Features the music of David Shaffer, Warren Barker, Lennie Niehaus, Quincy Hilli...(+)
Features the music of
David Shaffer, Warren
Barker, Lennie Niehaus,
Quincy Hilliard, Barry
Kopetz and Andre Jutras,
who are among the premier
composers of wind band
music in the world today.
From the bright fanfares
of David Shaffer's Flight
Of The Pegasus to the
lush flowing melodic
lines in Warren Barker's
superb arrangement of the
Welsh standard, Danny
Boy, this is music
everyone will
enjoy!
Grade 3 SKU: CL.026-5037-01 Composed by Bob Hilliard. Arranged by Bergero...(+)
Grade 3
SKU:
CL.026-5037-01
Composed by Bob Hilliard.
Arranged by Bergeron.
Concert Band. Extra
score. C.L. Barnhouse
#026-5037-01. Published
by C.L. Barnhouse
(CL.026-5037-01).
One of Quincy
Hilliard’s most
exciting compositions,
Variations on an African
Hymnsong has been
skillfully arranged for
the flexible
instrumentation
Build-A-Band series by
Jimi Bergeron. Based on a
Nigerian folk hymn, this
very appealing selection
features interesting
harmonies, beautiful tone
colors and driving
polyrhythms, all combine
to make this a stunning
work for band, especially
for groups with large
percussion sections. Give
your students a glimpse
of music from another
culture rarely heard or
performed by wind bands.
Perfect for contest or
concert use. Truly
exceptional!
Grade 3 SKU: CL.026-5037-00 Composed by Bob Hilliard. Arranged by Bergero...(+)
Grade 3
SKU:
CL.026-5037-00
Composed by Bob Hilliard.
Arranged by Bergeron.
Concert Band. Score and
set of parts. C.L.
Barnhouse #026-5037-00.
Published by C.L.
Barnhouse
(CL.026-5037-00).
One of Quincy
Hilliard’s most
exciting compositions,
Variations on an African
Hymnsong has been
skillfully arranged for
the flexible
instrumentation
Build-A-Band series by
Jimi Bergeron. Based on a
Nigerian folk hymn, this
very appealing selection
features interesting
harmonies, beautiful tone
colors and driving
polyrhythms, all combine
to make this a stunning
work for band, especially
for groups with large
percussion sections. Give
your students a glimpse
of music from another
culture rarely heard or
performed by wind bands.
Perfect for contest or
concert use. Truly
exceptional!
ST vocal soli, speaker,
oboe, trumpet, trombone,
2 organs
SKU:
CA.2910400
Fragmente aus dem Buch
Jirmejahu (Jeremia).
Composed by Helmut
Bornefeld. Edited by
Helmut Bornefeld. German
title: Die Heimsuchung.
Sacred vocal music. Full
score. Composed 1965/66.
BoWV. 58 pages. Carus
Verlag #CV 29.104/00.
Published by Carus Verlag
(CA.2910400).
Young concert band - Grade 2 SKU: CL.024-4093-01 Composed by Conaway. You...(+)
Young concert band -
Grade 2
SKU:
CL.024-4093-01
Composed by Conaway.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR377). Extra full
score. Composed 2012.
Duration 3 minutes, 9
seconds. C.L. Barnhouse
#024-4093-01. Published
by C.L. Barnhouse
(CL.024-4093-01).
Alternatively
sensitive and powerful,
this setting will make
bands of all ages and
abilities shine! Based on
a 17th-century German
hymn melody, this
powerful work by Matt
Conaway is at home in
both sacred and secular
performances. Suitable
for ceremonial use, this
new hymn song setting is
accessible and
effective!
By Messiah College Wind Ensemble and Faculty Brass; Greater Harrisburg Concert B...(+)
By Messiah College Wind
Ensemble and Faculty
Brass; Greater Harrisburg
Concert Band. By David R.
Holsinger. For wind
ensemble. Classical.
Performance CD
Grade 3 SKU: CL.012-2607-75 Composed by Bob Hilliard. Concert Band. Herit...(+)
Grade 3
SKU:
CL.012-2607-75
Composed by Bob Hilliard.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR105). Oversized,
spiral-bound score.
Composed 1994. Duration 6
minutes, 1 second. Opus
III Wind Orchestra
Publications
#012-2607-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-2607-75).
Exciting music
based on a Nigerian folk
hymn, Quincy Hilliard's
setting is perfect for
contest or concert use.
Interesting harmonies,
beautiful tone colors and
driving polyrhythms all
combine to make this a
very appealing selection,
especially for groups
with large percussion
sections. Give your
students a glimpse of
music from another
culture rarely heard or
performed by wind bands.
Truly Exceptional!
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Y...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Young Band.
Level: 2 (Easy) (grade
2). Conductor Score. 24
pages. Published by
Alfred Publishing.
Grade 3 SKU: CL.026-5037-75 Composed by Bob Hilliard. Arranged by Bergero...(+)
Grade 3
SKU:
CL.026-5037-75
Composed by Bob Hilliard.
Arranged by Bergeron.
Concert Band. Oversized,
spiral-bound score. C.L.
Barnhouse #026-5037-75.
Published by C.L.
Barnhouse
(CL.026-5037-75).
Hymnsong Variants Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Y...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Young Band.
Level: 2 (Easy) (grade
2). Conductor Score &
Parts. 264 pages.
Duration 4:21. Published
by Alfred Publishing.
By Matt Conaway. For young concert band. Rising Band Series. Grade 2. Score and ...(+)
By Matt Conaway. For
young concert band.
Rising Band Series. Grade
2. Score and set of
parts. Duration 3
minutes, 9 seconds.
Published by C.L.
Barnhouse
In Paths of Truth and Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Wingert-Jones Publications
(My Father Will Supply My Need). Composed by Traditional. Arranged by Randall D....(+)
(My Father Will Supply My
Need). Composed by
Traditional. Arranged by
Randall D. Standridge.
Concert Band. Concert
Band Series. Grade 3.
Full set. Published by
Wingert-Jones
Publications
Band Concert Band - Grade 3 SKU: CF.CPS223F A Setting of “Amazin...(+)
Band Concert Band - Grade
3
SKU: CF.CPS223F
A Setting of
“Amazing
Grace†and
“My Shepherd Will
Supply My
Needâ€. Composed
by Grant Michel. Concert
Band (CPS). Full score.
With Standard notation.
16 pages. Carl Fischer
Music #CPS223F. Published
by Carl Fischer Music
(CF.CPS223F).
ISBN
9781491153178. UPC:
680160910670.
An
impressive composition
based on two popular
hymns, Amazing
Grace and My
Shepherd Will Supply My
Need. Lush harmonies,
flowing lines and
ultimately the combining
of both hymns shows the
compositional craft of
the composer. A
perfect piece to stretch
the musicianship of your
ensemble. Consider
this selection as a
middle piece in your next
contest/festival
performance.
Band Concert Band - Grade 3 SKU: CF.CPS223 A Setting of “Amazing...(+)
Band Concert Band - Grade
3
SKU: CF.CPS223
A Setting of
“Amazing
Grace†and
“My Shepherd Will
Supply My
Needâ€. Composed
by Grant Michel. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+2+8+16+16+4+2+2+2+2+2+
4+4+4+2+2+3+3+3+4+2+1+2+2
+16+2 pages. Duration
5:26. Carl Fischer Music
#CPS223. Published by
Carl Fischer Music
(CF.CPS223).
ISBN
9781491152492. UPC:
680160909995.
An
impressive composition
based on two popular
hymns, Amazing
Grace and My
Shepherd Will Supply My
Need. Lush harmonies,
flowing lines and
ultimately the combining
of both hymns shows the
compositional craft of
the composer. A
perfect piece to stretch
the musicianship of your
ensemble. Consider
this selection as a
middle piece in your next
contest/festival
performance.
Aurora Dances Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-480-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-480-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2019. 40 pages.
Anglo Music Press #AMP
480-140. Published by
Anglo Music Press
(BT.AMP-480-140).
English-German-French-
Dutch.
Aurora
Dances was
commissioned by the Hong
Kong-based Winter Band
Festival, and consists of
three movements, to be
played without a break.
‘Aurora
Borealis’ opens
with florid woodwind
figures and highlights
different sections of the
band in turn. The second
movement ‘Aurora
Australis’ leads
to a sombre chorale,
which builds to a
full-band climax. The
finale ‘Aurora
Dances’ is
characterised by
rhythmic, dance-like
themes. A central section
features a contrasting
legato melody, but
this doesn’t
dispel the energetic feel
of the opening, which
returns to close the
work.
Aurora
Dances werd
geschreven in opdracht
van het Winter Band
Festival in Hongkong. Het
werk bestaat uit drie
delen die in elkaar
overlopen. ‘Aurora
Borealis’ opent
met sierlijke motieven in
het hout en bevat korte,
herhaalde frasen waarin
de verschillende secties
afwisselend in de
schijnwerpers worden
gezet. Het melancholieke
koraal van deel twee,
‘Aurora
Australis’,
ontvouwt zich tot een
climax in het hele
orkest. Het laatste deel,
‘Aurora
Dances’ wordt
gekenmerkt door
ritmische, dansachtige
thema’s. Een
middengedeelte bevat een
contrasterende
legato melodie,
maar die gaat niet ten
koste van het energieke
gevoel van de opening,
waarmee het werk
wordtafgesloten.
Aurora
Dances wurde vom
Winter Band Festival in
Hongkong in Auftrag
gegeben und wird ohne
Pause gespielt. Aurora
Borealis“ beginnt
mit
überschwänglichen
Holzbläserfiguren und
hebt abwechselnd
verschiedene Sektionen
des Blasorchesters
hervor. Der zweite Satz,
Aurora Australis“,
führt zu einem
düsteren Choral, der
sich zu einem
Höhepunkt des
kompletten Orchesters
aufbaut. Das Finale,
Aurora Dances“,
zeichnet sich durch
rhythmische und
tänzerische Themen
aus. Ein zentraler
Abschnitt ist durch eine
kontrastierende
Legato-Melodie
geprägt, die jedoch
die energiegeladene
Stimmung des Anfangs
nicht aufhebt, welche am
Ende des Werkes
wiederkehrt
SKU: HL.49007710 Beitrage zu ihrer Gattungsgeschichte. Edited by H...(+)
SKU: HL.49007710
Beitrage zu ihrer
Gattungsgeschichte.
Edited by Herbert
Schneider. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 314 pages.
Schott Music #ED 8008.
Published by Schott Music
(HL.49007710).
ISBN
9783795717247.
German.
Der Motette
als einer der zentralen
musikalischen Gattungen,
die durch das
Spannungsverhaltnis
zwischen ihrer Autonomie
und ihrer liturgischen
Funktion gekennzeichnet
ist, sind die Beitrage
dieses Bandes
gewidmet.Ausgangspunkt
ist eine
Problemgeschichte des
Motetten-Terminus, in der
die Anfange und die
Bestimmung der Motette
sowie die Wandlungen
ihrer Gestalt diskutiert
werden. Im Mittelpunkt
der ersten beiden der
folgenden sechs jeweils
als Referat und
Korreferat entstandenen
Beitrage steht die
Selbstandigkeit bzw.
Abhangigkeit der
italienischen
Trecento-Motette von
franzosischen Vorbildern.
Josquins viel diskutierte
Motette Huc me sydereo
bildet dann den
ausgangspunkt zu einer
neuen Interpretation im
Zusammenhang mit der
Zahlensymbolik und der
Ausbildung einer
motivisch bestimmten
Kompositionstechnik. Auch
der Aufsatz uber die
Rezeption der Motetten im
19. Jahrhundert bezieht
sich auf Kompositionen
Josquin des Pres'. Der
Motette als Objekt
niederlandischer
Musikdarstellungen des
16. Jahrhunderts ist ein
umfangreicher Beitrag mit
zahlreichen unbekannten
Abbildungen gewidmet. In
zwei Beitragen wird der
Fortentwicklung der
Motette nach der
Stilteilung um 1600
nachgegangen, deren
zweiter sich auf den
Einfluss des Madrigals
auf die Motette
konzentriert. Als
spezielle Gattung sind
die franzosischen
Tenebrae-Vertonungen in
solistischer Besetzung
behandelt, die in der
Karwoche musiziert
wurden. Die divergierten
Typen der Motette des 18.
Jahrhunderts (Vivaldi,
Fux, Handel, Mozart etc.)
und der Einfluss des
Konzertsatzes sind Inhalt
des Kapitels uber das 18.
Jahrhundert, wahrend im
letzten Aufsatz der
endgultige Niedergang der
Motette im 20.
Jahrhundert (Strauss,
Schonberg, Karminski, J.
N. David, Pepping etc.)
aufgezeigt wird und die
Anzeichen und Grunde
dafur dargelegt
werden.
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion mu...(+)
Voice(s) solo
SKU:
BR.EB-8424
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by Klaus Huber. Voice;
stapled. Edition
Breitkopf.
You will
need a copy of BG 1002
for each player to
perform the version for
variable instrumentation
(BG 1004).
Music
post-1945; New music
(post-2000). Score.
Composed 1972. 8 pages.
Duration 20'. Breitkopf
and Haertel #EB 8424.
Published by Breitkopf
and Haertel (BR.EB-8424).
ISBN 9790004185254. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109.