For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

For Guitar (Fingerpicking). Solos Performance Video. Vestapol. Celtic/Irish. Level: Intermediate. DVD. Size 5.25x7.5. Duration 62 minutes. Published by Grossman's Guitar Workshop. (13029DVD) DVD format: Region 1 for use in the USA and Canada.

Saddle-stitched, Solos. World. Book. 76 pages. Mel Bay Publications, Inc #30839. Published by Mel Bay Publications, Inc

By Jessie Blake, Hilda Capp. (Piano). Boosey and Hawkes Piano. Size 9x12 inches. 40 pages. Published by Boosey & Hawkes.

SKU: GI.G-10014

Composed by Dominic Gregorio, James Jordan, and Mark Moliterno. Evoking Sound. Music Education. 210 pages. GIA Publications #10014. Published by GIA Publications (GI.G-10014).

ISBN 9781622774494.

May this book serve to mend with gold our individual lives, and collectively to sing together toward the future. —Makoto Fujimura, from the Foreword Twenty years after the publication of his landmark work The Musician’s Soul, James Jordan returns to themes of musicianship, human connection, and artistry—but with depth and insight only possible with twenty years of additional perspective. Jordan explores our need for humility in music making and the importance of “slow art” for all musicians and teachers in this fast information age. He reflects on the loneliness of musicians and draws on yoga concepts to explore our deepest places. And he advocates, with contributions from Dominic Gregorio and Mark Moliterno, the gift of abundances and learning to breathe “as” another. The Musician’s Being, like its predecessor, is filled with inspiring, thought-provoking quotations, enlightened ideas and insights, and a contagious passion for the art of music making. Jordan has written another profound guide to musicianship and to “being” that miracle of artistry and human experience. James Jordan is Professor and Senior Conductor at Westminster Choir College in Princeton, New Jersey, where he conducts the acclaimed Westminster Williamson Voices. He is also Artistic Director and Conductor of the professional ensemble The Same Stream Choir (thesamestreamchoir.com), and Co-Director of the Choral Institute at Oxford (rider.edu/Oxford). He has published over 60 books and resources for music educators and conductors that are read around the world. Dominic Gregorio (1977–2019) served as Associate Professor and Director of Choral Activities at the University of Regina in Canada. He collaborated with James Jordan on several notable publications, including Discovering Chant, The Musician's Spirit, and The Musician's Being.  Mark Moliterno is an accomplished professional opera singer, voice teacher, yoga teacher, IAYT-certified Yoga Therapist, workshop leader, and author who is known as a specialist in helping people understand and uncover their authentic voices.   Enjoy this discussion of The Musician’s Being featuring Makoto Fujimura, Irene Gregorio, Alec Harris, Mark Moliterno, and Mike Scheibe. The hour is filled with enlightened, thought-provoking ideas and insights, and a contagious passion for the art of music making.

Composed by Tom Gerou. For Piano. Graded Standard Repertoire; Piano Suite; Piano Supplemental; Sheet; Solo. Recital Suite Series. Form: Suite. Recital. Late Intermediate. 12 pages. Published by Alfred Music

(Favorite Songs from Disneyland and Walt Disney World) Songbook for voice and piano. 96 pages. Published by Hal Leonard.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS90

Working on the Railway. Composed by Irish Folk Song. Arranged by Virginia Croft. Collate - FS SWS. Young String Orchestra. Set of Score and Parts. With Standard notation. 12+16+16+4+10+10+10+3 pages. Duration 2 minutes, 4 seconds. Carl Fischer Music #YAS90. Published by Carl Fischer Music (CF.YAS90).

ISBN 9780825884009. UPC: 798408084004. 8.5 x 11 inches. Key: G major.

Fiddle-me-oo -re-i-re-a is a purely gleeful fiddling piece in the Celtic style, and Virginia Croft’s arrangement makes it downright infectious. We guarantee no complaints from your students when you say Okay, from the top!.
Virginia Croft holds Bachelor of Science and Master of Education degrees in Music Education from the Pennsylvania State University. Long active in public school and church music, she has conducted large and small instrumental and vocal ensembles in Pennsylvania, Oregon, Vermont, and Ontario, Canada. For the past thirty-one years, she has directed a large, award-winning elementary school band which she initially began as a “mother volunteer” in Houston, Texas; but as a violinist and mother of a fine cellist, her real love is the orchestra.She is the recipient of letters of commendation from her United States Congressman, Mayors of Houston, and the Governor of Texas, and was three times chosen “Teacher of the Year” by her fellow faculty members. She is listed in the fifth through eleventh Southwestern editions of “Who’s Who Among America’s Teachers,” has been named “Teacher of the Year” by her local Rotary Club, was honored by MiraMax Films with their “Music of the Heart” Award in recognition of her strong commitment and support of community music education, and is a 2005 recipient of the Goldin Award for Excellence in Education.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels