For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Trumpet - intermediate

SKU: BT.AMP-091-400

Arranged by Philip Sparke. Educational Tool. Book with CD. Composed 2004. 24 pages. Anglo Music Press #AMP 091-400. Published by Anglo Music Press (BT.AMP-091-400).

ISBN 9789043153362. English-German-French-Dut ch.

In Classic Hymns, Philip Sparke has taken 10 of the best-loved hymn tunes, popular around the world, and used them as the basis of a collection of short recital pieces, ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use, these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.

Anglo Music PressBij de keuze van de hymnen voor deze verzameling heeft Philip Sparke grotendeels geput uit de grote Engelse hymnen van de 18e en 19e eeuw - melodieën die niet alleen geschikt zijn voor samenzang, maar ook veel muzikalemogelijkheden bieden voor uitbreiding en variatie. De bijgevoegde cd bevat zowel volledige uitvoeringen als begeleidingstracks. Deze hymnen zijn uitstekend geschikt voor het spelen in concert- of wedstrijdverband, of als muzikaalintermezzo tijdens een kerkdienst.

Bei der Auswahl der Hymnen für diese Sammlung bediente sich Philip Sparke größtenteils der großen, englischen Hymnen aus dem 18. und 19. Jahrhundert. Die beiliegende CD enthält sowohl vollständige Aufnahmen als auch reine Begleitversionen. Diese Hymnen eigenen sich perfekt für den Einsatz im Gottesdienst, Konzert und Wettbewerb, aber auch für das Spiel zum eigenen Vergnügen.

Composed by John Ignatowski. For organ. Great preludes on two very popular British hymn tunes. General. Published by CanticaNOVA Publications

By George Thalben-Ball. For Organ. 20th Century. Sheet Music. Published by Novello and Co Ltd.

Composed by Jeffrey Honore. Original Handbell, Sacred, Devotion, General Worship. Handbell score. 8 pages. Hope Publishing Company #1552. Published by Hope Publishing Company (HP.1552).

By Michael Burkhardt. For SSATTBB choir (a cappella). Choral Music. Advent. Medium-Easy. Octavo. Published by MorningStar Music Publishers

(Big Note/Large Edition). By William Bay. For Flute. Solos. Bill's Music Shelf. All Styles. Beginning. Book. 96 pages. Published by Mel Bay Publications, Inc

Composed by Alexander Ewing and S.S. Wesley. Arranged by Jerome Williams and Kelly T. Grooms. For SAB choir and keyboard with optional congregation, brass and timpani. Sacred. Difficulty: medium (adult). Octavo. 12 pages. Duration 4 minutes. Published by Hinshaw Music Inc.

Oboe

SKU: BT.9781408105283

Composed by Helen McKean. Abracadabra. Method. Book with CD. Collins Music Publishing #9781408105283. Published by Collins Music Publishing (BT.9781408105283).

ISBN 9781408105283. English.

The perfect book for pupil and teacher.

• Tunes you know and want to play.
• Technique carefully graded.
• Clear fingering diagrams.
• Concise theory explanations.
• New duets.
• Fresh new look.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.2111

Arranged by Cynthia Dobrinski. General Worship, Sacred. Handbell score. Hope Publishing Company #2111. Published by Hope Publishing Company (HP.2111).

UPC: 763628021115.

Medle y of two hymn tunes Cynthia Dobrinski's well-known style fills up every note of this arrangement with techniques, varying styles of accompaniment and texture, shifts of tempo and mood while keeping all the ringers busy!Two hymn tunes - My Hope Is Built by William B. Bradbury and 'Tis So Sweet to Trust in Jesus by William J. Kirkpatrick - are combined in medley and should contribute well to any moment of worship.

By Michael Burkhardt. For organ, brass quartet, congregation, timpani, (handbells 2-5 octaves). Chamber Music. Festive Hymn Settings. Medium. Published by MorningStar Music Publishers

By Traditional. Arranged by William Himes. Brass Band. For Brass Band. Much-loved melody given stunning treatment. Hymn. Easy. Score and parts. Standard Notation. Duration 3:30

Organ: 3-staff - Intermediate

SKU: LO.70-2143L

Composed by Ralph Vaughan Williams. Arranged by Douglas E. Wagner. Sacred. Lorenz Publishing Company #70/2143L. Published by Lorenz Publishing Company (LO.70-2143L).

ISBN 9780787763930.

As musical editor of the 1906 edition of The English Hymnal, the British composer Ralph Vaughan Williams forever changed hymnody both with his stunning original hymn tunes, which are some of the most beloved of the twentieth century and with his arrangements of folk tunes and earlier sacred melodies into hymns. This collection by Douglas E. Wagner celebrates Ralph Vaughan Williams's tremendous contribution to sacred song with a variety of pieces: some based on his original hymn tunes (like SINE NOMINE or DOWN AMPNEY) and some based on tunes that his arrangements made popular (like HYFRYDOL or BRYN CALFARIA).

Composed by William H. Monk. Arranged by Brian L. Hanson. For SATB choir with piano accompaniment. Hymns of Faith Choral Series. General, Funeral. Octavo. 12 pages. Published by Chorister's Guild

SKU: GI.G-CD-474

Composed by John Ferguson. Sacred. CD. GIA Publications #474. Published by GIA Publications (GI.G-CD-474).

A thousand ages in your sight, a line from Issac Watt's hymn paraphrase of Psalm 90, provides the inspiration for this celebration of hope with the St. Olaf Cantorei, under the direction of John Ferguson. This gorgeous live recording features impeccable choral singing and festive instrumentation, bringing life to tunes and texts from around the world. Come, All You People, an African hymn, is full of exciting rhythms and beautiful harmonies. The celebration continues with the classic German chorale Lobe den Herren. Versions of O God, Our Help in Ages Past, All Creatures of Our God and King, and O Come, O Come, Emmanuel are just a sample of the many beautiful, innovative arrangements of traditional hymns by John Ferguson on this recording. Music and arrangements by William McKie, Alexander Gondo, William Byrd, Egil Hovland, Joseph W. Clokey, Mark Hayes, Ralph Vaughan Williams, and Edward Tyler are also featured. In the spirit of the new millennium, reflections on God and the passing of time are included, as well as a reading of the story of Creation from the Book of Genesis. The CD booklet includes the text of all reflections as well as the text of all songs on the recording. Listening to this recording, you'll want to follow along in the spirit of this joyous hymn festival...you may even want to join the choir in song!

By J. Paul Williams and Jim Ailor. For SATB Choir (SATB). Shawnee Press. Choral, Incorporating Hymn Tunes, Orchestration, Holy Week, Lent, Tracks and Sacred. 12 pages. Shawnee Press #A7367. Published by Shawnee Press

By Brant Adams, J. Paul Williams, and Michael Barrett. For SATB Choir (SATB). Shawnee Press. Choral, Bass/Percussion, General Use, Incorporating Hymn Tunes, Homecomings, Spirituals: Traditional and Contemporary, Tracks and Sacred. 12 pages

(from Eternal Light: A Requiem). By Howard Goodall. Choir Sacred. Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Published by Faber Music

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

(Chamber Ensemble)

SKU: HL.48186484

Composed by Nicolas Bacri. Leduc. 68 pages. Alphonse Leduc #AL30751. Published by Alphonse Leduc (HL.48186484).

UPC: 888680828844. 9x12 inches.

“Engl ish Horn (or flute or clarinet or alto), Violin & Cello Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri's Lyric Interlude: 'A Study in Pastoral Style'. When, in 2008, the composer received the commission for a piece with English horn from Cecilia Benner, patron of the Chamber Music Society of Detroit, he immediately thought of the duo between this instrument and the oboe that Berlioz, in the Symphonie fantastique, placed at the beginning of the 'Scène aux champs', making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 at one of the Scarab Club Concerts in Detroit, the Lyric Interlude for English horn, violin and cello (Op.110a) nonetheless proclaims another tradition: that of British pastoralism, illustrated by the music of Ralph Vaughan Williams (1872-1958), the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint, the undulating lament of the beginning, rhythmically supple, evokes the waving wheat, as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion, briefly interrupted by a scherzo in 6/8, again pours out, making the work evolve towards a slow, ecstatic atmosphere, close to the last of the English composer's Three Preludes on Welsh Hymn Tunes. Far from bucolic, postcard clichés and servile imitation, this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English horn (or flute, clarinet, or viola) and piano, Op.110b (AL 30 750)&rdquo.

Clarinet - Preparatory

SKU: FH.WC0

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 24/8 pages. The Frederick Harris Music Company #WC0. Published by The Frederick Harris Music Company (FH.WC0).

ISBN 978-1-55440-576-3.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Gigue - Georg Philipp Telemann, arr. Jason Noble
Bouree anglaise - George Frideric Handel, arr. Stephen Chatman
Computer Game - Paul Harris
Wolsey's Wilde - William Byrd, arr. Jason Noble
Mairi's Wedding (Lewis Bridal Song) - Traditional Gaelic melody, arr. Christine Donkin
Polka-dot Rag - Jazz standard, arr. Paul Harris
The King's March, T 432 - Jeremiah Clarke, arr. Jason Noble
Lyrical Repertoire:
Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Franz Joseph Haydn, arr. Jason Noble
The Huron Carol - 16th-century French, arr. Martin van de Ven
Air, from The Double Dealer - Henry Purcell, arr. James Rae
Reverie - Claude Debussy, arr. Jason Noble
Ode to Newfoundland - Hubert Parry, arr. Christine Donkin
Londonderry Air - Irish folk song, arr. Harold Birston
Tumbalalaika - Jewish folk song, arr. Martin van de Ven and Christine Donkin.

SATB choir divisi (a cappella) - Early Intermediate

SKU: MN.50-0965

Composed by Michael Burkhardt. Lent, Advent, 21st Century, Healing, Hope/Assurance, Lament/Grief/Sorrow. MorningStar Music Publishers #50-0965. Published by MorningStar Music Publishers (MN.50-0965).

UPC: 688670509650. English.

This a cappella four verse setting of the hymn tune BANGOR increases in complexity on each verse, beginning with a solo voice and ending in SSAATTBB harmony. The tune, by English hymn writer William Tans'ur, is a precursor to the sturdy, stark early American tunes which followed it. The text contrasts our current state with the hope of God's comfort and care.