Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:89.
Duration 22 minutes.
Published by Baerenreiter
Verlag (BA.BA10979).
Piano SKU: HL.14030676 Ten Short Pieces for Piano. Composed by Rue...(+)
Piano
SKU:
HL.14030676
Ten
Short Pieces for
Piano. Composed by
Rued Langgaard. Music
Sales America. Classical.
Score. Composed 2020.
Duration 1200 seconds.
Edition Wilhelm Hansen
#KP00666. Published by
Edition Wilhelm Hansen
(HL.14030676).
ISBN
9788759863879.
Danish.
The 'Ten
short piano pieces' with
the title Sommerferie i
Blekinge (Summer Holiday
in Blekinge) (1916) have
not been preserved in
their complete form. The
only existing source is a
manuscript in Rued
Langgaard's hand that
lacks the first and last
pages with sections of
the music. This means
that the entire first
piano piece with the
title Paa rejse
(Travelling) is missing
as well as most of Piece
II, Mode (Meeting) (only
the conclusion of this
piece has been
preserved). A large
fragment exists of Piece
X, Aften med Dans
(Evening with Dancing),
but the conclusion is
missing. The manuscript
is to be found at the
Royal Danish Library in
Copenhagen (RLS 83,2). On
the first page,Langgaard
has merely written 'Piano
Pieces 1916': the real
title and titles of the
movements in the first
two pieces derives from
other sources. In 2008,
the Rued Langgaard
Society asked the Danish
composer Niels Marthinsen
(b. 1963) to add to the
work, the aim being to
create a 'performance
version'. Marthinsen
composed a complete new
first piece - Paa rejse
(Travelling) - and
allowed it to merge with
the preserved concluding
fragment of Langgaard's
second piece, Mode
(Meeting). Niels
Marthinsen further
composed a conclusion to
the incomplete Piece X,
Aften med Dans (Evening
with Dancing), and in it
incorporated a reference
to the first piece, so
that his additions came
to form a frame round
what hasbeen preserved of
Langgaard's work. This
supplemented version was
given its first
performance by Berit
Johansen Tange in 2008.
The overall title and
titles of the individual
pieces refer to a summer
stay in 1913, i.e. three
years before the work was
composed, when the then
20-year-old composed was
on holiday in Kyrkhult in
Blekinge (Sweden).
Violin and Orchestra (Study Score) SKU: HL.14030044 Composed by Jean Sibe...(+)
Violin and Orchestra
(Study Score)
SKU:
HL.14030044
Composed
by Jean Sibelius. Music
Sales America. Classical.
Studyscore. 28 pages.
Edition Wilhelm Hansen
#WH26419. Published by
Edition Wilhelm Hansen
(HL.14030044).
ISBN
9788759852743.
5.75x8.25x0.151 inches.
International (more than
one language).
This
pocket sized book
contains Humoresques I -
II Op.87 Nos.1/2, the
first two of Jean
Sibelius' Humoresques for
Violin solo and
Orchestra. This handy
study score can be easily
referenced. Duration 3
minutes.
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown.
This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I and
Volume
II. Classical. Score and
part.
Baerenreiter Verlag
#BA09036. Published by
Baerenreiter Verlag
Soprano String Quartet SKU: HL.14028339 Composed by Simon Bainbridge. Mus...(+)
Soprano String Quartet
SKU: HL.14028339
Composed by Simon
Bainbridge. Music Sales
America. Classical. Book
[Softcover]. Music Sales
#NOV952699. Published by
Music Sales
(HL.14028339).
8.5x11.75x0.088
inches.
'Tis Time I
Think For Soprano And
String Quartet was
commissioned by The
Housman Society for the
centenary of the
publication of 'A
Shropshire Lad' by A.E.
Housman. Duration 15
minutes.
(Das Wohltemperierte Klavier, Teil I). By Johann Sebastian Bach (1685-1750). Edi...(+)
(Das Wohltemperierte
Klavier, Teil I). By
Johann Sebastian Bach
(1685-1750). Edited by
Ernst-Gunter Heinemann.
For piano solo. This
edition: Urtext edition.
Henle Music Folios. Book
only, paperbound. 136
pages
Piano, harpsichord SKU: BA.BA05070-41 The Well-Tempered Clavier I....(+)
Piano, harpsichord
SKU: BA.BA05070-41
The Well-Tempered
Clavier I. Composed
by Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: Complete
edition. Linen. New Bach
Edition (NBA) V/6/1.
Complete edition,
Critical commentary,
anthology. BWV 846-869.
448 pages. Baerenreiter
Verlag #BA05070_41.
Published by Baerenreiter
Verlag (BA.BA05070-41).
ISBN 9790006463480.
24.5 x 17.5 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed by Johann Sebastian Bach (1685-1750), edited by Wilfried Fischer. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Wilfried Fischer. BWV
1055. Full score (parts
not included) for oboe
d'amore, violin I, violin
II, viola and continuo
(cello, bass,
harpsichord). Urtext of
the New Bach Edition. A
Major. 26 pages.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006465637.
Medium voice, 2 flutes, 2 violins and bass SKU: HL.49014440 No. 2: I'l...(+)
Medium voice, 2 flutes, 2
violins and bass
SKU:
HL.49014440
No. 2:
I'll never leave
thee. Composed by
Johann Christian Bach.
Edited by Roger Fiske.
Arranged by Johann
Christian Bach. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. 12 pages. Schott
Music #ED 11095.
Published by Schott Music
(HL.49014440).
ISBN
9790220107917.
9.0x12.0x0.065 inches.
English.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.
SKU: BT.WH30672 By Jorgen I. Jensen. By Per Nørgård, Ane Dorthe Roe...(+)
SKU: BT.WH30672
By
Jorgen I. Jensen. By Per
Nørgård, Ane Dorthe
Roel. Classical. Book
with CD. Composed 2007.
68 pages. Edition Wilhelm
Hansen #WH30672.
Published by Edition
Wilhelm Hansen
(BT.WH30672).
ISBN
9788759814017.
Danish.
Nye Aspekter I
Uendelighedsrække
strong> af Ane Dorthe
Roel og Per
Nørgård
.
I 1996 gjorde
Ane Dorthe Roel en helt
ny opdagelse i Per
Nørgårdsuend
elighedsrække. Hun
fandt en egenskab ved
den, som komponisten ikke
selv havde været
klar over, skønt
han havde arbejdet med
den i mange år. I
denne nye udgivelse
fortæller Ane
Dorthe Roelhistorien om
opdagelsen og om nogle af
dens konsekvenser. Og Per
Nørgård
viser nogle af de
aspekter, denne
nyorientering kan
indebære.Opdagelsen
gav også anledning
til nye diskussioner i en
bredere
kredsomuendelighedsr&aeli
g;kken og dens plads i
komponistens produktion.
De fremlægges
også i denne
udgivelse i bidrag af
Svend Hvidtfelt Nielsen,
Ivan Hansen og
Søren
Hallundbæk
Schauser.
Udgivelsengennemg&arin
g;r også
uendelighedsrækkens
grundlæggende
principper, og der er
vedlagt en cd, hvor dens
elementære
opbygning bliver
forklaret og
demonstreret. Rediger
et af Jørgen I.
Jensen
Symphony for Band [Conducteur et Parties séparées] Theodore Presser Co.
By Vincent Persichetti. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Ob...(+)
By Vincent Persichetti.
Concert Band. For
Piccolo, Flute I, Flute
II, Oboe I, Oboe II,
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet (in Eb), Bass
Clarinet (in Bb), Bassoon
I, Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet II, Cornet III,
Trumpet I, Trumpet II,
Horn I, Horn II, Horn
III, Horn IV, Euphonium
I, Euphonium II, Tenor I,
Tenor II, Tenor III,
Tuba, Percussion I,
Percussion II, Percussion
III. This edition:
Symphonic Band with
Score. Classical. Score
and Set of Parts. Opus
69. 127 pages. Duration
15:00. Published by
Theodore Presser Company.
Joseph Haydn Complete Edition, Series I, Vol. 2 Clothbound. Composed by F...(+)
Joseph Haydn Complete
Edition, Series I, Vol. 2
Clothbound. Composed
by Franz Joseph Haydn
(1732-1809). Edited by
Ullrich Scheideler. Henle
Complete Edition.
Hardcover. 246 pages. G.
Henle #HN5012. Published
by G. Henle
(HL.51485012).
By Vincent Persichetti. Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clari...(+)
By Vincent Persichetti.
Orchestra. For Flute I,
Flute II, Oboe I, Oboe
II, Clarinet I, Clarinet
II, Bassoon I, Bassoon
II, Horn I, Horn II, Horn
III, Horn IV, Trumpet in
C I, Trumpet in C II,
Tenor I, Tenor II, Tenor
III, Tuba, Timpani,
Violin I, Violin II,
Viola, Cello, Double
Bass, Flute, Oboe,
Clarinet, Bassoon, Horn,
Trumpet, Tenor, Tuba,
Timpani, Violin I, Violin
II, Viola, Cello,
Contrabass. This edition:
study score. First
performed by the
Louisville Orchestra on
November. Classical. Full
Score - Study. 76 pages.
Published by Theodore
Presser Company.
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
By Samuel Adler. Concert Band. For Flute I, Flute II, Piccolo, Oboe, Clarinet I,...(+)
By Samuel Adler. Concert
Band. For Flute I, Flute
II, Piccolo, Oboe,
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Horn I, Horn II, Tenor I,
Tenor I. Carl Fischer
Classic Band Editions.
Classical. Full Score.
Standard notation. 24
pages
Bassoon; Clarinet; French Horn; Oboe (STUDY SCORE) SKU: HL.49009811 Compo...(+)
Bassoon; Clarinet; French
Horn; Oboe (STUDY SCORE)
SKU: HL.49009811
Composed by Wolfgang
Amadeus Mozart. Edited by
Harry Newstone. Arranged
by Harry Newstone. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1781. 76 pages.
Eulenburg Edition
#ETP308. Published by
Eulenburg Edition
(HL.49009811).
ISBN
9783795766368. UPC:
841886013667.
5.25x7.5x0.276
inches.
In November
1781 Mozart, in a letter
to his father, mentioned
the composition of this
Serenade: 'I wrote this
music for St Theresa's
Day [15 October] •
for Frau von Hickl's
sister, or rather the
sister-in-law of Herr von
Hickl, court painter. But
the chief reason why I
composed it was in order
to let Herr von Strack,
who goes there every day,
hear something of my
composition; so I wrote
it rather carefully.' I.
Allegro maestoso •
II. Menuetto I •
III. Adagio • IV.
Menuetto II • V.
Allegro.
Trumpet and Piano - very easy, easy SKU: BT.DHP-1196121-404 Tromba...(+)
Trumpet and Piano - very
easy, easy
SKU:
BT.DHP-1196121-404
Tromba. Arranged
by Markus Schenk.
Ascolta, Leggi e Suona.
Classical. Book with Part
and Audio-Online.
Composed 2019. 74 pages.
De Haske Publications
#DHP 1196121-404.
Published by De Haske
Publications
(BT.DHP-1196121-404).
ISBN 9789043157315.
Italian.
Ascolta
, leggi and suona
rappresenta oggi il testo
di riferimento dedicato
allâ??insegnamento della
musica per ottoni e
legni. Questo fantastico
metodo, costituito da
libro e CD, include
canzoni, indovinelli
musicali e giochiche
permetteranno all'allievo
principiante di
progredire nella
conoscenza della musica,
fornendogli al contempo
utilissime informazioni
sul suo strumento e
numerosi brani da suonare
divertendosi. I tre
volumi che
compongonolâ??opera sono
i primi della collana e
sono affiancati da testi
contenenti materiale
supplementare per i
differenti livelli del
corso.
Incontra i
classici offre utile
materiale complementare a
tutti e tre i volumi
dellaserie Ascolta,
leggi and suona e
include melodie proposte
secondo un ordine di
difficolt crescente. In
un fantastico viaggio
nella storia della
musica, lâ??allievo
incontrer i più
importanti compositori
classici, da
TielmanSusato ad Anton n
Dvo ák. Ogni volume
include per ogni brano
cenni storici e
lâ??accompagnamento
pianistico, arrangiato
sapientemente a un
moderato livello di
difficolt : tale
accompagnamento è
anche disponibile online
e può essereutilizzato
per il download o in
streaming.
(flute/piano) SKU: HL.48185301 Composed by Serge Lancen. Leduc. Classical...(+)
(flute/piano)
SKU:
HL.48185301
Composed
by Serge Lancen. Leduc.
Classical. CD only. 12
pages. Alphonse Leduc
#AL28786. Published by
Alphonse Leduc
(HL.48185301).
UPC:
888680858612. 9x12
inches.
“If I
were... by Serge Lancen
is a set of easy works
for Flute and Piano. Each
piece was written as if
the author were
impersonating a famous
composer and this book
includes those inspired
by Schubert, Chopin and
Grieg. Written for upper
beginners / intermediate
level players, these
works can all be
interpreted separately. -
N. 10 ”“If I
were
Schubert”“
has a slow tempo, starts
Allegro Moderato and
lasts 1''10 - N.11
”“If I were
Chopin”“ is
slower than the first
piece, in Moderato and
uses Chopin''s musical
style,. Ithas an
introduction and
twodistinctive parts -
N.12 ”“If I
were Grieg”“
is starts with the piano
at a tempo 84. The
introduction is followed
by a main theme which is
repeated before an
harmonious close If I
were... can also be found
with pieces inspired by
Offenbach, Beethoven or
Albeniz among others.
Serge Lancen is a French
musician and composer. He
wrote numerous pieces
including chamber music,
orchestral works, for
solo instruments and for
voice. He won many radio
prizes and received a
Prix de Rome.&rdquo.
By Marc-Antoine Charpentier (1645-1704). For Flute I & Violin I (SATB vocal soli...(+)
By Marc-Antoine
Charpentier (1645-1704).
For Flute I & Violin I
(SATB vocal soli, SATB
choir, instruments).
Choral, Christmas. Flute
I & Violin I Part.
Scripture: Psalm 97:2,
5-9. 4 pages. Published
by E.C. Schirmer
Publishing
Composed
by Alexander Goehr. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Commissioned by the
Aldeburgh Festival with
financial assistance from
the Arts Council of Great
Britain. Classical.
Score. Composed
1989-1990. Op. 51. 160
pages. Duration 45'.
Schott Music #ED 12451.
Published by Schott Music
(HL.49003206).
ISBN
9790220118609.
8.25x11.75x0.499 inches.
English.
W.H.
Auden: Sing, Ariel, sing
* Spenser: He ceast * E.
Pound: Tell her that
sheds * Milton: Such a
sacred and home-felt
delight * Th. Campion:
Rose-cheeked Laura, come
* Milton: Such sober
certainty * Shakespeare:
O you are well-tun'd now!
* W.B. Yeats: Old lecher
with a love on every wind
* J. Hollander: Across
the street a tenor whine
* Collins: With woeful
measures wan Despair *
Th. Hardy: Thus I,
faltering forward * W.H.
Ausen: ... rebuke * C.
Raine: There is so much
to celebrate * Coleridge:
I see them all *
Hollander: ... my
unground grain * W.
Stevens: The time of year
has grown indifferent *
W.H. Auden: ... unanxious
one, sing * P. larkin: I
squeezed up the last
stair to the room in the
roof * Shakespeare: Thou
hast nor youth nor age *
W. Stevens: The palm at
the end of the mind * W.
Stevens: Without human
meaning * H. Vaughan:
All's in deep sleep and
night * W. Stevens: The
rock of autumn,
glittering * W.H. Auden:
... brillantly,
lightly.