Bossa Nova and Samba. By Henrique De Almeida. Text: Henrique De Almeida. For Percussion. Soft Cover. 157 pages. Published by Carl Fischer.

By Henrique Oswald (1852-1931). For SSAA choir, organ ad libitum. Octavo. Published by Alliance Music Publications

Piano (Piano)

SKU: HL.14036006

Composed by Fini Henriques. Music Sales America. Classical. Book [Softcover]. Composed 2002. 8 pages. Edition Wilhelm Hansen #WH16108. Published by Edition Wilhelm Hansen (HL.14036006).

ISBN 9788759861936.

Wieg enlied for Piano solo by Fini Henriques.

Vocal and Piano

SKU: HL.14014765

Composed by Fini Henriques. Music Sales America. Classical. Book [Softcover]. Composed 2006. 8 pages. Edition Wilhelm Hansen #WH14436. Published by Edition Wilhelm Hansen (HL.14014765).

ISBN 9788759875261.

Fini henriques: Lullaby's.

Oboe and String Ensemble - Grade 4

SKU: HL.14014763

Composed by Fini Henriques. Music Sales America. Classical. Set. Composed 2002. Edition Wilhelm Hansen #WH11593. Published by Edition Wilhelm Hansen (HL.14014763).

ISBN 9788759874967. English.

Suite Op. 13 for Oboe and Strings by Fini Henriques .

Soprano Recorder (Recorder) - Grade 4

SKU: HL.14014766

Composed by Fini Henriques and Michala Petri. Arranged by Michala Petri. Music Sales America. Classical. Book and Part(s). Composed 2002. 16 pages. Edition Wilhelm Hansen #WH29845. Published by Edition Wilhelm Hansen (HL.14014766).

ISBN 9788759853504. English.

Dance Of The Mosquitoes by Fini Henriques , arranged for Sopranino Recorder and Piano by Michala Petri .

Violin and Piano - Grade 3

SKU: HL.14014762

Composed by Fini Henriques. Music Sales America. Classical. Set. Composed 2006. Edition Wilhelm Hansen #WH11302. Published by Edition Wilhelm Hansen (HL.14014762).

ISBN 9788759851517.

Roma nce Op. 12 (Version for Violin and Piano) was composed by Fini Henriques in 1894. Orig. version: Violin and Strings: WH11301.

SATB Choir

SKU: HL.14014759

Composed by Fini Henriques. Music Sales America. 20th Century. Vocal Score. Composed 2002. 8 pages. Edition Wilhelm Hansen #WH21524. Published by Edition Wilhelm Hansen (HL.14014759).

ISBN 9788759858103.

For SATB Choir A Cappella.

Violin and Piano

SKU: HL.14014761

Composed by Fini Henriques. Music Sales America. Classical. Book [Softcover]. Composed 2002. Edition Wilhelm Hansen #WH12795. Published by Edition Wilhelm Hansen (HL.14014761).

ISBN 9788759869628.

Piano

SKU: HL.14014760

Composed by Fini Henriques. Music Sales America. Classical. Book Only. Composed 2002. Edition Wilhelm Hansen #WH12872. Published by Edition Wilhelm Hansen (HL.14014760).

String Ensemble

SKU: HL.14014764

Composed by Fini Henriques. Music Sales America. Classical. Set of Parts. Edition Wilhelm Hansen #WH299998. Published by Edition Wilhelm Hansen (HL.14014764).

Danish.

Guitar solo - Advanced

SKU: DZ.DZ-4287

Composed by Francisco Braga. Arranged by Luciano Lima. Score. Les Productions d'OZ #DZ 4287. Published by Les Productions d'OZ (DZ.DZ-4287).

ISBN 9782898522048.

Antà ´nio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.
In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.
Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.
Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).
In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.
In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.
Unfortunately , Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.
The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.

Antôni o Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.
En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.
De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.
Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).
En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.
En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.
Malheureuseme nt, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.
La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».
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By Flavio Henrique Medeiros And Carlos Almada. By Flavio Henrique Medeiros and Carlos Almada. For Keyboard (Piano). Brazilian. Level: Intermediate. Book. 56 pages. Published by Mel Bay Publications, Inc.

(28 Guitar Solos). By Flavio Henrique Medeiros and Carlos de Lemos Almada. For Guitar (Classical). Solos. Bill's Music Shelf. Classic. Intermediate. Book. 136 pages. Published by Mel Bay Publications, Inc

Composed by Flavio Henrique Medeiros and Carlos Almada. Mandolin,Guitar: Classical and Lute,Style,Brazilian,Solo s and Duets,Duet and Ensemble. Book and Online Audio. 104 pages. Published by Mel Bay Publications, Inc

By Flavio Henrique Medeiros, Carlos Almada and Thiago Lyra. For Keyboard (Piano). Solos. Bill's Music Shelf. Brazilian. Intermediate. Book. 36 pages. Published by Mel Bay Publications, Inc

Vocal and Piano (Voice and Piano)

SKU: HL.50573114

Composed by Henrique Oswald. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DF6179. Published by Editions Durand (HL.50573114).

(Xote, Baiao and the Frevo). By Flavio Henrique Medeirosm Thiago Lyra and Carlos Almada. For Keyboard (Piano). Solos. Bill's Music Shelf. Brazilian. Beginning-Intermediate. Book. 40 pages. Published by Mel Bay Publications, Inc

Méthode - débutant

SKU: DZ.DZ-3982

Composed by Henrique Coe. Book. Les Productions d'OZ #DZ 3982. Published by Les Productions d'OZ (DZ.DZ-3982).

ISBN 9782897958992.

Composed by Mauro Giuliani. Arranged by Henrique Rievers. Score. Les Productions d'OZ #DZ 4180. Published by Les Productions d'OZ

(Valsa and Marchinha). By Flavio Henrique Medeiros, Thiago Lyra and Carlos Almada. For Keyboard (Piano). Solos. Bill's Music Shelf. Brazilian. Beginning-Intermediate. Book. 64 pages. Published by Mel Bay Publications, Inc

Méthode - débutant

SKU: DZ.DZ-3984

Composed by Henrique Coe. Book. Les Productions d'OZ #DZ 3984. Published by Les Productions d'OZ (DZ.DZ-3984).

ISBN 9782897959012.

By Flavio Henrique Medeiros and Carlos Almada. For Mandolin. solos. Brazilian. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 104 pages. Published by Mel Bay Publications, Inc.

By Falvio Henrique Medeiros, Carlos Almada and Thiago Lyra. For Violin. Solos. Bill's Music Shelf. Brazilian. Beginning-Intermediate. Book Online PDF. 32 pages. Published by Mel Bay Publications, Inc

Méthode - débutant

SKU: DZ.DZ-3983

Composed by Henrique Coe. Book. Les Productions d'OZ #DZ 3983. Published by Les Productions d'OZ (DZ.DZ-3983).

ISBN 9782897959005.

Composed by Favio Henrique Medeiros and Carlos de Lemos Almada. For Guitar (Electric). Perfect binding, Solos. Bill's Music Shelf. Brazilian. Intermediate. Book. 88 pages. Published by Mel Bay Publications, Inc

Méthode - Beginner

SKU: DZ.DZ-3980

Composed by Henrique Coe. Book. Les Productions d'OZ #DZ 3980. Published by Les Productions d'OZ (DZ.DZ-3980).

ISBN 9782897958978.