| This Is My Story, This Is My Song SATB/Flute Chorale SATB SATB, Flûte Shawnee Press
By Nancy Price, Don Besig. For SATB Choir. Choral, Obligato Instrument-Flute, Tr...(+)
By Nancy Price, Don
Besig. For SATB Choir.
Choral, Obligato
Instrument-Flute, Tracks,
Bass/Percussion, General
Use, Incorporating Hymn
Tunes, Resettings of Hymn
Text and Sacred. Sheet
Music. Published by
Shawnee Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata in D minor and A minor [Conducteur] Edition HH
Flute & basso continuo SKU: HH.HH446-FSP Composed by Simon Balicourt. Edi...(+)
Flute & basso continuo
SKU: HH.HH446-FSP
Composed by Simon
Balicourt. Edited by
Michael Talbot. Flute &
Basso Continuo. Full
score and parts. Edition
HH Music Publishers
#HH446-FSP. Published by
Edition HH Music
Publishers
(HH.HH446-FSP). ISBN
9790708146537. The
Andante opening Sonata 3,
in D minor, demonstrates
Balicourt’s
mastery of a an entirely
natural lyricism that is
elegant without ever
becoming bland. The
vivacious Allegro that
follows has an endearing
playfulness reminiscent
of Vivaldi. The third
movement, Andante, moves
to F major and is
noteworthy for some
delightful imitative play
between flute and bass. A
sprightly Minuetto brings
up the rear. Sonata 4, in
A minor, opens with a
Largo of an almost
Handelian gravitas. It is
followed by a
fleet-footed Allegro that
at several points
contains figurations
derived from violinistic
style as exemplified by
Vivaldi. For the
concluding movement, a
graceful Affettuoso,
Balicourt switches to A
major, a way of
lightening the mood that
in 1750 was not yet
common but very soon was
to become a favoured
practice in minor-key
works. $22.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Moon & Birds. Four Songs Voice & Pf Stainer and Bell
Medium Voice & Piano SKU: ST.Y291 Composed by Rhian Samuel. Vocal music. ...(+)
Medium Voice & Piano
SKU: ST.Y291
Composed by Rhian Samuel.
Vocal music. Four songs
for medium voice and
piano to poems by Anne
Stevenson and Emily
Dickinson.. Vocal score.
Stainer & Bell Ltd.
#Y291. Published by
Stainer & Bell Ltd.
(ST.Y291). ISBN
9790220223372. CONT
ENTS 1. Blackbird
(Anne Stevenson) (b -
g) 2. The moon is
distant (Emily Dickinson)
(b - g sharp) 3. Bird
in hand (Anne Stevenson)
(e flat - g flat) 4.
On not being able to look
at the moon (Anne
Stevenson) (b - g)
For medium voice and
piano or ensemble of
flute, harp and string
quartet, Moon and
Birds is a
substantial cycle of
songs to words by Anne
Stevenson and Emily
Dickinson. Its sequence
of four settings,
'Blackbird', 'The moon is
distant' (Dickinson),
'Bird in hand' and 'On
not being able to look at
the moon' unfolds a
symmetrical structure of
contrasting yet
interlocking moods in
which the reflective
second and fourth
numbers, lunar visions of
mystic tranquillity
flawed by doubt and pain,
temper with human frailty
the bright epiphanies of
the first and third
songs. There is
a fascinating challenge
here for the performer to
embrace both elation and
gravitas in a single
reading, Samuel's
vigorous musical
invention binding the
developing web of feeling
with its own formal
strengths and subtly
illustrative moments. In
the version for string
quartet, flute and harp,
first performed by
Contemporary Connections
on 4 November 2011 at St
James's Church
Piccadilly, the flute
takes a prominent role
throughout. Violins,
viola and cello at times
elaborate on the simpler
textures of the keyboard
version, though the two
scores remain entirely
compatible. The bluesy
harmonies of the
concluding number,
whether weighted by
sonorous string quartet
or profiled in edgier
piano chords, bring the
cycle to a sombre
conclusion with a proper
sense of an emotional
world traversed. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.11540425S
Composed by Carter Pann.
Study Score. 92 pages.
Duration 26 minutes.
Theodore Presser Company
#115-40425S. Published by
Theodore Presser Company
(PR.11540425S). UPC:
680160688142. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $46.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Hymns of the Cross on the Tune SEGUNDO Chorale Unison - Débutant GIA Publications
Unison with descant, cantor, assembly, keyboard accompaniment, flute, violin, gu...(+)
Unison with descant,
cantor, assembly,
keyboard accompaniment,
flute, violin, guitar -
Beginning SKU:
GI.G-10227 Take Up
Your Cross / When I
Behold the Wondrous
Cross. Composed by
Peter M. Kolar. Palm
Sunday, Good Friday.
Choral. Tune Name:
Segundo. Sacred. Octavo.
With guitar chord names.
12 pages. GIA
Publications #10227.
Published by GIA
Publications
(GI.G-10227). UPC:
785147022718. English.
Text Source: Text I:
Charles William Everest,
1814-1877, alt., Text II:
Isaac Watts, 1674-1748,
alt. Text by Charles C.
Everest. The tune
SEGUNDO is intended
specifically for hymn
texts in long meter (LM,
or 88 88) that
can benefit from a
sense of gravitas. In
performance, the entire
hymn may be sung by
unison choir, or if
desired, the beginning
stanzas may be sung by
one or more soloists or
sections allowing the
piece to build over its
four stanzas, so that the
last stanza, with its
soaring descant, pours
forth rife with
emotion. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.11540425L
Composed by Carter Pann.
Large Score. 92 pages.
Duration 26 minutes.
Theodore Presser Company
#115-40425L. Published by
Theodore Presser Company
(PR.11540425L). UPC:
680160688159. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $82.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.115404250
Composed by Carter Pann.
Set of Score and Parts.
92+8+12+12+12+12+8+8+12+1
2+12+12+12+12+12+12+8+12+
12+12+8+8+8+8+8+8+8+8+8+8
+8+8+8+8+8+8+12+8+8+8+8+8
+8 pages. Duration 26
minutes. Theodore Presser
Company #115-40425.
Published by Theodore
Presser Company
(PR.115404250). UPC:
680160688135. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $285.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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