By Various. For Piano. Contents include: Morning Has Broken (Massoud); My First ...(+)
By Various. For Piano.
Contents include: Morning
Has Broken (Massoud); My
First Halloween at the
Piano (Scherk); Parade of
the Ants (Greenleaf);
Locomotive Boogie
(Greenleaf); Squeaky
Sneakers (Greenleaf);
Buglers at Sunrise
(Holmes); Chihuahua
Cha-Cha (Greenleaf); The
Great Bike Race
(Greenleaf); If I Lived
Under the Sea (Matz).
Level: Early
Elementary/Elementary.
Book. Published by The
FJH Music Company, Inc.
I Lived Chorale 3 parties SSA A Cappella Hal Leonard
By OneRepublic. By Noel Zancanella, Ryan Tedder. Arranged by Deke Sharon. Pop Ch...(+)
By OneRepublic. By Noel
Zancanella, Ryan Tedder.
Arranged by Deke Sharon.
Pop Choral Series. Female
Voices, A Cappella,
Show Choir, Pop. Octavo.
16 pages. Published by
Hal Leonard (HL.216562).
I Lived Chorale SATB SATB A Cappella [Octavo] Hal Leonard
By OneRepublic. By Noel Zancanella and Ryan Tedder (1979-). Arranged by Deke Sha...(+)
By OneRepublic. By Noel
Zancanella and Ryan
Tedder (1979-). Arranged
by Deke Sharon. Pop
Choral Series. Octavo. 16
pages. Published by Hal
Leonard (HL.216561).
By Janice Kapp Perry / Steven Kapp Perry / Lynne Perry Christofferson. Text: Jan...(+)
By Janice Kapp Perry /
Steven Kapp Perry / Lynne
Perry Christofferson.
Text: Janice Kapp Perry /
Steven Kapp Perry / Lynne
Perry Christofferson /
Joy Saunders Lundberg /
Michaelene P. Grassli.
For Vocal Songbook.
Published by Jackman
Music Corporation.
Level: Medium.
Guitar Chords with Lyrics Guitar SKU: HL.1477747 By Taylor Swift. Guitar....(+)
Guitar Chords with Lyrics
Guitar
SKU:
HL.1477747
By Taylor
Swift. Guitar. Pop.
Softcover. Published by
Hal Leonard (HL.1477747).
ISBN 9798350128512.
UPC: 196288215035.
9.0x12.0x0.277
inches.
You've
memorized all the songs
from the double album,
now it's time to play
them for yourself! Our
matching folio to The
Tortured Poets
Department: The Anthology
features all 31 tracks
meticulously arranged for
guitar, with chord
symbols, guitar chord
frames, and full lyrics.
Dive into the emotional
depth of Swift's music
and play along with your
favorite tracks from
“Fortnight” to “The
Manuscript,” to “So
Long, London” to “So
High School,” and all
the others. Immerse
yourself in the
storytelling prowess of
Taylor Swift and bring
her songs to life with
your own unique voice and
talent! Songs include:
The Albatross • The
Alchemy • The Black Dog
• The Bolter • But
Daddy I Love Him •
Cassandra • Chloe or
Sam or Sophia or Marcus
• Clara Bow • Down
Bad • Florida!!! •
Fortnight • Fresh Out
the Slammer • Guilty as
Sin? • How Did It End?
• I Can Do It with a
Broken Heart • I Can
Fix Him (No Really I Can)
• I Hate It Here • I
Look in People's Windows
• Imgonnagetyouback •
Loml • The Manuscript
• My Boy Only Breaks
His Favorite Toys •
Peter • The Prophecy
• Robin • The
Smallest Man Who Ever
Lived • So High School
• So Long, London •
thanK you aIMee • The
Tortured Poets Department
• Who's Afraid of
Little Old Me?
Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+4+2+2+2+8+8+4+2+4+4+2+2
+2+2+3+3+3+4+4+4+4+3+3+3+
6+4+4+2+2+1+1+1+1+4+24
pages. Duration 6
minutes, 28 seconds. Carl
Fischer Music #SPS87.
Published by Carl Fischer
Music (CF.SPS87).
ISBN
9781491156445. UPC:
680160914982. 9 x 12
inches.
About the
Work In the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty. Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite stirring.
Performance Notes The
sustained slower tempo
may prove a challenge for
some groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
organ-like); be careful
to stagger breathe. The
tempo change at m. 55
should not be much of a
challenge, but many
groups may tend to slow
back down to the original
tempo by m. 59; the
timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. About
the WorkIn the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty.Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite
stirring.Performance
Notes The sustained
slower tempo may prove a
challenge for some
groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
“organ-likeâ€)
; be careful to stagger
breathe. The tempo change
at m. 55 should not be
much of a challenge, but
many groups may tend to
slow back down to the
original tempo by m. 59;
the timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes.
Composed by
Jeremy Martin. Sws. Sps.
Full score. 24 pages.
Duration 6 minutes, 28
seconds. Carl Fischer
Music #SPS87F. Published
by Carl Fischer Music
(CF.SPS87F).
ISBN
9781491156452. UPC:
680160914999. 9 x 12
inches.
About the
Work In the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty. Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite stirring.
Performance Notes The
sustained slower tempo
may prove a challenge for
some groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
organ-like); be careful
to stagger breathe. The
tempo change at m. 55
should not be much of a
challenge, but many
groups may tend to slow
back down to the original
tempo by m. 59; the
timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. About
the WorkIn the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty.Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite
stirring.Performance
Notes The sustained
slower tempo may prove a
challenge for some
groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
“organ-likeâ€)
; be careful to stagger
breathe. The tempo change
at m. 55 should not be
much of a challenge, but
many groups may tend to
slow back down to the
original tempo by m. 59;
the timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes.
Piano - easy to medium easy SKU: JK.01966 Composed by Various. Arranged b...(+)
Piano - easy to medium
easy
SKU: JK.01966
Composed by Various.
Arranged by Paralee Miles
Eckman. Piano Beginner,
Piano Preludes, Piano
Solos, Special Events
Baptism and Confirmation,
Special Events Primary
Program, Children.
Christian, Inspirational.
Jackman Music Corporation
#01966. Published by
Jackman Music Corporation
(JK.01966).
UPC:
093285019669. Mosiah
2:22, Doctrine and
Covenants
59:23.
Easy Primary
Songs for Piano is the
perfect book for
beginning pianists who
can play hands together.
You'll find many of the
most well-loved primary
songs in this book,
arranged in a simple but
beautiful way.
In an effort to make this
book simple and
approachable, every song
has been arranged in the
keys of C, G, or F. Each
song displays a keyboard
chart above, showing the
beginning hand positions
and the sharps/flats
included in the piece.
Songs have been ordered
by level of difficulty
(Beginner: Level 1 to
Level 2). Watch for
helpful tips above each
song and don't be afraid
to refer to the pages in
the front which contain
helpful tools and basic
piano/music theory. *
While this book is
perfect for developing
pianists, it could also
be used in a primary
setting as a simplified
songook for the
accompanist. This
book was originally
titled Simplified
Favorites (#80095)
Contents: A Happy
Family Baptism
Book of Mormon
Stories Dare to Do
Right Families Can Be
Together Forever Give
Said the Little
Stream Happy, Happy
Birthday Have a Very,
Merry Christmas He
Sent His Son I Am a
Child of God I
Believe in Being
Honest I Feel My
Savior's Love I Hope
They Call Me on a
Mission I Lived in
Heaven I Love to See
the Temple I Want to
Be a Missionary Now I
Will Be Valiant In
the Leafy Treetops
Pioneer Children Sang as
They Walked It's
Autumn-time Keep the
Commandments Mother
Dear My Dad My
Heavenly Father Loves
Me Oh, What do You Do
in the Summertime?
Once There Was a
Snowman Quickly I'll
Obey Search, Ponder
and Pray Seek the
Lord Early Smiles
Teach Me to Walk in the
Light Thank Thee for
Everything The Golden
Plates We'll Bring
the World His Truth
When Joseph Went to
Bethlehem When He
Comes Again
Composers: various
Arranger: Paralee Miles
Eckman Lyricist:
various Difficulty:
easy to medium easy
Reference: Mosiah 2:22,
Doctrine and Covenants
59:23.
Voice,guitar SKU: OT.28104 Composed by Daniel Akiva. Sephardic Anthology ...(+)
Voice,guitar
SKU:
OT.28104
Composed by
Daniel Akiva. Sephardic
Anthology for voice and
guitar. Classical,Jewish.
Performance score. OR-TAV
Music Publications
#28104. Published by
OR-TAV Music Publications
(OT.28104).
ISBN
9789655051100. 8.27 x
11.69
inches.
Daniel
Akiva Alma i Vida i
Korason Sephardic
Anthology for voice and
guitar
The 18
songs of the collection
Alma i Vida i Korason
include romansas,
cantigas, life cycle
songs and original music
composed to poems by
Avner Perez, a journey in
Ladino song from the
Middle Ages through the
21st century. Alma i Vida
i Korason was recently
recorded by Sivan
Goldman, soprano and
Daniel Akiva, guitar,
together with a special
series of short videos
filmed at the Ralli
Museum in Caesarea,
Israel. For further
information, please visit
the YouTube and Spotify
channels of the
composer.
Contents: 1. A la una
Naci yo 2. Kisa Agora
el Amor 3. Durme
Durme Mi Andjeliko 4.
Morena me Yaman 5. La
Serena 6. Durme Durme
Mi Alma Donzeya 7.
Noches Noches 8. Mama
Yo no Tengo Visto 9.
Ya Abasha La Novia
10. Esta Noche 11. Ya
Viene El Kativo 12.
Komo La Roza 13. Ay
Linda Amiga 14. El
Prisionero 15.
Kantiga de Kune Para
Selanik 16. Puncha
Puncha 17. Durme
Hermozo Hiziko 18.
Sirkiji
Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have
earned international
acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies of
lute with Jonathan Rubin
and composition with Jean
Ballisa at the Geneva
Conservatorium in
Switzerland. In 1986 he
founded the Music
Department at the WIZO
High School for the Arts
in Haifa which he headed
for over thirty years. As
part of his work at WIZO
High School, he developed
a method for teaching
free improvisation which
has been incorporated
into the music program at
the school. He also
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2018. Mr. Akiva
has performed in concerts
as a guitarist and
lutenist and given master
classes in Israel,
Europe, Russia, the
United States, and Latin
America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in 2014.
Akiva's work Psalms for
guitar solo was awarded
the ACUM prize for
composition in 1990, and
his string quartet Ciclos
was awarded the ACUM
prize for composition in
2002. In 2006 his CD
Hope, recorded with
Laurel Zucker (flute) and
Ronit Widmann-Levy
(soprano) was awarded the
Amazon prize. In 2017
Akiva was awarded the
Prime Minister's Prize
for composers in
Israel. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
A large part of his
oeuvre has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue
throughout the years with
poets and writers Amnon
Shemesh, Rivka Miriam,
and Avner Perez. 105
pages, softcover.
Piano Accompaniment; Soprano (Soprano) SKU: HL.49046394 Songs for Sopr...(+)
Piano Accompaniment;
Soprano (Soprano)
SKU:
HL.49046394
Songs
for Soprano and
Piano. Composed by
Anno Schreier. Vocal
Solo. Classical.
Softcover. 48 pages.
Duration 1200 seconds.
Schott Music #ED23190.
Published by Schott Music
(HL.49046394).
ISBN
9781540086570. UPC:
840126910186. 9.0x12.0
inches.
In 2010 I
lived in Rome as a Villa
Massimo scholarship
holder. During my time
there I came across a few
poems by Michelangelo
that touched me a lot and
soon had the plan to set
some of them to music.
But I wanted to combine
it with something
contemporary - just like
in Rome the old and the
new always meet. The poet
Marcel Beyer, whom I met
in Rome, then wrote the
cycle of poems Die
Grillmeisterin for me,
which takes up many
motifs from the
Michelangelo texts (fire,
tears, getting burned,
loneliness, etc.). I then
alternately combined this
cycle of poems with the
Michelangelo poems. The
Italian songs have a
sometimes melancholy,
sometimes dramatic
character, while the
German songs are rather
bizarre, sometimes even
humorous. Despite these
contrasts in character,
there are also many
musical connections
between the German and
Italian songs. Individual
motifs and chord
sequences sometimes
return in completely
different contexts, and
there is even a direct
connection between the
first and last song, in
that the same vocal line
is underlaid with a
completely different
text. This creates a
musical framework that
holds the very
heterogeneous selection
of texts together. -Anno
Schreier.
Soprano and Piano Piano Accompaniment; Soprano (Soprano) SKU: HL.49046387 ...(+)
Soprano and Piano Piano
Accompaniment; Soprano
(Soprano)
SKU:
HL.49046387
Texts
by Marcel Beyer &
Michelangelo Buonarro
Soprano and Piano.
Composed by Anno
Schreier. Vocal Solo.
Classical. Softcover. 48
pages. Duration 1200
seconds. Schott Music
#ED231910. Published by
Schott Music
(HL.49046387).
ISBN
9781540086501. UPC:
840126910117.
In
2010 I lived in Rome as a
Villa Massimo scholarship
holder. During my time
there I came across a few
poems by Michelangelo
that touched me a lot and
soon had the plan to set
some of them to music.
But I wanted to combine
it with something
contemporary - just like
in Rome the old and the
new always meet. The poet
Marcel Beyer, whom I met
in Rome, then wrote the
cycle of poems Die
Grillmeisterin for me,
which takes up many
motifs from the
Michelangelo texts (fire,
tears, getting burned,
loneliness, etc.). I then
alternately combined this
cycle of poems with the
Michelangelo poems. The
Italian songs have a
sometimes melancholy,
sometimes dramatic
character, while the
German songs are rather
bizarre, sometimes even
humorous. Despite these
contrasts in character,
there are also many
musical connections
between the German and
Italian songs. Individual
motifs and chord
sequences sometimes
return in completely
different contexts, and
there is even a direct
connection between the
first and last song, in
that the same vocal line
is underlaid with a
completely different
text. This creates a
musical framework that
holds the very
heterogeneous selection
of texts together. Anno
Schreier.
2 Pianos, 4 Hands (Piano Solo) SKU: HL.48025215 Reduction for Two Pian...(+)
2 Pianos, 4 Hands (Piano
Solo)
SKU:
HL.48025215
Reduction for Two
Pianos. Composed by
Qigang Chen. BH Piano.
Classical. Softcover. 56
pages. Boosey & Hawkes
#M060140105. Published by
Boosey & Hawkes
(HL.48025215).
UPC:
196288133438.
Er
Huang was commissioned by
Carnegie Hall, New York
where, in 2009, it
received its world
premiere with solo
pianist Lang Lang and the
Juilliard Orchestra under
the baton of Michael
Tilson Thomas. Chen wrote
about the work, 'Music
has its own life –
for me the germination of
any musical work is like
a tree growing out of the
ground, and the eventual
outcome of this life is
entirely unknowable in
advance.' Commenting on
the connection between Er
Huang and its source of
inspiration, the Er Huang
tunes from the classical
Peking Opera repertoire,
he says that, 'the way I
applied musical elements
from Peking Opera to my
own writing was not
really based on
musicological studies.
Rather, these tunes were
an essential part of my
childhood in Beijing, and
always intertwined with
memories of my family and
the society I lived in at
the time. Many people
from my generation would
be able to hum these
tunes by heart. These
days, however, these
familiar tunes have been
almost entirely
forgotten, as the younger
generation is much more
occupied by western pop
culture. This is why,
when I quote these tunes,
I often do so with a
great sense of nostalgia.
Traditional Chinese music
has a very strong
character, and the
organic assimilation of
something that I feel
most akin to, over time,
into my own musical
language, has become an
essential part of my
artistic
expression.'.
Orchestra; Piano (Study Score) SKU: HL.48025214 For Piano and Orchestr...(+)
Orchestra; Piano (Study
Score)
SKU:
HL.48025214
For
Piano and Orchestra Study
Score. Composed by
Qigang Chen. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 48
pages. Boosey & Hawkes
#M060135163. Published by
Boosey & Hawkes
(HL.48025214).
ISBN
9781784544485. UPC:
196288133421.
8.25x12.0x0.157
inches.
Er Huang
was commissioned by
Carnegie Hall, New York
where, in 2009, it
received its world
premiere with solo
pianist Lang Lang and the
Juilliard Orchestra under
the baton of Michael
Tilson Thomas. Chen wrote
about the work, 'Music
has its own life –
for me the germination of
any musical work is like
a tree growing out of the
ground, and the eventual
outcome of this life is
entirely unknowable in
advance.' Commenting on
the connection between Er
Huang and its source of
inspiration, the Er Huang
tunes from the classical
Peking Opera repertoire,
he says that, 'the way I
applied musical elements
from Peking Opera to my
own writing was not
really based on
musicological studies.
Rather, these tunes were
an essential part of my
childhood in Beijing, and
always intertwined with
memories of my family and
the society I lived in at
the time. Many people
from my generation would
be able to hum these
tunes by heart. These
days, however, these
familiar tunes have been
almost entirely
forgotten, as the younger
generation is much more
occupied by western pop
culture. This is why,
when I quote these tunes,
Ioften do so with a great
sense of nostalgia.
Traditional Chinese music
has a very strong
character, and the
organic assimilation of
something that I feel
most akin to, over time,
into my own musical
language, has become an
essential part of my
artistic
expression.'.
Flute and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Music...(+)
Flute and Piano. Composed
by
Karl Jenkins. Boosey
&
Hawkes Chamber Music.
Softcover. 22 pages.
Boosey
& Hawkes #M060133008.
Published by Boosey &
Hawkes
Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult SKU...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - advanced to
difficult
SKU:
HL.49019599
Three
Poems for Violin and
Piano. Composed by
Karol Szymanowski. Edited
by Ida Bieler and
Wolfgang Birtel. Arranged
by Ida Bieler. This
edition: Saddle
stitching. Sheet music.
String. 20Th Century,
Classical. Softcover. Op.
30. 72 pages. Schott
Music #VLB174. Published
by Schott Music
(HL.49019599).
ISBN
9790001191043. UPC:
841886019546.
9.0x12.0x0.187 inches.
Eds. Wolfgang Birtel and
Ida Bieler.
Karol
Szymanowski (1882-1932)
is regarded as one of the
most important Polish
composers since Chopin.
He received his formative
musical training in
Warsaw where he lived for
many years and was also
director of the
Conservatoire and Music
Academy. His
compositional oeuvre
comprises a large variety
of styles: Szymanowski
first leaned towards
Chopin and Scriabin, then
studied Richard Strauss
and Igor Stravinsky,
finally finding a style
in which he combined
impressionism and
expressionism. His
'Mythes' for violin and
piano from 1915 fell in a
transitional period,
turning away from late
German Romanticism. They
are expressive miniatures
full of tonal refinement
and impressionist charm
and, thanks to their
accessible virtuosity,
perfect performance
pieces. Contents: I. La
Fontaine d'Arethuse
• II. Narcisse
• III. Dryades et
Pan.
Real Stories, Real Strategies, Real Solutions. Composed by Ann Kaczkowski Kimp...(+)
Real Stories, Real
Strategies,
Real Solutions. Composed
by
Ann Kaczkowski Kimpton
and
Paul Kimpton. Music
Education.
162 pages. GIA
Publications
#9216. Published by GIA
Publications