|
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile
Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Piano Treasury of Easy Classical Music
Piano seul [Partition + CD] - Facile
Music Sales
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Piano Treasury of Classical Music
Piano seul [Partition + CD] - Intermédiaire
Music Sales
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby.
Collection and examples
CD for solo piano. Over
125 great masterpieces
from the Baroque,
Classical, Romantic, and
Modern eras. Series:
Piano Treasury Series.
399 pages. Published by
Music Sales.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Complete Guitar Player: Rock Songbook
Guitare
Amsco Wise Publications
Guitar SKU: BT.MUSAM1008040 By Toby Knowles. The Complete Guitar Player. ...(+)
Guitar SKU:
BT.MUSAM1008040 By
Toby Knowles. The
Complete Guitar Player.
Pop & Rock. Book Only.
Composed 2015. 160 pages.
Wise Publications
#MUSAM1008040. Published
by Wise Publications
(BT.MUSAM1008040).
ISBN 9781783058228.
English. The
Complete Guitar Player
Rock Songbook features a
massive collection of 50
hard-rocking hits from
the best of classic and
contemporary rock music
for Guitar. Each song
includes full lyrics and
Guitar chords as well as
strumming and picking
patterns, making this
songbook great for the
aspiring rock rhythm or
lead Guitarist. Each and
every tune included in
this Guitar songbook is a
true rock classic,
perfect for cranking the
amp up to 10, or should
that be 11?. Old
favourites like All Day
And All Of The Night by
The Kinks and Hey Joe by
Jimi Hendrix are matched
by modern classics such
as Radiohead's Creep
and Use Somebody
by Kings Of Leon.
The rock songbook
presents the best in
music to plug in and rock
out to. It's designed to
be accessible and
enjoyable, showcasing the
best songs by the best
rock bands and
songwriters like The
Clash, AC/DC, Eric
Clapton and David Bowie.
Past and present tunes
are included, ensuring
there's something for
everyone in this complete
rock songbook. Each song
has been carefully
arranged for Guitar and
Voice, including the
melody in standard
notation,lyrics and
Guitar chord shapes. Not
only this, but there are
also suggested strumming
and picking patterns to
help you dial up the
volume and nail the exact
sound of the song
straight away. This rock
Guitar songbook is ideal
for beginners and
intermediate Guitarists
looking to expand their
repertoire with powerful
songs new and old,
whereas absolute
beginners new to the
Guitar will find that the
four books of the famous
Complete Guitar Player
series by Russ Shipton
will help them out with
the basics. With
these 50 rock Guitar
songs, you'll be singing,
strumming your power
chords, and soloing your
way through the best rock
songs of the past
half-century in no time
at all. The Complete
Guitar Player Rock
Songbook would make a
sterling addition to any
guitarist's bookshelf,
and each of these superb
songs is guaranteed to
make everyone stop and
listen. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Concerto in E Major
Trompette
Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet SKU:
CF.W2682 For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major. Edited by
Elisa Koehler, Associate
Professor and Chair of
the Music Department at
Goucher College, this new
edition of Johann Nepomuk
Hummel's Concerto in E
Major for trumpet in E
and piano presented in
its original key.
The
concerto by Johann
Nepomuk Hummel
(1778–1837)holds a
unique place in the
trumpet repertoire. Like
theconcerto by Joseph
Haydn (1732–1809)
it was written forthe
Austrian trumpeter Anton
Weidinger
(1766–1852) andhis
newly invented keyed
trumpet, performed a few
timesby Weidinger, and
then forgotten for more
than 150 yearsuntil it
was revived in the
twentieth century. But
unlikeHaydn’s
concerto in Eb major,
Hummel’s Concerto
a Trombaprincipale (1803)
was written in the key of
E major for atrumpet
pitched in E, not
E≤. This difference
of key proved tobe quite
a conundrum for
trumpeters and music
publishersin the
twentieth century. The
first modern edition,
publishedby Fritz Stein
in 1957, transposed the
concerto down onehalf
step into the key of
E≤ to make it more
playable on atrumpet in
Bb, which had become the
standard instrumentfor
trumpeters by the middle
of the twentieth
century.Armando Ghitalla
made the first recording
of the Hummel in1964 in
the original key of E (on
a C-trumpet) after
editinga performing
edition in 1959 in the
transposed key of
E≤ (forBb trumpet)
published by Robert King
Music. Needless tosay,
the trumpet had changed
dramatically in terms of
design,manufacture, and
cultural status between
1803 and 1957, andthe
notion of classical solo
repertoire for the modern
trumpetwas still in its
formative stages when the
Hummel concertowas
reborn.These factors
conspired to create
confusion regarding
thenumerous
interpretative challenges
involved in performingthe
Hummel concerto according
to the composer’s
originalintentions on
modern trumpets. For
those seeking the
bestscholarly
information, a facsimile
of Hummel’s
originalmanuscript score
was published in 2011
with a separatevolume of
analytical commentary by
Edward H. Tarr,1 whoalso
published the first
modern edition of the
concertoin the original
key of E major (Universal
Edition, 1972).This
present
edition—available
in both keys: Eb and
Emajor—strives to
build a bridge between
scholarship
andperformance traditions
in order to provide
viable options forboth
the purist and the
practitioner.Following
the revival of the Haydn
trumpet concerto, acase
could be made that some
musicians were
influencedby a type of
normalcy bias that
resulted in
performancetraditions
that attempted to make
the Hummel morelike the
Haydn by putting it in
the same key,
insertingunnecessary
cadenzas, and adding
trills where they
mightnot belong.2 Issues
concerning tempo and
ornamentationposed
additional challenges. As
scholarship and
performancepractice
surrounding the concerto
have become betterknown,
trumpeters have
increasingly sought to
performthe concerto in
the original key of E
major—sometimes
onkeyed
trumpets—and to
reconsider more recent
performancetraditions in
the transposed key of
Eb.Regardless of the key,
several factors need to
be addressedwhen
performing the Hummel
concerto. The most
notoriousof these is the
interpretation of the
wavy line (devoid of
a “trâ€
indication), which
appears in the second
movement(mm. 4–5
and 47–49) and in
the finale (mm.
218–221).
InHummel’s
manuscript score, the
wavy line resembles a
sinewave with wide,
gentle curves, rather
than the tight,
buzzingappearance of a
traditional trill line.
Some have argued that
itmay indicate intense
vibrato or a fluttering
tremolo betweenopen and
closed fingerings on a
keyed trumpet.3 In
Hummel’s1828 piano
treatise, he wrote that a
wavy line without a
“trâ€sign
indicates uneigentlichen
Triller oder den
getrillertenNoten
[“improperâ€
trills or the notes that
are trilled],
andrecommends that they
be played as main note
trills that arenot
resolved [ohne
Nachschlag].4
Hummel’s piano
treatisewas published
twenty-five years after
he wrote the
trumpetconcerto, and his
advocacy for main note
trills (rather thanupper
note trills) was
controversial at the
time, so trumpetersshould
consider all of the
available options when
formingtheir own
interpretation of the
wavy line.Unlike Haydn,
Hummel did not include
any fermatas
wherecadenzas could be
inserted in his trumpet
concerto. The endof the
first movement, in
particular, includes
something likean
accompanied cadenza
passage (mm.
273–298), a
featureHummel also
included at the end of
the first movement ofhis
Piano Concerto No. 5 in
Ab Major, Op. 113 (1827).
Thethird movement
includes a quote
(starting at m. 168)
fromCherubini’s
opera, Les Deux
Journées (1802), that
diverts therondo form
into a coda replete with
idiomatic fanfares
andvirtuosic figuration.5
Again, no fermata appears
to signal acadenza, but
the obbligato gymnastics
in the solo trumpetpart
function like an
accompanied cadenza.Other
necessary considerations
include tempo choicesand
ornamentation. Hummel did
not include
metronomemarkings to
quantify his desired
tempi for the
movements,but clues may
be gleaned through the
surface evidence(metric
pulse, beat values,
figuration) and from the
stratifiedtempo table
that Hummel included in
his 1828 piano
treatise,where the first
movement’s
“Allegro con
spirito†is
interpretedas faster than
the “Allegroâ€
(without a modifier) of
the finale.6In the realm
of ornamentation, Hummel
includes severalturns and
figures that are open to
interpretation. This
editionincludes
Hummel’s original
symbols (turns and
figuration)along with
suggested realizations to
provide musicians
withoptions for forming
their own
interpretation.Finally,
trumpeters are encouraged
to listen to Mozart
pianoconcerti as an
interpretive context for
Hummel’s
trumpetconcerto. Hummel
was a noted piano
virtuoso at the end ofthe
Classical era, and he
studied with Mozart in
Vienna asa young boy.
Hummel also composed his
own cadenzas forsome of
Mozart’s piano
concerti, and the
twenty-five-year-oldcompo
ser imitated
Mozart’s
orchestral gestures and
melodicfiguration in the
trumpet concerto (most
notably in the
secondmovement, which
resembles the famous slow
movement
ofMozart’s Piano
Concerto No. 21 in C
Major, K. 467). $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| OperAria Tenor
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8874 Repertoire Collection. Composed by...(+)
Voice and piano SKU:
BR.EB-8874
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8874. Published by
Breitkopf and Haertel
(BR.EB-8874). ISBN
9790004184646. 9 x 12
inches. German /
English. The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download. $44.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| OperAria Tenor
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8876 Repertoire Collection. Edited by P...(+)
Voice and piano SKU:
BR.EB-8876
Repertoire
Collection. Edited by
Peter Anton Ling. Voice.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8876. Published by
Breitkopf and Haertel
(BR.EB-8876). ISBN
9790004184660. 0 x 0
inches. German /
English. The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download. $44.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| OperAria Tenor
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8875 Repertoire Collection. Edited by P...(+)
Voice and piano SKU:
BR.EB-8875
Repertoire
Collection. Edited by
Peter Anton Ling. Voice.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8875. Published by
Breitkopf and Haertel
(BR.EB-8875). ISBN
9790004184653. 9 x 12
inches. German /
English. The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download. $44.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Dragons Fly on the Winds of Time
Orchestre d'harmonie [Conducteur] - Intermédiaire
Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-3418-75 Composed by Neeck. Concert Band. Heritage of ...(+)
Grade 4 SKU:
CL.012-3418-75
Composed by Neeck.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR334 & CL.WFR353).
Oversized, spiral-bound
score. Composed 2005.
Duration 6 minutes, 44
seconds. Opus III Wind
Orchestra Publications
#012-3418-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3418-75).
An exciting and
impressive composition
that portrays an epic
struggle in the distant
past between the forces
of good and evil. A
wizard, a beautiful
exotic maiden, a battle,
and our hero are woven in
the fabric of this
musical tale. Sprightly
melodies, lively rhythms
and tasty writing for a
whole battalion of
percussionists produce an
opening section which is
full of energy and
vitality. The flowing
adagio section features a
nice oboe solo (cued in
clarinet) and a horn
section soli (cued in
saxes) that really make
this piece special. A
superior choice for any
concert or contest
performance.
About Heritage
of the
March Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| OperAria Alto
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8873 Repertoire Collection. Composed by...(+)
Voice and piano SKU:
BR.EB-8873
Repertoire
Collection. Composed
by Marina (Hrsg.) Peter
Anton und Sandel Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8873.
Published by Breitkopf
and Haertel (BR.EB-8873).
ISBN 9790004184639. 9
x 12 inches. German /
English. ,,Una voce
poco profonda: Curtain up
for Trouser Roles and
Heroines Whether the
voice is lyric light or
heavy, whether it can
master coloratura,
perhaps even has dramatic
potential - in the
OperAria mezzo-soprano
and alto volumes, singers
with a deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi! Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto). $43.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| OperAria Mezzo-soprano Volume 2: dramatisch
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano SKU:
BR.EB-8872
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf. Aria; Opera;
Classical; Late-romantic.
Piano/Vocal Score. 152
pages. Breitkopf and
Haertel #EB 8872.
Published by Breitkopf
and Haertel (BR.EB-8872).
ISBN 9790004184622. 9
x 12 inches. German /
English. Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto). $44.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| OperAria Mezzo-soprano Volume 1: lyrisch
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano SKU:
BR.EB-8871
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf.
Publication of
Vol. 1 is scheduled for
the first half of 2020,
Vol. 2 for the first half
of 2021.
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 132
pages. Breitkopf and
Haertel #EB 8871.
Published by Breitkopf
and Haertel (BR.EB-8871).
ISBN 9790004184615. 9
x 12 inches. German /
English. Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto). $44.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Akustik Guitar Fitness Vol. 1
Guitare - Intermédiaire
MDS (Music Distribution Services)
Guitar - intermediate SKU: M7.PPV-20047507 Dein individueller Training...(+)
Guitar - intermediate
SKU:
M7.PPV-20047507
Dein individueller
Trainingsplan für
schnellen Erfolg.
Composed by Achim Goeres.
Sheet music with CD.
Method. PPV Medien #PPV
20047507. Published by
PPV Medien
(M7.PPV-20047507).
ISBN 9783941531741.
German. Dein
Individueller
Trainingsplan Wer neu
anfangen und/oder
weiterkommen will, muss
täglich üben. Aber
was soll ich wann üben
und in welcher
Reihenfolge? Auf diese
Fragen gibt es jetzt eine
Antwort: Das individuelle
Trainingsprogramm Akustik
Guitar Fitness. In nur 10
Minuten täglich werden
rechte und linke Hand,
das Rhythmusgefühl und
die Griffbrettsicherheit
effektiv trainiert. Mit
Akustik Guitar Fitness
legst du weitestgehend
selbst fest, was du wann
übst: In den Bereichen
Get the Groove und
Picking Experience lernst
du die wichtigsten
Gitarrengriffe kennen
bzw. spielen und
arbeitest an deinen
rhythmischen
Fähigkeiten. Der
Trainingsbereich Flatpick
Hero hilft dir die
moderne Plektrum-Technik
zu beherrschen. Hit the
Note Jack macht dich
spielerisch mit
grundlegenden
musikalischen Begriffen
vertraut. Classic
Powerplant bringt dir die
klassischen
Anschlagstechniken nahe.
Alle Bereiche bieten
neben den Grundtechniken
jede Menge musikalisch
ansprechendes
Spielmaterial, das sich
schnell realisieren
lässt und auf der
Stelle die Freude am
Gitarrenspiel weckt. Mit
Akustik Guitar Fitness
trainiert der absolute
Neueinsteiger ebenso wie
der schon
fortgeschrittene Spieler
unabhängig von
Stilrichtungen die
technischen
Grundfähigkeiten
seines Gitarrenspiels.
Das ausgeklügelte
Ãœbungskonzept sorgt
dafür, dass Ziele
schnell erreicht werden
ohne die
Ãœbungsmotivation zu
verlieren. Das modulare
Trainingssystem eignet
sich auch ideal zur
Einbindung in den
Gitarrenunterricht. $33.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Symphony No. 17 in C minor Op. posth.
Orchestre [Conducteur]
Breitkopf & Härtel
Orchestra SKU: BR.PB-32030 Urtext. Composed by Friedrich Schneider...(+)
Orchestra SKU:
BR.PB-32030
Urtext. Composed
by Friedrich Schneider.
Orchestra.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Full
score. 80 pages.
Breitkopf and Haertel #PB
32030. Published by
Breitkopf and Haertel
(BR.PB-32030). ISBN
9790004215159. 0 x 0
inches. Promising
Discovery When a
recording of this
Symphony No. 17 by
Friedrich Schneider
appeared in 2002, it
attracted some attention.
Now, Breitkopf & Hartel
presents the work that,
like all Schneider's
symphonies, had remained
unpublished, for the
first time in a modern
edition. The composer
does not use a
pathetic-heroic tone as
suggested by the key, but
follows the urgent,
roving, and cantabile
character that the key
has possessed, especially
in early Romanticism
since the Sturm und
Drang. It is reminiscent
of Franz Schubert who
ventured a very similar
reinterpretation of the
classical symphony. With
this work Schneider
succeeds in designing a
remarkably coherent and
carefully developed
composition. A gain for
the repertoire, since the
symphony, composed in
1822 and premiered that
year in the Leipzig
Gewandhaus, shows so much
merit. $56.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| OperAria Bass Volume 1: lyrisch
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by...(+)
Voice and piano SKU:
BR.EB-8882
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass) Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8882.
Published by Breitkopf
and Haertel (BR.EB-8882).
ISBN 9790004184721. 9
x 12 inches. German /
English. The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass). $43.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Enantiodromia
Potenza Music
Flute duo SKU: P2.10021 Composed by Cornelius Boots. Chamber music, 20th ...(+)
Flute duo SKU:
P2.10021 Composed by
Cornelius Boots. Chamber
music, 20th century.
Published by Potenza
Music (P2.10021).
The second part
of the Chthonic Flute
Suite commissioned by
Areon Flutes in 2012.
This suite has two main
inspirations:
ideologically it draws
guidance from the book
The Dream and the
Underworld (1979) by
James Hillman (1926-2011)
and musically it explores
the textural
possibilities of a flute
ensemble within the
context of the heavy
chamber music style I
have developed with
Edmund Welles: the bass
clarinet quartet since
1996. This style draws
virtuosic precision from
the classical realm;
innovation and texture
from jazz; and power,
rhythm and overall
perspective from rock and
metal. The term chthonic
[thon-ik] generally means
underworld. However,
Hillman thoroughly
elaborates that its true
meaning extends below the
earth and beyond it into
invisible, non-physical
and far distant psychic
realms: the deeper
mysteries of the
invisible. The duo is
divided into two
sections: Nekyia and
Hypnoia. Each of these is
a Greek myth-nerd term
for some key aspect of an
archetypal descent into
the underworld. In fact,
nekyia is a term that
specifically means
archetypal descent as one
finds in myths across the
ages from Dante to the
Greeks and beyond.
Hillman sees a lack of
sufficient nekyia myths
in our modern culture,
yet our popular heroes in
films and music are shady
underworld characters.
Dante's underworld was
our culture's last, and
it was imagined even
before the Renaissance
had properly begun. Our
ethnic roots reach back
to great underworld
configurations: the
Celtic Dagda or Cerunos,
the Germanic Hel, and the
Biblical Sheol. All have
faded... (p.64) Hyponoia
is a more subtle term
used by Plato that refers
to an undersense or a
deeper meaning. The
search for undersense is
what we express in common
speech as the desire to
understand. We want to
get below what is going
on and see its basis, its
fundamentals, how and
where it is grounded. (p.
137) This deeper
understanding is one of
the motivations and
constant characteristics
of the underworld
descent: but the
discoveries made and
experiences experienced
are not always as they
seem to be. Hillman
recommends over and over
that we see and see into
each thing for what it
is, and not force a
dayworld perspective onto
dream images and
occurrences. As a duo
movement, the term
enantiodromia (counter
enantio, and running
dromia) is particularly
appropriate as it is a
grounding principle by
which Jung understands
the regulative function
of opposites. As Hillman
tends to turn things on
their metaphorical heads,
he fleshes out dualism
and oppositionalism in
such a way that in the
underworld this actually
becomes a unifying
principle: If you go far
enough with any one
movement, a
countermovement will set
in...The way up and the
way down are one and the
same: the manifestation
of one power by opposite
forces. (p. 76) This
implies a union of the
two opposites, a
conjunction as contrasted
with an opposition. There
are two voices but they
are both flutes; there
are two contrasting
halves to the piece, yet
they balance each other
even in their
differences. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| OperAria Bass Volume 2: lyrisch-dramatisch
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8881 Repertoire Collection. Composed by...(+)
Voice and piano SKU:
BR.EB-8881
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass) Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 120
pages. Breitkopf and
Haertel #EB 8881.
Published by Breitkopf
and Haertel (BR.EB-8881).
ISBN 9790004184714. 9
x 12 inches. German /
English. The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass). $43.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| OperAria Bass Volume 1: lyrisch
Piano, Voix
Breitkopf & Härtel
Voice and piano SKU: BR.EB-8880 Repertoire Collection. Composed by...(+)
Voice and piano SKU:
BR.EB-8880
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass) Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 156
pages. Breitkopf and
Haertel #EB 8880.
Published by Breitkopf
and Haertel (BR.EB-8880).
ISBN 9790004184707. 9
x 12 inches. German /
English. The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass). $43.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Flight of Valor
Orchestre d'harmonie [Conducteur] - Facile
Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3262-75 Concert Band. Heritage of the March Series. A...(+)
Grade 3 SKU:
CL.012-3262-75
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR337 & CL.WFR328).
Oversized, spiral-bound
score. Composed 2003.
Duration 6 minutes, 14
seconds. Opus III Wind
Orchestra Publications
#012-3262-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3262-75).
This
magnificent work based on
the well-known hymn It Is
Well With My Soul, is
respectfully dedicated to
the heroes of United
Flight 93 who tragically
lost their lives in a
Pennsylvania field on
September 11, 2001.
Reflective, intense,
somber and inspiring are
but a few of the words
that best describe the
emotional make-up of this
stunning composition.
Commissioned by the
Somerset County (PA)
Community Band and
premiered on the occasion
of the one-year
anniversary, this piece
is certain to become a
standard in the
repertoire of bands for
many years to come.
STUNNING!
About Heritage
of the
March Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| The Latin Real Book - Eb Edition
Instruments en Mib [Fake Book]
Sher Music Company
By Various. Arranged by Chuck Sher. For E§ Instruments, Melody/Lyrics/Chords....(+)
By Various. Arranged by
Chuck Sher. For E§
Instruments,
Melody/Lyrics/Chords.
Latin and Latin Jazz.
Difficulty: easy-medium
to medium. Fakebook
(spiral bound). Melody
and chord names. 572
pages. Published by Sher
Music Company
$40.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
|
