(Volume 1). For Voice and Piano and Piano solo. [Raccolta di Ariette e Duettini per camera inediti, Romanze francesi nuove, Canzoncine Napolitane e Siciliane, Variazioni pel canto, piccoli Divertimenti per Pianoforte, Contradanze, Walz, Balli diversi etc.]. 56 pages

SKU: NR.93305

Second edition 1755. Composed by Francesco Saverio Geminiani. Edited by Francesco Geminiani. Orchestra (10 and more instruments). Score. Noten Roehr #93305. Published by Noten Roehr (NR.93305).

String Orchestra

SKU: BT.DVTMT-20665

By Alessandro Bacci. By Francesco Geminiani. Contemporary Music. Set (Score & Parts). 60 pages. Da Vinci Publishing #DVTMT 20665. Published by Da Vinci Publishing (BT.DVTMT-20665).

Italian.

Orchestra (str=1.1.0.0.1,str quartet obligato)

SKU: TM.06364SET

Composed by Francesco Barsanti. Set Type: M. Set of parts. Lucks Music Library #A5423. Published by Lucks Music Library (TM.06364SET).

No score.

48 Songs from the 19th and 20th Centuries - Medium/Low Voice. Composed by Various. Edited by Ilaria Narici. Vocal Collection. Classical, Italian. Softcover. 244 pages. Ricordi #NR141462. Published by Ricordi (HL.50600668).

By Camilla De Rossi. Edited by Barbara Jackson. Text by: Francesco Maria Dario. SSAT soloists / Orchestra. For 2 violins, viola, continuo, archlute, 2 chalumeaux. Oratorio with soloists (no chorus). Oratorio. Baroque. Level: Difficult. Score. Facsimile. 145 pages. Duration 1 hour. Published by ClarNan Editions.

By Camilla De Rossi. Edited by Barbara Jackson. Text by: Francesco Maria Dario. Orchestra. For 2 violins, viola, continuo, archlute, 2 chalumeaux. Parts set for orchestra, solo oratorio (no chorus). Baroque. Level: Difficult. Set of Parts. Facsimile. Duration 1 hour. Published by ClarNan Editions.

Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical, Renaissance. Softcover Audio Online. 120 pages. Music Sales #AM968066. Published by Music Sales

Piano Accompaniment; Tenor (Tenor)

SKU: HL.50602119

Tenor. Composed by Various. Edited by Ilaria Narici. Vocal Collection. Opera. Softcover. 218 pages. Ricordi #NR141591. Published by Ricordi (HL.50602119).

ISBN 9781540064462. UPC: 888680966522. 9.0x12.0x0.668 inches.

VINCENZO BELLINI I Capuleti e i Montecchi È serbata a questo acciaro • Il pirata Nel furor delle tempeste • I puritani A te, o cara • GEORGES BIZET Carmen La fleur que tu m'avais jetée • FRANCESCO CILEA L'Arlesiana È la solita storia del pastore... • GAETANO DONIZETTI Don Pasquale Com'è gentil • L'elisir d'amore Quanto è bella • Una furtiva lagrima • La favorita Favorita del re! - Spirto gentil • La fille du régiment Ah ! mes amis - Pour mon âme • Lucia di Lammermoor Tombe degli avi miei - Fra poco a me ricovero • Tu che a Dio spiegasti l'ali • UMBERTO GIORDANO Fedora Amor ti vieta • CHARLES GOUNOD Faust Salut ! demeure chaste et pure • GEORGE FRIDERIC HANDEL Alcina È un folle, è un vile affetto • EDOUARD LALO Le roi d'Ys Puisqu'on ne peut - Vainement, ma bien aimée • JULES MASSENET Manon C'est vrai...- En fermant les yeux o Je suis seul ! - Ah ! fuyez, douce image • Werther Toute mon âme - Pourquoi me réveiller • WOLFGANG AMADEUS MOZART Così fan tutte Un'aura amorosa • Don Giovanni Dalla sua pace • Il mio tesoro • Die Zauberflöte Dies Bildnis ist bezaubernd schön • GIACOMO PUCCINI La bohème Che gelida manina • La fanciulla del West Ch'ella mi creda • Gianni Schicchi Avete torto! - Firenze è comeun albero fiorito • Madama Butterfly Amore o grillo o Addio, fiorito asil • Manon Lescaut Donna non vidi mai • Tosca Recondita armonia • Turandot Nessun dorma! • GIOACHINO ROSSINI Il barbiere di Siviglia Ecco ridente in cielo o ente in cielo • La Cenerentola Sì, ritrovarla io giuro • Guglielmo Tell O muto asil del pianto • PYOTR IL'YICH TCHAIKOVSKY Eugene Onegin Kuda, kuda, kuda vy udalilis • GIUSEPPE VERDI Un ballo in maschera Di' tu se fedele • Rigoletto Questa o quella • Ella mi fu rapita! - Parmi veder le lagrime • La donna è mobile • La traviata Lunge da lei - Dei miei bollenti spiriti.

4-part mixed chorus (4-stimmig), Klavier 4-händig, Streicher

SKU: VD.ED12679

Composed by Gioachino Rossini. Edited by Guido Johannes Joerg. Arranged by Francesco Florimo. Classical. Piano reduction. With Text Language: Italian. 34 S. pages. Verlag Dohr #ED12679. Published by Verlag Dohr (VD.ED12679).

ISBN 9790202026793. 10.63 x 7.48 inches.

4-part mixed chorus (4-stimmig), Klavier 4-händig, Streicher

SKU: VD.ED12677

Composed by Gioachino Rossini. Edited by Guido Johannes Joerg. Arranged by Francesco Florimo. Classical. Score. 74 S. pages. Verlag Dohr #ED12677. Published by Verlag Dohr (VD.ED12677).

ISBN 9790202026779. 12 x 9 inches.

String orchestra

SKU: BO.B.3292

Composed by Jordi Cervello. Instrumental Sets. Duration 17:35. Published by Editorial de Musica Boileau (BO.B.3292).

English comments:
This is the definitive version of Biogenesis, a piece that Cervello had written in 1976, together with his friend Jorge Wagensberg, and which was awarded the First Prize at the Spanish Ministry for Education and Science's Permanent Composition and Musical Research Competition. The new version was made at 1984-85 Lux et umbra is written for a string group consisting of four first and four second violins, three violas, three cellos and a double bass. The conceptual battle between darkness and light is represented by the instability between the notes B and C, and by the compartmentation of the group of fifteen strings into divisi that provide an independent arrangement for each instrument, thus bestowing great substance upon the texture of the music. A cello cadence emerges from a slow and straightforward beginning. A process of contrasts then begins, culminating in a molto vivace passage of a scherzando nature, which alludes to the Baroque concerti grossi. The music once again plays with chiaroscuro until reaching its climax, from which point the conclusion slowly begins, establishing itself in the high register until fading away. The work was first performed at Barcelona's Palau de la Musica by the English Chamber Orchestra, directed by Enrique Garcia Asensio, in 1987. That same year, in the newspaper El Pais, the observations of the composer and critic Francesc Taverna-Bech paid tribute to the work's intelligence as regards the use of and search for instrumental resources (in this case, string instruments, about which Cervello knows a great deal), the skill involved in endowing the lyrical line with tension, and a singular touch that confers formal essence upon the musical discourse. In La Vanguardia, Jordi Llovet wrote that this is a work in which, as is the case with most of Cervello's compositions, the listener finds something covertly religious, a mysterious secret, a transcendence linked to the origins of communication requiring more than a single being, which provides excitement. In 1990, when the Orquesta de Granada (Orchestra of Granada) performed the work at Barcelona's Grec festival, the critic Cesar Calmell opined, in the same newspaper, that inch by inch, surely and imperturbably, Cervello built up a perfect world that reflects the image of the craftsman who, so astonished at the delights of his trade, is unable to do anything but turn the very backdrop of tragedy into something pleasant. Lux et umbra was recorded by the Orchestra Estatal of the Hermitage, conducted by Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Music critic

Comentari os del Espanol:
Se trata de la version definitiva de Biogenesis, obra que habia escrito en 1976 en colaboracion con su amigo Jorge Wagensberg y que obtuvo el Primer Premio, en el ano de su creacion, en el Concurso Permanente de Composicion e Investigacion Musical del Ministerio de Educacion y Ciencia. La nueva version fue realizada en 1984-85. Lux et umbra esta escrita para un grupo de cuerda integrado por cuatro primeros violines, cuatro segundos, tres violas, tres violoncelos y un contrabajo. El combate filosofico entre la oscuridad y la luz lo lleva a cabo la inestabilidad entre las notas si y do y la compartimentacion del grupo de quince cuerdas en unos divisi que llegan a una escritura independiente para cada instrumento, otorgando una gran importancia a la textura sonora. De un principio lento y descarnado emerge una cadencia del violonchelo. A continuacion da comienzo un proceso de contrastes que culmina en un pasaje molto vivace de caracter scherzando que alude a los concerti grossi del barroco. La musica juega de nuevo con el claroscuro hasta llegar a la cumbre sonora iniciando el final lentamente que se instala en el registro agudo hasta desvanecerse. La estreno en el Palau de la Musica de Barcelona la English Chamber Orchestra en el ano 1987 bajo la direccion de Enrique Garcia Asensio. Ese mismo ano, en el periodico El Pais, el compositor y critico Francesc Taverna-Bech reconocia en sus comentarios la inteligencia en el uso y la busqueda de los recursos instrumentales -en este caso la cuerda, de la que Cervello es profundo conocedor-, la destreza para revestir de tension la linea lirica y un tacto particular para conferir entidad formal al discurso sonoro. Jordi Llovet, en La Vanguardia, escribia que en esta obra, se encuentra, como en la mayor parte de la produccion de Cervello, algo secretamente religioso, un arcano misterioso, una trascendencia vinculada a los origenes de la comunicacion impracticable con el ser unico que resulta apasionante. En el ano 1990, cuando la Orquesta de Granada la toco en el Grec de Barcelona, era el critico Cesar Calmell quien, en el mismo periodico consideraba que Cervello construyo palmo a palmo, segura e imperturbablemente, un mundo perfecto que refleja la imagen del artesano que, de tan admirado con las delicias de su oficio, no puede hacer otra cosa que convertir en agradable el fondo mismo de la tragedia. Lux et umbra esta grabada por la Orquesta Estatal del Hermitage, dirigida por Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Critico musical.

Guitar - intermediate

SKU: M7.VOGG-816

Composed by Gernot Roedder. This edition: Ring/Spiral binding. Sheet music with 2 CDs. 152 pages. Voggenreiter #VOGG 816. Published by Voggenreiter (M7.VOGG-816).

ISBN 9783802408168. German.

Für Gitarristen der Mittelstufe Über 60 der bekanntesten und wichtigsten Stücke für die Konzertgitarre (Solo und Duo) aus drei Jahrhunderten in traditioneller Notation - die unentbehrliche Stückesammlung, die in keinem gutsortierten Notenregal fehlen darf! Endlich alle Stücke, die man sich bisher in Einzelausgaben anschaffen oder aus Dutzenden von Sammlungen zusammenstellen musste, in einem einzigen Band! Von Aguado und Bach bis zu Sor und Tárrega, hier findet sich für jeden Gitarristengeschmack das Richtige. Alle Stücke spielfertig eingerichtet mit Fingersätzen und Lagenangaben. Die beiden aufwendig produzierten Begleit-CDs sind nicht nur ein idealer Begleiter beim Üben, sondern auch ein absoluter Hörgenuss für jeden Liebhaber klassischer Gitarrenmusik.

Composed by Various. Edited by Richard Walters. Boosey and Hawkes Voice. Opera. Softcover. 306 pages. Published by Boosey and Hawkes

Komische Oper in 2 Akten. Deutsche Buhnenfassung von Paul Friedrich und Gunter Rennert (deutsch/franzosisch/engl isch). By Gioachino Rossini. Text: Romanelli, Luigi. For Soprano Solo (2), Alto Solo, Tenor Solo, Baritone Solo, Bass Solo (3), Men's Choir-TTBB, Flute (2)/Piccolo, Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Drums (2), Strings, Basso Continuo. Piano Reduction/Vocal Score (paperbound). Duration 150'. Published by Baerenreiter-Ausgaben (German import). (BA3496 90)