By Arthur Frackenpohl. Pace Piano Education. 4 pages. Published by Lee Roberts Music Publications, Inc.

Piano (Piano)

SKU: HL.14003424

Composed by Carol Barratt. Music Sales America. Tuition. Book [Softcover]. 14 pages. Chester Music #CH55989. Published by Chester Music (HL.14003424).

ISBN 9780711922914. UPC: 884088434496. 9.0x12.0x0.072 inches.

Fourteen very easy piano solos, perfect for performance in beginner recitals and music festivals and great fun to play. Contents: Bill's Bagpipes * Chatterpie * Dozy Do-Do * Fortune Cookies * Frogmarch * Hang-Gliding * In A Tizzy * Jumping Jack * Merry-Go-Round * Mini Rag * On The Go * Over and Above * Patterns * Spellbound.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2

SKU: CF.YAS210F

Composed by Aaron Fryklund. Carl Fischer Young String Orchestra Series. Full score. 12 pages. Carl Fischer Music #YAS210F. Published by Carl Fischer Music (CF.YAS210F).

ISBN 9781491160701. UPC: 680160919307.

In the dim moonlight on a night long past a rider emerges from the fog and slowly dares to cross a mysterious and unsettling bridge. The trembling rider hesitates, unsure whether he is more nervous about the legend of the headless horseman or the creaking and shifting he feels under his own horse's hooves. Haunted Bridges is a work for string orchestra inspired by Washington Irving's Ichabod Crane and his ill-fated ride in Sleepy Hollow. The piece contains allusions to the tune London Bridge is Falling Down, first as a creeping counter-melody and later as a theme in a twisted 3/4 section whose shifting harmonic progression draws to mind the fall of the fabled bridge. Haunted Bridges contains alternating F/C-sharps and -naturals throughout and devilishly unpredictable harmonic patterns. The piece also calls for numerous extended techniques that students will enjoy, including playing behind the bridge, sul ponticello, portamento, and seagull glissandi. Special techniques: Haunted Bridges calls for a handful of extended techniques, most of which are self explanatory or commonly known. The technique appearing in the Violin II part from measures 58-72 may require some additional explanation. This figure is sometimes referred to as seagull glissando and is achieved by lightly touching the finger to the string and gliding up and down the string, producing many transient natural harmonics as the finger crosses the nodes of the string. It is suggested to start with the 3rd finger on the A string and slowly glissando up beyond the natural A harmonic, then slowly back down, continuing in this pattern until measure 73. It is also intended for each player to vary their speed slightly so that the timing of the glissandi are all a little different, resulting in a shimmering, aleatoric effect.
In the dim moonlight on a night long past a rider emerges from the fog and slowly dares to cross a mysterious and unsettling bridge. The trembling rider hesitates, unsure whether he is more nervous about the legend of the headless horseman or the creaking and shifting he feels under his own horse's hooves. Haunted Bridges is a work for string orchestra inspired by Washington Irving's Ichabod Crane and his ill-fated ride in Sleepy Hollow. The piece contains allusions to the tune London Bridge is Falling Down, first as a creeping counter-melody and later as a theme in a twisted 3/4 section whose shifting harmonic progression draws to mind the fall of the fabled bridge. Haunted Bridges contains alternating F/C-sharps and -naturals throughout and devilishly unpredictable harmonic patterns. The piece also calls for numerous extended techniques that students will enjoy, including playing behind the bridge, sul ponticello, portamento, and seagull glissandi.Special techniques:Haunted Bridges calls for a handful of extended techniques, most of which are self explanatory or commonly known. The technique appearing in the Violin II part from measures 58-72 may require some additional explanation. This figure is sometimes referred to as seagull glissando and is achieved by lightly touching the finger to the string and gliding up and down the string, producing many transient natural harmonics as the finger crosses the nodes of the string. It is suggested to start with the 3rd finger on the A string and slowly glissando up beyond the natural A harmonic, then slowly back down, continuing in this pattern until measure 73. It is also intended for each player to vary their speed slightly so that the timing of the glissandi are all a little different, resulting in a shimmering, aleatoric effect.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

(Piano/Vocal). By Lynn Ahrens and Stephen Flaherty. For Keyboard; Piano; Voice. This edition: Piano/Vocal. Piano/Vocal/Chords; Vocal Score. Broadway. Vocal Score. 416 pages

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Cowbell, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum, Suspended Cymbal, Timpani, Tom-tom, Trombone and more. - Grade 1

SKU: CF.BPS139

Composed by Kevin Hilbun. Set of Score and Parts. 12+8+2+8+2+2+5+2+2+8+3+6+ 3+2+3+1+1+2+1+1+1 pages. Duration 1 minute, 41 seconds. Carl Fischer Music #BPS139. Published by Carl Fischer Music (CF.BPS139).

ISBN 9781491159736. UPC: 680160918324.

PROGR AM NOTES: In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems. PERFORMANCE NOTES: The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9-26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.
PROGRAM NOTES:In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems.PERFORMANCE NOTES:The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9–26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2

SKU: CF.YAS210

Composed by Aaron Fryklund. Carl Fischer Young String Orchestra Series. Set of Score and Parts. 16+16+4+10+10+10+12 pages. Carl Fischer Music #YAS210. Published by Carl Fischer Music (CF.YAS210).

ISBN 9781491160442. UPC: 680160919031.

In the dim moonlight on a night long past a rider emerges from the fog and slowly dares to cross a mysterious and unsettling bridge. The trembling rider hesitates, unsure whether he is more nervous about the legend of the headless horseman or the creaking and shifting he feels under his own horse's hooves. Haunted Bridges is a work for string orchestra inspired by Washington Irving's Ichabod Crane and his ill-fated ride in Sleepy Hollow. The piece contains allusions to the tune London Bridge is Falling Down, first as a creeping counter-melody and later as a theme in a twisted 3/4 section whose shifting harmonic progression draws to mind the fall of the fabled bridge. Haunted Bridges contains alternating F/C sharps and naturals throughout and devilishly unpredictable harmonic patterns. The piece also calls for numerous extended techniques that students will enjoy, including playing behind the bridge, sul ponticello, portamento, and seagull glissandi. Special techniques: Haunted Bridges calls for a handful of extended techniques, most of which are self explanatory or commonly known. The technique appearing in the Violin II part from measures 58-72 may require some additional explanation. This figure is sometimes referred to as seagull glissando and is achieved by lightly touching the finger to the string and gliding up and down the string, producing many transient natural harmonics as the finger crosses the nodes of the string. It is suggested to start with the 3rd finger on the A string and slowly glissando up beyond the natural A harmonic, then slowly back down, continuing in this pattern until measure 73. It is also intended for each player to vary their speed slightly so that the timing of the glissandi are all a little different, resulting in a shimmering, aleatoric effect.
In the dim moonlight on a night long past a rider emerges from the fog and slowly dares to cross a mysterious and unsettling bridge. The trembling rider hesitates, unsure whether he is more nervous about the legend of the headless horseman or the creaking and shifting he feels under his own horse's hooves. Haunted Bridges is a work for string orchestra inspired by Washington Irving's Ichabod Crane and his ill-fated ride in Sleepy Hollow. The piece contains allusions to the tune London Bridge is Falling Down, first as a creeping counter-melody and later as a theme in a twisted 3/4 section whose shifting harmonic progression draws to mind the fall of the fabled bridge. Haunted Bridges contains alternating F/C  sharps and naturals throughout and devilishly unpredictable harmonic patterns. The piece also calls for numerous extended techniques that students will enjoy, including playing behind the bridge, sul ponticello, portamento, and seagull glissandi.Special techniques:Haunted Bridges calls for a handful of extended techniques, most of which are self explanatory or commonly known. The technique appearing in the Violin II part from measures 58-72 may require some additional explanation. This figure is sometimes referred to as seagull glissando and is achieved by lightly touching the finger to the string and gliding up and down the string, producing many transient natural harmonics as the finger crosses the nodes of the string. It is suggested to start with the 3rd finger on the A string and slowly glissando up beyond the natural A harmonic, then slowly back down, continuing in this pattern until measure 73. It is also intended for each player to vary their speed slightly so that the timing of the glissandi are all a little different, resulting in a shimmering, aleatoric effect.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Cowbell, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum, Suspended Cymbal, Timpani, Tom-tom, Trombone and more. - Grade 1

SKU: CF.BPS139F

Composed by Kevin Hilbun. Full score. 9 pages. Carl Fischer Music #BPS139F. Published by Carl Fischer Music (CF.BPS139F).

ISBN 9781491159743. UPC: 680160918331.

PROGR AM NOTES: In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems. PERFORMANCE NOTES: The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9-26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.
PROGRAM NOTES:In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems.PERFORMANCE NOTES:The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9–26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.

Concert Band - Grade 2

SKU: AP.44166S

Composed by Steve Hodges. Concert Band; Performance Music Ensemble; Single Titles. Challenger Band Series. Form: March. Meters. Score. 8 pages. Duration 2:25. Alfred Music #00-44166S. Published by Alfred Music (AP.44166S).

UPC: 038081505688. English.

Having many elements of a standard march but employing shifting meters from 5/4 to 3/4, give this piece a unique feel. Written while traveling through Utah, Point of the Mountain depicts the boldness and the rugged beauty of the Traverse Mountains, considered to be among the world's premier paragliding and hang gliding destinations in North America. (2:25).

Jazzy Pieces for Tenor Saxophone and Piano. By David Cullen. Schott. Book and CD Package. Size 9x12 inches. 52 pages. Published by Schott.

(2.2.2.2/4.2.3.0,timp,per c,pf,str)

SKU: TM.06674SET

Composed by John Philip Sousa. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06674SET).

Full score and parts typeset 2018.

Orchestra - Grade 0.5

SKU: AP.46704S

Composed by Bob Phillips. Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Form: Waltz. Score. 8 pages. Alfred Music #00-46704S. Published by Alfred Music (AP.46704S).

UPC: 038081537009. English.

Written in a flowing waltz style, this piece depicts the non-stop motion of an old-fashioned carousel going round and round with horses smoothly gliding up and down. In the keys of D Major and G Major, this is a perfect piece for first year players as all fingered notes occur on the D and A strings (D and G for bass). The violin 2 and viola parts are doubled, as are the cello and bass parts. Correlated with Sound Innovations Book 1, Level 5, Carousel by Bob Phillips is easily accessible by beginners and advancing students alike.

(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Violin. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Beginner; Elementary. Published by Faber Music

Lyrics by Lynn Ahrens, music by Stephen Flaherty. Songbook for voice, piano and guitar chords. From the Broadway musical "Ragtime". 104 pages. Published by Alfred Publishing

Jazzy Pieces for Alto Saxophone and Piano. By David Cullen. Schott. Book & CD Package. Size 9x12 inches. 52 pages. Published by Schott.

By Mary Leaf. For Piano. The FJH Piano Ensemble Series. Level: Intermediate. Duet Sheet. Published by The FJH Music Company Inc.

by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 320 pages. Published by Mel Bay Pub., Inc.

Orchestra String Orchestra - Grade 1.5

SKU: FJ.ST6196S

Score Only. Composed by William Owens. Series; String Orchestra. FJH Beginning Strings. There are many varieties of carousels in the world, ranging from the well-known amusement park version with wooden horses or other animals to the simple playground version to which power is supplied manually. Several popular alternative names are roundab. Score. Duration 1:30. The FJH Music Company Inc #98-ST6196S. Published by The FJH Music Company Inc (FJ.ST6196S).

English.

Experie nce a whimsical carousel through the eyes of the young and young-at-heart! Playful melodies create the feeling of gliding through the air on your favorite animal. Melodies move seamlessly between upper and lower string voices, giving everyone an active role as the piece develops before the merry-go-round ends with a playful jolt. Lots of fun!

By Gary Dahl. For accordion. Collection. 89 pages. Published by Mel Bay Publications, Inc

Accompaniment CDs Contralto Songs. Performed by Various. Boosey and Hawkes Voice. CD only. Size 9x12 inches. 8 pages. Published by Boosey and Hawkes.

(Impressions of Summer Memories). By Gina Sprunger. For solo piano. Center Stage Solos series. Early Intermediate. Collection. 24 pages. Published by Neil A. Kjos Music Company

Accordion Varieties Complete composed by Helene Criscio. For accordion. This edition: Paperback. Collection. Polkas. Book. Text Language: English. 64 pages. Published by Santorella Publications

By Dunhill. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Composed by Andrew March. Score and parts. Composed 2001; 2016. Duration 5'40 . Published by Alea Publishing (A7.ALEA1154).

Handbells

SKU: HL.35011526

2 Octaves of Handbells Level 2. Arranged by J. Hatton. Shawnee Press. General Worship, Hymn, Pentecost, Sacred. 8 pages. Shawnee Press #HP5411. Published by Shawnee Press (HL.35011526).

UPC: 747510056690. 8.5x11.0x0.022 inches. Arr.J. Hatton.

Jesus shall reign where'er the sun does its successive journeys run. This first line of the hymn tune DUKE STREET conveys triumph and victory, and so does this arrangement and adaptation for two octaves of handbells. The music begins simply, but soon builds. A second section features the melody in the bass with a gliding, eighth-note accompaniment overhead in the treble. A Broader final section offers strong chords to emphasize the triumph with a couple of martellatos at the end to add proof to the puddin'!.

Orchestra Saxophones and Strings

SKU: PR.446411060

Composed by Steven Stucky. Large Score. With Standard notation. Theodore Presser Company #446-41106. Published by Theodore Presser Company (PR.446411060).

UPC: 680160096275. 11x14 inches.

Steven Stucky has described the saxophone quartet as surprisingly comparable to the string quartet as a classic chamber music medium, while in the concerto format providing a worthy counterweight to the string orchestra. At times, the saxophones in Music for Saxophones and Strings “whisper, murmur, sigh, sing, squeal, or even scream” as the composer has written in notes about the work. Commissioned for the Raschèr Quartet, the work falls into two main sections. The composer continues that “the opening slow movement is dark, nocturnal, troubled; the language is densely chromatic. Mysterious, barely audible rustlings become increasingly more alarming; creatures cry in the night; and the movement climaxes in a lyric outpouring of melancholy, even tragic character. The music subsides by way of cadenzas for the baritone and tenor saxophone. The second, fast movement arrives almost unnoticed, since at first it too is made up of disconnected fragments — quirky, skittish, playful. There are irregular rhythmic accents, gliding quarter-tone runs, scurrying saxophone figures (suggesting, perhaps, a distant echo the bebop style), and screaming excursions into the altissimo register. Briefly the melancholy of the slow, nocturnal opening returns, before a quick coda leads to an emphatic conclusion.”.