Concert Band (Score) - Grade 3

SKU: HL.4003789

Composed by Richard L. Saucedo. MusicWorks Grade 3. Concert. 36 pages. Published by Hal Leonard (HL.4003789).

UPC: 884088989316. 9x12 inches.

The turbulence and intensity of a major wind storm is effectively recreated in Richard Saucedo's Of Gale Force Winds. Based around rhythmic figures that create a wind-like effect, and combined with a playful melody, the piece alternates between 6/8 and 9/8 staying rhythmically dynamic throughout. A very brief moment of repose hints at the period of calm that comes in the middle or “eye” of bigger storms. The fury of the storm then returns with darker sonorities and increased energy as this descriptive work comes to an exciting conclusion. Duration: 4:00.

Composed by Larry Neeck. For young concert band. Command Series. Grade 3. Score and set of parts. Duration 4 minutes, 22 seconds. Published by C.L. Barnhouse

Composed by Richard L. Saucedo. For Concert Band (Score and Parts). MusicWorks Grade 3. Grade 3. Published by Hal Leonard

Young concert band - Grade 3

SKU: CL.011-4118-01

Composed by Neeck. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR376). Extra full score. Composed 2012. Duration 4 minutes, 22 seconds. C.L. Barnhouse #011-4118-01. Published by C.L. Barnhouse (CL.011-4118-01).

The forces of nature and the sea are portrayed in Gale Force. A powerful introduction leads to driving themes that depict a tempest at sea. A temporary calm prevails, providing beautiful lyrical themes that showcase the subtly and expressiveness of your ensemble. Driving rhythms then lead to a thrilling conclusion. Showcase the musicality of your band in this dramatic tour-de-force that will excite the imagination of your audience and band alike.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: CA.2090100

Composed by Heinrich Schutz. Edited by Siegfried Schmalzriedt. This edition: urtext. Cycles: Schutz: Italienische Madrigale SWV 1-19. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Italienische Madrigale. Madrigals, Secular choral music. Full score (complete edition / selected edition). Composed 1623. 152 pages. Carus Verlag #CV 20.901/00. Published by Carus Verlag (CA.2090100).

ISBN 9790007037284.

Than ks to a stipend from his patron, the Landgrave Moritz von Hessen-Kassel, Schutz was able to pursue a three-year period of study under Giovanni Gabrieli in Venice from 1609 to 1612, which he concluded with the publication in 1611 of the madrigal collection Il Primo Libro de Madrigali. Already in this, his Opus primus, Schutz emerged as an outstanding composer: In their musical quality, the 18 five-part madrigals exceed much that was still being composed in the traditional madrigal style at the beginnning of the 17th century.

Unison choir - Early intermediate

SKU: GI.G-8529

Composed by Rob Galea. Celebration Series. Sacred. Collection. With guitar chord names. GIA Publications #8529. Published by GIA Publications (GI.G-8529).

ISBN 9780958150750. English.

Fr. Robert Galea Music Collection includes songs from his CDs What a Day, Closer, Reach Out, and more. Written in an appealing acoustic rock style, these songs speak of personal faith journeys, our relationship with God, prayer, and praise.

Choral SSA Choir, piano, flute

SKU: CF.CM9583

Composed by Christopher Gabel. Sws. Performance Score. 20 pages. Duration 4 minutes, 9 seconds. Carl Fischer Music #CM9583. Published by Carl Fischer Music (CF.CM9583).

ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852).

Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.

Voice, guitar tablature or piano

SKU: LM.PB1329

By Sinsemilia. By Sinsemilia. Album. Pop, jazz. Score. Bookmakers International #PB1329. Published by Bookmakers International (LM.PB1329).

ISBN 3137990013295.

Litt le Child - Africa - J'prefere cent fois - I'm on War - Jeu d'enfant - Le Futur - Au pays de l'illusion - Jamais une melodie - Bienvenue en Chiraquie - Du mal a croire - Ca s'regale - Plus de flics - Simple d'esprit - Non-sens - Il part en guerre - Ne cci - La Route pour ailleurs - De quoi s'plaint-on - From Loneliness to Madness - Tout le bonheur du monde.

Orchestra, Libretto

SKU: HL.14015283

Composed by Simon Holt. Music Sales America. Opera or Operetta. Book [Softcover]. Composed 2002. Chester Music #CH61517. Published by Chester Music (HL.14015283).

ISBN 9780711975682.

The Libretto for Simon Holt's The Nightingale's To Blame, Co-commissioned by Opera North, Huddersfield Contemporary Music Festival and Munich Biennale.

Composed by Lisa Galvin. Young Concert Band. Command Series. Composed 2020. Duration 2 minutes, 38 seconds. Published by C.L. Barnhouse

SATB choir divisi

SKU: GH.N04219

Till dikter av Gunnar Bjorling. Composed by Lille Bror Soderlundh. For SATB med nagra diviseringar och med text av Gunnar Bjorling. Omvaxlande och klangfull musik. Octavo. With Language: Swedish. 8 pages. Published by Gehrmans Musikforlag (GH.N04219).

ISBN 9790070030144. A4 inches. Text: Gunnar Bjorling.

Tre madrigaler: Fritt och ljust, Sov, min sjal och Ett ord, ett enda ord for SATB med nagra divisi. Texter av Gunnar Bjorling.

(SATB)

SKU: HL.48182427

Composed by Jacques Chailley. Leduc. Softcover. Alphonse Leduc #AL23635. Published by Alphonse Leduc (HL.48182427).

Chailley J. Exercices De Style 4 Voix Egales Sans Accompagnement.

SSA Choir (Soprano)

SKU: HL.14019681

Composed by Witold Lutoslawski. Music Sales America. Folk Music. Choral Score. Composed 1989. 8 pages. Chester Music #CH56903. Published by Chester Music (HL.14019681).

UPC: 884088447533. 7.0x10.0x0.018 inches.

A folk song based on Polish words by Julian Tuwim for SSA and piano. Handy as a short item to include in a Junior/Middle school concert.

Grade 2

SKU: CL.011-4892-01

Composed by Galvin. Young Concert Band. Extra full score. C.L. Barnhouse #011-4892-01. Published by C.L. Barnhouse (CL.011-4892-01).

Capturing a mood of celebration and authority, Galeabration is a powerful selection that can be used as your next concert opener or exciting finale! Your developing band will love the simple yet strong melodies, and the slight variations of each statement will entice your performers and listeners alike! Teaching opportunities and concepts are abundant, and the syncopated rhythmic figures will help your students expand their musical vocabulary. A certain favorite, your ensemble is sure to find quick success with this captivating work! Breathtaking!

String Orchestra strings, cembalo (Str-Bc)

SKU: KU.OCT-10049

Composed by Antonio Vivaldi. Edited by Ákos Fodor. Arranged by Ákos Fodor. Letter format (190 x 270). Rv 129, Pv 86, F. Xi/10, Ric. 36. Staple Bound. Full score. 8 pages. Edition Kunzelmann #OCT-10049. Published by Edition Kunzelmann (KU.OCT-10049).

Key: D minor.

Concerto Madrigalesco in D Minor Op.54 No.1 - P86 - Score (octavo size).

By Herbert Howells. For SATB Choir, Organ. Choral, 20th Century. Sheet Music. 16 pages. Published by Novello and Co Ltd.

2 Recorders

SKU: HL.48188544

Composed by Georges Aubanel. Leduc. Classical. Softcover. 16 pages. Heugel & Cie #HE32732. Published by Heugel & Cie (HL.48188544).

UPC: 888680883638. 10.25x6.5x0.092 inches. French.

SS or SA recorders.

By Herbert Howells. For SATB Choir, Organ. Sacred, 20th Century, Choral. Sheet Music. 20 pages. Published by Novello and Co Ltd.

Soprano (Soprano)

SKU: HL.48186767

Composed by Ernest Chausson. Leduc. Softcover. Alphonse Leduc #HA09030. Published by Alphonse Leduc (HL.48186767).

Chausson 14 Melodies No.11 La Cigale Sopranor Or Tenor & Piano Book.

For Piano. Composed by Jacques Offenbach (1819- 1880). Edited by Jean- Christophe Keck. BH Piano. Softcover. 20 pages. Boosey & Hawkes #M202534731. Published by Boosey & Hawkes

(SATB)

SKU: HL.48182428

Composed by Jacques Chailley. Leduc. Softcover. Alphonse Leduc #AL23636. Published by Alphonse Leduc (HL.48182428).

Chailley J. Exercices De Style 4 Voix Egales Et Piano Book.