Horn and Piano - very easy, easy SKU: BT.DHP-1196128-404 Corno (Fa)(+)
Horn and Piano - very
easy, easy
SKU:
BT.DHP-1196128-404
Corno (Fa).
Arranged by Markus
Schenk. Ascolta, Leggi e
Suona. Classical. Book
with Part and
Audio-Online. Composed
2019. 80 pages. De Haske
Publications #DHP
1196128-404. Published by
De Haske Publications
(BT.DHP-1196128-404).
ISBN 9789043157384.
Italian.
Ascolta
, leggi & suona
rappresenta oggi il testo
di riferimento dedicato
all’insegnamento
della musica per ottoni e
legni. Questo fantastico
metodo, costituito da
libro e CD, include
canzoni, indovinelli
musicali e giochiche
permetteranno all'allievo
principiante di
progredire nella
conoscenza della musica,
fornendogli al contempo
utilissime informazioni
sul suo strumento e
numerosi brani da suonare
divertendosi. I tre
volumi che
compongonol’opera
sono i primi della
collana e sono affiancati
da testi contenenti
materiale supplementare
per i differenti livelli
del corso.
Incontra
l’opera offre
utile materiale
complementare a tutti e
tre i volumi della
serieAscolta, leggi &
suona e include arie
famose, cori e
ouvertures, proposti
secondo un ordine di
difficolt crescente. Una
selezione delle più
belle melodie mai scritte
per l’opera,
corredate da un quadro
storico
esplicativo.L’alli
evo potr esercitarsi da
solo, utilizzando le
tracce registrate
disponibili online,
scaricabili o ascoltabili
in streaming. Questa
edizione contiene
l’accompagnamento
pianistico, arrangiato
sapientemente a un
moderatolivello di
difficolt .
French Favorites for Easy Piano with Lyrics arranged by Jay Latulippe. For easy ...(+)
French Favorites for Easy
Piano with Lyrics
arranged by Jay
Latulippe. For easy
piano. This edition:
Paperback. Collection.
Ethnic. Book. Text
Language: English. 32
pages. Published by
Santorella Publications
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Set of Parts.
Composed 2008. De Haske
Publications #DHP
1074334-050. Published by
De Haske Publications
(BT.DHP-1074334-050).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy, where
Benedict was born. The
holy Benedict (480-547)
is considered the founder
of monastic life within
the Roman Catholic
Church. His enormous
influence is especially
owing to his monastic
rule, the Regula
Benedicti.Jacob de Haan
has named the movements
of Cantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the other
texts, were originally
used in Gregorian chant)
are voiced by the choir.
To this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the three movements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the conductor:
For this cantata, there
are various possibilities
for the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
sounds together with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a three-dimensional
performance in a church.
For example, the choir
can sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
could also sing from a
gallery. With layouts
like this, working with
two conductors is
advisable.
Cantica de
Sancto Benedicto ist
ein dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen Stadt
Nursia, dem Geburtsort
von Benedikt. Jacob de
Haan benannte die
Sätze von Cantica
de Sancto Benedicto
nach der Heiligen
Dreifaltigkeit: der Vater
(Gloria Patri),
der Sohn (Gloria
Filio) und der
Heilige Geist (Gloria
Spiritui Sancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierteJacob de Haan
neue choralartige,
homophone Musik. Der
Abschnitt Laeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Proprium aus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet
werden.Link zur Partitur:
DHP
1074334-140Link zum
Blasorchesterset: DHP
1074334-010
By Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier; Sylvie B...(+)
By Jean-Philippe Rameau
(1683-1764). Edited by
Jean-Paul C. Montagnier;
Sylvie Bouissou. For Low
Voice, High Voice, Alto
Solo, Violin 1 (Flute),
Violin 2, Basso Continuo/
Bass Viola Da Gamba.
Opera Omnia OOR III.1.
Score; Set of Parts
(paperbound). Published
by Baerenreiter Verlag
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Concert Piece. Set
(Score & Parts). Composed
2008. De Haske
Publications #DHP
1074334-010. Published by
De Haske Publications
(BT.DHP-1074334-010).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy,
whereBenedict was born.
The holy Benedict
(480-547) is considered
the founder of monastic
life within the Roman
Catholic Church. His
enormous influence is
especially owing to his
monastic rule, the Regula
Benedicti.Jacob de Haan
has named the movements
ofCantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the
othertexts, were
originally used in
Gregorian chant) are
voiced by the choir. To
this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the threemovements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the
conductor:For this
cantata, there are
various possibilities for
the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
soundstogether with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a
three-dimensionalperforma
nce in a church. For
example, the choir can
sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
couldalso sing from a
gallery. With layouts
like this, working with
two conductors is
advisable. Choral parts
available
separately.
Koor
partijen apart
verkrijgbaar.
Cantica de Sancto
Benedicto ist ein
dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen StadtNursia,
dem Geburtsort von
Benedikt. Jacob de Haan
benannte die Sätze von
Cantica de Sancto
Benedicto nach der
Heiligen Dreifaltigkeit:
der Vater (Gloria
Patri), der Sohn
(Gloria Filio) und
der Heilige Geist
(Gloria
SpirituiSancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierte Jacob de Haan
neue choralartige,
homophone Musik. Der
AbschnittLaeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Propriumaus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet
werden.Chorstimmen sind
unter folgendem Link
separat erhältlich:DHP
1074334-050Anmerkungen
für den
Dirigenten:Für
dieseKantate gibt es
mehrere
Aufführungsmöglichk
eiten. Die erste ist eine
Version, in der die Chor-
und Sopranstimmen nur von
der Orgel begleitet
werden. Solch eine
Aufführung bietet
mehrere Vorteile: Da das
Blasorchester nie
zusammen mit Chor und
Sopranerklingt, gibt es
keine Probleme mit der
klanglichen
Ausgewogenheit und sogar
eine Aufführung mit
einem großen
Blasorchester und einem
kleinen Kantatenchor ist
denkbar. Eine besondere
Aufstellung für eine
dreidimensionale
Aufführung in einer
Kircheist ebenso
möglich. Der Chor
singt zum Beispiel von
der Kanzel aus, begleitet
von der Chororgel; der
Sopran steht auf der
Galerie, begleitet von
der Hauptorgel,
während das
Blasorchester in einem
anderen Teil der Kirche
aufgestellt ist. Der Chor
kannauch von Galerie aus
singen. Bei solchen
Aufstellungen ist es
ratsam, mit zwei
Dirigenten zu arbeiten.
Die Begleitung der
Singstimmen ist in
Stichnoten für das
Blasorchester notiert.
Wenn das Werk ohne Orgel
aufgeführt wird,
beispielsweise in
einemKonzertsaal, spielt
das Blasorchester die
Begleitung. Die
Begleitstimmen sind
transparent orchestriert,
zugunsten der klanglichen
Ausgewogenheit von
Blasorchester, Chor und
Sopran. Im dritten Satz
(Takte 144-151) gibt es
eine optionale Passage
fürden Chor. Diese ist
nur für eine
Aufführung mit einem
sehr großen Chor
gedacht. Eine weitere
Variante beinhaltet, den
musikalischen
Höhepunkt im dritten
Satz zu überspringen
und direkt von Takt 156
zu Takt 213
weiterzugehen. Gründe
hierfür könnensein:
der etwas höhere
Schwierigkeitsgrad, eine
begrenzte
Aufführungsdauer
und/oder der Wunsch, den
Kantatentext auf Gemma
Caelestis und
Laeta Quies zu
beschränken.
Während einer Messe
oder eines Gottesdienstes
können auch
verschiedeneStrophen
verwendet werden.
Wahlweise kann das
Sopransolo auch vom
Chorsopran gesungen
werden. Alternativ hierzu
können Sie die
Sopranstimmen (komplett
oder teilweise) von einem
Tenor singen lassen.
Für Chöre, die
Cantica de Sancto
Benedictoaufführen
wollen, bietet der
Komponist einen
Extra-Service auf seiner
Website
https://www.jacobdehaan.c
om, wo Audiodateien der
einzelnen Chorstimmen
für das Einstudieren
zu Hause zugänglich
sind. Informationen zu
anderen Werken für
Chor undBlasorchester
(Missa Brevis und
Missa Katharina)
sind ebenfalls dort zu
finden.Chorstimmen
separat
erhältlich.
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Score Only.
Composed 2008. De Haske
Publications #DHP
1074334-140. Published by
De Haske Publications
(BT.DHP-1074334-140).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy,
whereBenedict was born.
The holy Benedict
(480-547) is considered
the founder of monastic
life within the Roman
Catholic Church. His
enormous influence is
especially owing to his
monastic rule, the Regula
Benedicti.Jacob de Haan
has named the movements
ofCantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the
othertexts, were
originally used in
Gregorian chant) are
voiced by the choir. To
this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the threemovements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the
conductor:For this
cantata, there are
various possibilities for
the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
soundstogether with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a
three-dimensionalperforma
nce in a church. For
example, the choir can
sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
couldalso sing from a
gallery. With layouts
like this, working with
two conductors is
advisable. Choral parts
available
separately.
Koorpa
rtijen apart
verkrijgbaar.
C
antica de Sancto
Benedicto ist ein
dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen StadtNursia,
dem Geburtsort von
Benedikt. Jacob de Haan
benannte die Sätze von
Cantica de Sancto
Benedicto nach der
Heiligen Dreifaltigkeit:
der Vater (Gloria
Patri), der Sohn
(Gloria Filio) und
der Heilige Geist
(Gloria
SpirituiSancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierteJacob de Haan
neue choralartige,
homophone Musik. Der
AbschnittLaeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Propriumaus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet werden.
Chorstimmen separat
erhältlich.
73 Traditional Pieces for Violin. Composed by Vicki Swan. Edited by Vicki Swan. ...(+)
73 Traditional Pieces for
Violin. Composed by Vicki
Swan. Edited by Vicki
Swan. Arranged by Vicki
Swan. This edition:
Saddle stitching. Sheet
music with CD. String.
Folk, Scandinavian.
Edition with CD. 76
pages. Schott Music #ED
13565. Published by
Schott Music
By Robert Elledge. Edited by Don Haddad. Band. For french horn. Method book. Ban...(+)
By Robert Elledge. Edited
by Don Haddad. Band. For
french horn. Method book.
Band Technique
Step-by-Step. Music book.
Published by Neil A. Kjos
Music Company
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch.
By John Williams. For french horn. Instrumental Series. Pop Instrumental Solo Se...(+)
By John Williams. For
french horn. Instrumental
Series. Pop Instrumental
Solo Series. Play Along.
Level: Level 2-3 (grade
2-3). Book and CD. 32
pages. Published by
Alfred Publishing.
Selected Duets - French Horn (Volume 2) (Volume 2 - Advanced). Edited by Himie V...(+)
Selected Duets - French
Horn (Volume 2) (Volume 2
- Advanced). Edited by
Himie Voxman. For French
Horn. Ensemble
Collection. Advanced. 72
pages. Published by
Rubank Publications
For French Horn. Classical (orchestral). Includes a high-quality printed music s...(+)
For French Horn.
Classical (orchestral).
Includes a high-quality
printed music score and a
compact disc containing a
complete performance with
soloist; then a second
version with the
orchestral accompaniment,
minus the soloist.
Published by Music Minus
One
Keyboard - very easy to easy SKU: HL.49044585 100 neue bekannte Hits(+)
Keyboard - very easy to
easy
SKU:
HL.49044585
100
neue bekannte Hits.
Arranged by Uwe Bye. This
edition: Paperback/Soft
Cover. Sheet music.
Piano. Dieses Songbook
fur Keyboarder enthalt
eine grosse Auswahl
leicht spielbarer
Arrangements aus den
verschiedensten
Musikgenres. Softcover.
120 pages. Schott Music
#ED 22157. Published by
Schott Music
(HL.49044585).
ISBN
9783795749736. German -
English -
French.
Following
on from the successful
Keytainment (ED 21233),
now it's getting really
easy. This songbook for
keyboard players contains
a large selection of
easy-to-play arrangements
from various music
genres. There really is
something for everybody!
Includes: Dexter (theme
song) - I'm Always Here
(Baywatch theme) - and
many more.
By James D. Ployhar and Fred Weber. For French Horn. Brass - French Horn Method ...(+)
By James D. Ployhar and
Fred Weber. For French
Horn. Brass - French Horn
Method or Collection.
Student Instrumental
Course. Level:
Elementary. 32 pages.
Published by Alfred
Publishing.
By James D. Ployhar. For French Horn. Brass - French Horn Method or Collection. ...(+)
By James D. Ployhar. For
French Horn. Brass -
French Horn Method or
Collection. Student
Instrumental Course.
Level: Intermediate. 32
pages. Published by
Alfred Publishing.
By James D. Ployhar. For French Horn. Brass - French Horn Method or Collection. ...(+)
By James D. Ployhar. For
French Horn. Brass -
French Horn Method or
Collection. Student
Instrumental Course.
Level: Advanced
Intermediate. 32 pages.
Published by Alfred
Publishing.
By James D. Ployhar and Fred Weber. For French Horn. Brass - French Horn Method ...(+)
By James D. Ployhar and
Fred Weber. For French
Horn. Brass - French Horn
Method or Collection.
Student Instrumental
Course. Level:
Elementary. 40 pages.
Published by Alfred
Publishing.
By James D. Ployhar. For French Horn. Brass - French Horn Method or Collection. ...(+)
By James D. Ployhar. For
French Horn. Brass -
French Horn Method or
Collection. Student
Instrumental Course.
Level: Advanced
Intermediate. 32 pages.
Published by Alfred
Publishing.
Edited by Richard E. Ballou. Brass - French Horn Method or Collection; Method/In...(+)
Edited by Richard E.
Ballou. Brass - French
Horn Method or
Collection;
Method/Instruction.
Technique. Instructional
book. With introductory
text, instructional text
and standard notation. 40
pages. Alfred Music
#00-EL00966. Published by
Alfred Music
Solo Sounds for Horn - Volume I (Levels 1-3), Solo Book (Levels 1-3 Solo Book). ...(+)
Solo Sounds for Horn -
Volume I (Levels 1-3),
Solo Book (Levels 1-3
Solo Book). Edited by
Thom Proctor. For horn
solo. Brass - French Horn
Method or Collection.
Solo Sounds Instrumental
Series. Piano
accompaniment sold
separately (EL03344).
Classical. Horn solo
book. Standard notation.
20 pages. Published by
Alfred Music Publishing
Horn and Piano - very easy, easy SKU: BT.DHP-1185895-404 F Horn. A...(+)
Horn and Piano - very
easy, easy
SKU:
BT.DHP-1185895-404
F Horn. Arranged
by Markus Schenk. Look,
Listen and Learn. Opera
or Operetta. Book with
Part and Audio-Online.
Composed 2018. 28 pages.
De Haske Publications
#DHP 1185895-404.
Published by De Haske
Publications
(BT.DHP-1185895-404).
ISBN 9789043154550.
English.
Look,
Listen and Learn sets
the bar for brass and
woodwind teaching
nowadays. These exciting
method book/CD packs for
beginners contain songs,
music puzzles and games
to increase the
pupilsâ?? understanding
of music, information
about their instrument,
and lots of fun pieces to
play. The three volumes
of the method that form
the basis of this series
are enhanced by several
books with supplementary
material designed to
correspond with the
progress of the
method.
In My First
Opera, famous arias,
choruses, and overtures
have been arranged in
increasing order of
difficulty so that they
can be used in
conjunction with all
three volumes of the
Look, Listenand
Learn method series.
Some of the loveliest
melodies ever written for
opera have been collected
together with
accompanying historical
commentary. Pupils can
accompany themselves
using the piano
recordings, which are
available online to
stream or download. The
edition also includes
printed music for piano
accompaniments, expertly
arranged at a moderate
level of difficulty.