| Silent Spaces for String Quartet Quatuor à cordes: 2 violons, alto, violoncelle Metropolis Music Publishers
String Quartet SKU: IS.CM6538EM Composed by Charles Camilleri. Ensembles ...(+)
String Quartet SKU:
IS.CM6538EM Composed
by Charles Camilleri.
Ensembles - Chamber
Music. Metropolis Music
Publishers #CM6538EM.
Published by Metropolis
Music Publishers
(IS.CM6538EM). ISBN
9790365065387. Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 4 Greek Songs for Clarinet and String Quartet Quintette de Clarinette: Clarinette, Quatuor à Cordes Metropolis Music Publishers
Clarinet and String Quartet SKU: IS.CM6086EM Composed by Charles Camiller...(+)
Clarinet and String
Quartet SKU:
IS.CM6086EM Composed
by Charles Camilleri.
Ensembles - Chamber
Music. Metropolis Music
Publishers #CM6086EM.
Published by Metropolis
Music Publishers
(IS.CM6086EM). ISBN
9790365060863. Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. The 4 Greek Songs
were composed during the
late fifties. The first
and third movements
capture the loose vocal
style of the cantilena
which is characteristic
for the mediterranean
region. The second and
fourth movements are
based on original dances
which are typical for the
modal nature of Greek
music. $28.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440265S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S). UPC:
680160027910. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Fennica Gehrman
String Quartet SKU: FG.55011-553-8 Allerheiligentag III. Composed ...(+)
String Quartet SKU:
FG.55011-553-8
Allerheiligentag
III. Composed by
Jyrki Linjama. Classical.
Score and Parts. Fennica
Gehrman #55011-553-8.
Published by Fennica
Gehrman (FG.55011-553-8).
Jyrki Linjama's
second string quartet
(2018) is subtitled
Allerheiligentag III. The
material for the
Allerheiligentag cycle is
a Finnish folk chorale
for All Saints' Day (no.
146 in the Finnish Hymn
Book). The first work in
the cycle is a string
trio (2007), the second a
piece for orchestra
(2009), and the fourth
and fifth are solo works
for viola da gamba and
violin.The composer
tells: The choice of
topic and material for
the string trio was
originally prompted by
the venue at which it was
to be premiered: the old
church on the island of
Seili (Sjalo). The bleak
history of the island's
leper and mental hospital
evoked images of
suffering and death. I
got so attached to the
harsh and beautiful
melody that it began to
generate a whole cycle.
The string quartet is in
three movements
(slow-quick-slow) tensed
in different ways by
contrasts. The first
movement has both
swinging softness and
cutting sharpness, the
Scherzo the wildness of a
dance of death and
lyricism, and the finale
the irrevocability of a
funeral march and tender
melodiousness. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Madhares (Third String Quartet) Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
Score and Parts String Quartet (Score & Parts) - difficult SKU: HL.49018488(+)
Score and Parts String
Quartet (Score & Parts) -
difficult SKU:
HL.49018488 3rd
String Quartet.
Composed by Thomas
Larcher. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score and
parts. Composed
2006/2007. 132 pages.
Duration 18'. Schott
Music #ED20356. Published
by Schott Music
(HL.49018488). ISBN
9790001151511. UPC:
884088668044.
9.25x12.0x0.333
inches. The title
of Thomas Larcher's third
string quartet, Madhares,
refers to the name of a
deserted place on the
island of Crete which
inspired him to compose
this work. Larcher
developed the piece from
repetitions of sounds
generated by plucking the
strings with a coin. The
C major in the second
movement Honey from
Anopolis evokes the
picture of an idealistic
time long gone. The idyll
is broken by rapid
rhythmic movements marked
'sleepless'. $71.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Chester
String Quartet (Score) SKU: HL.14043597 Score. Composed by Brian E...(+)
String Quartet (Score)
SKU: HL.14043597
Score. Composed by
Brian Elias. Music Sales
America. Classical,
Contemporary. Score. 46
pages. Chester Music
#CH81103. Published by
Chester Music
(HL.14043597).
8.25x12.0x0.166
inches. String
Quartet Was Composed By
Mumbai-Born Brian Elias
In 2012, And Was
Commissioned By The
Jerusalem String Quartet.
Lasting Around 20
Minutes, This Is The Full
Score Of The Work
Arranged For Violin I,
Violin Ii, Viola And
Cello. The Work Has Been
Laid Out In The
Conventional Four
Movements, Allegro,
Adagio, Presto,
Adagio-Allegro-Adagio,
But It Is Essentially A
Work In A Single Movement
To Be Performed With No
Breaks. A Set Of Double
Variations Generates The
Thematic And Harmonic
Material For The Entire
Piece In Its First Few
Bars, With A Brilliant
Viola Solo Afterwards.
Throughout The Piece,
Changes In Dynamics And
Tempo Characterise The
Different Movements,
Before Finally EndingWith
A Calming Return To The
Slow Music.&Nbsp; You Can
Purchase The Individual
Instrument&Nbsp; Parts
Here. $27.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet in C-sharp minor, op. 131 Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext.
Study score. Opus 131.
Baerenreiter Verlag
#TP00931.
Published by Baerenreiter
Verla
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. S...(+)
Chamber Music String
Quartet SKU:
PR.114405050 Composed
by John Downey. Set of
Score and Parts. With
Standard notation. 53
pages. Duration 25
minutes. Theodore Presser
Company #114-40505.
Published by Theodore
Presser Company
(PR.114405050). UPC:
680160008377. 11 x 14
inches. Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique efffect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water ,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorlines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluch
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against the
sheets of sound conjured
up by the two violins
playing a flood of
swirling figures, evokes
a kind of static motion
in spae. Here, the
virtually imperceptible
manner in which this
hushed whisper continues
incessantly, can suggest
the potential fluidity
with which movement may
inch forward... Later
into the fourth movement
, two fairly extended
solos by the second and
then the first violins,
lead to a kind of
spontaneous dialogue
among the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of 'psycho-rhythmics
contributes to an on-rush
of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions. $130.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet SKU:
PR.11440505S Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S). UPC:
680160008391. 11 x 14
inches. Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hallelujah Chorus for Trombone Quartet & Organ Quatuor de cuivres: 4 trombones [Conducteur et Parties séparées] - Avancé Cherry Classics
Trombone Quartet & Organ - advanced SKU: CY.CC2983 Composed by G. F. Hand...(+)
Trombone Quartet & Organ
- advanced SKU:
CY.CC2983 Composed by
G. F. Handel. Arranged by
Jeremy Kempton. Baroque
Christmas. Score and
parts. 10 pages. Cherry
Classics #2983. Published
by Cherry Classics
(CY.CC2983). ISBN
9790530058022. The
Hallelujah Chorus is one
of the most recognizable
works in the entire
musical repertoire,
beloved for
generations. Jeremy
Niles Kempton's
arrangement for Trombone
Quartet (or larger
ensemble) and Organ/Piano
is sure to be a hit for
any concert or service
during Christmas or
Easter. This 4-minute
arrangement for
moderately advanced
performers is in the
original key with the 1st
and 2nd parts in tenor
clef. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Sinking of the Titanic Quatuor à cordes: 2 violons, alto, violoncelle [Partition + CD] Schott
(Version for String Quartet and Pre-Recorded Material). By Gavin Bryars (1943-)....(+)
(Version for String
Quartet and Pre-Recorded
Material). By Gavin
Bryars (1943-). For
String Quartet. G
Schirmer String Ensemble.
Softcover with CD. 112
pages. Schott Music
#ED13473. Published by
Schott Music
$82.00 - Voir plus => Acheter | | |
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