(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.

(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal Leonard

For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and leadsheet notation. Children's. Series: Hal Leonard Paperback Songs (Melodies, lyrics, and chords in a convenient format), . 256 pages. 4.2x6.7 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Sacred. 182 pages. 9x12 inches. Published by Creative Concepts

By Rose. For keyboard/instruments. Reformation; Praise; General. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

(Book of Words). For Voice. This edition: Book of Words. P/V/C Mixed Folio. Book. 68 pages

By Peggy Seeger. For Melody Line, Lyrics and Chord symbols. Folk. Sheet Music. 364 pages. Published by Oak Publications.

The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Chords. Music Sales America. Folk Rock. Softcover. 560 pages. Paul Simon Music #PS11594. Published by Paul Simon Music

Performed by Tom Paxton. Guitar/vocal songbook for voice and guitar. With vocal melody, lyrics, chord names, introductory text and black and white photos. 142 pages. Published by Cherry Lane Music.

By Adrian Hopkins. Arranged by Matt Cowe. The Little Black Songbook. Pop and Rock. Book Only. 192 pages. Wise Publications #MUSAM999680. Published by Wise Publications

Arranged by Various. Sacred. Print Music Collection (Book). Published by Hope Publishing Company.

For Autoharp, Guitar, Ukulele, Mandolin, Banjo, and Keyboard. Compiled by Meg Peterson. For Autoharp/Chromaharp. Songbook. Sacred. Level: Beginning. Book. Size 8.5x11. 40 pages. Published by Mel Bay Publications, Inc.

(Voices)

SKU: HP.8222

This edition: Complete. Author Collections. General Worship, Sacred. Hymn Collection. 128 pages. Hope Publishing Company #8222. Published by Hope Publishing Company (HP.8222).

UPC: 763628182229. Brian Wren.

A collection of new hymn texts from one of today's preeminent hymn text writers, Brian Wren. Many are paired with new hymn tunes written by a variety of composers.

(Voices)

SKU: HP.8222C

This edition: Complete. Author's Collections. General Worship, Sacred. CD. Hope Publishing Company #8222C. Published by Hope Publishing Company (HP.8222C).

UPC: 799218004121. Brian Wren.

A collection of new hymn texts from one of today's preeminent hymn text writers, Brian Wren. Many are paired with new hymn tunes written by a variety of composers.

(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 188 pages

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

For Voice. (Baritone/Bass Voice). Vocal Collection. Broadway. Book. 188 pages. Published by Alfred Publishing.

By Hans Leo Hassler (1564-1612). Arranged by Hal H. Hopson. For SATB choir. Accessible Anthem Series. Classics, Masterwork, Christmas, Sacred. Octavo. Published by Hope Publishing Company Octavo Classics, Masterwork, Christmas, Sacred