| Mirabile misterium! Chorale SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Chris...(+)
Composed by David Barton.
Text: 15th century texts.
Medieval-flavor motet.
Christmas. Octavo.
Published by CanticaNOVA
Publications (C5.5054).
$1.85 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Holiness Everywhere Chorale SATB SATB Transcontinental Music
Based on a Medieval Jewish Poem by Yehudah Halevi. By Stephen Bluestone, Curtis ...(+)
Based on a Medieval
Jewish Poem by Yehudah
Halevi. By Stephen
Bluestone, Curtis Bryant.
(SATB). TRANSCONTINENTAL
MUSIC CHORAL. Jewish.
Size 6.8x10.5 inches. 17
pages. Published by
Transcontinental Music
Publications.
$2.50 $2.375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In the Sight of God Chorale SATB SATB A Cappella Subito Music
SATB Chorus, a cappella SKU: SU.91480530 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.91480530
For SATB Chorus, a
cappella. Composed by
Dan Locklair.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Composed 2009. Duration
4'. Subito Music
Corporation #91480530.
Published by Subito Music
Corporation
(SU.91480530). Vs. 2-5
Text: The First Letter of
Peter: Chapter
2. The
words, Surely thou hast
tasted that the Lord is
good, open the anthem.
This gentle and lyrical
section, marked by
dialogue between the
sections of the choir,
unfolds and eventually
reaches a climax on the
words precious in the
sight of God. A quick,
energetic and imitative
middle section soon
emerges to proclaim the
words, Come, and let
yourselves be built, as
living stones, into a
spiritual temple. Here
the spirit of medieval
music, the building
stones for Western music,
is invoked. After the
anthem’s primary
climax is reached on the
words Jesus Christ, a
solo soprano emerges from
the choral texture to
close this work with a
serene Amen. The first
performance of Dan
Locklair’s anthem,
In the sight of God took
place on Sunday 4 October
2009. The occasion was
Dedication Sunday, and
the text was selected by
John Scott from The First
Letter of Peter, vv 2-5.
Professor Locklair has
provided us with a
delightful addition to
our repertoire at St
Thomas. The work is
grateful to sing, well
written for voices,
lyrical in style with a
well-crafted sense of
architecture and climax.
In every sense it is an
enjoyable piece for the
choir, quite
approachable, and judging
from the many positive
comments I heard
afterwards from members
of the congregation, it
was very well received.
-- Reflections on the
premiere by John Scott,
Director of Music, St.
Thomas Church Fifth
Avenue, New York, NY
SATB Chorus, a
cappella Duration: 4'
Text: The First Letter of
Peter: Chapter 2, vs. 2-5
Composed: 2009 Published
by: Subito Music
Publishing Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. YouTube:. $2.75 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas Present, A (based on God Rest Ye Merry Gentlemen and We Three Kings Of Orient Are) - Intermédiaire Kendor Music Inc.
Percussion Septet BellsVibesMarimbaDrumsetS uspended Finger Cymba/TriangleSleigh...(+)
Percussion Septet
BellsVibesMarimbaDrumsetS
uspended Finger
Cymba/TriangleSleigh
BellsTambourine - Grade 4
SKU: KN.20078
(based on God Rest Ye
Merry Gentlemen and We
Three Kings Of Orient
Are). Composed by
arr. Houllif. Arranged by
Murry Houlif. Percussion
Septet. Percussion
Septet. Kendor Music Inc
#20078. Published by
Kendor Music Inc
(KN.20078). UPC:
82279520078. This
grade 4 septet in 3/4
time presents God Rest Ye
Merry Gentlemen in a
Medieval style, and We
Three Kings Of Orient Are
in a Coltranesque jazz
style. $16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The God Whom Earth and Sea and Sky Chorale SATB SATB, Clavier - Facile MorningStar Music Publishers
SATB choir and keyboard, with optional congregation - Early Intermediate SKU:...(+)
SATB choir and keyboard,
with optional
congregation - Early
Intermediate SKU:
MN.50-1152 Composed
by James Chepponis.
Advent, Christmas, Feast
of the Holy Family,
Lessons and Carols.
Instrumental part.
MorningStar Music
Publishers #50-1152.
Published by MorningStar
Music Publishers
(MN.50-1152). UPC:
688670511523.
English. This
hymn-anthem tells the
astounding story of the
God who is revered by all
of creation- earth, sea,
and sky- choosing Mary to
be the mother of the
Savior. The mixed meters
employed for the
6th-century poetry are
anything but jarring, and
the middle stanza is set
to different music with a
medieval feel that
accentuates the
repetition of the word
blest to describe Mary's
destiny. A delightful but
substantial anthem useful
for Marian feasts as well
as Christmastide. The
keyboard part works well
on both organ and piano.
Congregational
participation is welcome
but not required; reprint
material is included. $2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| McCabe: Shapeshifter (Goddess Trilogy 3) for Horn and Piano Music Sales
Horn and Piano SKU: HL.14029884 Composed by John McCabe. Music Sales Amer...(+)
Horn and Piano SKU:
HL.14029884 Composed
by John McCabe. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120478.
Published by Music Sales
(HL.14029884).
8.25x11.75x0.09
inches. The Goddess
Trilogy was inspired by
the Welsh medieval legend
of the goddess Cerridwen
who was both destroyer
and creator, a
shape-changing being who
appeared various as a
white sow, a screaming
black hag and a giver of
the 'inspired arts'.
Shapeshifter is a
fast-moving work
combining rondo structure
with free variations. It
relates to the opening
work of the trilogy
through the short Horn
solo in the final
bars.Contemporary British
composer John McCabe has
been a prolific composer
since his earliest years
and an active pianist,
recording extensively and
performing across the
globe. His compositions
tend toward the
largescale works - there
are seven symphonies so
far -but has composed for
every size and type of
ensemble. He is
particularly well known
for his concerti. $21.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| French Roast (based on Les Trois Rigodons) (Full Score) Orchestre à Cordes - Intermédiaire Kendor Music Inc.
String Orchestra - Grade 4 SKU: KN.KEN10009S (based on Les Trois Rigod...(+)
String Orchestra - Grade
4 SKU:
KN.KEN10009S
(based on Les Trois
Rigodons). Arranged
by Julie Lyonn Lieberman.
Solo or Ensemble. Apex
String Orchestra. Kendor
Music Inc #KEN10009S.
Published by Kendor Music
Inc (KN.KEN10009S).
UPC:
822795100099. We
welcome Julie Lyonn
Lieberman to the Kendor
family of writers with
this arrangement based on
Les Trois Rigadons. Where
mystery meets the
medieval, this Provencal
folk tune with an Italian
twist has survived the
centuries. With its 3/3/2
grooving rhythmic
subtext, unforgettable
melody and soloing
section, this arrangement
is sure to be a big hit
with your students.
Duration 3:30 with all
solos. Available in
SmartMusic. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Almattigr Gud / Almighty God [Conducteur] Carus Verlag
Coro SMsATBarB SKU: CA.729900 Composed by Wolfram Buchenberg. Contemporar...(+)
Coro SMsATBarB SKU:
CA.729900 Composed by
Wolfram Buchenberg.
Contemporary Choir Music.
Sacred vocal music. Full
score. Duration 9
minutes. Carus Verlag #CV
07.299/00. Published by
Carus Verlag (CA.729900).
ISBN 9790007241759.
Language: English. Text:
Asgrimsson,
Eystein. Whilst
studying medieval
Christian literature,
Wolfram Buchenberg came
across the 14th century
Icelandic poem Lilja
which fascinated him. He
sets six of the total of
100 verses, here in a
19th century English
translation. His
composition expresses the
powerful language of the
text in ecstatic
fashion. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Maggie's Big Book of Celtic Tunes Dulcimer [Partition] - Facile Mel Bay
By Maggie Sansone. For Dulcimer (Hammered). Solos. Celtic/Irish. Level: Beginni...(+)
By Maggie Sansone. For
Dulcimer (Hammered).
Solos. Celtic/Irish.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
160 pages. Published by
Mel Bay Publications,
Inc.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stabat Mater Op. 53 PWM (Polskie Wydawnictwo Muzyczne)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and
Orchestra SKU:
BT.PWM5447 For
Soprano, Alto, Baritone,
Mixed Choir and
Orchestra. Composed
by Karol Szymanowski.
Classical. Book Only.
Composed 2000. 68 pages.
Polskie Wydawnictwo
Muzyczne #PWM5447.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM5447).
''Stabat
Mater'' by Karol
Szymanowski for solo
voices, chorus and
orchestra, Op. 53, is one
of the most famous and,
at the same time, most
personal works of the
composer, making its
appeal to the audience
through the depth of its
expression and sheer
artistry. The first
sketches of the work were
made in the spring of
1925, while work on the
full score occupied the
composer from 20 January
to 2 March 1926. Józef
Jankowskis Polish
translation of the
medieval sequence formed
the basis of the
composition. This text,
which was simple in a
folk-like way, devoid of
pathos but full of
religious zeal,
harmonized perfectly from
the poetic point of view
with the composers
creative design. In an
interview for the monthly
Muzyka Szymanowski
stated: ''in its Polish
vestments that eternal,
naive hymn was filled for
me with its own immediate
expressive content; it
became something painted
in colours which were
recognisable and
comprehensible as
distinct from the black
and white of the archaic
original'' (''A Footnote
to Stabat Mater'', Muzyka
1926, Nos. 11/12). In the
score, the Latin text is
given beside the Polish
text, making it possible
for the work to be
performed more easily by
foreign performers. In
this work, the universal
tradition of the
Christian church was
fused with the Polish
religious tradition. The
composer creates the
religious folk-like
climate primarily through
the character of the
melodies which are akin
to to the plainchant
melodies to the text of
Stabat Mater (the
sequence, and especially
the hymn) and their
paraphrases in Polish
religious songs (e.g. Sta
a Matka Bole ciwa [The
Dolorous Mother was
standing]) as well as
motifs from Polish Lenten
songs and Gorzkie ale
(Bitter Laments).
Szymanowski did not
introduce them as
quotations, but
intersperses the melodic
lines, which are more
fully developed and
frequently highly
chromatic, with diatonic
phrases, based on modal
scales. They appear in
all the movements of the
work determining its
cohesion. In dividing the
twenty-stanza text into
separate segments,
Szymanowski created a
six- movement cantata. He
took care to distinguish
between the emotional
shades of the various
movements, varying his
selection of solo voices
(soprano, contralto,
baritone), the voices of
the chorus (female or
mixed) and the orchestral
forces. In the first and
third movements the
lyrical idiom prevails;
the first movement,
portraying the Mother of
God at the foot of the
cross, has a narrative
character, whereas the
third is a kind of prayer
from a man who
sympathizes with, and who
wishes to be associated
with Mater Dolorosas
pain. In these movements
only the female voices
are used (soprano,
contralto and female
chorus), while the
orchestra is employed in
a chamber style,
sometimes drawing on solo
accompanying parts (e.g.
the beginning of the
third movement). The
fourth movement, which
continues the mood of
prayerful contemplation,
is designed for soprano
and contralto solo as
well as unaccompanied
chorus. On the other
hand, the second and
fifth movements,
involving the
participation of solo
baritone and the full
chorus and orchestra, are
similar with regard to
forces and their dramatic
character, which is
austere in expression,
harsh in tone, and
markedly dissonant. Here
grand climaxes appear
with powerful orchestral
tutti. The sixth movement
crowns the whole. The
lyrical, soft melody of
the solo soprano at the
beginning is gradually
strengthened by the
addition of the female
chorus and the solo
contralto, and in the
final section, the solo
baritone as well as the
tutti of chorus and
orchestra. The
conclusion, subdued and
full of concentration,
suggests the introvert
character of the
experience as opposed to
its dramatic pathos.
Stabat Mater by
Szymanowski is part of a
long tradition of
compositions based on the
text of the medieval
sequence - ranging from
polyphonic works by
Josquin des Prés and
Palestrina to the
romantic Stabat by
Giuseppe Verdi and Anton
n Dvo ák. And it was
perhaps because of his
consciousness of this
tradition that
Szymanowski used
stylizing devices in the
spirit of early music.
The archaization
manifests itself not only
in the character of the
melodies and their modal
framework, but also in
the harmonies (with their
predominance of triads,
open fourths and fifths
chords and doubled
thirds), the simple
rhythms as well as the
texture of the choruses
(esp. the fourth
movement). The composer
does not, however,
imitate the style of any
specific historical
epoch, but combines
resources taken from
early music with modern
tonal and harmonic
techniques. Archaization
in Stabat Mater serves,
moreover, a symbolic
function; in evoking the
many-centuries old
tradition of church
music, it emphasizes the
universal nature of the
idea contained in the
text of the sequence,
while the re-reading of
the text by the composer
gives the work its
individual features.
[Zofia Helman, translated
by Ewa Cholewka]. $28.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| From a Book of Hours Orchestre d'harmonie [Conducteur] Merion Music
Orchestra Concert Band SKU: PR.11640976S For Soprano and Orchestra...(+)
Orchestra Concert Band
SKU: PR.11640976S
For Soprano and
Orchestra. Composed
by James Primosch. Full
score. Duration 18
minutes. Merion Music
#116-40976S. Published by
Merion Music
(PR.11640976S). UPC:
680160682768. Das
Stundenbuch. This
cycle of orchestral songs
sets four poems from an
early collection by Rilke
entitled Das Stundenbuch,
or in English, Book of
Hours. Although the title
refers to a medieval book
of prayers for the
various times of day and
seasons of the liturgical
year, Rilke's texts
occupy a position some
distance from
conventional piety. There
is a melancholy to the
spirituality expressed
here, which speaks of an
experience of God that is
fragmentary, imperfect,
and unattainable. The
solitude evoked in the
second song (as layers of
busy activity are
gradually peeled away)
offers some solace, but
the third song is very
dark and fierce, filled
with a desperate, even
manic desire for God. The
last song returns to the
mood of the first, but
now in a global rather
than individual context.
This song, like the set
as a whole, speaks of our
world's brokenness, yet
strives to stammer
fragments of God's
name. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| From a Book of Hours Voix Soprano, Orchestre Merion Music
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Celesta, Clarinet 1, C...(+)
Orchestra Bass Trombone,
Bassoon 1, Bassoon 2,
Bassoon 3, Celesta,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass,
English Horn, Flute 1,
Flute 2, Flute 3, Harp,
Horn 1, Horn 2, Horn 3,
Horn 4, Percussion 2,
Percussion 3, Piano,
Timpani, Trombone 1 and
more. SKU:
PR.11640976L For
Soprano and
Orchestra. Composed
by James Primosch. Large
Score. Duration 18
minutes. Merion Music
#116-40976L. Published by
Merion Music
(PR.11640976L). UPC:
680160682775. Das
Stundenbuch. This
cycle of orchestral songs
sets four poems from an
early collection by Rilke
entitled Das Stundenbuch,
or in English, Book of
Hours. Although the title
refers to a medieval book
of prayers for the
various times of day and
seasons of the liturgical
year, Rilke's texts
occupy a position some
distance from
conventional piety. There
is a melancholy to the
spirituality expressed
here, which speaks of an
experience of God that is
fragmentary, imperfect,
and unattainable. The
solitude evoked in the
second song (as layers of
busy activity are
gradually peeled away)
offers some solace, but
the third song is very
dark and fierce, filled
with a desperate, even
manic desire for God. The
last song returns to the
mood of the first, but
now in a global rather
than individual context.
This song, like the set
as a whole, speaks of our
world's brokenness, yet
strives to stammer
fragments of God's
name. $110.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There is a land of pure delight Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000983-130 Arranged by Menno Haantjes. S...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000983-130
Arranged by Menno
Haantjes. Score Only. 6
pages. Gobelin Music
Publications #GOB
000983-130. Published by
Gobelin Music
Publications
(BT.GOB-000983-130).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain.
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| There is a land of pure delight Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000982-020 Arranged by Menno Haantjes....(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000982-020
Arranged by Menno
Haantjes. Set (Score &
Parts). 71 pages. Gobelin
Music Publications #GOB
000982-020. Published by
Gobelin Music
Publications
(BT.GOB-000982-020).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain .
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain. $111.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| There is a land of pure delight Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000982-120 Arranged by Menno Haantjes....(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000982-120
Arranged by Menno
Haantjes. Score Only. 6
pages. Gobelin Music
Publications #GOB
000982-120. Published by
Gobelin Music
Publications
(BT.GOB-000982-120).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain.
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There is a land of pure delight Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000983-030 Arranged by Menno Haantjes. S...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000983-030
Arranged by Menno
Haantjes. Set (Score &
Parts). 28 pages. Gobelin
Music Publications #GOB
000983-030. Published by
Gobelin Music
Publications
(BT.GOB-000983-030).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain.
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There is a land of pure delight Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000981-010 Arranged by Menno ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000981-010
Arranged by Menno
Haantjes. Set (Score &
Parts). 78 pages. Gobelin
Music Publications #GOB
000981-010. Published by
Gobelin Music
Publications
(BT.GOB-000981-010).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain ..
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There is a land of pure delight Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000981-140 Arranged by Menno ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000981-140
Arranged by Menno
Haantjes. Score Only. 12
pages. Gobelin Music
Publications #GOB
000981-140. Published by
Gobelin Music
Publications
(BT.GOB-000981-140).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain ..
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| I Know a Flower Chorale SATB SATB, Piano - Débutant GIA Publications
SATB choir, piano reduction - Beginning SKU: GI.G-8556 Composed by Paul R...(+)
SATB choir, piano
reduction - Beginning
SKU: GI.G-8556
Composed by Paul Ritchie.
Advent, Christmastide,
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Mary Mother of God.
Christmas. Sacred.
Octavo. 8 pages. GIA
Publications #8556.
Published by GIA
Publications (GI.G-8556).
UPC: 785147855606.
English. Text Source: Tr.
'Es ist ein' Ros'
entsprungen,'
1599. This
translation of “Es
ist ein’
Ros’
entsprungen†(more
commonly translated as
“Lo, How a Rose
E’er
Bloomingâ€) includes
the medieval imagery of
Christ as the flower that
“springeth from
earth.†The
doxology portion also
makes reference to
“Mary, God’s
own Mother,†making
the piece of worthy
consideration for
repertoire on January 1.
The melody is passed
between tenors and
sopranos, while the
remaining voices take up
a wordless choral
accompaniment. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Long Ships Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarin...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2, Snare
Drum and more. - Grade 3
SKU: CF.CPS221F
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS221F.
Published by Carl Fischer
Music (CF.CPS221F).
ISBN 9781491153154.
UPC:
680160910656. The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Long Ships Orchestre d'harmonie - Facile Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarin...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2, Snare
Drum and more. - Grade 3
SKU: CF.CPS221
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+8+2+4+
10+24+4 pages. Duration
4:44. Carl Fischer Music
#CPS221. Published by
Carl Fischer Music
(CF.CPS221). ISBN
9781491152478. UPC:
680160909971. The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Orgelsinfonie No. 16 'Martin Luther' Orgue - Avancé Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU:
HL.49045437 For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437). ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches. On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'. $28.99 - Voir plus => Acheter | | |
| A Charles Dickens Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507. Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals. $75.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Yuletide Carols Chorale Carl Fischer
Choral SKU: CF.CFD13 Composed by Various. Jewel Box/Shrink-wrap. Carl Fis...(+)
Choral SKU:
CF.CFD13 Composed by
Various. Jewel
Box/Shrink-wrap. Carl
Fischer Concert Band
Recordings. Audio CD.
With Standard notation. 4
pages. Carl Fischer Music
#CFD13. Published by Carl
Fischer Music (CF.CFD13).
ISBN 9780825856549.
UPC:
798408056544. Ring
in the Christmas season
with great choral
arrangements of some of
your favorite carols and
songs for the holidays.
Songs featured on this
recording include: Carol
of the Bells, Sweet
Little Jesus Boy, The
First Noel, There's No
Place Like Home for the
Holidays, Soulful, Silent
Night, Coventry Carol,
God Rest Ye Merry
Gentlemen, O Come to
Bethlehem, Baby, What You
Goin' to Be?, Caribbeann
l Carol, I Saw Three
Ships, Lo, How A Rose,
E'er Blooming, Infant
Lowly, Thou Didst Leave
Thy Throne, The Wexford
Carol, Silent Night, Holy
Night, Medieval Noel Jazz
Jingle, We Three
Kings. $17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mercurius Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Shirl Jae Atwell. Orchestra. String Orchestra. Highland String Orchestra. Gra...(+)
By Shirl Jae Atwell.
Orchestra. String
Orchestra. Highland
String Orchestra. Grade
3.5. Conductor Score and
Parts. 124 pages
$47.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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