| On the Beaten Path -- Beginning Drumset Course, Complete Batterie [DVD] Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
DVD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. 136 pages.
Published by Alfred Music
Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Beatles - Bells/Glockenspiel Hal Leonard
60 Favorite Hits from the Beatles, Arranged for Bells. By The Beatles. Percuss...(+)
60 Favorite Hits from the
Beatles, Arranged for
Bells.
By The Beatles.
Percussion.
Pop. Softcover. 64 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hal Leonard Bass Tab Method Basse electrique [Partition + Accès audio] Hal Leonard
Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1
and 2
with Online Audio. Guitar
Tab
Method. Instruction,
Method.
Softcover Audio Online.
64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs
you
want to play! Learn the
notes
of the bass with riffs
like
"Day Tripper" and "Stand
by
Me," reading rhythms and
tab
with classics by the Who
and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low
Rider,"
beginning slap technique
with
songs like "Higher
Ground"
and "Fly Away," and much
more. The method's
unique,
well-paced, and logical
teaching sequence will
get
students playing more
easily
than ever before, and
music
from popular artists like
the
Beatles, Nirvana, and
Green
Day will keep them
playing
and having fun. This
special
combo edition includes
books
one and two of the series
plus online audio
access.ard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Beatles - Débutant Hal Leonard
(Essential Elements for Band Correlated Collections Keyboard Percussion). By The...(+)
(Essential Elements for
Band Correlated
Collections Keyboard
Percussion). By The
Beatles. Arranged by John
Moss, Johnnie Vinson, and
Robert Longfield. For
Keyboard Percussion
(PIANO & PERCUSSION).
Essential Elements Band
Folios. Grade 1.5.
Softcover. Publ
$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Beatles - Débutant Hal Leonard
(Essential Elements for Band Correlated Collections Percussion). By The Beatles....(+)
(Essential Elements for
Band Correlated
Collections Percussion).
By The Beatles. Arranged
by John Moss, Johnnie
Vinson, and Robert
Longfield. For Percussion
(Percussion). Essential
Elements Band Folios.
Grade 1.5. Softcover. 24
pages. Published by Hal
Leo
$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hessenberg K Weihnachtsgeschichte Op54 2 Flûtes traversières (duo) - Avancé Schott
2 flutes - advanced SKU: HL.49032454 20 Duets. Composed by Kurt He...(+)
2 flutes - advanced
SKU: HL.49032454
20 Duets. Composed
by Kurt Hessenberg. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Individual part. 12
pages. Schott Music #ED
7715. Published by Schott
Music (HL.49032454).
ISBN
9790001080323. In
this collection, the
British jazz musician
Leslie Searle presents
his own compositions in a
variety of the most
common musical styles of
modern jazz and dance
music. With the
accompanying CD
containing an audio and
play-along version of
each piece, you will
enjoy listening to the
different styles and
playing along with the
backing tracks recorded
live with piano, bass and
percussion. Those who
want to perform the
pieces without CD can use
the available
accompanying book for the
rhythm section which
contains accompanying
parts for piano, bass and
percussion. $5.95 - Voir plus => Acheter | | |
| Flute Styles Rhythm Accompaniment - Avancé Schott
2 Flutes; rhythm accompaniment ad libitum (RHYTHM.GR) - advanced SKU: HL.4900...(+)
2 Flutes; rhythm
accompaniment ad libitum
(RHYTHM.GR) - advanced
SKU: HL.49007467
20 Duets. Composed
by Leslie Searle. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 54 pages. Schott
Music #ED 7715-01.
Published by Schott Music
(HL.49007467). ISBN
9790001080330.
9.0x12.0x0.145
inches. In this
collection, the British
jazz musician Leslie
Searle presents his own
compositions in a variety
of the most common
musical styles of modern
jazz and dance music.
With the accompanying CD
containing an audio and
play-along version of
each piece, you will
enjoy listening to the
different styles and
playing along with the
backing tracks recorded
live with piano, bass and
percussion. Those who
want to perform the
pieces without CD can use
the available
accompanying book for the
rhythm section which
contains accompanying
parts for piano, bass and
percussion. $19.99 - Voir plus => Acheter | | |
| Tartan Tapestries Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225 Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225). ISBN
9781491152515. UPC:
680160910014. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tartan Tapestries Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225F Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F). ISBN
9781491153192. UPC:
680160910694. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Call of the Ancient Clans - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Timpani, Tom-tom,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2 and
more. - Grade 1.5 SKU:
CF.FPS164 Composed by
Amy Webb. Set of Score
and Parts. Carl Fischer
Music #FPS164. Published
by Carl Fischer Music
(CF.FPS164). ISBN
9781491163504. UPC:
680160922291. Call
of the Ancient Clans
takes players back to the
time of the dawn of man,
when neighboring tribes
could communicate with
each other not by racing
through the harsh jungle
or dry desert, but by the
use of different rhythm
instruments. Music was
also used in religious
rituals, celebrations and
to share the history of
the group.With an
interesting, pulsating
rhythm and catchy
woodwind lines, Call of
the Ancient Clans is sure
to light a fire under
students and get them
involved in making some
exhilarating music. The
notes can be easily
played by those with over
a year of band
experience, but will also
provide a good challenge,
as the first clarinets do
go over the break a
couple of times.Students
will have a lot of fun
playing double forte (who
doesn’t?).
However, caution students
that playing “as
loud as you canâ€
can lead to bad-sounding
notes. Balance with the
person next to you; if
you can’t hear
them, you’re too
loud. Double forte is a
bit like calling to your
friend from across the
gym when nobody else is
in there. You
don’t want to be
louder than that.Who has
the melody at each
rehearsal mark? Your
students should know and
if they do not, tell
them. If they
don’t have the
melody, they need to back
off their notes and play
softer. Let the melody
shine.Balance will make
this piece truly sing. I
hope you enjoy playing
it; I loved writing
it. $58.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Call of the Ancient Clans [Conducteur] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Timpani, Tom-tom,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2 and
more. SKU:
CF.FPS164F Composed
by Amy Webb. Full score.
16 pages. Carl Fischer
Music #FPS164F. Published
by Carl Fischer Music
(CF.FPS164F). ISBN
9781491163900. UPC:
680160922697. Call
of the Ancient Clans
takes players back to the
time of the dawn of man,
when neighboring tribes
could communicate with
each other not by racing
through the harsh jungle
or dry desert, but by the
use of different rhythm
instruments. Music was
also used in religious
rituals, celebrations and
to share the history of
the group.With an
interesting, pulsating
rhythm and catchy
woodwind lines, Call of
the Ancient Clans is sure
to light a fire under
students and get them
involved in making some
exhilarating music. The
notes can be easily
played by those with over
a year of band
experience, but will also
provide a good challenge,
as the first clarinets do
go over the break a
couple of times.Students
will have a lot of fun
playing double forte (who
doesn’t?).
However, caution students
that playing “as
loud as you canâ€
can lead to bad-sounding
notes. Balance with the
person next to you; if
you can’t hear
them, you’re too
loud. Double forte is a
bit like calling to your
friend from across the
gym when nobody else is
in there. You
don’t want to be
louder than that.Who has
the melody at each
rehearsal mark? Your
students should know and
if they do not, tell
them. If they
don’t have the
melody, they need to back
off their notes and play
softer. Let the melody
shine.Balance will make
this piece truly sing. I
hope you enjoy playing
it; I loved writing
it. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock Philharmonic Alfred Publishing
Orchestra Violin SKU: AP.40737 Classic Rock for the String Orchestra (...(+)
Orchestra Violin SKU:
AP.40737 Classic
Rock for the String
Orchestra (Violin).
Arranged by Bob Phillips
and Daryl Silberman.
Collections; Performance
Music Ensemble;
Play-Along; String
Orchestra Collection.
Philharmonic Series.
Rock. Book. 40 pages.
Alfred Music #00-40737.
Published by Alfred Music
(AP.40737). ISBN
9781470634032. UPC:
038081520582.
English. This
collection of nine
classic Rock tunes spans
five decades of rock
history. The arrangements
in Rock Philharmonic
contain complete versions
and lead sheets of
original hit songs by top
groups and artists: Jerry
Lee Lewis, Bobby Day,
Sonny and Cher, The
Rolling Stones, The
Eagles, Journey, and
Green Day. Each piece
includes a flexible
arrangement that allows
the melody, harmony, and
bass parts to be played
by all sections in the
string orchestra, like or
mixed instrument groups,
quartets, or
trios---allowing players
to learn the component
parts of rock and roll,
play the classic
arrangement, create their
own arrangements, or
perform the tunes solo.
In addition to string
orchestra, the
arrangements are also set
for electric strings with
optional guitar/electric
guitar, piano, and
drumset.
The
student book contains a
full-length, two-page
play thru version of the
melody, which follows
closely the original
recording and includes
clearly labeled Intro,
Verse, Chorus, Bridge,
and Outro sections. The
bass and harmony
component parts are then
presented in a lead sheet
format, along with a flow
chart that matches the
order of the Melody Line
Play Thru. The teacher's
book contains a full
score and reproducible
piano and percussion
parts. Guitar chords
appear in all parts. For
easy practice, the
accompanying CD has two
tracks for each piece---a
complete track and a
backing track---and TNT 2
software to mix the level
of each instrument,
change pitch, change
tempo, and create loops.
The CD can also serve as
an aid to learning by
ear.
Titles:
Great Balls of Fire *
Rockin' Robin * I Got You
Babe * (I Can't Get No)
Satisfaction * Hotel
California * Any Way You
Want It * Don't Stop
Believin' * Boulevard of
Broken Dreams * You Can't
Always Get What You
Want. $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock Philharmonic Orchestre [Partition + CD] Alfred Publishing
Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob ...(+)
Classic Rock for the
String Orchestra
(Teacher's Score).
Arranged by Bob Phillips
and Daryl Silberman.
Book; CD; Play-Along;
String Orchestra
Collection. Rock. 48
pages. Published by
Alfred Music (AP.40742).
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock Philharmonic Violon [Partition + CD] Alfred Publishing
Classic Rock for the String Orchestra (Violin). Arranged by Bob Phillips ...(+)
Classic Rock for the
String Orchestra
(Violin). Arranged by
Bob Phillips and Daryl
Silberman. Book; CD;
Play-Along; String
Orchestra Collection.
Rock. 40 pages. Published
by Alfred Music
(AP.40736).
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock Philharmonic Alto seul [Partition + CD] Alfred Publishing
Classic Rock for the String Orchestra (Viola). Arranged by Bob Phillips a...(+)
Classic Rock for the
String Orchestra
(Viola). Arranged by
Bob Phillips and Daryl
Silberman. Book; CD;
Play-Along; String
Orchestra Collection.
Rock. 40 pages. Published
by Alfred Music
(AP.40738).
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock Philharmonic Alfred Publishing
Orchestra Cello & Bass SKU: AP.40740 Classic Rock for the String Orche...(+)
Orchestra Cello & Bass
SKU: AP.40740
Classic Rock for the
String Orchestra (Cello &
Bass). Arranged by
Bob Phillips and Daryl
Silberman. Collections;
Performance Music
Ensemble; Play-Along;
String Orchestra
Collection. Philharmonic
Series. Rock. Book and
CD. 40 pages. Alfred
Music #00-40740.
Published by Alfred Music
(AP.40740). ISBN
9781470634063. UPC:
038081520612.
English. This
collection of nine
classic Rock tunes spans
five decades of rock
history. The arrangements
in Rock Philharmonic
contain complete versions
and lead sheets of
original hit songs by top
groups and artists: Jerry
Lee Lewis, Bobby Day,
Sonny and Cher, The
Rolling Stones, The
Eagles, Journey, and
Green Day. Each piece
includes a flexible
arrangement that allows
the melody, harmony, and
bass parts to be played
by all sections in the
string orchestra, like or
mixed instrument groups,
quartets, or
trios---allowing players
to learn the component
parts of rock and roll,
play the classic
arrangement, create their
own arrangements, or
perform the tunes solo.
In addition to string
orchestra, the
arrangements are also set
for electric strings with
optional guitar/electric
guitar, piano, and
drumset.
The
student book contains a
full-length, two-page
play thru version of the
melody, which follows
closely the original
recording and includes
clearly labeled Intro,
Verse, Chorus, Bridge,
and Outro sections. The
bass and harmony
component parts are then
presented in a lead sheet
format, along with a flow
chart that matches the
order of the Melody Line
Play Thru. The teacher's
book contains a full
score and reproducible
piano and percussion
parts. Guitar chords
appear in all parts. For
easy practice, the
accompanying CD has two
tracks for each piece---a
complete track and a
backing track---and TNT 2
software to mix the level
of each instrument,
change pitch, change
tempo, and create loops.
The CD can also serve as
an aid to learning by
ear.
Titles:
Great Balls of Fire *
Rockin' Robin * I Got You
Babe * (I Can't Get No)
Satisfaction * Hotel
California * Any Way You
Want It * Don't Stop
Believin' * Boulevard of
Broken Dreams * You Can't
Always Get What You
Want. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Remembering Pearl Harbor - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 4 SKU:
CF.SPS95 December
7, 1941. Composed by
Christina Huss R. Alan
Carter. Sps. Set of Score
and Parts.
2+16+4+8+8+8+4+4+4+4+4+4+
6+6+6+4+4+4+4+6+6+6+6+4+6
+6+2+4+8+2+28 pages.
Duration 6 minutes, 45
seconds. Carl Fischer
Music #SPS95. Published
by Carl Fischer Music
(CF.SPS95). ISBN
9781491161302. UPC:
680160919895. Writt
en to commemorate the
80th Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the date which will live
in infamy- December 7,
1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting aftermath.
The musical voyage begins
with chimes, signifying
the hour of the attack
that Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors Aweigh
takes us to the naval
base at Pearl Harbor and
the activities of the
day. By the end of
Anchors Aweigh, the mood
seems to change,
foreshadowing the fate of
the U.S. fleet. Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who perished.
Following this solemn
moment, the American
spirit begins to rise as
they come together to
defeat the enemy. As the
U.S. triumphs in the end,
we hear fragments of many
American tunes depicting
the strength and
resilience of the
American People. You may
want to consider using
portions of Franklin
Delano Roosevelt's famous
speech to enhance your
performance. The
following sections are
suggested: Measure 46:
Yesterday, December 7th,
1941 - a date which will
live in infamy - the
United States of America
was suddenly and
deliberately attacked by
the naval and air forces
of the Empire of Japan.
Measure 83: The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been lost. Measure
105: No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.. Written to
commemorate the 80th
Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the “date which
will live in
infamyâ€- December
7, 1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting
aftermath.The musical
voyage begins with
chimes, signifying the
hour of the attack that
Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors
Aweigh takes us to the
naval base at Pearl
Harbor and the activities
of the day. By the end of
Anchors Aweigh, the mood
seems to change,
foreshadowing the fate of
the U.S.
fleet.  Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who
perished.Following this
solemn moment, the
American spirit begins to
rise as they come
together to defeat the
enemy. As the U.S.
triumphs in the end, we
hear fragments of many
American tunes depicting
the strength and
resilience of the
American People.You may
want to consider using
portions of Franklin
Delano Roosevelt’s
famous speech to enhance
your performance. The
following sections are
suggested:Measure 46:
“Yesterday,
December 7th, 1941
– a date which
will live in infamy
– the United
States of America was
suddenly and deliberately
attacked by the naval and
air forces of the Empire
of Japan.â€Measure
83: “The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been
lost.â€Measure 105:
“No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.â€. $90.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Remembering Pearl Harbor [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 4 SKU:
CF.SPS95F December
7, 1941. Composed by
Christina Huss R. Alan
Carter. Sps. Full score.
28 pages. Duration 6
minutes, 45 seconds. Carl
Fischer Music #SPS95F.
Published by Carl Fischer
Music (CF.SPS95F).
ISBN 9781491161845.
UPC:
680160920525. Writt
en to commemorate the
80th Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the date which will live
in infamy- December 7,
1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting aftermath.
The musical voyage begins
with chimes, signifying
the hour of the attack
that Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors Aweigh
takes us to the naval
base at Pearl Harbor and
the activities of the
day. By the end of
Anchors Away, the mood
seems to change,
foreshadowing the fate of
the U.S. fleet. Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who perished.
Following this solemn
moment, the American
spirit begins to rise as
they come together to
defeat the enemy. As the
U.S. triumphs in the end,
we hear fragments of many
American tunes depicting
the strength and
resilience of the
American People. You may
want to consider using
portions of Franklin
Delano Roosevelt's famous
speech to enhance your
performance. The
following sections are
suggested: Measure 46:
Yesterday, December 7th,
1941 - a date which will
live in infamy - the
United States of America
was suddenly and
deliberately attacked by
the naval and air forces
of the Empire of Japan.
Measure 83: The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been lost. Measure
105: No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.. Written to
commemorate the 80th
Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the “date which
will live in
infamyâ€- December
7, 1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting
aftermath.The musical
voyage begins with
chimes, signifying the
hour of the attack that
Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors
Aweigh takes us to the
naval base at Pearl
Harbor and the activities
of the day. By the end of
Anchors Away, the mood
seems to change,
foreshadowing the fate of
the U.S.
fleet.  Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who
perished.Following this
solemn moment, the
American spirit begins to
rise as they come
together to defeat the
enemy. As the U.S.
triumphs in the end, we
hear fragments of many
American tunes depicting
the strength and
resilience of the
American People.You may
want to consider using
portions of Franklin
Delano Roosevelt’s
famous speech to enhance
your performance. The
following sections are
suggested:Measure 46:
“Yesterday,
December 7th, 1941
– a date which
will live in infamy
– the United
States of America was
suddenly and deliberately
attacked by the naval and
air forces of the Empire
of Japan.â€Measure
83: “The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been
lost.â€Measure 105:
“No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.â€. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Unleashed - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cello, Clarinet,
Euphonium, Euphonium
T.C., Flute, Horn,
Keyboard, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, String
Bass, Suspended Cymbal,
Timpani, Tom-tom,
Trombone, Trumpet and
more. - Grade 2.5 SKU:
CF.XPS14 Composed by
Peter Terry. Flexible
Band (XPS). Set of Score
and Parts. With Standard
notation.
16+8+4+8+4+6+6+2+4+4+4+4+
6+4+4+4+4+4+8+2+6+4+2+4+4
+4+24 pages. Carl Fischer
Music #XPS14. Published
by Carl Fischer Music
(CF.XPS14). ISBN
9781491152607. UPC:
680160910106. Peter
Terry's
Unleashed makes for an
impressive concert opener
that is the musical
equivalent of unleashing
a caged animal. The piece
is exciting from start to
finish, with energetic
and bold material that
students will love to
play. Directors will also
love the instrumentation
flexibility that this new
version
offers. Everyone wants
to be unleashed, to be
set free of restraints.
This piece captures the
exhilaration of being set
into motion with
unlimited optimism and
energy. The piece is a
rhythmic and propulsive
gallop that spins off
lyrical material as it
drives to a climactic
finish that is both
exciting and fun.The
piece opens with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening material. The
opening section repeats
in variation with
different orchestration.
The more lyrical material
that emerges should be
brought out to balance
the opening theme and
rhythmic figures from the
first section. A
development of the
material from the opening
follows, driving to a
brief pause. This pause
feels like it will lead
to a contrasting lyrical
theme, but the energy is
just suspended for a
second before the piece
takes off again. The work
finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed writing
this piece and hope your
students will enjoy
playing these contrasting
styles and that you will
find the piece beneficial
in teaching important
musical
concepts.​​
​​​
€‹â€‹â€‹â
€‹Peter Terry,
2018. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Unleashed [Conducteur] - Facile Carl Fischer
Band Bass Drum), Bells), Clarinet in Bb / Trumpet in Bb, Euphonium T.C. in Bb, H...(+)
Band Bass Drum), Bells),
Clarinet in Bb / Trumpet
in Bb, Euphonium T.C. in
Bb, Horn in F, Keyboard
(opt.), Mallet Percussion
(Xylophone, Oboe /
Violin, Part 1 Flute,
Part 2 Clarinet in Bb /
Trumpet in Bb, Part 3
Clarinet in Bb and more -
Grade 2.5 SKU:
CF.XPS14F Composed by
Peter Terry. Flexible
Band (XPS). Full score.
With Standard notation.
24 pages. Carl Fischer
Music #XPS14F. Published
by Carl Fischer Music
(CF.XPS14F). ISBN
9781491153284. UPC:
680160910786. Peter
Terry's
Unleashed makes for an
impressive concert opener
that is the musical
equivalent of unleashing
a caged animal. The piece
is exciting from start to
finish, with energetic
and bold material that
students will love to
play. Directors will also
love the instrumentation
flexibility that this new
version
offers. Everyone wants
to be unleashed, to be
set free of restraints.
This piece captures the
exhilaration of being set
into motion with
unlimited optimism and
energy. The piece is a
rhythmic and propulsive
gallop that spins off
lyrical material as it
drives to a climactic
finish that is both
exciting and fun.The
piece opens with a robust
first theme, then
transitions on a rhythmic
figure spun off from the
opening material. The
opening section repeats
in variation with
different orchestration.
The more lyrical material
that emerges should be
brought out to balance
the opening theme and
rhythmic figures from the
first section. A
development of the
material from the opening
follows, driving to a
brief pause. This pause
feels like it will lead
to a contrasting lyrical
theme, but the energy is
just suspended for a
second before the piece
takes off again. The work
finishes with a
repeated-note transition
back to variations on the
opening material and a
propulsive rush to the
end.I enjoyed writing
this piece and hope your
students will enjoy
playing these contrasting
styles and that you will
find the piece beneficial
in teaching important
musical
concepts.​​
​​​
€‹â€‹â€‹â
€‹Peter Terry,
2018. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |