(from Oratorio de Noel). By Camille Saint-Saens (1835-1921). Arranged by Jos van de Braak. For Choir ad Lib and Concert Band. Christmas. Grade 2. Score. Duration 2:00

Choral (VoiceTrax CD)

SKU: HL.286419

Discovery Level 2. Composed by Camille Saint-Saë and ns. Arranged by Audrey Snyder. Discovery Choral. Christmas, Concert, Festival, Holiday. CD. Duration 110 seconds. Published by Hal Leonard (HL.286419).

UPC: 888680895075. 5.0x5.0x0.148 inches.

Excerpted from the beautiful Christmas Oratorio by Saint-Saens, this movement is a wonderful addition to any Christmas, Winter or general middle school concert program. The optional string quartet accompaniment lifts this work to the top of your program.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732049

Composed by Anton Bruckner. Edited by Anselm Eber. Organ. Sacred vocal music, Masses, Latin, Requiem. Single Part, Organ. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/49. Published by Carus Verlag (CA.2732049).

ISBN 9790007245306. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

By Camille Saint-Saens. Arranged by Roger Emerson. (TTBB). Treasury Choral. Festival. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732011

Composed by Anton Bruckner. Edited by Anselm Eber. Violin 1. Sacred vocal music, Masses, Latin, Requiem. Single Part, Violin 1. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/11. Published by Carus Verlag (CA.2732011).

ISBN 9790007245559. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165214

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165214. Published by Carus Verlag (CA.5165214).

ISBN 9790007313876. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� ��™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman� ��s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Brass Band - Grade 2

SKU: BT.DHP-1002054-030

Arranged by Wil van der Beek. Christmas Collection. Christmas. Set (Score & Parts). Composed 2000. De Haske Publications #DHP 1002054-030. Published by De Haske Publications (BT.DHP-1002054-030).

Wil van der Beek verschmolz in A Classical Christmas Weihnachtsmusik Stücke von drei berühmten französischen Komponisten des 19. Jahrhunderts: ein französisches Weihnachtslied von César Franck, ein expressives Thema aus dem Oratorium L'enfance du Christ von Hector Berlioz und Tollite Hosties von Camille Saint-Saëns. Der festliche Schluss sorgt für weihnachtlichen Glanz.

travers les siècles et de nos jours encore, Noël a été un thème d’inspiration privilégié pour les compositeurs. A Classical Christmas (“Noël classique”) rassemble des œuvres de trois grands compositeurs français du XIXe siècle.Le premier mouvement nous fait découvrir César Franck (1822-1890), grand organiste et brillant compositeur, qui a donné une réelle valeur artistique certains chants de Noël français traditionnels. Ce mouvement apaisé, au charme captivant, offre de nombreuses possibilités en termes de nuances et d’expression. La percussion intervient mais ne tient qu’un rôle modeste.Le thème de l’oratorio L’Enfance du Christ d’Hector Berlioz(1803-1869) est au centre du deuxième mouvement. Le thème est conçu comme une ode la sainte Famille. Ce deuxième mouvement, expressif et tendre, possède un caractère intimiste.Le thème du troisième et dernier mouvement est extrait de l’Oratorio de Noël de Camille Saint-Saëns (1835-1921). Il s’agit d’une page bien connue, le célèbre chœur final Tollite Hostias. La puissance et l’intensité donnent ce finale le ton festif qui caractérise Noël.

SATB. By Wolfgang Amadeus Mozart. (SATB). Choral Large Works. Size 7x10.75 inches. 41 pages. Published by G. Schirmer, Inc.

By Wolfgang Amadeus Mozart. Teaching Singer: Deborah Rentz-Moore. For Alto voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:54:44. Published by Rehearsal Arts, LLC.

SATB Choir and Piano

SKU: BT.HU-2990-250

Composed by Camille Saint-Saens. Harmonia-Mixed Choir. Choral Score. 4 pages. Harmonia #HU 2990-250. Published by Harmonia (BT.HU-2990-250).

Latin.

2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165212

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165212. Published by Carus Verlag (CA.5165212).

ISBN 9790007313852. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� ��™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman� ��s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Coro SATB, Bc [SATB sol]

SKU: CA.335410

Composed by Henry Du Mont. Edited by Denis Rouger. Arranged by Claus-Dieter Ludwig. Separate edition with choral collection. Secular choral music. Full score. 4 pages. Carus Verlag #CV 03.354/10. Published by Carus Verlag (CA.335410).

ISBN 9790007240455. Language: Latin.

Score available separately - see item CA.335400.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732012

Composed by Anton Bruckner. Edited by Anselm Eber. Violin 2. Sacred vocal music, Masses, Latin, Requiem. Single Part, Violin 2. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/12. Published by Carus Verlag (CA.2732012).

ISBN 9790007245566. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

Coro SATB, Piano/Organ

SKU: CA.335420

Composed by Camille Saint-Saens. Edited by Denis Rouger. Separate edition with choral collection. Secular choral music. Full score. Op. op.12. 2 pages. Carus Verlag #CV 03.354/20. Published by Carus Verlag (CA.335420).

ISBN 9790007240462. Key: G major. Language: Latin.

Score available separately - see item CA.335400.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732019

Composed by Anton Bruckner. Edited by Anselm Eber. Complete orchestral parts. Sacred vocal music, Masses, Latin, Requiem. Set of Orchestra Parts. WAB 39. Duration 38 minutes. Carus Verlag #CV 27.320/19. Published by Carus Verlag (CA.2732019).

ISBN 9790007245603. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and parts available separately - see item CA.2732000.

(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165205

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Choral Score. KV 626. Duration 50 minutes. Carus Verlag #5165205. Published by Carus Verlag (CA.5165205).

ISBN 9790007314286. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� �™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman’ s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1002054-015

Arranged by Wil van der Beek. Christmas Collection. Christmas. Set (Score & Parts). Composed 2000. De Haske Publications #DHP 1002054-015. Published by De Haske Publications (BT.DHP-1002054-015).

Wil van der Beek verschmolz in A Classical Christmas Weihnachtsmusik Stücke von drei berühmten französischen Komponisten des 19. Jahrhunderts: ein französisches Weihnachtslied von César Franck, ein expressives Thema aus dem Oratorium L'enfance du Christ von Hector Berlioz und Tollite Hosties von Camille Saint-Saëns. Der festliche Schluss sorgt für weihnachtlichen Glanz.

travers les siècles et de nos jours encore, Noël a été un thème d’inspiration privilégié pour les compositeurs. A Classical Christmas (“Noël classique”) rassemble des œuvres de trois grands compositeurs français du XIXe siècle.Le premier mouvement nous fait découvrir César Franck (1822-1890), grand organiste et brillant compositeur, qui a donné une réelle valeur artistique certains chants de Noël français traditionnels. Ce mouvement apaisé, au charme captivant, offre de nombreuses possibilités en termes de nuances et d’expression. La percussion intervient mais ne tient qu’un rôle modeste.Le thème de l’oratorio L’Enfance du Christ d’Hector Berlioz(1803-1869) est au centre du deuxième mouvement. Le thème est conçu comme une ode la sainte Famille. Ce deuxième mouvement, expressif et tendre, possède un caractère intimiste.Le thème du troisième et dernier mouvement est extrait de l’Oratorio de Noël de Camille Saint-Saëns (1835-1921). Il s’agit d’une page bien connue, le célèbre chœur final Tollite Hostias. La puissance et l’intensité donnent ce finale le ton festif qui caractérise Noël.

By Anton Bruckner (1824-1896). Edited by Robert Maria Haas. Arranged by Ludwig Berberich. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Mass, Liturgical, Choral, Original Wo. Large Vocal Score. Romantic Period; Sacred/Hymns, German.

TTBB Choir and Piano

SKU: BT.HU-3064-250

Composed by Camille Saint-Saens. Arranged by G. Kaspersma. Harmonia-Men's Choir. Choral Score. 4 pages. Harmonia #HU 3064-250. Published by Harmonia (BT.HU-3064-250).

Latin.

SATB divisi with SATB Soli (Orch.) (Latin Language Edition). Composed by Antonin Dvorak (1841-1904). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Masterwork; Romantic; Sacred. Book. 156 pages. Kalmus Classic Edition #00-K06163. Published by Kalmus Classic Edition

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732015

Composed by Anton Bruckner. Edited by Anselm Eber. Double bass. Sacred vocal music, Masses, Latin, Requiem. Single Part, Double Bass. WAB 39. 12 pages. Duration 38 minutes. Carus Verlag #CV 27.320/15. Published by Carus Verlag (CA.2732015).

ISBN 9790007245597. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

SATB with SATB Soli (Orch.) (Latin Language Edition). Composed by Wolfgang Amadeus Mozart (1756-1791). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Classical; Masterwork; Sacred. Book. 80 pages. Kalmus Classic Edition #00-K06351. Published by Kalmus Classic Edition

SKU: CA.4041550

Composed by Camille Saint-Saens and Domenico Scarlatti. Choral collections. German title: Saint-Saens + Scarlatti (2). Sacred vocal music, Christmas, Eucharist, Communion. Full score. Carus Verlag #CV 40.415/50. Published by Carus Verlag (CA.4041550).

ISBN 9790007066949.

Scor e available separately - see item CA.4041500.

By Wolfgang Amadeus Mozart. Teaching Singer: Murry Kidd. For Tenor voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:54:42. Published by Rehearsal Arts, LLC.

By B. Kay. For SATB Choir, Piano. Classical, Choral. Sheet Music. 236 pages. Published by Novello and Co Ltd.