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Four Quartets for any Four Bb Instruments
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Quatuor à cordes: 2 violons, … (3)
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Ensemble Flexible (1)
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Debut - Ensemble (RAE JAMES)
32.20
Debut - Ensemble (RAE JAMES)
Ensemble Flexible
[Partition]
Universal Edition
Flexible four-part arrangements for the first ventures into ensemble playing. Pa...
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Flexible four-part arrangements for the first ventures into ensemble playing. Par RAE JAMES. 'Ensemble Debut” by James Rae is a natural progression from the award-winning Debut Series, which already encouraged young players to join their friends for duet versions of its little concert pieces. James Rae has taken four pieces that already appeared in the solo books and expanded them to be played by almost any combination of instruments, from a quartet up to a full orchestra. Parts are provided for C, Bb, and Eb instruments as well as viola, French horn, bass clef (in C) and percussion. The piano part can be used to support both performance and rehearsal. Youngsters in only their very first term of tuition can join together for the wonderful experience of ensemble playing before progressing to Debut's natural sequel, the All Together Easy Ensemble series./ Recueil / Ensemble Flexible
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Atonement (LIEBMAN DAVID)
29.10
Atonement (LIEBMAN DAVID)
Quatuor à cordes: 2 violons, alto, violoncelle
Advance Music
Par LIEBMAN DAVID. Atonement commemorates the holiest day of the year in the Jew...
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Par LIEBMAN DAVID. Atonement commemorates the holiest day of the year in the Jewish faith, called Yom Kippur. On that day an individual repents for transgressions which may have occurred during the past year. Fasting and prayer are the activities which begin at sundown with the chanting of Kol Nidre and end twenty four hours later. I wrote the melodies for this piece on Yom Kippur, 1979. Part of the piece quotes the beginning strains of Hatikvah, the Israeli national anthem. It is adaptable to any solo instrument. Solo parts are included for C concert, Bb, Eb and bass clef instruments. Recorded on 'Classique”./ Répertoire / Quatuor à Cordes et Instrument Solo
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The Techniques Of Guitar Playing (SETH F)
67.35
The Techniques Of Guitar Playing (SETH F)
Guitare
[Partition + CD]
Barenreiter
Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and co...
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Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare
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