Chorus

SKU: LM.VV252

Collecté par Françoise Cornu. Method, studies. Score. Editions Van de Velde #VV252. Published by Editions Van de Velde (LM.VV252).

ISBN 9790560052526.

ATTA INGNANT Pierre : J'ay espere (chanson de la Renaissance, 3 vx) - Helas ! Que c'est ung grant remort (chanson de la Renaissance, 3 vx) - VECCHI Orazio : O Felice nocchiero (Canzonette, 3 vx) - L'ultima volta ch'io (Canzonette, 3 vx) - MARENZIO Luca : Lasso no e cor mio (Villanella, 3 vx) - Se il dolce sguardo (Villanella, 3 vx) - MONTEVERDI Claudio : Quando sperai (Canzonette, 3 vx) - Son questi i crespi (Canzonette, 3 vx) - BATESON Thomas : Your shining eyes (Madrigal, 3 vx) - CARISSIMI Giacomo : O Felix anima (Motet, 3 vx) - MOZART Wolfgang A. : Due pupille (Nocturne, 3 vx) - HAYDN Joseph : Psaumes 31 et 69 (3 vx) - SCHUMANN : Mich zieht es nach dem Darfchen (3 vx) - JOHNSON Tom : Wesley's Challenge (3 vx) - INGENIERI Marco Antonio : O bone Jesu (4 vx) - ANERIO Giovanni Francesco : O Salutaris hostia (4 vx) - CASCIOLILI Claudio : Panis angelicus (4 vx) - BACH J.S. : Ach, Gott, wie manches Herzelied (Choral, 4vx) - Ach wie fluchtig, ach wie nichtig (Choral, 4 vx) - BRAHMS J. : Erlaube mir, feins Madchen (4 vx) - GERSHWIN : Somebody loves me (4 vx) - PETIT Jacques : Margie, Barber shop song (arrangement, 4 vx) - MEYER Marc : Every time I feel the Spirit (Spiritual, 4 vx) - JOHNSON Tom : Wesley 's Challenge (4 vx).

For voice, guitar or piano. Album. Pop / Jazz. Score. Published by Editions Henry Lemoine

Solo flute - Level 3

SKU: LM.26465

Composed by Atarah Ben Tovim. Classical. Score. Editions Henry Lemoine #26465. Published by Editions Henry Lemoine (LM.26465).

ISBN 9790230964654.

BACH : Concerto Brandebourgeois n. 2 (1er mvt) - BBEETHOVEN : Concerto pour piano n. 1 (3e mvt) - Marche turque des Ruines d'Athenes - Symphonie n. 6 (1er mvt) - Symphonie n. 7 (3e mvt) - BERLIOZ : Les Francs-Juges (ouverture) - Symphonie fantastique (La Marche a l'echafaud) - BIZET : Carmen (Prelude) - L'Arlesienne (Carillon et Suite) - BRAHMS : Ouverture pour une fete academique - Variations sur un theme de Haydn (Final) - CHABRIER : Espana (Rapsodie) - DEBUSSY : Nocturne (Nuages) - DVORAK : Danses slaves Op.46 n. 1 - Symphonie n. 8 (2e, 4e mvt) - Symphonie n. 9 (2e, 3e mvt) - Variation symphonique n. 3 - ELGAR : Enigma variations (n. 1 et final) - FRANCK : Symphonie en re mineur (3e mvt) - GRIEG : Concerto pour piano Op.16 (1er, 3e mvt) - HAYDN : Symphonie n. 94 (3e, 4e mvt) - Symphonie n. 101 (2e mvt) - HOLST : Les Planetes (Jupiter) - LISZT : Rapsodie hongroise - MENDELSSOHN : Les Hebrides (ouverture) - Songe d'une nuit d'ete (Marche nuptiale) - MOZARTt : Concerto pour piano n. 21 (2e mvt) - Symphonie n. 40 (3e mvt) - NICOLAI : Les Joyeuses Commeres de Windsor (ouverture) - RIMSKY-KORSAKOV : Cappriccio espagnol (2e mvt) - Sheherazade (3e mvt, Le Prince) - ROSSINI : Le Barbier de Seville (ouverture) - Guillaume Tell (ouverture) - L'Italienne a Alger - SCHUBERT : Symphonie n. 5 (2e, 4e mvt) - Symphonie n. 8 (1er, 2e mvt) - SCHUMANN : Concerto pour piano Op.54 (3e mvt) - SMETANA : La Fiancee vendue (ouverture) - SUPPE : Cavalerie legere (ouverture) - TCHAIKOVSKY : Casse-Noisette (Danse russe, Valse des fleurs) - Ouverture 1812 Op.49 - Symphonie n. 2 (2e mvt) - Symphonie n. 5 (1er mvt) - Symphonie n. 6 (2e, 3e mvt) - WAGNER : Le Vaisseau fantome (ouverture) - WEBER : Oberon (ouverture).

Piano - Level 2

SKU: LM.24185

Composed by Monique Gabus. Classical. Score. Editions Henry Lemoine #24185. Published by Editions Henry Lemoine (LM.24185).

ISBN 9790230941853.

Peti te planete - Souvenir - Jour de Printemps - Dans les Alpes - Chant folklorique - Valse - A la francaise - Un Petit chinois a Paris - Jeu - Les Oiseaux de mon jardin.

By Francois Couperin. Keyboard. Size 8 1/8 x 11. 256 pages. Published by Dover Publications.

Piano Solo

SKU: AP.36-M225791

Composed by Maurice Ravel. This edition: Master Piano Series. Piano Solo. Master Piano Series. Book. LudwigMasters Publications #36-M225791. Published by LudwigMasters Publications (AP.36-M225791).

ISBN 9781638872603. UPC: 735816105204. English.

The word tombeau is a musical term from the 17th century, meaning a piece written as a memorial. Maurice Ravel (1875-1937) composed LE TOMBEAU DE COUPERIN as a six-movement suite (based on those of the Traditional Baroque suite) for solo piano, with each movement dedicated to the memory of a friend who had died fighting in World War I. The Couperin referred to in the title is François Couperin the Great (1668-1733), although Ravel's intentions were to pay homage to the sensibilities of the Baroque French keyboard suite in general, not one composer in general. Often light-hearted rather than sombre as one may suggest, Ravel responded, The dead are sad enough, in their eternal silence. Movements: I. Prelude, II. Fugue, III. Forlane, IV. Rigaudon, V. Menuet, VI. Toccata.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Plectrum orchestra - Grade 1

SKU: RM.MACI03106-BA

Composed by Francoise Maciocchi. Plectrum orchetra. Orchestra. Full set. Editions Robert Martin #MACI03106-BA. Published by Editions Robert Martin (RM.MACI03106-BA).

ISBN 9790231031065.

Plectrum orchestra - Grade 1

SKU: RM.MACI03106-CO

Composed by Francoise Maciocchi. Plectrum orchetra. Orchestra. Conductor's score. Editions Robert Martin #MACI03106-CO. Published by Editions Robert Martin (RM.MACI03106-CO).

Piano solo

SKU: HH.HH512-SOL

Composed by Franz Joseph Haydn. Edited by Sarah Jenner. Arranged by C.D. Stegmann. Playing score. Edition HH Music Publishers #HH512-SOL. Published by Edition HH Music Publishers (HH.HH512-SOL).

ISBN 9790708185222.

Symp hony No.63 La Roxelane the first movement of which re-employs (with reduced instrumentation and some structural adjustment to conform to its new symphonic setting) the overture to Haydn’s opera Il mondo della luna which was originally composed for the 1777 season at Esterháza. The second movement, headed Roxelane Allegretto, is a set of variations on the French melody La Roxelane which reveals itself as an early example of the composer’s favoured double-variation form of contrasting major and minor key sections. Roxelane herself is the leading female character in Les trois sultanes, a stage play by Charles Simon Favart performed by Karl Wahr and his theatrical troupe in a German translation at Esterháza in that same year with (we assume) incidental music by Haydn. The Menuetto and concluding Finale Presto of the symphony were newly-composed and do not (as far as we know) make use of re-cycled theatrical music.

(230 Selected Technical and Orchestral Studies for Oboe and English horn). Edited by Albert Andraud. For Oboe. Woodwind Solos and Ensembles - Oboe Method/Studies. Southern Music. Instructional, Studies and Classical. Collection. 200 pages. Southern Music Company #B412. Published by Southern Music Company

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

Choir (2-6 Voices)

SKU: HL.49005639

Madrigale und Chansons. Edited by Egon Kraus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Choral Score. 124 pages. Schott Music #ED5405. Published by Schott Music (HL.49005639).

ISBN 9783795715038. UPC: 073999803570. 7.5x10.75x0.391 inches.

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

The Vocal Library High Voice. Composed by Various. Edited by Carol Kimball, Richard Walters. Vocal Collection. French, Classical. CD. 8 pages. Published by Hal Leonard

The Vocal Library Low Voice. Composed by Various. Edited by Carol Kimball, Richard Walters. Vocal Collection. French, Classical. CD. 8 pages. Published by Hal Leonard

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Chamber Music String Quartet

SKU: PR.144407270

Composed by Sydney F. Hodkinson. Sws. Set of Score and Parts. 44+16+16+16+16 pages. Duration 22 minutes. Merion Music #144-40727. Published by Merion Music (PR.144407270).

UPC: 680160681891. 9 x 12 inches.

My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.

Chamber Music String Quartet

SKU: PR.14440727S

Composed by Sydney F. Hodkinson. Sws. Full score. 44 pages. Duration 22 minutes. Merion Music #144-40727S. Published by Merion Music (PR.14440727S).

UPC: 680160681907. 9 x 12 inches.

My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.