| Peanuts (Piano Duet Play-Along Volume 21) 2 Pianos, 4 mains [Partition + CD] Hal Leonard
(Piano Duet Play-Along Volume 21). Piano Duet Play-Along. Softcover with CD. 64 ...(+)
(Piano Duet Play-Along
Volume 21). Piano Duet
Play-Along. Softcover
with CD. 64 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bach: Major Choral Works Vocal Scores (Version 2.0) Chorale [CD Sheet Music] Subito Music
By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2....(+)
By Johann Sebastian Bach.
For Choral. (Vocal
Scores). CD Sheet Music
(Version 2.0). PDF file
on CD. 2500 pages.
Published by Subito
Music.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Eternal Light: A Requiem (Vocal/Choral Score) Chorale SSATB SSATB, Piano - Intermédiaire MorningStar Music Publishers
Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, T...(+)
Composed by Howard
Goodall
(1958-).
Multi-Movement/Large
Choral Work. Lent,
Triduum/Three Days,
Tenebrae,
21st Century, Heaven,
Lament/Grief/Sorrow.
Vocal/choral score.
MorningStar Music
Publishers
#56-0002. Published by
MorningStar Music
Publishers
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Edvard Grieg: Samtliche Lieder - Band I, Op. 2-49 (Complete Songs - Vol. 1) Piano, Voix [Partition] Peters
Composed by Edvard Grieg (1843-1907), edited by Dan Fog, Nils Grinde. Collection...(+)
Composed by Edvard Grieg
(1843-1907), edited by
Dan Fog, Nils Grinde.
Collection for voice solo
and piano accompaniment.
Urtext Edition. Text
language English, German
and Norwiegan. 304 pages.
Published by C.F. Peters.
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Annie’s Gone Home - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS108
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+5+5+2+5+2+8 pages.
Duration 3 minutes, 21
seconds. Carl Fischer
Music #FAS108. Published
by Carl Fischer Music
(CF.FAS108). ISBN
9781491151396. UPC:
680160908899. 9 x 12
inches. Key: D
major. Annie's Gone
Home, composed in the
style of a spiritual, was
written as a tribute to
composer Bud Woodruff's
mother. The tune is built
on phrases of easily
understandable material,
but the poignant nature
of the piece is marked
with profundity. From the
subtle bass solo to the
emotional high points,
the piece is inspired by
this strong woman in the
life of the
composer.
Annies Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (19232017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's
Gone Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is easy to
interpret grief in this
music, and its presence
is undeniable, it is
really intended more as a
song of the ultimate
triumph of goodness. In
her wisdom, she was able
to capture deep thoughts
within simple phrases,
which I have also tried
to capture. Her life was
one of frequent
struggles, yet she was
inspiring to many. She
emerged from every
difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. Annieâ€
s Gone Home is a
tribute to my Mother,
Annette Fenner Hains
(1923–2017). Her
siblings and cousins
always called her
“Annie.†She
loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and
spirituals.While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Annie’s Gone Home - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS108F
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #FAS108F.
Published by Carl Fischer
Music (CF.FAS108F).
ISBN 9781491151761.
UPC: 680160909261. 9 x 12
inches. Annie's
Gone Home, composed in
the style of a spiritual,
was written as a tribute
to composer Bud
Woodruff's mother. The
tune is built on phrases
of easily understandable
material, but the
poignant nature of the
piece is marked with
profundity. From the
subtle bass solo to the
emotional high points,
the piece is inspired by
this strong woman in the
life of the
composer.
Annies Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (19232017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's
Gone Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is easy to
interpret grief in this
music, and its presence
is undeniable, it is
really intended more as a
song of the ultimate
triumph of goodness. In
her wisdom, she was able
to capture deep thoughts
within simple phrases,
which I have also tried
to capture. Her life was
one of frequent
struggles, yet she was
inspiring to many. She
emerged from every
difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. Annieâ€
s Gone Home is a
tribute to my Mother,
Annette Fenner Hains
(1923–2017). Her
siblings and cousins
always called her
“Annie.†She
loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and
spirituals.While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Lament Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9718 Composed by Meredith Tompkins. ...(+)
Choral SSA Choir and
Piano SKU:
CF.CM9718 Composed by
Meredith Tompkins. 8
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #CM9718.
Published by Carl Fischer
Music (CF.CM9718).
ISBN 9781491160978.
UPC: 680160919574. Key: D
major. English. Manmohan
Ghose. Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. A Lament is one
of his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his father's
death and eventually the
passing of his wife, he
never again made it back
to England as he had
wished to before his own
death. The text of this
piece has been paired
with a mixolydian modal
structure and a blend of
musical elements designed
to invoke a nostalgic,
dream-like atmosphere. In
the words of the
composer: I like to think
of this piece as a
metaphorical hall of
mirrors. The original
'image' of the melody
becomes the source for
multiple echoes and
imitations that blossom
into layers of polyphonic
movement. As a nod to the
poet's birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and voices.
This piece functions as
an excellent educational
introduction or further
study into the concept of
modes. When presenting
this piece to a choir,
directors may find it
helpful to identify G as
the tonal center and
follow up with an
explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats. Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. “A
Lament†is one of
his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his
father’s death and
eventually the passing of
his wife, he never again
made it back to England
as he had wished to
before his own
death. The text of
this piece has been
paired with a mixolydian
modal structure and a
blend of musical elements
designed to invoke a
nostalgic, dream-like
atmosphere. In the words
of the composer: “I
like to think of this
piece as a metaphorical
hall of mirrors. The
original
‘image’ of
the melody becomes the
source for multiple
echoes and imitations
that blossom into layers
of polyphonic
movement.†As a nod
to the poet’s
birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and
voices. This piece
functions as an excellent
educational introduction
or further study into the
concept of modes. When
presenting this piece to
a choir, directors may
find it helpful to
identify G as the tonal
center and follow up with
an explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Song of Mary Magdalene: Now we are they who weep from Invictus: A Passion Soli, choeur mixte et accompagnement - Facile MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate SKU:
MN.56-0109 Composed
by Howard Goodall. Holy
Week, Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 57
seconds. MorningStar
Music Publishers
#56-0109. Published by
MorningStar Music
Publishers (MN.56-0109).
UPC: 688670221262.
English, Latin. John
20:1. Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, tenor solo,
SATB choir and piano. The
text is by Christina
Georgina Rossetti, Isaac
Watts (“When I
survey the wondrous
cross,â€) and drawn
from John 20:1 (this text
in Latin). The music is
serene, acknowledging the
grief of those who are
left to mourn. Duration
6:57. $3.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Revelation: Factum est silentium from Eternal Light: A Requiem Chorale SATB SATB, Piano - Intermédiaire MorningStar Music Publishers
SATB choir and Piano - Intermediate SKU: MN.56-0050 Composed by Howard Go...(+)
SATB choir and Piano -
Intermediate SKU:
MN.56-0050 Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Duration 2 minutes, 30
seconds. MorningStar
Music Publishers
#56-0050. Published by
MorningStar Music
Publishers (MN.56-0050).
UPC: 688670220531.
English. Arranged
for SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
This movement does not
use an English text,
however. The Latin text
is from a motet for the
feast of Michael the
Archangel and describes
his victory over a
dragon. Despite its
chant-like setting, there
is great energy and
urgency, with the organ
punctuating and adding to
the rhythmic drive in
many spots. Duration
2:30. $3.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Beati I: Pro curatis (For those that are cared for) - Intermédiaire MorningStar Music Publishers
Soprano voice solo, SSAA choir, organ, cello, synthesizer, and handbells - Inter...(+)
Soprano voice solo, SSAA
choir, organ, cello,
synthesizer, and
handbells - Intermediate
SKU: MN.56-0021
Composed by Howard
Goodall. 21st Century,
Lament/Grief/Sorrow.
Duration 7 minutes, 12
seconds. MorningStar
Music Publishers
#56-0021. Published by
MorningStar Music
Publishers (MN.56-0021).
UPC: 688670220265.
Latin. Lamentations 1:2;
John 14:18. Written
for the Enchanted Voices
CD, this is one of many
settings of texts either
from the Beatitudes (or
springing from them)
available from this
composer. For soprano
solo and women’s
chorus (mostly SSA but
with a few SSAA
passages), organ, cello,
synthesizer, and
handbells, the music has
a light, ethereal
feeling.
“Beati†can
be taken as a sort of
“Blessed are
they†prefix for
the movements which are
not direct quotes from
the Beatitudes. In this
case the only English
text is at the beginning
and end, sung by the
soprano soloist. The rest
is a Latin setting of
Lamentations 1:2
(“Weeping, she hath
wept in the nightâ€)
and John 14:18 (“I
will not leave you
orphansâ€). Duration
7:12
$3.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymn: Lead, kindly light from Eternal Light: A Requiem Chorale SATB SATB, Piano - Intermédiaire MorningStar Music Publishers
SATB choir and Piano - Intermediate SKU: MN.56-0052 Composed by Howard Go...(+)
SATB choir and Piano -
Intermediate SKU:
MN.56-0052 Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Instrumental part.
Duration 2 minutes, 14
seconds. MorningStar
Music Publishers
#56-0052. Published by
MorningStar Music
Publishers (MN.56-0052).
UPC: 688670220555.
English,
Latin. Arranged for
SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
This movement is a nicely
accompanied, homophonic
choral setting of the
English text by John
Henry Newman (1833).
Anthem-like and entirely
self-sufficient, it is
ideal to perform
separately apart from the
entire work. Duration
2:14. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Revelation: Tum angelus tertius clanxit from Eternal Light: A Requiem Chorale SATB SATB, Piano - Intermédiaire MorningStar Music Publishers
SATB choir and Piano - Intermediate SKU: MN.56-0056 Composed by Howard Go...(+)
SATB choir and Piano -
Intermediate SKU:
MN.56-0056 Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Duration 1 minute, 18
seconds. MorningStar
Music Publishers
#56-0056. Published by
MorningStar Music
Publishers (MN.56-0056).
UPC: 688670220593.
Latin. Arranged for
SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
Like movement 2, also
called
ââ¬ÅRevelation,
ââ¬Â this
movement is a rapid,
homophonic declamation of
the Latin text set for
SATB and accompaniment.
The music is a dynamic
crescendo from pianissimo
to fortissimo, painting
the text. Duration
1:18. $2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 50 Easy Classical Solos For Violin Violon [Partition] - Facile Music Sales
| | |
| 50+ Easy Classical Solos For Flute Flûte traversière [Partition] - Facile Music Sales
For Flute, with chord symbols. Classical. Sheet Music. 64 pages. Published by Mu...(+)
For Flute, with chord
symbols. Classical. Sheet
Music. 64 pages.
Published by Music Sales.
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| George Frideric Handel: Messiah (Oratorio, 1741) - Violin I Violon [Partie séparée] Schirmer
Violin 1 Part. By George Frideric Handel. (Violin). Choral Large Works. Size 9x1...(+)
Violin 1 Part. By George
Frideric Handel.
(Violin). Choral Large
Works. Size 9x12 inches.
44 pages. Published by
Schirmer.
(1)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| George Frederic Handel: Messiah (Oratorio, 1741) - Violin II [Partie séparée] Schirmer
Composed by George Frederic Handel (1685-1759). 1741. Orchestral part for second...(+)
Composed by George
Frederic Handel
(1685-1759). 1741.
Orchestral part for
second violin. With
standard notation and
vocal cues. 41 pages.
Published by G. Schirmer,
Inc.
(1)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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