| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs for Praise and Worship Piano, Voix et Guitare Hal Leonard
(253 of the finest praise and worship songs). Composed by Various. For voice, pi...(+)
(253 of the finest praise
and worship songs).
Composed by Various. For
voice, piano and guitar
(chords only). Sacred
Folio. Gospel and
Worship. Difficulty:
medium. Songbook (spiral
bound). Vocal melody,
piano accompaniment,
lyrics and chord names.
420 pages. Hal Leonard
#080689006395. Published
by Hal Leonard
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Laudate, Volume 5 Orgue Concordia Publishing House
By Kosnik. For organ. General, sacred. Published by Concordia Publishing House. ...(+)
By Kosnik. For organ.
General, sacred.
Published by Concordia
Publishing House.
Level: Moderately
Easy.
$24.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing We Merrily Unto God Chorale SATB SATB A Cappella Paraclete Press
Composed by Adrian Batten. For SATB choir, a cappella. Choral, General. Medium. ...(+)
Composed by Adrian
Batten. For SATB choir, a
cappella. Choral,
General. Medium. Choral
octavo. Published by
Paraclete Press
$2.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Happy Are the People God Has Chosen Chorale 2 parties - Facile GIA Publications
2-part mixed voices, cantor, assembly, keyboard accompaniment, guitar - Early in...(+)
2-part mixed voices,
cantor, assembly,
keyboard accompaniment,
guitar - Early
intermediate SKU:
GI.G-006403 Composed
by Carol Browning.
Trinity Sunday B, OT 19
C. Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#006403. Published by GIA
Publications
(GI.G-006403). UPC:
641151064031. English.
Text Source: Psalm 33.
Scripture: Psalm
33. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God moves in a mysterious way Boosey and Hawkes
Choir, Organ Accompaniment (SATB Choir) SKU: HL.48021285 From Saint Ni...(+)
Choir, Organ
Accompaniment (SATB
Choir) SKU:
HL.48021285 From
Saint Nicolas SATB and
Organ. Composed by
Benjamin Britten. Boosey
& Hawkes Sacred Choral.
Classical. Octavo. 8
pages. Boosey & Hawkes
#M051482504. Published by
Boosey & Hawkes
(HL.48021285). ISBN
9781458471598. UPC:
884088658458. 6.75x10.5
inches. Text: Eric
Crozier
Publisher:
Boosey &
Hawkes
Difficulty
level: 3
Saint
Nicolas (note the name
has no 'H' in it!) was
written for the centenary
of Lancing College in
Sussex, the independent
secondary boarding school
on the south coast of
England which Peter Pears
had attended in his
teens. It has a vast
chapel intended by its
founder, Revd Nathaniel
Woodard, as the cathedral
for all the schools of
his extensive foundation
known collectively as
'Woodard' schools. St.
Nicolas is famous for
many legendary miracles
and for being the
original 'Santa Claus'.
Crozier's libretto is
designed to tell the
story of his life, to
recount some of his most
celebrated acts and to
give the
audience/congregation the
opportunity of joining in
two beautiful hymns at
key moments: 'All people
that on earth do dwell'
and 'God moves in a
mysterious way his
wonders to perform'. The
narration is all done by
the choir, though the
tenor sings first-person
narratives as well in his
role as the mature
Nicolas. The young
Nicolas is sung by a boy
in movement II. There is
a dramatic moment at the
end of this movement when
the boy's voice does a
tumble and the tenor
proclaims in the voice of
Nicolas as a young man:
'God be
glorified'.
The
third movement is an
accompanied recitative in
which the soloist sings
of Nicolas devoting
himself to God through
the agonies and torment
of the many distractions
and temptations of life.
His faith wins through
and he sings a final
touching phrase: 'and
Love was satisfied'. The
sea whips up a storm in
the next movement: 'He
journeys to Palestine'.
It threatens to overturn
the ship and drown
everyone on board. There
is wailing from the
sopranos and altos of the
semi-chorus and agonised
calls from the tenors and
basses to 'man the
pumps'. Finally, Nicolas
begs God to let the storm
cease and offers thanks
for their safe delivery.
Britten creates a
palpable sense of relief
in the final
pages.
In the
fifth movement, 'Nicolas
comes to Myra and is
chosen Bishop', the choir
sings chorale-like
phrases welcoming him as
their new Bishop. They go
through his ceremonial
dressing with all the
accoutrements of his
office, the mitre,
crozier (nice pun on the
librettist's name), robe
and ring. An energetic
chorus 'Serve the faith
and spurn his enemies'
leads to the first great
hymn - a wonderfully
climactic moment.
Britten's arrangement is
suitably
uplifting.
The
final movement tells of
Nicolas' death and the
work ends with the other
great hymn: 'God moves in
a mysterious way'.
This work
demonstrates to me
Britten's generosity of
spirit and his natural
feeling for enriching the
repertoire at all levels
of attainment. What a
gift!
Duration: 50
minutes
Paul
Spicer, Lichfield,
2011. $1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Come to the Table - Book only - Débutant GIA Publications
(Music for First Communion). Composed by Various. For voice(s), keyboard. Sacred...(+)
(Music for First
Communion). Composed by
Various. For voice(s),
keyboard. Sacred. Easy.
Collection. Guitar chord
names. 104 pages.
Published by GIA
Publications
$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blest Are Those Who Love You - Volume 3, Additional Solos with Optional Congregation GIA Publications
SKU: GI.G-9541 Music for the Wedding Liturgy. Sacred. 72 pages. GI...(+)
SKU: GI.G-9541
Music for the Wedding
Liturgy. Sacred. 72
pages. GIA Publications
#9541. Published by GIA
Publications (GI.G-9541).
UPC: 785147954125.
English. Blest Are
Those Who Love You is the
ultimate resource for
pastors, cantors,
organists, brides-to-be,
and anyone who is looking
for the best in wedding
music. Every inclusion
conforms to the Roman
Catholic Church’s
new Order of Celebrating
Matrimony (2016). Inside
you’ll find the
appointed wedding psalms
(using the official
Revised Grail
translation) in three
distinct
settings—Guimont,
Gelineau, and The Lyric
Psalter, a dozen
appropriate gospel
acclamations with the
official verses, and a
wide array of beloved
psalm settings for use in
the Liturgy of the Word
or throughout the wedding
rite. All of the songs in
this edition may be sung
as a solo, but each
selection also has an
optional part for
congregation.
Additionally, many of
these songs originally
appeared as choral
octavos, the settings
included here are fully
compatible with those
original editions.
Contents:Â Beloved,
God's Chosen •
Covenant Hymn •
Every Morning in Your
Eyes • God
beyond Glory •
God, in the
Planning • God
of Love, Embrace Your
People • In Love
We Choose to
Live • Love Has
Brought Us Here
Together • Love
Is a Longing •
Love Is the
Sunlight • No
Greater Love •
Not for Tongues of
Heaven's
Angels • What a
Gift to Be
Gathered • At
the Table of
Jesus • Wherever
You Go. $19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come to the Table - B-flat Instrument edition - Débutant GIA Publications
C instrument, b-flat instrument - Beginning SKU: GI.G-6050IB Music for...(+)
C instrument, b-flat
instrument - Beginning
SKU: GI.G-6050IB
Music for First
Communion. Composed
by Various. This edition:
B-flat Instrument
edition. Sacred.
Instrumental part(s). 56
pages. GIA Publications
#6050IB. Published by GIA
Publications
(GI.G-6050IB). ISBN
9781579993573. The
title says it all! In
this new, expanded, and
updated collection, we
bring you the very best
songs GIA has to offer
for the blessed occasion
of First Communion.
Carefully chosen, the
music in this collection
is assembly-friendly and
easy to sing for both
children and adults. A
demo recording of all
songs is available.
Separate choral octavos
are also available for
most titles. A must-have
for every parish!
CONTENTS: Come to the
Table ALONSO - Take and
Eat JONCAS - Come and Eat
This Living Bread GLOVER
- Eat This Bread BERTHIER
- We Will Take What You
Offer BELL - I Received
the Living God - Come to
the Banquet CHEPPONIS -
Live-giving Bread, Saving
Cup CHEPPONIS - All Who
Hunger MOORE - Come All
You People BELL - Jesus,
Be Our Bread WOLD - Stand
Up, Friends - We Come to
Your Table - Now in This
Banquet - I Am the Bread
of Life / Yo soy el pan
de vida TOOLAN - Song of
the Body of Christ /
Cancin del cuerpo de
Cristo HAAS - Pues si
vivimos / If We Are
Living - Bread of Life
from Heaven / Pan de vida
eterna HAUGEN - All Who
Hunger DUNSTAN - Prepare
a Room for Me STUEMPFLE -
I Want to Walk as a Child
of the Light - Let the
Children Come BRINGLE - I
Come with Joy - Come to
the Feast MOORE - Taste
and See MOORE - Final
Blessing (from Jesus, the
Compassion of God) HAAS -
In the Lord I-ll Be Ever
Thankful BERTHIER -
Jubilate Servite BERTHIER
- I Am Special MOORE -
Psalm 78: The Lord Gave
Them Bread GUIMONT -
Psalm 34: Taste and See
GUIMONT - Psalm 23: The
Lord Is My Shepherd
SENSMEIER. $19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Are the Song Chorale 3 parties SAB [Octavo] Beckenhorst Press
| | |
| When Every Gate - Music Collection GIA Publications
After too many years of absence, John Foley, SJ, has returned to the liturgical ...(+)
After too many years of
absence, John Foley, SJ,
has returned to the
liturgical music scene
with his first GIA
release, When Every Gate.
The wait has been well
worth it! Performed
simply by cantor and
assembly or with a full
complement of musicians
and singers, this
excellent liturgical
music in the Foley
tradition will inspire
your assembly and choir
alike with haunting and
memorable tunes,
challenging yet
satisfying choral parts,
and inspiring texts.
Collection highlights
include creative settings
of Psalms 104 and 16,
music for a number of
liturgical seasons, and
two songs chosen for
liturgies at the NPM
National Convention in
St. Louis (1993): How
Lovely Is Your Dwelling
and When In Our Music God
Is Glorified. In addition
to John, text writers
include Fred Pratt Green,
Michael Dennis Browne,
and Jean Janzen.Â
CONTENTS: THE CARPENTER
(G-3931) • PSALM
104: GOD, SEND OUT YOUR
SPIRIT (G-3932) •
HALLELUIA, BLESS THE LORD
(G-3934) • PSALM
84: HOW LOVELY IS YOUR
DWELLING (G-3935) •
PSALM 16: KEEP ME SAFE, O
GOD (G-3936) • LET
JUSTICE ROLL DOWN
(G-3937) • LITTLE
HEART OF AGES (G-3938)
• MOTHERING GOD,
YOU GAVE ME BIRTH
(G-3940) • OUR GOD
HAS DONE GREAT THINGS FOR
US (G-3941) •
PRAISE TO YOU, LORD OF
ETERNAL GLORY (G-3942)
• WE KNOW YOU ARE
THE LAMB (G-3943)
• WHEN EVERY
GATE (G-3944) •
WHEN IN OUR MUSIC GOD IS
GLORIFIED (G-3945)
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Color Concordia Orchestre d'harmonie De Haske Publications
Concert Band (Score & Parts) - Level 3.5 SKU: HL.4008198 Fantasy Conce...(+)
Concert Band (Score &
Parts) - Level 3.5
SKU: HL.4008198
Fantasy Concertante on
“C(on)C(or)D(i)Aâ
De Haske Concert &
Contest Collection.
Composed by Jan de Haan.
De Haske Concert Band.
Concert. Duration 620
seconds. De Haske
Publications #033214.
Published by De Haske
Publications
(HL.4008198). UPC:
196288137313. 9.0x12.0
inches. Concordia
was the Roman goddess of
concord or unity. To
convey the unity among
their musicians, many
music societies over the
years, including the band
that commissioned this
composition, have chosen
this name. The literal
translation of Color
Concordia is color
harmony. Consequently,
the composer has
gratefully used the many
ranges of coloring of the
concert band for the
instrumentation of this
work. He based the
thematic material on the
four note names in
Concordia: C, C, D and A,
resulting in a brilliant
piece of music that will
suit any band. $165.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Color Concordia Orchestre d'harmonie De Haske Publications
Concert Band (Score) - Level 3.5 SKU: HL.4008199 Fantasy Concertante o...(+)
Concert Band (Score) -
Level 3.5 SKU:
HL.4008199 Fantasy
Concertante on
“C(on)C(or)D(i)Aâ
De Haske Concert &
Contest Collection.
Composed by Jan de Haan.
De Haske Concert Band.
Concert. Duration 620
seconds. De Haske
Publications #033214.
Published by De Haske
Publications
(HL.4008199). UPC:
196288137320. Conco
rdia was the Roman
goddess of concord or
unity. To convey the
unity among their
musicians, many music
societies over the years,
including the band that
commissioned this
composition, have chosen
this name. The literal
translation of Color
Concordia is color
harmony. Consequently,
the composer has
gratefully used the many
ranges of coloring of the
concert band for the
instrumentation of this
work. He based the
thematic material on the
four note names in
Concordia: C, C, D and A,
resulting in a brilliant
piece of music that will
suit any band. $30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Come to the Table - Book and CD edition Chorale Unison GIA Publications
Choir SKU: GI.G-6050CD Music for First Communion. Composed by Vari...(+)
Choir SKU:
GI.G-6050CD Music
for First Communion.
Composed by Various. This
edition: Book and CD
edition. Children.
Sacred. Book and CD. GIA
Publications #6050CD.
Published by GIA
Publications
(GI.G-6050CD). ISBN
9781579992743. English,
Spanish. The title
says it all! In this new,
expanded, and updated
collection, we bring you
the very best songs GIA
has to offer for the
blessed occasion of First
Communion. Carefully
chosen, the music in this
collection is
assembly-friendly and
easy to sing for both
children and adults. A
demo recording of all
songs is available.
Separate choral octavos
are also available for
most titles. A must-have
for every parish!
CONTENTS: Come to the
Table ALONSO - Take and
Eat JONCAS - Come and Eat
This Living Bread GLOVER
- Eat This Bread BERTHIER
- We Will Take What You
Offer BELL - I Received
the Living God - Come to
the Banquet CHEPPONIS -
Live-giving Bread, Saving
Cup CHEPPONIS - All Who
Hunger MOORE - Come All
You People BELL - Jesus,
Be Our Bread WOLD - Stand
Up, Friends - We Come to
Your Table - Now in This
Banquet - I Am the Bread
of Life / Yo soy el pan
de vida TOOLAN - Song of
the Body of Christ /
Cancin del cuerpo de
Cristo HAAS - Pues si
vivimos / If We Are
Living - Bread of Life
from Heaven / Pan de vida
eterna HAUGEN - All Who
Hunger DUNSTAN - Prepare
a Room for Me STUEMPFLE -
I Want to Walk as a Child
of the Light - Let the
Children Come BRINGLE - I
Come with Joy - Come to
the Feast MOORE - Taste
and See MOORE - Final
Blessing (from Jesus, the
Compassion of God) HAAS -
In the Lord I-ll Be Ever
Thankful BERTHIER -
Jubilate Servite BERTHIER
- I Am Special MOORE -
Psalm 78: The Lord Gave
Them Bread GUIMONT -
Psalm 34: Taste and See
GUIMONT - Psalm 23: The
Lord Is My Shepherd
SENSMEIER. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Companion Songs for the Faith-Filled Catholic Women's Bible (2-CD set) GIA Publications
SKU: GI.G-CD-698 Composed by Various. Sacred. CD. GIA Publications #698. ...(+)
SKU: GI.G-CD-698
Composed by Various.
Sacred. CD. GIA
Publications #698.
Published by GIA
Publications
(GI.G-CD-698).
Featuring songs
and hymns by women
composers and authors!
GIA Publications, Inc.,
in partnership with
Fireside Catholic
Publishing, has created
this 2-CD set of
compelling songs chosen
specifically to enhance
the themes found in
Fireside's Faith-Filled
Catholic Women's Bible.
The 22, four-color
inserts in this bible
feature over 20
topics—ranging
from love, compassion,
and acceptance to
sacrifice, suffering, and
forgiveness - which
relate to women's issues
and women's contributions
to salvation history.
Also included are short
biographies about the
lives of women saints.
The corresponding songs
on this CD set augment
each insert and help to
encourage the evolution
of your faith journey.
The spirit of these
faith-filled women of old
join today with the women
composers and text
writers who contributed
their God-given gifts to
this amazing recording.
 . $19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Saint Nicolas, Op. 42 Piano, Voix [Vocal Score] Boosey and Hawkes
Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boo...(+)
Vocal Score. By Benjamin
Britten. Arranged by
Arthur Oldham. (Vocal
Score). Boosey and Hawkes
Large Choral. Book only.
Size 7.25x10.25 inches.
88 pages. Published by
Boosey and Hawkes.
$40.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Declare His Glory Orgue - Intermédiaire Lorenz Publishing Company
Composed by Mary McDonald. Sacred. Lorenz Publishing Company #70/2249L. Publis...(+)
Composed by Mary
McDonald.
Sacred. Lorenz Publishing
Company #70/2249L.
Published
by Lorenz Publishing
Company
$28.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mississippi Mass Choir Chorale [Partition + CD-ROM] Shawnee Press
(Book/CD-ROM Pack). By Mississippi Mass Choir. Shawnee Press. Sacred. Book and D...(+)
(Book/CD-ROM Pack). By
Mississippi Mass Choir.
Shawnee Press. Sacred.
Book and Disk Package. 88
pages
(1)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Postludes on Hymn Tunes Orgue CanticaNOVA Publications
Composed by Kevin Waters. For organ. New settings of familiar tunes. General, Ma...(+)
Composed by Kevin Waters.
For organ. New settings
of familiar tunes.
General, Marian.
Published by CanticaNOVA
Publications
$3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Earth Adorned Piano seul Augsburg Fortress
Piano - Medium SKU: AU.9781506487281 Piano Settings. Composed by J...(+)
Piano - Medium SKU:
AU.9781506487281
Piano Settings.
Composed by John Helgen.
Christian. Score.
Augsburg Fortress
#9781506487281. Published
by Augsburg Fortress
(AU.9781506487281).
ISBN 9781506487281.
8.5x11 inches. John
Helgen masterfully spins
original music from the
tunes he has chosen for
this collection and
skillfully weaves the two
together, creating varied
and delightful settings.
The seven hymn-based
arrangements are useful
throughout the year and
feature The Earth Adorned
(SOMMARPSALM) and Oceans
Rise, the Coastlands
Tremble/God Alone Be
Praised (AD LUCEM). $20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Are Precious Chorale SATB SATB, Piano Fred Bock Music Company
Composed by Richard Nichols. Fred Bock Publications. Sacred. Octavo. 10 page...(+)
Composed by Richard
Nichols.
Fred Bock Publications.
Sacred. Octavo. 10 pages.
Fred Bock Music Company
#BG2670. Published by
Fred
Bock Music Company
$2.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Who You Say I Am - Anthem Word Music
SKU: WD.080689610233 Composed by Jay Rouse. Choral. Sacred Anthem. Octavo...(+)
SKU:
WD.080689610233
Composed by Jay Rouse.
Choral. Sacred Anthem.
Octavo. Word Music
#080689610233. Published
by Word Music
(WD.080689610233).
UPC:
080689610233. Arran
ged and orchestrated by
Jay Rouse, this popular
Hillsong Worship song is
a lilting, 6/8 anthem
your choir and
congregation will love
singing! Who You Say I Am
tells of the powerful
truth in who God says we
are. We are chosen, not
forsaken. We are His
children, and He already
has a special place for
us in His house. With
exciting choral sounds
and inspiring lyrics,
there will be an
outpouring of joy in your
worship service, for
Christ has set us free.
We are ransomed! We are
free indeed! $3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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