Handy Guide. Composed by Morton Manus. This edition: Handy Guide. Guitar Method ...(+)
Handy Guide. Composed by
Morton Manus. This
edition: Handy Guide.
Guitar Method or
Supplement. Book. 48
pages. Alfred Music
#00-358. Published by
Alfred Music
Resources; Ukulele Method or Supplement. Alfred Handy Guides. Reference, Chords ...(+)
Resources; Ukulele Method
or Supplement. Alfred
Handy Guides. Reference,
Chords and Learn To Play.
Reference book. With
instructional text,
illustrations and ukulele
chord diagrams. 48 pages.
Alfred Music #00-423.
Published by Alfred Music
Guitar - intermediate SKU: MB.31108M A Tribute to the Legacy of W. C. ...(+)
Guitar - intermediate
SKU: MB.31108M
A Tribute to the
Legacy of W. C.
Handy. Jazz,
Saddle-stitched. Artist
Specific. Book and online
audio. 52 pages. Mel Bay
Publications, Inc
#31108M. Published by Mel
Bay Publications, Inc
(MB.31108M).
ISBN
9781513469232. 8.75x11.75
inches.
Award-winni
ng blues songwriter and
performer Jon Shain
brings us his fingerstyle
guitar arrangements of
some of the earliest
blues and rags ever
published. W. C. Handy,
known as the Father of
the Blues, wrote and
arranged for piano and
voice and sometimes for
full ragtime orchestra.
Shain has arranged these
compositions to be played
on guitar, weaving the
timeless vocal melodies
and bass lines throughout
the pieces. Guitar
tablature, standard
musical notation, and
lyrics are all included,
along with historical
background on each song.
Includes access to online
audio.
The Player's Guide to Guitars, Amps, and Effects (Handy Guide). Composed by Tobi...(+)
The Player's Guide to
Guitars, Amps, and
Effects (Handy Guide).
Composed by Tobias
Hurwitz. This edition:
Handy Guide. Guitar
Reference; Reference
Textbooks. Book. 56
pages. Alfred Music
#00-18423. Published by
Alfred Music
St. Louis Blues Ensemble Jazz [Conducteur et Parties séparées] Alfred Publishing
By W.C. Handy. Arranged by John Denton. Words and music by W.C. Handy / arr. Joh...(+)
By W.C. Handy. Arranged
by John Denton. Words and
music by W.C. Handy /
arr. John Denton. For
Jazz Ensemble. Jazz
Ensemble. Jazz Band
Series. Level: Medium
Easy (grade III).
Conductor Score, Parts
and CD. 98 pages.
Published by Alfred
Publishing.
Banjo Chord Dictionary. (Handy Guide). By Dick Weissman. For Other Fretted. Banj...(+)
Banjo Chord Dictionary.
(Handy Guide). By Dick
Weissman. For Other
Fretted. Banjo Method or
Supplement. Book. 48
pages. Published by
Alfred Music Publishing
Edited by Edward J. Lozano. Book. Published by Music Sales. (AM948959) Over ...(+)
Edited by Edward J.
Lozano. Book. Published
by Music Sales.
(AM948959)
Over 750 standard, useful
chord forms presented in
easy-to-read diagrams and
clear, close-up photos.
Several chord forms in
different positions are
given for common chords.
Keep this pocket manual
handy and you will never
again be at a loss for
the right chord.
By Rob Nockowitz. For Guitar. ISBN 1-58560-494-1. There are three main uses of ...(+)
By Rob Nockowitz. For
Guitar. ISBN
1-58560-494-1.
There are three main uses
of this Handy Guide. The
"gigging musician" will
benefit from all the
popular licks and can
draw on this information
as you would with an
encyclopedia. For
example, if you need a
Classic Rock lick for
your evening gig, simply
turn to the Classic Rock
section and transpose one
of the licks into the
desired key. For the
student, just bring this
guide to one of your
lessons and have your
teacher walk you through
the licks and offer
additional suggestions.
For the guitar
instructor, Portable
Alternative Rock Licks is
a fantastic resource for
teaching your students
popular sounding licks
without having to spend
countless hours
transcribing them on your
own. Now you can spend
that extra time playing
these licks and sharing
in the excitement with
each of your students.
Here's an example of the
types of licks we've
already transcribed for
you; Classic Rock Licks /
Heavy Metal Licks /
Alternative Licks This is
just one of the many
"case-style" chord books
available from Santorella
Publications.
St. Louis Blues March Ensemble Jazz [Conducteur et Parties séparées] Lorenz Publishing Company
Composed by W.C. Handy (1873-1958). Arranged by Robert Woods. Jazz. Score and se...(+)
Composed by W.C. Handy
(1873-1958). Arranged by
Robert Woods. Jazz. Score
and set of parts. Lorenz
Publishing Company
#60/1298H. Published by
Lorenz Publishing Company
(LO.60-1298H).
Scales and Modes for Bass. (Handy Guide). By Steve Hall and Ron Manus. For Bass ...(+)
Scales and Modes for
Bass. (Handy Guide). By
Steve Hall and Ron Manus.
For Bass Guitar. Bass
Guitar Method or
Supplement. Book. 32
pages. Published by
Alfred Music Publishing
St. Louis Blues Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Composed by W. C. Handy. Jazz Ensemble; Performance Music Ensemble; Single Title...(+)
Composed by W. C. Handy.
Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
Essentially Ellington:
Jazz at Lincoln Center
Library. Jazz. Part(s);
Score. 70 pages. Alfred
Music #00-44946.
Published by Alfred Music
(AP.44946).
Mandolin SKU: HL.14020489 Compact Reference Library. Composed by J...(+)
Mandolin
SKU:
HL.14020489
Compact Reference
Library. Composed by
James Major. Music Sales
America. Chords and
Reference. Reference book
(softcover). With chord
names and mandolin chord
diagrams. 41 pages. Music
Sales #AM34729. Published
by Music Sales
(HL.14020489).
ISBN
9780825622960. UPC:
752187347293. 9x12
inches.
The most
useful chord book yet
developed for the
mandolin player is always
handy with clear readable
chord diagrams grouped by
key for easy, speedy
reference.
St. Louis Blues Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Intermédiaire Kendor Music Inc.
By W.C. Handy (1873-1958). Arranged by Gary D. Ziek. For brass quintet (2 Bb Tru...(+)
By W.C. Handy
(1873-1958). Arranged by
Gary D. Ziek. For brass
quintet (2 Bb Trumpet,
Horn in F, Trombone,
Tuba). Grade 4 .
Published by Kendor Music
Inc
Piano SKU: SU.12800028 For Piano. Composed by W.C. Handy. Keyboard...(+)
Piano
SKU:
SU.12800028
For
Piano. Composed by
W.C. Handy. Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12800028. Published by
Subito Music Corporation
(SU.12800028).
BachScholar
Edition Vol. 28 –
The Saint Louis Blues (8
pages) presents a rich
concert arrangement and
heartfelt, soulful
rendering of W.C.
Handy’s classic
song. Many pianists and
arrangers turn the song
into a fast and technical
tour de force; however,
pianist and arranger Cory
Hall does something
strikingly different and
original here by using
Handy’s original,
slow and melancholic
Habanera style rhythms
(indicated in the
original 1914
piano/vocal) and exact
chord structure as the
basis for an ethereal and
remarkably beautiful
interpretation. This
late-intermediate to
advanced level
arrangement is ideal for
the teaching studio and
concert hall.Piano
Published by:
BachScholar.
Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88).
ISBN
9781491158845. UPC:
680160917563.
Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice.