| What The Morning Bell Tells Me from Symphony No. 3 for 12-part Trombone Choir Ensemble de Trombones [Conducteur et Parties séparées] - Avancé Cherry Classics
12-part Trombone Choir - Advanced SKU: CY.CC3171 Composed by Gustav Mahle...(+)
12-part Trombone Choir -
Advanced SKU:
CY.CC3171 Composed by
Gustav Mahler. Arranged
by Ohad Wand. Classical.
Score and Parts. Cherry
Classics #CC3171.
Published by Cherry
Classics (CY.CC3171).
ISBN 9790530111413.
8.5 x 11 in
inches. Mahler
composed his 3rd Symphony
in the summers of 1893
and 1894 in Steinbach on
the Attersee near
Salzburg. He spent most
of his days those two
summers composing in a
tiny hut built to his
specifications where he
could compose in the
meadow on the shore of
the lake - undisturbed.
Movement 5, What The
Morning Bell Tells Me
includes the voices of
women's chorus, children
and alto soloist and is a
relatively short 4-minute
bright rowdy episode,
full of laughing voices,
bells and angels. Ohad
Wand arranged this great
music for 12-part
Trombone Choir while
studying at the Eastman
School and it was
subsequently beautifully
recorded by the Eastman
Trombone Choir, directed
by Dr. John
Marcellus. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| ARKA - 3 Rituale (Full Score) Voix basse, Piano [Conducteur] Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Thank You, Lord Chorale 3 parties SAB, Piano [Octavo] Hope Publishing Company
By Joseph M. Martin. For SAB choir and piano with optional orchestration and rhy...(+)
By Joseph M. Martin. For
SAB choir and piano with
optional orchestration
and rhythm. The Joseph M.
Martin Choral Series.
General Worship, Praise
and Worship, Thanksgiving
and Gratitude, Sacred.
Octavo. 12 pages.
Published by Hope
Publishing Company
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Messe a quatre voix Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 english horn,
[trumpet, 3 trombones], 2
violins, viola, cello,
contrabass, organ, organ
ripieno SKU:
CA.2706012 Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 2. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 2. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/12. Published
by Carus Verlag
(CA.2706012). Text
language:
Latin. Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God is Here! Chorale SATB [Octavo] Hope Publishing Company
Composed by Cyril Taylor. Arranged by Lloyd Larson. For SATB choir with optional...(+)
Composed by Cyril Taylor.
Arranged by Lloyd Larson.
For SATB choir with
optional brass
instruments. Abbot's
leigh, Hymntune, General,
Sacred. Octavo. 12 pages.
Published by Hope
Publishing Company
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Messe a quatre voix Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 english horn,
[trumpet, 3 trombones], 2
violins, viola, cello,
contrabass, organ, organ
ripieno SKU:
CA.2706014 Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violoncello. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Cello. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/14. Published by
Carus Verlag
(CA.2706014). Text
language:
Latin. Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe a quatre voix Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 english horn,
[trumpet, 3 trombones], 2
violins, viola, cello,
contrabass, organ, organ
ripieno SKU:
CA.2706011 Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 1. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 1. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/11. Published
by Carus Verlag
(CA.2706011). Text
language:
Latin. Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe a quatre voix Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 english horn,
[trumpet, 3 trombones], 2
violins, viola, cello,
contrabass, organ, organ
ripieno SKU:
CA.2706013 Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Viola. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Viola. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/13. Published by
Carus Verlag
(CA.2706013). Text
language:
Latin. Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Sancti Josephi, ZWV 14 Chorale SATB satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708209
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. 1x
27.082/21 flute 1, 1x
27.082/22 flute 2, 1x
27.082/23 oboe 1, 1x
27.082/24 oboe 2, 1x
27.082/31 horn 1, 1x
27.082/32 horn 2, 3x
27.082/33 Trombone 1+2
and timpani. Harmony
parts. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. ZWV
14. Duration 38 minutes.
Carus Verlag #CV
27.082/09. Published by
Carus Verlag
(CA.2708209). ISBN
9790007242985. Language:
Latin. Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and parts
available separately -
see item CA.2708200. $73.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Veni Sancte Spiritus (Come now, holy Spirit) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso ...(+)
SATB vocal soli, SATB
choir, 2 violins, 2
trumpets, 2 trombones,
timpani, basso continuo
SKU: CA.2770209
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. 1x
27.702/21 bassoon, 1x
27.702/31 clarino 1, 1x
27.702/32 clarino 2, 1x
27.702/33 trombone 1, 1x
27.702/34 trombone 2, 1x
27.702/41 timpani. Music
from Vienna. German
title: Veni Sancte
Spiritus Set (6). Sacred
vocal music, Motets,
Whitsun. Set of Orchestra
Parts. Composed circa
1725. 12 pages. Duration
5 minutes. Carus Verlag
#CV 27.702/09. Published
by Carus Verlag
(CA.2770209). ISBN
9790007202620. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton. Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
parts available
separately - see item
CA.2770200. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Veni Sancte Spiritus (Come now, holy Spirit) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso ...(+)
SATB vocal soli, SATB
choir, 2 violins, 2
trumpets, 2 trombones,
timpani, basso continuo
SKU: CA.2770212
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Single
Part, Violin 2. Composed
circa 1725. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/12.
Published by Carus Verlag
(CA.2770212). ISBN
9790007202644. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton. Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
part available separately
- see item
CA.2770200. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani,...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
clarinos/trumpets, 3
trombones, timpani, 2
violins, basso continuo
SKU: CA.4061612
Grosse Credomesse.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C (Credo-Messe)
Kv 257 Rev.2003. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed
1775-1777. KV 257. 16
pages. Duration 27
minutes. Carus Verlag #CV
40.616/12. Published by
Carus Verlag
(CA.4061612). ISBN
9790007073664. Key: C
major. Language:
Latin. Here, as
also in his earlier Litte
Credo Mass KV 192, Mozart
made use of a church
music device which can be
traced back in
south-German and Austrian
church music to the
beginning of the 18th
century: frequent
repetition of the opening
words of the Credo. This
presupposes that the
setting of the words of
the intonation Credo in
unum Deum as part of an
ensemble composition,
which for centuries had
been intoned in plainsong
by the priest, had become
liturgically acceptable.
It was only a small and
syntactically logical
step for the word Credo
to be repeated before the
individual articles of
belief, thus
strengthening the
declaration of faith.
Score and part available
separately - see item
CA.4061600. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo SKU:
CA.1002709 Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext. 1x
10.027/31 trombone 1, 1x
10.027/32 2 trombones, 1x
10.027/33 trombone 3, 1x
10.027/34 trombone 4.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Duration 8 minutes. Carus
Verlag #CV 10.027/09.
Published by Carus Verlag
(CA.1002709). ISBN
9790007189310. Text
language:
German. The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and parts
available separately -
see item CA.1002700. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| When in Our Music God Is Glorified Cloches [Conducteur] - Intermédiaire Hope Publishing Company
Arranged by Arnold B. Sherman. Celebration, Festival, General Worship, Hymntune ...(+)
Arranged by Arnold B.
Sherman. Celebration,
Festival, General
Worship, Hymntune and
Sacred. Level: Grade 3-.
Print Music Single (3-6
octaves). 12 pages.
Published by Hope
Publishing Company.
$6.50 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
clarinos/trumpets,
timpani, 2 violins, basso
continuo, [2 oboes, 3
trombones] - Grade 3
SKU: CA.4062749
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. Composed
circa 1775-1777. KV 258.
12 pages. Duration 20
minutes. Carus Verlag #CV
40.627/49. Published by
Carus Verlag
(CA.4062749). ISBN
9790007084738. Key: C
major. Language:
Latin. The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
part available separately
- see item
CA.4062700. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| God So Loved CD Chorale Hope Publishing Company
Listening CD SKU: HP.9162 Composed by Pepper Choplin. Listening CD. Hope ...(+)
Listening CD SKU:
HP.9162 Composed by
Pepper Choplin. Listening
CD. Hope Publishing
Company #9162. Published
by Hope Publishing
Company (HP.9162).
UPC: 763628191627.
Pepper
Choplin. Easter
Cantata Beginning with
John 3:16, this musical
tells the remarkable
Passion story. The theme
of God's love is
highlighted in every step
of Jesus' journey to the
cross. With a light
contemporary feel in the
rhythm and harmony, the
music is full of
memorable melodies with a
dramatic flair. From the
rhythmic call of Hosanna,
God Save Us to the
reassuring, Remember I Am
There to the dramatic one
note melody of They Came
to Arrest Him, this work
will provide a moving
experience for any
service during Holy Week.
The choir parts are
carefully crafted and
choir-tested, ensuring
that your singers will
perform with confidence.
Four of the pieces may
serve as Sunday anthems
as the larger work is
being prepared.
Accompaniment can be
provided by piano, or a
small ensemble of eleven
instruments arranged by
Ed Hogan. Performance
time is
39-minutes.
Instru
mental Parts include:
Conductor's Score, Flute,
Clarinet, Trumpet, French
Horn (opt. Alto Sax),
Trombone (opt. Baritone
T.C. or Tenor Sax),
Drums, Piano, Electric
Bass, 2 Violins (opt.
Viola), Cello & String
Reduction. $17.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| God So Loved Hope Publishing Company
Preview Pack (book & listening CD) SKU: HP.9168 Composed by Pepper Chopli...(+)
Preview Pack (book &
listening CD) SKU:
HP.9168 Composed by
Pepper Choplin. Preview
pack - book & listening
CD. Hope Publishing
Company #9168. Published
by Hope Publishing
Company (HP.9168).
UPC: 763628191689.
Pepper
Choplin. Easter
Cantata Beginning with
John 3:16, this musical
tells the remarkable
Passion story. The theme
of God's love is
highlighted in every step
of Jesus' journey to the
cross. With a light
contemporary feel in the
rhythm and harmony, the
music is full of
memorable melodies with a
dramatic flair. From the
rhythmic call of Hosanna,
God Save Us to the
reassuring, Remember I Am
There to the dramatic one
note melody of They Came
to Arrest Him, this work
will provide a moving
experience for any
service during Holy Week.
The choir parts are
carefully crafted and
choir-tested, ensuring
that your singers will
perform with confidence.
Four of the pieces may
serve as Sunday anthems
as the larger work is
being prepared.
Accompaniment can be
provided by piano, or a
small ensemble of eleven
instruments arranged by
Ed Hogan. Performance
time is
39-minutes.
Instru
mental Parts include:
Conductor's Score, Flute,
Clarinet, Trumpet, French
Horn (opt. Alto Sax),
Trombone (opt. Baritone
T.C. or Tenor Sax),
Drums, Piano, Electric
Bass, 2 Violins (opt.
Viola), Cello & String
Reduction. $17.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Requiem in C major Orgue [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731509 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509). ISBN
9790007201685. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500. $82.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Festival First Nowell Chorale SATB [Octavo] - Facile GIA Publications
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone,
tuba, percussion - Early
intermediate
Arranged by Dan Forrest.
Christmastide, Christmas
Vigil, Christmas Night,
Christmas Dawn, Christmas
Day. Music from
Westminster,Westminster
Choir. Tune Name: The
First Nowell. Music
Education. Octavo. 12
pages. GIA Publications
#8720. Published by GIA
Publications
$2.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731512 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512). ISBN
9790007201708. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075205 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Choir
part. Composed 1990. 12
pages. Duration 20
minutes. Carus Verlag #CV
40.752/05. Published by
Carus Verlag
(CA.4075205). ISBN
9790007220679. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nocturne [Conducteur] - Intermédiaire Cherry Classics
Trombone Quartet 3 tenor trombones and 1 bass trombone - Intermediate SKU: CY...(+)
Trombone Quartet 3 tenor
trombones and 1 bass
trombone - Intermediate
SKU: CY.CC2094
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Sonny Ausman.
Romantic Orchestra
Transcription. Full score
& set of parts. Published
by Cherry Classics
(CY.CC2094).
This work is
very beautifully
transcribed in a simple
straight forward setting
in the key of Db, down a
minor 3rd from the
original. It features the
1st and 3rd trombone
parts. Use it to feature
one player or perform it
with a whole choir. The
highest note is Ab, so
there isn't a lot of
fatigue involved like the
original key for the horn
solo. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Song of the Laughing Green Woods (No. 2 from There is Sweet Music Here ) Chorale SATB SATB Schirmer
By Stephen Chatman. For SATB Choir and optional brass parts: trumpet 1, trumpet ...(+)
By Stephen Chatman. For
SATB Choir and optional
brass parts: trumpet 1,
trumpet 2, trumpet 3 and
trombone (Mixed Voices).
Secular. Choral. 12 pages
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piping Down the Valleys Wild (No. 4 from There is Sweet Music Here ) Chorale SATB SATB Schirmer
By Stephen Chatman. For SATB Choir and optional brass parts: trumpet 1, trumpet ...(+)
By Stephen Chatman. For
SATB Choir and optional
brass parts: trumpet 1,
trumpet 2, trumpet 3 and
trombone (Mixed Voices).
Secular. Choral. 12 pages
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music, When Soft Voices Die (No. 3 from There is Sweet Music Here ) Chorale SATB SATB Schirmer
By Stephen Chatman. For SATB Choir and optional brass parts: trumpet 1, trumpet ...(+)
By Stephen Chatman. For
SATB Choir and optional
brass parts: trumpet 1,
trumpet 2, trumpet 3 and
trombone (Mixed Voices).
Secular. Choral. 12 pages
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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