| Front Range Fanfare Ensemble de cuivres Theodore Presser Co.
For 11 Brass and 2 Percussion. Composed by Eric Ewazen. Premiered by the ...(+)
For 11 Brass and 2
Percussion. Composed
by Eric Ewazen. Premiered
by the Boulder Brass.
Contemporary. Score and
part(s). With Standard
notation. 36 52 pages.
Duration 8 minutes.
Theodore Presser Company
#114-41470. Published by
Theodore Presser Company
(PR.114414700).
$85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Man of Steel, Part 3 Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
(Featuring: Oil Rig / What Are You Going to Do When You Are Not Saving the World...(+)
(Featuring: Oil Rig /
What Are You Going to Do
When You Are Not Saving
the World?). By Hans
Zimmer (1957-). Arranged
by Mike Story. Marching
Band. Marching Band;
Part(s); Score. Big and
Easy. Movie. Grade 2. 138
pages. Published by
Alfred Music
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet SKU:
PR.16400222S Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S). UPC:
680160037841. This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vanguard Fanfare Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-4761-01 A Celebratory Statement For Band. Comp...(+)
Grade 2 SKU:
CL.024-4761-01 A
Celebratory Statement For
Band. Composed by
Romeyn. Young Concert
Band. Extra full score.
C.L. Barnhouse
#024-4761-01. Published
by C.L. Barnhouse
(CL.024-4761-01).
Vanguard
Fanfare is a bold and
regal concert opener for
young band. A proud,
heroic opening statement
is followed by a regal,
flowing melody. As the
melody develops, a
countermelody is
introduced, and we then
move into a delicate
section of lighter
texture. The music ends
as it began, proud,
heroic and strong.
Changing styles and
textures offer valuable
teaching opportunities.
This one is a real winner
for concert or festival
performance! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vanguard Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-4761-00 A Celebratory Statement For Band. Comp...(+)
Grade 2 SKU:
CL.024-4761-00 A
Celebratory Statement For
Band. Composed by
Romeyn. Young Concert
Band. Score and set of
parts. C.L. Barnhouse
#024-4761-00. Published
by C.L. Barnhouse
(CL.024-4761-00).
Vanguard
Fanfare is a bold and
regal concert opener for
young band. A proud,
heroic opening statement
is followed by a regal,
flowing melody. As the
melody develops, a
countermelody is
introduced, and we then
move into a delicate
section of lighter
texture. The music ends
as it began, proud,
heroic and strong.
Changing styles and
textures offer valuable
teaching opportunities.
This one is a real winner
for concert or festival
performance! $49.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bread and Games Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-120
Composed by William Vean.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000803-120. Published by
Gobelin Music
Publications
(BT.GOB-000803-120).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bread and Games Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-020 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-020
Composed by William Vean.
Set (Score & Parts). 98
pages. Gobelin Music
Publications #GOB
000803-020. Published by
Gobelin Music
Publications
(BT.GOB-000803-020).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $110.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fincastle Overture Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-001034-020 Composed by Jan Bosveld. ...(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-001034-020
Composed by Jan Bosveld.
Set (Score & Parts). 72
pages. Gobelin Music
Publications #GOB
001034-020. Published by
Gobelin Music
Publications
(BT.GOB-001034-020).
Fort Fincastle
was built in 1793 by
royal governor 'Lord
Dunmore at an unusual
location: Nassau, the
capital of the Bahamas.
The name of the
fort: Fort Fincastle'
comes from Dunmore's
second title of Viscount
Fincastle '( Earl of
Fincastle). He gave
the fort a particular
shape, a circular
building with a sharp
expansion in the form of
a bow or bow of ship. In
order to deceive enemy
ships. The sounds of
the first bars show the
contours of a looming
majestic stronghold,
after a heroic theme
follows. Soon we hear the
threat of hostile
elements. Work on
the fort means much
waiting and lonely, but
you should always alert
and vigilant for the ever
lurking attack. After
the turn of yet another
attack there is a feeling
of satisfaction and
pride, we see the fort
are on the hill towering
above Nassau.
In
1793 werd Fort Fincastle
gebouwd door ‘royal
governor’ Lord Dunmore
op een bijzondere plek:
Nassau, de hoofdstad van
de Bahamas. De naam
van het fort: ‘Fort
Fincastle’ is afkomstig
van Dunmore’s tweede
titel ‘Viscount
Fincastle’(Graafvan
Fincastle). Hij gaf
het fort een bijzonder
vorm, een cirkelvormig
gebouw met een puntige
uitbouw, in de vorm van
een boeg of voorsteven
van schip. Dit om
vijandige schepen te
misleiden. De klanken
van de eerstematen laten
de contouren van een
majestueus
verdedigingsbolwerk
opdoemen, waarna een
heldhaftig thema volgt.
Al snel horen we de
dreiging van vijandige
elementen . Werken op
het fort betekent veel
wachten en is best
eenzaam,toch moet je
altijd alert en waakzaam
zijn voor de immer op de
loer liggende aanval.
Na het afslaan van de
zoveelste aanval heerst
er een gevoel van
tevredenheid en zien we
het fort trots liggen op
de heuvel die bovenNassau
uit torent. $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fincastle Overture Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-001034-120 Composed by Jan Bosveld. ...(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-001034-120
Composed by Jan Bosveld.
Score Only. 16 pages.
Gobelin Music
Publications #GOB
001034-120. Published by
Gobelin Music
Publications
(BT.GOB-001034-120).
Fort Fincastle
was built in 1793 by
royal governor 'Lord
Dunmore at an unusual
location: Nassau, the
capital of the Bahamas.
The name of the
fort: Fort Fincastle'
comes from Dunmore's
second title of Viscount
Fincastle '( Earl of
Fincastle). He gave
the fort a particular
shape, a circular
building with a sharp
expansion in the form of
a bow or bow of ship. In
order to deceive enemy
ships. The sounds of
the first bars show the
contours of a looming
majestic stronghold,
after a heroic theme
follows. Soon we hear the
threat of hostile
elements. Work on
the fort means much
waiting and lonely, but
you should always alert
and vigilant for the ever
lurking attack. After
the turn of yet another
attack there is a feeling
of satisfaction and
pride, we see the fort
are on the hill towering
above Nassau.
In
1793 werd Fort Fincastle
gebouwd door ‘royal
governor’ Lord Dunmore
op een bijzondere plek:
Nassau, de hoofdstad van
de Bahamas. De naam
van het fort: ‘Fort
Fincastle’ is afkomstig
van Dunmore’s tweede
titel ‘Viscount
Fincastle’(Graafvan
Fincastle). Hij gaf
het fort een bijzonder
vorm, een cirkelvormig
gebouw met een puntige
uitbouw, in de vorm van
een boeg of voorsteven
van schip. Dit om
vijandige schepen te
misleiden. De klanken
van de eerstematen laten
de contouren van een
majestueus
verdedigingsbolwerk
opdoemen, waarna een
heldhaftig thema volgt.
Al snel horen we de
dreiging van vijandige
elementen . Werken op
het fort betekent veel
wachten en is best
eenzaam,toch moet je
altijd alert en waakzaam
zijn voor de immer op de
loer liggende aanval.
Na het afslaan van de
zoveelste aanval heerst
er een gevoel van
tevredenheid en zien we
het fort trots liggen op
de heuvel die bovenNassau
uit torent. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Godzilla, Part 3 Fanfare [Conducteur] - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.43885S Featuring: Golden Gate Chaos / ...(+)
Marching Band - Grade 2
SKU: AP.43885S
Featuring: Golden Gate
Chaos / Missing Spore /
Back to the Ocean.
Composed by Alexandre
Desplat. Arranged by Mike
Story. Marching Band;
Performance Music
Ensemble; Single Titles.
Big and Easy. Movie.
Score. 8 pages. Duration
2:05. Alfred Music
#00-43885S. Published by
Alfred Music (AP.43885S).
UPC: 038081497235.
English. To
conclude our Godzilla
show, Mike Story opens
with a powerful theme
that gives way to a short
trumpet solo, followed by
a quiet section featuring
wistful chords in the
woodwinds and mallets.
This quickly builds to
the heroic final theme,
which in turn builds in
intensity to bring the
show to a stunning
conclusion. (2:05). $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Godzilla, Part 3 Fanfare - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.43885 Featuring: Golden Gate Chaos / M...(+)
Marching Band - Grade 2
SKU: AP.43885
Featuring: Golden Gate
Chaos / Missing Spore /
Back to the Ocean.
Composed by Alexandre
Desplat. Arranged by Mike
Story. Marching Band;
Performance Music
Ensemble; Single Titles.
Big and Easy. Movie.
Score and Part(s). 136
pages. Duration 2:05.
Alfred Music #00-43885.
Published by Alfred Music
(AP.43885). UPC:
038081497228.
English. To
conclude our Godzilla
show, Mike Story opens
with a powerful theme
that gives way to a short
trumpet solo, followed by
a quiet section featuring
wistful chords in the
woodwinds and mallets.
This quickly builds to
the heroic final theme,
which in turn builds in
intensity to bring the
show to a stunning
conclusion. (2:05). $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Nickelodeon Melodrama Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3722-01 The Saga of Larry LaRoo. Composed by O...(+)
Grade 2 SKU:
CL.011-3722-01 The
Saga of Larry LaRoo.
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR359). Extra
full score. Composed
2008. Duration 8 minutes,
51 seconds. C.L.
Barnhouse #011-3722-01.
Published by C.L.
Barnhouse
(CL.011-3722-01).
Here’s a
fun-filled and
entertaining selection! A
heroic fanfare announces
the opening curtain of a
musical melodrama right
out of the golden age of
silent film. The hero,
the damsel in distress
and their perilous
journey all set to
well-known musical tunes,
with your band replacing
the theater organ.
It’s perfect for
featuring your principal
or other celebrity as
narrator! Use a little
creativity and allow your
students to play the
silent actors and even
make their own silent
movie. Encourage your
audience to hiss, boo and
cheer during the
unfolding story. Easily
rehearsed and fun for
all! Your audience and
students wont stop
talking (and laughing)
about this entertaining
feature.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Primordium Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Accent...(+)
By Mark Williams. Music
by Mark Williams. For
Concert Band. Concert
Band. Accent on
Achievement. Level: Level
1 1/2 (grade 1.5).
Conductor Score & Parts.
1 pages. Published by
Alfred Publishing.
(2)$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Man of Steel, Part 3 Fanfare [Conducteur] - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.42099S Featuring: Oil Rig / What Are Y...(+)
Marching Band - Grade 2
SKU: AP.42099S
Featuring: Oil Rig /
What Are You Going to Do
When You Are Not Saving
the World?. Composed
by Hans Zimmer. Arranged
by Mike Story. Marching
Band; Performance Music
Ensemble; Single Titles.
Big and Easy. Movie.
Score. 12 pages. Alfred
Music #00-42099S.
Published by Alfred Music
(AP.42099S). UPC:
038081470276.
English. To close
out our Man of Steel
halftime show, Mike Story
opens with a powerful and
driving percussion
feature based on the Oil
Rig action scene. The
music then returns to a
reprise of the main theme
before moving into the
heroic final section.
This show offers a wealth
of visual potential, and
the scoring is
rock-solid. This is
cutting-edge music that
will thrill both your
students and your
audience! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mark Williams : Jackson Lake Overture Orchestre d'harmonie - Intermédiaire Alfred Publishing
By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Growin...(+)
By Mark Williams. Music
by Mark Williams. For
Concert Band. Concert
Band. Growing Band
Series. Level: 3 (Medium)
(grade 3). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
(4)$70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Of Castles and Kings Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
By Rob Romeyn. For concert band. Young Band. Rising Band Series. Grade 1.5. Scor...(+)
By Rob Romeyn. For
concert band. Young Band.
Rising Band Series. Grade
1.5. Score and set of
parts. Duration 2
minutes, 28 seconds.
Published by C.L.
Barnhouse
$46.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Enclave Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire RWS Music Company
Grade 4 SKU: CL.RWS-2011-00 Composed by Bankston. Concert Band. RWS Conce...(+)
Grade 4 SKU:
CL.RWS-2011-00
Composed by Bankston.
Concert Band. RWS Concert
Band Series. Score and
set of parts. Composed
2020. Duration 2 minutes,
17 seconds. RWS Music
Company #RWS-2011-00.
Published by RWS Music
Company (CL.RWS-2011-00).
Are your
students ready for a
challenge? Get ready for
a musical adventure
packed with bold and
heroic lines that play
out in shifting textures.
Written in 4/4 with
triplet figures,
energetic rhythms and
interesting harmonies,
your band will make a
strong opening statement
at your concert or
festival performance. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Northwestern Skies - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS184
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+5+3+8 pages.
Carl Fischer Music
#YAS184. Published by
Carl Fischer Music
(CF.YAS184). ISBN
9781491151495. UPC:
680160908998. 9 x 12
inches. Key: G
major. Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition. From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Northwestern Skies [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS184F
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #YAS184F.
Published by Carl Fischer
Music (CF.YAS184F).
ISBN 9781491151860.
UPC: 680160909360. 9 x 12
inches. Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition. From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Two Festive Fanfares [Conducteur] Theodore Presser Co.
Chamber Music 6 Oboes, 2 English Horns, 3 Bassoons SKU: PR.11441650S F...(+)
Chamber Music 6 Oboes, 2
English Horns, 3 Bassoons
SKU: PR.11441650S
For Double Reed
Choir. Composed by
Eric Ewazen.
Contemporary. Full score.
With Standard notation.
40 pages. Theodore
Presser Company
#114-41650S. Published by
Theodore Presser Company
(PR.11441650S). UPC:
680160620968. 9 x 12
inches. Fanfare
from Monument to Color
and Light opens the set
(from the orchestral tone
poem written for the
Colorado National
Monument centennial),
with melodic lines
jumping through the
shimmering ensemble.
Front Range Fanfare,
originally for brass
ensemble (114-41470), was
inspired by Ewazen's
first glimpse of the
Rockies rising up from
the plains of Colorado.
Says Ewazen, It is grand
and majestic, with bold,
melodic motives that leap
and jump, leading to a
resonant and celebratory
chorale, bringing these
two fanfares to a heroic
finale.. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Page suivante 1 31 |