempléni. By Bela Bartok. EMB Music of Bela Bartok. Set (Score & Parts). Composed 2016. 52 pages. Editio Musica Budapest #EMBZ14973. Published by Editio Musica Budapest (BT.EMBZ14973).

English-German-Hungari an.

The volume contains selected transcriptions from well-known sets that Bartók wrote for children and young people: For Children, Children's and Female Choruses, 44 Duos and Mikrokosmos. Some are based on folk melodies and some on original themes. The volume consists of 16 pieces. In nine, the bottom part is set for alto flute. The collections serve to draw music students into the realm of a great genius of 20th-century music, while concurrently introducing them to the basic techniques of playing chamber music.

2 fl. Fl/afl (3 flutes, or 2 flutes and alto flute) - Easy

SKU: FT.FM397

Composed by Thomas Weelkes. Arranged by Robert Rainford. Arranged for Flute Trio - 3 flutes, or 2 flutes and Alto flute. Score and Parts. Forton Music #FM397. Published by Forton Music (FT.FM397).

ISBN 9790570482962.

Flut e Trio - 3 flutes, or 2 flutes and alto flute. This set of three madrigals by the renaissance composer Thomas Weelkes features frequent time changes and some lovely independent part writing. None of the pieces are overly long - about 30 bars on average. Part 3 descends to low C, but the other parts are relatively straightforward note-wis e. Could be tackled by confident players of grade 2-3 standard. .

For Flutes. By Harold Meltzer. Woodwind Solo. Size 9x12 inches. 9 pages. Published by G. Schirmer, Inc.

By Franz Joseph Haydn (1732-1809). Arranged by Ervin Monroe. For Flute Choir - Flute Trio. Classical, Chamber Music. Score and parts. Published by Little Piper

(Mix and Match Quartets for Strings, Woodwind, Brass and Keyboard). By Various. Arranged by Daniel Kelley. String quartet, woodwind quartet, piano quintet, mixed quartet, clarinet quartet, saxophone quartet. For Viola in alto clef. Quartets. Intermediate Music for Four series. Classical. Intermediate. Partbook - part 3. Published by Last Resort Music Publishing

Picc. 2 Fl. Afl. Bfl (piccolo, 2 flutes, alto flute, bass flute) - Intermediate-Advanced

SKU: FT.FM557

Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. Forton Music #FM557. Published by Forton Music (FT.FM557).

ISBN 9790570484560.

The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.

Flute Quintet/Choir (piccolo, 2 flutes, alto flute and bass flute) - Intermediate

SKU: FT.FM150

Composed by Benjamin Britten. Score and Parts. Forton Music #FM150. Published by Forton Music (FT.FM150).

ISBN 9790570480494.

Scor ed for Piccolo, 2 flutes, alto flute and bass flute. This is the first appearance of the whole work as a flute choir arrangement. In four movements, Boisterous Bouree, Playful Pizzicato, Sentimental Sarabande and Frolicsome Finale. Written in an accessible style, with modern twists to the timing and harmonies, this pieces is a fantastic addition to the flute ensemble repertoire. The first movement alternates between a running contrapuntal theme, and a more lyrical/harmonic second subject. Alternating between D minor and D major and reaching a thrilling climax before disappearing into nothing. The second movement is even faster (Presto possible), with neat fingering and tonguing required for the arpeggiated theme. The third movement is slow and seriuos, and is in G minor. A lovely mournful lyrical theme soars over modern sounding chords and harmonies. the finale is again fast (Prestissimo con fuoco), and requires some extremely fast tonguing in all parts (easier ossias are included). A fantastic opportunity for flautists to try something new!

String Quartet (violin 1, violin 2, viola, cello)

SKU: GS.BSG4PROMAR-P

Arranged by Deborah Greenblatt. Spiral-bound. Set of parts. Greenblatt & Seay #BSG4PROMAR-P. Published by Greenblatt & Seay (GS.BSG4PROMAR-P).

8.5 x 11 inches.

30 energetic pieces to get your audience motivated, and their toes tapping. All four parts share the interesting melodic bits, and the relentless rhythms that provide the energy to forge ahead. You will enjoy sharing some old favorites, like Mendelssohn's Wedding March, Wagner's Bridal March, and for you Alfred Hitchcock fans, Gounod's Funeral March of a Marionette. This collection also includes works by Sousa, Frederick II, Joplin, Mozart, Schubert, etc.

Alto flute - Intermediate-Advanced

SKU: FT.FM593

Composed by Mark Whitefield. Pieces for solo Alto Flute, also suitable for concert flute. Score. Forton Music #FM593. Published by Forton Music (FT.FM593).

ISBN 9790570484928.

A collection of four connected pieces, which are inspired by the myth and symbolism of a tidal cycle. Musically speaking the individual pieces do not seek to represent the physical characteristics of the tidal cycle as such, but are more concerned with a response to the spiritual and emotional symbolism that are inherent in such an event.  Harmonically ambiguous and rhythmically fluid, these pieces explore a wide range of the alto flute's capabilities. These four fairly large scale movements make a great challenge for an adventurous player.

Flute Ensemble (piccolo, optional G treble flute, 4 flutes, alto flute, bass flute, optional contr'alto flute, contrabass flute) - Intermediate

SKU: FT.FM062

Composed by Peter Ilyich Tchaikovsky. Arranged by Robert Rainford. Score and parts. Forton Music #FM062. Published by Forton Music (FT.FM062).

ISBN 9790708085614.

Flut e Choir/Ensemble Piccolo, optional G treble, 4 flutes, alto flute, bass flute, optional contr'alto flute, contrabass flute. This is a full arrangement of the Danses Characteristiques from Tchaikovsky's Nutcracker Suite. Full of well known tunes these character pieces give larger flute choirs a chance to show their range and flexibility, from the speed and excitement of the Trepak to the sinuous melodic lines of the Danse Arabe. The parts are graduated, with flute 1 being the hardest and flute four the easiest (about grade 3). Includes the famous flute feature, the Danses des Mirlitions.

By G. Goltermann, H. Hadley, H. Purcell, M. Reger, J. Stanley. Arranged by Charles E. Callahan Jr.. For Various instruments (flute, oboe, violin, viola, clarinet, trumpet, alto saxophone, B-flat instrument, C instrument), organ. Moderately Easy. Published

SKU: HL.48185463

Composed by George Frideric Handel. Leduc. Baroque. Softcover. 32 pages. Alphonse Leduc #AL29037. Published by Alphonse Leduc (HL.48185463).

UPC: 888680834968. 9.0x12.0x0.147 inches.

Famous pieces by G. F. Handel for Eb Alto Saxophone and Piano ? Vol. 2 is an anthology of four pieces arranged for Alto Saxophone and Piano by Marcel Mule. This second book features four sonatas, all composed initially by G. F. Handel and part of the collection ?Saxophone Classics? by Mule. - First sonata: Flute and Piano - Second sonata: Violin and Piano - Fourth sonata: Flute and Piano - Sixth sonata: Violin and Piano Each sonata should be played separately and their level of difficulty is quite challenging, which would match the abilities of upper intermediate / advanced players who have mastered their breathing. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Dix-huit Exercices ou Etudes', 'Exercices Journaliers d?apres Terschack' or '30 Grands Exercices ou Etudes d?apres Soussmann' (in two books), among others..

Flutes

SKU: HL.50486707

Some with alto flute (Sol). By Laszlo Zempleni. By Imre Kovacs. EMB. Pedagogical performance pieces. Score and parts. Editio Musica Budapest #Z14476. Published by Editio Musica Budapest (HL.50486707).

ISBN 9790080144763. UPC: 888680926366. 9.0x12.0 inches. Hungarian, English, German, French. Imre Kovacs; Laszlo Zempleni.

Editio Musica Budapest is launching a new series entitled Musica da camera. As its very general title indicates, the publishers' intention is that the volumes in this series, which is designed specifically for music school students, will include works composed for chamber ensembles of every kind, from the trio to the sextet. The first two volumes contain mostly transcriptions for three and four flutes respectively, selected from every period of music history from the late Renaissance to the present day. This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Flute - very easy, easy

SKU: BT.DHP-1012564-700

Composed by Jan de Haan. Horen, Lezen en Spelen internationaal. Educational Tool. Book Only. Composed 2001. De Haske Publications #DHP 1012564-700. Published by De Haske Publications (BT.DHP-1012564-700).

ISBN 9789043112420. English-German-French-Dut ch.

The BAND TIME series consists of a number of books containing easy pieces suitable for youth band. BAND TIME Starter is intended for the first year of band playing and includes four-part pieces in many different styles. The difficulty of the pieces increases in parallel with the material covered in the first part of the Look, Listen & Learn method. The first three works, however, are three-part pieces in order to accommodate the limited range of notes available at this stage. The BAND TIME series is suitable for various combinations of instruments provided that the parts are divided in a sensible way (for concert band, fanfare band or brass band). The material for alto saxophone, trombone and baritone/euphonium/bass clarinet is divided into parts 1 and 2 in order to cover all voices using the most popular instruments.

De serie Band Time is ontwikkeld om kinderen vroeg kennis te laten maken met het samenspel in een blaasorkest. Band time Starter maakt dit al in het eerste jaar mogelijk. Deze uitgave bevat vierstemmige stukken in diversestijlen- de eerste drie stukken zijn drie stemmig, aangespast aan de vaardigheden van de beginnende leerling. De moeilijkheidsgraad en de muzikale inhoud zijn gebasseerd op Horen, Lezen & Spelen. In de partituur staatuitgelegd hoe u de serie optimaal benut en hoe de instrumentatie in uw specifieke bezetting het best kan worden toegepast. Op de los verkrijgbare cd worden de stukken door een harmonieorkest voorgespeeld, zodat de leerlingen thuiseen goede indruk krijgen van hoe de stukken klinken. Ze kunnen zelf meespelen of ernaar luisteren. Dit zal de motifatie (en het studieresultaat) bevorderen.

Parall el zu den ersten Stunden Instrumentalunterricht werden die jungen Musiker mit den Stücken dieser Sammlung für das Spielen im Anfängerorchester motiviert. BAND TIME Starter eignet sich für das erste Jahr im Blasorchester und enthält vierstimmige Stücke in vielen verschiedenen Stilen. Der allmählich fortschreitende Schwierigkeitsgrad entspricht dem Stoff der Bläserschule Hören, lesen und spielen Band 1, kann aber auch gut unabhängig davon eingesetzt werden. Die ersten drei Stücke passen sich mit ihren lediglich drei Stimmen dem noch begrenzten Tonumfang an, über den die Schüler in diesem Stadium verfügen. Aus dem gleichen Grund weichen manchmaldieselben Stimmen für unterschiedliche Instrumente leicht voneinander ab. Geringfügige Abweichungen erklären sich außerdem aus manchen besonderen Bedingungen bei einem bestimmten Instrument, zum Beispiel schwierige Tonfolgen. Passend zu der Reihe ist eine CD erhältlich, mit deren Unterstützung die Schüler zu Hause mit richtiger Orchesterbegleitung spielen können. Ein schnellerer Erfolg ist damit gesichert!

L'Obiettivo della collana BAND TIME è quello di motivare i giovani musicisti a suonare in una banda principiante o giovanile. BAND TIME Starter e il suo seguito BAND TIME Expert, come anche i brani natalizi raccolti in BAND TIME Christmas propongono brani in vari generi musicali che seguono il livello di difficolt crescente proposto del metodo Ascolta, leggi & suona (possono essere usati anche separatamente). I brani sono eseguibili gi a partire da un organico di tre o quattro elementi. per ogni collana è disponibile separatamente un CD con gli accompagnamenti orchestrali. Per la lista degli strumenti disponibili visitate il nostro sito.

By Arcangelo Corelli (1653-1713). Arranged by Robert Rainford. For Mixed Woodwinds (saxophone). Grade 6. Score and parts. Published by Forton Music

Mixed Wind Ensemble Flute Book (flute) - Intermediate

SKU: FT.FM067

Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. Forton Music #FM067. Published by Forton Music (FT.FM067).

ISBN 9790708085669.

Flut e Trio - three flutes or two flutes and alto/bass flute. Part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Flautists of grade 4/5 standard will enjoy these pieces. Parts may be mixed with the companion arrangements for clarinet, saxophone and double reed ensembles.

By Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier; Sylvie Bouissou. For Low Voice, High Voice, Alto Solo, Violin 1 (Flute), Violin 2, Basso Continuo/ Bass Viola Da Gamba. Opera Omnia OOR III.1. Score; Set of Parts (paperbound). Published by Baerenreiter Verlag

Mixed Wind Ensemble Clarinet Book (clarinet) - Intermediate

SKU: FT.FM068

Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. Forton Music #FM068. Published by Forton Music (FT.FM068).

ISBN 9790708085676.

Clar inet Trio (three Bb clarinets or two Bb clarinets and alto/bass clarinet) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Players of approximately grade 6 standard will enjoy the challenge these pieces present. Parts may be mixed with the companion arrangements for flutes, saxophones and double reeds.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2

SKU: CF.YPS208

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208).

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Mixed Ensembles Alto Saxophone), Bass Clarinet), Bassoon, Clarinet, Double Bass, French Horn), Oboe, Part 1 (Flute, Part 2 (Flute, Part 3 (Violin, Part 4 (Cello, Tenor Saxophone, Viola, Violin - Easy

SKU: PR.UE021583

Flexible Four-Part Concert Pieces. Composed by James Rae. Contemporary. Set of Score and Parts. With Standard notation. Universal Edition #UE021583. Published by Universal Edition (PR.UE021583).

ISBN 9783702472634. UPC: 803452069751.

All together easy Ensemble! is UE's series of flexible arrangements for students venturing forth into ensemble playing for the first time. Since this is an important step in the development of many young musicians, arranger James Rae makes sure that all parts are important and integral and that all lines lie comfortably on the instrument. An optional piano part is included, to enhance the ensemble if necessary, and parts are included for a wide range of instrumentations. Volume 4 includes Shostakovich Waltz No.2 (from Jazz Suite No. 2), Verdi's La donna e mobile, Yankee Doodle, and Rae's original Cha-Cha Cubano. For beginning performers.

Band Bass Clarinet, Bassoon, Clarinet, Contrabassoon, English Horn, Euphonium, Flute, Horn, Oboe, Percussion, Piano, Piccolo, Timpani, Trombone, Trumpet, Tuba, alto Saxophone, baritone Saxophone, soprano Saxophone, tenor Saxophone

SKU: PR.465000100

For Large Wind Ensemble. Composed by Dan Welcher. Full score. With Standard notation. Theodore Presser Company #465-00010. Published by Theodore Presser Company (PR.465000100).

ISBN 9781598061635. UPC: 680160569823. Key: C major.

The Yellowstone Fires is the second of four pieces composed in Dan Welcher's Places of the West series, now available in a study score. It attempts to describe not only the destruction of the 1988 fires in Yellowstone National Park, but also nature's unfaltering ability to survive and renew itself. Duration: 9'.

Concert Band Bass Clarinet, Bassoon, Clarinet, Contrabass, Contrabass Clarinet, Cornet, Flute, Horn, Oboe, Percussion, Piccolo, Trumpet, alto Clarinet, baritone, baritone Saxophone, soprano Saxophone, tenor Saxophone

SKU: PR.145400190

Four Short Pieces for Band. Composed by Sydney F. Hodkinson. Classical. Score and Set of Parts. With Standard notation. 16 pages. Duration 5 minutes. Theodore Presser Company #145-40019. Published by Theodore Presser Company (PR.145400190).

UPC: 680160031757.