Score-George Washington Bridge. An impression for Concert Band by William Schuman.'There are few days in the year when I do not see the George Washington Bridge. I pass it on my way to work as Idrive along the Henry Hudson parkway on the New York shore. Ever since my student days when I watched the progress of its construction this bridge has had for me an almost human personality and this personality is astonishinglyvaried assuming different moods depending on the time of day or night the weather the traffic and of course my own mood as I pass by.I have walked across it late at night when it was shrouded in fog and during thebrilliant sunshine hours of midday. I have driven over it countless times and passed under it on boats. Coming to New York City by air sometimes I have been lucky enough to fly right over it. It is difficult to imagine a moregracious welcome or dramatic entry to the great metropolis'. - William Schuman

Phillip Neil Martin's Human Drum for three voices (SSA). Duration: 3 minutes Composed: 2006 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. Human Drum was a collaboration with the Juice Vocal Ensemble. The piece began in the recording studio where I recorded Juice singing notated fragments I’d popped together and also their own improvisations. I then edited and cut up all the audio into very tiny fragments in a myriad of ways to make a short rhythm-based electronic 3 part vocal piece. This forms part of my larger work Voices of the Asylum for voices human beatbox electronics fashion andspace. The final track bares very little resemblance to the original recording studio session. Several weeks after I had finished Human Drum Juice asked me to transcribe the audio so they could sing the piece live (which wasn’t easy to do after all the cutting and processing!) therefore coming full circle! There are now two versions of Human Drum the studio electronic track and the ‘live’ notated version. Human Drum is dedicated to the Juice Vocal Ensemble with affection. First performed by Juice Vocal Ensemble on 3rd May 2007 at York Spring Festival Sir Jack Lyons Concert Hall University of York.

Enregistré par l'artiste de jazz Jon Batiste et son groupe Stay Human comme chanson thème de l'émission télévisée The Late Show with Stephen Colbert cet air énergétique contient un attirant climat de jazz/rock contemporain. Les saxophones prennent les choses en main au début soutenus par des riffs funky de l'ensemble entier. Des solos sont disponibles pour n'importe quelle combinaison de saxophone alto trompette ou trombone.

Jan Van der Roost was commissioned to write this hymn by the ?International Association for Human Rights? in Frankfurt. The commission specified that the instrumentation of this simple hymn should be so that it can be performed by a variety of combinations of players. The piece starts with an ?intrada? for brass ensemble based on the first bars of the hymn but is ?ad libitum? and can therefore be omitted. The coda can also be left out depending on the available instrumentation. The piece should be played ?legato? to accentuate its hymn-like character.

Two Human Hymns comprises of settings for six-part choir and organ of two poems by 17th century English poets who are almost exact contemporaries; George Herbert and Henry King.The music for the choir is mostly composedin simple songlike shapes which are little hymns. The texts though clearly relate to Christian beliefs could be more widely applicable to all human experience which is why they have called them 'Human Hymns'.Thus Love BadeMe Welcome (G.Herbert) whilst obviously a Christian allegory can be read as a gently hypnotic love song and it is attempted to capture something of this atmosphere in the setting. Like to the Falling of a Star (H.King) although it mentions no God could be a Calvinist sermon capping its lovely account of the wonders of nature with an almost operatically sinister denouement. In the first half of the piece the music bubbles upwards fresh andoptimistic; in the second half like all those doomed sinners it is going down down down.The first performance was given by University of Aberdeen Chapel Choir on 22nd October 1995. Duration: c.7 minutes.

12 Pop-Hits in Easy Arrangements with additional 2nd part. Des chansons pop faciles à jouer ! • des chansons célèbres dans des arrangements faciles • pour un ou deux instruments • pistes audio play-along incluses Après des débuts remarquables, la nouvelle collection play-along présente dans son deuxième volume une sélection encore plus variée : ceux qui aiment les hits actuels de la pop, les chansons célèbres issues de films et les indémodables et veulent les jouer dans des arrangements faciles et mélodieux sont au bon endroit ! Vous y trouverez, entre autres : Water under the bridge (Adele) Human (Rag ’n’ Bone Man) The sound of silence (Disturbed) Tears in heaven (Eric Clapton) Isn’t she lovely (Stevie Wonder) / Niveau : Facile / Recueil / Flûte Traversière

Amoureux de Variété Internationale Et Divers, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil. Composée par Seal cette partition Seal Human Beings Pvg est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Piano, Voix Et Guitare. / Piano/Vocal/Guitare (PVG) / Partition

CDs with fully orchestrated accompaniment tracks are the hallmark of these instrumental collections. Each book contains a carefully edited part that is appropriate for the Level 2-3 instrumentalist. The CDs include a demo track with a live instrumental performance followed by a play-along track. Songs include: Beat It · Billie Jean · Black or White · Don\'t Stop Till You Get Enough · Human Nature · I Just Can\'t Stop Loving You · Man in the Mirror · She\'s Out of My Life · Thriller · The Way You Make Me Feel · You Are Not Alone. The woodwinds and brass books are compatible with each other and can be played together or as solos: the strings books are compatible with each other butnot with the woodwinds and brass instrument editions.

12 Pop-Hits In Easy Arrangements With Additional 2Nd Part. Des chansons pop faciles à jouer ! - des chansons célèbres dans des arrangements faciles - pour un ou deux instruments - CD play-along inclus Après des débuts remarquables, la nouvelle collection play-along présente dans son deuxième volume une sélection encore plus variée : ceux qui aiment les hits actuels de la pop, les chansons célèbres issues de films et les indémodables et veulent les jouer dans des arrangements faciles et mélodieux sont au bon endroit ! Vous y trouverez, entre autres : Water under the bridge (Adele) Human (Rag \' n\' Bone Man) The sound of silence (Disturbed) Tears in heaven (Eric Clapton) Isn\' t she lovely (Stevie Wonder) / Niveau : Facile à Moyen / Recueil / Trompette