Guitar - Grade 3

SKU: BT.RSK200071

Rockschool Classics. Exam Material. Book with Online Audio. Composed 2018. Rockschool #RSK200071. Published by Rockschool (BT.RSK200071).

ISBN 9781789360073. English.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Guitar Grade 3 contains eight of thebiggest rock tracks from the past five decades arranged for you to play in your Grade 3 Exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Peformance Certificate.

Featur ing:

• Jimi Hendrix Experience - Hey Joe
• The Raconteurs - Steady As She Goes
• Black Sabbath - Paranoid
• Kings Of Leon - Sex On Fire
• Razorlight - Golden Touch
• VanHalen- Ain't Talkin' 'Bout Love
• Metallica - Wherever I May Roam
• Oasis - Cigarettes And Alcohol

Plus:

• Band and artist fact files with recommended listening
• In-depth walkthroughsof every track
• Easy-access downloadable audio
• Example tests and exercises
• Amp settings and tone advice for each track

A touching tale, set in America, of a child who is born into a family of proud Sioux warriors, but who chooses his own path in life. This work is suitable for use as a dramatic mini-musical including mime, costume and dance, or as a concert performance. If you need to license a school/youth theatre performance of this product, please use the online application form

Melodyline, Lyrics and Chords

SKU: HL.14060049

By Adrian Hopkins. Arranged by Matt Cowe. Fake Books. Pop & Rock. General Merchandise. Duration 240 seconds. Music Sales #AM1001121. Published by Music Sales (HL.14060049).

ISBN 9781849386173. UPC: 840126950571. 4.75x7.5x0.579 inches.

SKU: GI.G-10368

A Document History (1835-1935). Composed by Bryan J. Proksch. Music Education. 346 pages. GIA Publications #10368. Published by GIA Publications (GI.G-10368).

ISBN 9781622776276.

This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell     The Wind Music Research Quarterly: Mitteilungsblatt der IGEB     (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor     Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis     The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner     Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist” Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)   Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa.

TTBB Choral (TTBB a cappella)

SKU: HL.1422540

Composed by Patrick Vu. Gentry Publications. Octavo. Gentry Publications #JG2734. Published by Gentry Publications (HL.1422540).

UPC: 196288199755.

Liste n to Patrick Vu's setting of “A Golden Day,” a stirring love song gracing the Andre Thomas Choral Series. This modern a cappella piece, crafted for your Tenor-Bass choir, paints a vivid picture of emotions unfolding on “a golden day.” With eloquent and bittersweet lyrics, the music unfolds with passionate harmonies, intricately woven together in a moving tapestry of sound. Intended for more advanced ensembles, this piece is a touching addition to any concert repertoire, offering a powerful and stirring experience for performers and audiences alike.

By Larry Shackley. For SATB choir and piano. Sacred: All Saint's Day, Christ the King, General, Spirituals, Transfiguration. Octavo. Published by Lorenz Publishing Company

Composed by Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 178 pages. Published by Hal Leonard

(Music and Lyrics for 94 Standards from the Golden Age of American Song). By Various. Piano/Vocal/Guitar Songbook. Softcover. 376 pages. Published by Hal Leonard

Ukulele. Softcover Audio Online. Rockschool #RSK200128US. Published by Rockschool

Ukulele - easy

SKU: BT.RSK200128

Exam Material. Book with Online Audio. Composed 2020. 60 pages. Rockschool #RSK200128. Published by Rockschool (BT.RSK200128).

ISBN 9781789361148. English.

The 2020 Ukulele syllabus extends Rockschool's offering to a full suite of grades. The syllabus has been designed in conjunction with their new Ukulele Method books, giving students a comprehensive pathway from absolute beginner stages through to entry into the graded system, and subsequently following a progressive pathway through to grade 8. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade, two of the pieces offer the students an opportunity to perform without full band backing, exploring the sound and resonance of their instrument. These include duet parts from Debut toGrade 3, which give further opportunities for teaching and group learning. The remaining tracks are ‘session style’ backing tracks, performed with full backing band and including vocal accompaniment which is also shown in the notation as a melody line and lyric over the main ukulele part.

Il sillabus 2020 Ukulele amplia l'offerta di Rockschool a tutti i livelli di studio.
Il syllabus è stato pensato come complemento per il nuovo metodo di ukulele, offrendo così agli studenti un percorso strutturato a partire dal livello principiante assoluto fino al livello 8.
I sei brani inclusi in ogni volume sono stati selezionati e arrangiati attentamente per consolidare l'appprendimento di ogni studente.

El Syllabus 2020 Ukulele expande la oferta de Rockschool en todos los niveles de estudio.
El syllabus está pensado para complementar el nuevo método de ukelele, ofreciendo a los estudiantes un camino estructurado desde el nivel principiante hasta el nivel 8.
Las seis piezas incluidas en cada volumen han sido cuidadosamente seleccionadas y arregladas para consolidar el aprendizaje de cada estudiante.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.