| Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma 4-6 dicembre 2002 Ut Orpheus
Books and Journals SKU: UT.QC-1 Edited by Massimiliano Sala Richard Bö...(+)
Books and Journals
SKU: UT.QC-1
Edited by Massimiliano
Sala Richard Bösel.
Paperback (Soft Cover).
Quaderni Clementiani.
Classical. Books and
Journals. Ut Orpheus #QC
1. Published by Ut
Orpheus (UT.QC-1).
ISBN 9788881094509.
6.5 x 9.5
inches. Saggi di
Eva Badura-Skoda, Otto
Biba, Federico Celestini,
Andrea Coen, Dorothy de
Val, Anselm Gerhard,
Alberto Iesuè, Roberto
Illiano, Leon Plantinga,
David Rowland, Luca Sala,
Massimiliano Sala, Rohan
H.
Stewart-MacDonald
L’Istituto
Storico Austriaco a Roma,
in collaborazione con la
Sezione di Storia della
Musica
dell’Istituto
Storico Germanico a Roma,
il Comitato Scientifico
degli Opera omnia
di Muzio Clementi e il Da
Ponte-Institut für
Librettologie, Don
Juan-Forschung und
Sammlungsgeschichte di
Vienna, ha organizzato
dal 4 al 6 dicembre 2002
un symposium
internazionale di
studi dal titolo Muzio
Clementi. Cosmopolita
della musica, che ha
inteso riunire nella
città natale
dell’autore i
maggiori esperti di
Clementi in occasione del
250° anniversario
della nascita del
compositore. I
numerosi interventi del
symposium si sono
articolati in complessive
4 sezioni (Muzio
Clementi nel
250o
anniversario della
nascita; Clementi:
un romano a Londra;
L’altro
Clementi; Clementi
e la «Wiener
Klassik»),
svoltesi presso la sede
dell’Istituto
Storico Austriaco (5 e 6
dicembre). La
manifestazione ha messo
in luce soprattutto la
dimensione europea degli
interscambi culturali
dovuti al fenomeno delle
migrazioni dei musicisti,
dei rapporti
internazionali inerenti
all’editoria,
all’impresariato e
al commercio degli
strumenti a
tastiera. $73.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Antonio Vivaldi - Nisi Dominus Conducteur de poche, d'étude [Conducteur d'étude / Miniature] Ricordi
(Psalm 126), RV 608. By Antonio Vivaldi. Study Score. Size 7.75x10.5 inches. 72 ...(+)
(Psalm 126), RV 608. By
Antonio Vivaldi. Study
Score. Size 7.75x10.5
inches. 72 pages.
Published by Ricordi.
$29.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Beatus vir RV597 Conducteur de poche, d'étude [Conducteur d'étude / Miniature] Ricordi
Critical Edition Score. By Antonio Vivaldi. Arranged by M Talbot. Study Score. S...(+)
Critical Edition Score.
By Antonio Vivaldi.
Arranged by M Talbot.
Study Score. Size 8x10.5
inches. 150 pages.
Published by Ricordi.
$38.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Teoria elementare della musica ad uso degli istituti musicali [Conducteur] Noten Roehr
SKU: NR.21445 Composed by Duilio Ghinelli. Books/Poster/Art. Score. Noten...(+)
SKU: NR.21445
Composed by Duilio
Ghinelli.
Books/Poster/Art. Score.
Noten Roehr #21445.
Published by Noten Roehr
(NR.21445).
$60.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Trattato di armonia e analisi musicale [Partition + Accès audio] Zecchini Editore
SKU: BT.ZEC9788865403778 Ad uso dei Licei Musicali, degli Istituti Mus...(+)
SKU:
BT.ZEC9788865403778
Ad uso dei Licei
Musicali, degli Istituti
Musicali e dei
Conservatori.
Reference Books. Book
with Online Audio. 164
pages. Zecchini Editore
#ZEC9788865403778.
Published by Zecchini
Editore
(BT.ZEC9788865403778).
ISBN
9788865403778. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto for Violin, Strings and Basso Continuo - RV 259 Op. 6 No. 2 Ricordi
String Ensemble SKU: HL.50600906 Critical Edition Score. By Antoni...(+)
String Ensemble SKU:
HL.50600906
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 26 pages.
Ricordi #PR1443.
Published by Ricordi
(HL.50600906). ISBN
9788881920204. UPC:
888680699680. 8x10.75
inches. Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto for Violin, Strings and Basso Continuo - RV324, Op. 6 No. 1 Ricordi
String Ensemble (Study Score) SKU: HL.50600905 Critical Edition Score<...(+)
String Ensemble (Study
Score) SKU:
HL.50600905
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 22 pages.
Ricordi #PR1442.
Published by Ricordi
(HL.50600905). ISBN
9788881920198. UPC:
888680699666. 8x10.75
inches. Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Acustica musicale Curci
Acoustic SKU: CU.EC9510 Per i Conservatori di musica, i Licei e gli Is...(+)
Acoustic SKU:
CU.EC9510 Per i
Conservatori di musica, i
Licei e gli Istituti
musicali. Composed by
Salvatore Pintacuda.
Published by Edizioni
Curci (CU.EC9510).
ISBN
9788863950076. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mottetto per San Paolino Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice
solo, SATB choir,
ottavino, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
tuba, percussion, 2
violin, viola, cello,
contrabass SKU:
CA.2740319 Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Complete
orchestral parts. Sacred
vocal music, Motets. Set
of Orchestra Parts. SC.
Duration 15 minutes.
Carus Verlag #CV
27.403/19. Published by
Carus Verlag
(CA.2740319). ISBN
9790007133900. Language:
Latin. Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
parts available
separately - see item
CA.2740300. $217.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Serenata a 3, RV 690 [Conducteur] Ricordi
By Antonio Vivaldi (1678-1741). Edited by Alessandro Borin. Full Score. String. ...(+)
By Antonio Vivaldi
(1678-1741). Edited by
Alessandro Borin. Full
Score. String. Book only.
100 pages. Ricordi
#RPR1402. Published by
Ricordi
$39.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mottetto per San Paolino Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice
solo, SATB choir,
ottavino, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
tuba, percussion, 2
violin, viola, cello,
contrabass SKU:
CA.2740309 Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. 1x 27.403/21
piccolo, 1x 27.403/22
flute 1, 1x 27.403/23
flute 2, 1x 27.403/24
oboe 1, 1x 27.403/25 oboe
2, 1x 27.403/26 clarinet
1, 1x 27.403/27 clarinet
2, 1x 27.403/28 bassoon
1, 1x 27.403/29 bassoon
2, 1x 27.403/31 horn 1,
1x 27.403/32 horn 2, 1x
27.4. Harmony parts.
Sacred vocal music,
Motets. Set of Orchestra
Parts. SC. 88 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/09. Published by
Carus Verlag
(CA.2740309). ISBN
9790007201944. Language:
Latin. Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
parts available
separately - see item
CA.2740300. $82.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mottetto per San Paolino Chorale SATB [Vocal Score] Carus Verlag
By Giacomo Puccini (1858-1924). Edited by Dieter Schickling. For Baritone Voice ...(+)
By Giacomo Puccini
(1858-1924). Edited by
Dieter Schickling. For
Baritone Voice Solo, SATB
Choir, Ottavino, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets, 3
trombones, tuba,
percussion, 2 Violin,
viola, cello, contrabass.
This edition: P. Vocal
Score. Motets.
$14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fare musica insieme N. 1. Musica per strumentario Orff Ut Orpheus
Methods and Music for Children SKU: UT.DM-31 Composed by Gabrielangela Sp...(+)
Methods and Music for
Children SKU:
UT.DM-31 Composed by
Gabrielangela Spaggiari.
Saddle stitching. Fare
Musica. Classical. Ut
Orpheus #DM 31. Published
by Ut Orpheus (UT.DM-31).
ISBN 9790215305694. 9
x 12
inches. È
ormai un dato acquisito
che la pratica della
musica d’insieme
rappresenti
un’importante e
indispensabile esperienza
in grado di favorire una
corretta e completa
formazione musicale. Nei
Conservatori di Musica
è prevista la
frequenza obbligatoria di
questa disciplina solo
dal quinto anno di
strumento. È a
partire da quel momento
che lo strumentista
incomincerebbe a
possedere i requisiti
necessari per poter
iniziare a suonare
insieme agli altri: e
cioè una buona
tecnica strumentale, una
corretta intonazione, un
bel suono, ecc. In
realtà anche in
Italia sono ormai molte
le Scuole di Musica
(pubbliche e private)
che, invece, propongono
da subito questa
attività ai
giovanissimi allievi dei
corsi di propedeutica
strumentale e di
propedeutica musicale
generale. Non è
infatti indispensabile
possedere grandi
abilità tecniche o
avere già maturato
una perfetta intonazione:
l’importante
è che il bambino
possa incominciare da
subito ad esprimere la
propria musicalità
concentrando
l’attenzione anche
su pochi elementi, pochi
suoni, e possa
soprattutto, nella
continua interazione con
i propri compagni,
sviluppare
l’abitudine di
ascoltare se stesso in
rapporto al contributo
degli altri e al
risultato di
insieme. Il piccolo
allievo avrà
così la
possibilità di
potenziare il senso
ritmico, la percezione
melodica, la memoria
musicale, la lettura, le
capacità
analitiche, compositive e
interpretative; e
potrà inoltre
sviluppare il rapporto
con il proprio strumento
migliorando
l’intonazione, la
postura, il modo di
respirare (e il problema
non riguarda solo gli
strumenti a fiato),
ricercando diverse modi
di produzione del suono:
d’altra parte
è proprio
imparando ad ascoltare
gli altri, attraverso una
disciplina fatta di
autocontrollo e
concentrazione, che
può maturare
l’ascolto critico
del proprio suono e
dunque lo sforzo per
migliorarlo. Anche solo
l’esecuzione di una
melodia
all’unisono, se
fatta in un gruppo
d’insieme,
può così
diventare motivo di
gratificazione e di
stimolo per la crescita
musicale dei giovanissimi
allievi e può
nello stesso tempo
assumere una forte
rilevanza formativa,
anche in quanto
esperienza
socializzante. I primi
strumenti comunemente
utilizzati
all’interno dei
corsi di propedeutica
musicale sono,
com’è noto,
quelli dello strumentario
Orff. In genere solo in
un successivo momento (di
solito dopo circa un
anno) il bambino inizia
parallelamente anche lo
studio di uno strumento
musicale sotto la guida
di un insegnante con
competenze strumentali
specifiche.
L’approccio
iniziale con lo
strumentario didattico
è sicuramente
semplice e immediato:
senza problemi di
intonazione
l’esecutore
può concentrarsi
direttamente sulla
tecnica esecutiva e sul
fare musica insieme.
È vero però
che gli strumenti
musicali tradizionali con
le loro ben più
ricche e interessanti
caratteristiche
timbriche, possono ancor
più stimolare la
fantasia del bambino e
dunque motivarlo nella
ricerca di nuove
possibilità
sonore. La proposta di
utilizzare entrambe le
tipologie strumentali
può allora
rappresentare un valido
accorgimento per un
percorso metodologico
veramente completo e in
grado di agevolare una
corretta e approfondita
crescita
musicale. È per
questo che al primo
quaderno dedicato alla
musica d’insieme
per strumentario Orff ne
seguirà un
secondo, nel quale
verranno proposte altre
facili partiture che
richiederanno anche
l’utilizzo degli
strumenti
tradizionali. Le
partiture qui raccolte,
da me trascritte ed
elaborate, sono il
risultato di
un’esperienza
decennale maturata
all’interno dei
corsi di propedeutica
degli Istituti musicali
pareggiati di Carpi e
Reggio Emilia. I brani si
susseguono secondo un
ordine di
difficoltà
crescente e sono presi
dal repertorio popolare
internazionale e
classico. Il quaderno si
rivolge a bambini di 8-12
anni, ma può
essere utilizzato anche
nelle scuole medie
inferiori o a indirizzo
musicale. È
consigliabile che il
gruppo di musica
d’insieme sia
costituito da non
più di 10-12
esecutori, con la
possibilità di
raddoppiare le parti
principali. Si
è scelto di non
scrivere le singole parti
strumentali
affinché
l’allievo possa
prendere da subito
l’abitudine a
leggere in
partitura. Inoltre si
è preferito non
adottare la diteggiatura
dello strumentario a
piastre per dare maggior
chiarezza ritmica alla
partitura e nello stesso
tempo per lasciare
più libertà
nelle modalità
d’esecuzione. Le
parti pianistiche sono
per la maggior parte
abbastanza facili, adatte
ad essere suonate da
allievi principianti. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto for Violin, Strings and Basso Continuo - RV216, Op. 6 No. 4 Ricordi
String Ensemble SKU: HL.50600908 Critical Edition Score. By Antoni...(+)
String Ensemble SKU:
HL.50600908
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 18 pages.
Ricordi #PR1445.
Published by Ricordi
(HL.50600908). ISBN
9788881920228. UPC:
888680699642. 8x10.75
inches. Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mottetto per San Paolino Chorale SATB [Conducteur] Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice
solo, SATB choir,
ottavino, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
tuba, percussion, 2
violin, viola, cello,
contrabass SKU:
CA.2740300 Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. This edition:
Paperbound. German title:
Mottetto per San Paolino.
Sacred, Motets. Full
score. SC. 64 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/00. Published by
Carus Verlag
(CA.2740300). ISBN
9790007058104. Language:
Latin. Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. $57.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like the Eagle, We Soar and Rise Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125256-140 A Tone Poem fo...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1125256-140
A Tone Poem for Wind
Orchestra. Composed
by Satoshi Yagisawa.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 28 pages.
De Haske Publications
#DHP 1125256-140.
Published by De Haske
Publications
(BT.DHP-1125256-140).
9x12 inches.
English-German-French-Dut
ch. Like the
Eagle, We Soar and
Rise was commissioned
by Yuying Secondary
School Concert Band and
Yuying Alumni Association
for the 2010 centenary of
the school’s
foundation. The piece was
named by a friend of the
composer named Steven
Phua, who originally
suggested commissioning a
new piece to Satoshi
Yagisawa. The piece
furthermore takes its
name from the text of the
Yuying Secondary School
song.This composition is
based on three different
concepts: the first one
demonstrates ‘The
founders’ passion
for education’;
the second concept
illustrates
‘Hardship in war
time’; the third
one ‘To the
future’ describes
the inner strength people
find to overcome
struggles. Thispiece
concludes with a fanfare,
which is the sound of
hope that leads to a
brighter future in a
positive direction.The
world premiere of this
piece was conducted by
Faizal Bin Othman, who is
one of the leading
educators in Singapore,
and was performed by the
Yuying Secondary School
Concert Band.
Like the
Eagle, We Soar and
Rise is geschreven in
opdracht van de Yuying
Secondary School Concert
Band en de Yuying Alumni
Association, ter
gelegenheid van het
honderdjarig bestaan van
de school in 2010. Het
werk kreeg zijnnaam van
een vriend van de
componist, Steven Phua,
van wie in eerste
instantie het voorstel
kwam een nieuw werk bij
Satoshi Yagisawa in
opdracht te geven. De
titel is gebaseerd op de
tekst van het schoollied
van de Yuying
SecondarySchool. De
compositie is gestoeld op
drie verschillende
gegevens: het eerste
weerspiegelt de liefde
voor onderwijs van de
oprichters destijds, het
tweede behelst de
ontberingen in
oorlogstijd, en het derde
betreft de kijk op
detoekomst -waarbij de
innerlijke kracht van
mensen helpt
moeilijkheden te
overwinnen. Het werk
eindigt met een fanfare:
de klank van hoop die vol
optimisme een betere
toekomst verkondigt. De
wereldpremière werd
uitgevoerd door de
YuyingSecondary School
Concert Band, onder
leiding van Faizal Bin
Othman, een van de meest
gerenommeerde
muziekpedagogen in
Singapore.
Like
the Eagle, We Soar and
Rise war ein
Kompositionsauftrag des
Blasorchesters der Yuying
Secondary School und des
Yuying-Alumni-Verbandes
(Singapur). Anlass des
Auftrags war das
hundertjährige
Jubiläum der
Schulgründung im Jahr
2010. Der Werktitel
stammt von einem Freund
des Komponisten namens
Steven Phua, der auch die
Idee hatte, ein neues
Stück von Satoshi
Yagiswa schreiben zu
lassen. Außerdem
bezieht sich der Titel
auf den Text des
Schulliedes.Dieses Werk
basiert auf drei
unterschiedlichen
Konzepten: Das erste
spiegelt die Leidenschaft
der Gründer für das
Lehren wider; das zweite
Konzept beschreibt die
Not in Kriegszeiten; das
dritte Konzept mit dem
TitelTo the Future“
(zur Zukunft hingewandt)
handelt von der inneren
Stärke, die Menschen
entwickeln, um
Schwierigkeiten zu
überwinden. Das Werk
endet mit einer Fanfare,
die der Hoffnung auf eine
bessere Zukunft Klang
verleiht.Die Weltpremiere
von Like the Eagle, We
Soar and Rise wurde
von Faizal Bin Othman,
einem der führenden
Lehrbeauftragten von
Singapur, dirigiert. Es
spielte das Blasorchester
der Yuying Secondary
School.
Like
the Eagle, We Soar and
Rise (Comme
l’aigle, nous
prenons notre essor) est
une commande de
l’Orchestre vent
du collège de Yuying
et de
l’Association des
anciens élèves de
Yuying pour marquer le
bicentenaire de la
fondation du collège.
Son titre lui a été
donné par un ami du
compositeur, Steven Phua,
qui avait suggéré
la commande d’une
nouvelle composition
Satoshi Yagisawa. Le
titre lui-même est
tiré du texte
d’une chanson du
collège de
Yuying.Cette composition
s’articule autour
de trois concepts : le
premier exprime
‘‘La passion
des fondateurs pour
l’éducationââ‚
¬â„¢Ã¢â‚¬â„¢ ; le
deuxième illustre
‘‘Les
privations en temps de
guerre’’ ;
le troisième concept,
‘‘Verslâ€â
„¢avenir’’,
évoque la force
intérieure que
l’on trouve en soi
pour surmonter les
obstacles. La pièce
s’achève par
une fanfare,
représentation sonore
de l’espoir qui
mène vers un avenir
prometteur. La
création mondiale de
l’oeuvre fut
donnée par
l’Orchestre vent
du collège de Yuying
sous la direction de
Faizal Bin Othman,
éminent professeur de
musique de Singapour.
La movimentata
storia di un istituto
scolastico in occasione
dei festeggiamenti per il
suo centenario, ha spinto
Satoshi Yagisawa a
comporre questo brano
basandosi su tre idee ben
distinte: la passione per
lo studio, la sofferenza
durante i periodi di
guerra e la speranza in
un futuro migliore,
simboleggiato dalla
fanfara finale. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like the Eagle, We Soar and Rise Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125256-010 A Tone Poem fo...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1125256-010
A Tone Poem for Wind
Orchestra. Composed
by Satoshi Yagisawa.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125256-010. Published by
De Haske Publications
(BT.DHP-1125256-010).
9x12 inches.
English-German-French-Dut
ch. Like the
Eagle, We Soar and
Rise was commissioned
by Yuying Secondary
School Concert Band and
Yuying Alumni Association
for the 2010 centenary of
the school’s
foundation. The piece was
named by a friend of the
composer named Steven
Phua, who originally
suggested commissioning a
new piece to Satoshi
Yagisawa. The piece
furthermore takes its
name from the text of the
Yuying Secondary School
song.This composition is
based on three different
concepts: the first one
demonstrates ‘The
founders’ passion
for education’;
the second concept
illustrates
‘Hardship in war
time’; the third
one ‘To the
future’ describes
the inner strength people
find to overcome
struggles. Thispiece
concludes with a fanfare,
which is the sound of
hope that leads to a
brighter future in a
positive direction.The
world premiere of this
piece was conducted by
Faizal Bin Othman, who is
one of the leading
educators in Singapore,
and was performed by the
Yuying Secondary School
Concert Band.
Like the
Eagle, We Soar and
Rise is geschreven in
opdracht van de Yuying
Secondary School Concert
Band en de Yuying Alumni
Association, ter
gelegenheid van het
honderdjarig bestaan van
de school in 2010. Het
werk kreeg zijnnaam van
een vriend van de
componist, Steven Phua,
van wie in eerste
instantie het voorstel
kwam een nieuw werk bij
Satoshi Yagisawa in
opdracht te geven. De
titel is gebaseerd op de
tekst van het schoollied
van de Yuying
SecondarySchool. De
compositie is gestoeld op
drie verschillende
gegevens: het eerste
weerspiegelt de liefde
voor onderwijs van de
oprichters destijds, het
tweede behelst de
ontberingen in
oorlogstijd, en het derde
betreft de kijk op
detoekomst -waarbij de
innerlijke kracht van
mensen helpt
moeilijkheden te
overwinnen. Het werk
eindigt met een fanfare:
de klank van hoop die vol
optimisme een betere
toekomst verkondigt. De
wereldpremière werd
uitgevoerd door de
YuyingSecondary School
Concert Band, onder
leiding van Faizal Bin
Othman, een van de meest
gerenommeerde
muziekpedagogen in
Singapore.
Like
the Eagle, We Soar and
Rise war ein
Kompositionsauftrag des
Blasorchesters der Yuying
Secondary School und des
Yuying-Alumni-Verbandes
(Singapur). Anlass des
Auftrags war das
hundertjährige
Jubiläum der
Schulgründung im Jahr
2010. Der Werktitel
stammt von einem Freund
des Komponisten namens
Steven Phua, der auch die
Idee hatte, ein neues
Stück von Satoshi
Yagiswa schreiben zu
lassen. Außerdem
bezieht sich der Titel
auf den Text des
Schulliedes.Dieses Werk
basiert auf drei
unterschiedlichen
Konzepten: Das erste
spiegelt die Leidenschaft
der Gründer für das
Lehren wider; das zweite
Konzept beschreibt die
Not in Kriegszeiten; das
dritte Konzept mit dem
TitelTo the Future“
(zur Zukunft hingewandt)
handelt von der inneren
Stärke, die Menschen
entwickeln, um
Schwierigkeiten zu
überwinden. Das Werk
endet mit einer Fanfare,
die der Hoffnung auf eine
bessere Zukunft Klang
verleiht.Die Weltpremiere
von Like the Eagle, We
Soar and Rise wurde
von Faizal Bin Othman,
einem der führenden
Lehrbeauftragten von
Singapur, dirigiert. Es
spielte das Blasorchester
der Yuying Secondary
School.
Like
the Eagle, We Soar and
Rise (Comme
l’aigle, nous
prenons notre essor) est
une commande de
l’Orchestre vent
du collège de Yuying
et de
l’Association des
anciens élèves de
Yuying pour marquer le
bicentenaire de la
fondation du collège.
Son titre lui a été
donné par un ami du
compositeur, Steven Phua,
qui avait suggéré
la commande d’une
nouvelle composition
Satoshi Yagisawa. Le
titre lui-même est
tiré du texte
d’une chanson du
collège de
Yuying.Cette composition
s’articule autour
de trois concepts : le
premier exprime
‘‘La passion
des fondateurs pour
l’éducationââ‚
¬â„¢Ã¢â‚¬â„¢ ; le
deuxième illustre
‘‘Les
privations en temps de
guerre’’ ;
le troisième concept,
‘‘Verslâ€â
„¢avenir’’,
évoque la force
intérieure que
l’on trouve en soi
pour surmonter les
obstacles. La pièce
s’achève par
une fanfare,
représentation sonore
de l’espoir qui
mène vers un avenir
prometteur. La
création mondiale de
l’oeuvre fut
donnée par
l’Orchestre vent
du collège de Yuying
sous la direction de
Faizal Bin Othman,
éminent professeur de
musique de Singapour.
La movimentata
storia di un istituto
scolastico in occasione
dei festeggiamenti per il
suo centenario, ha spinto
Satoshi Yagisawa a
comporre questo brano
basandosi su tre idee ben
distinte: la passione per
lo studio, la sofferenza
durante i periodi di
guerra e la speranza in
un futuro migliore,
simboleggiato dalla
fanfara finale. $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Quaderni Dell'istituto Liszt N 1 1998 Ricordi
SKU: HL.50495754 Composed by Various. MGB. Ricordi #NR138277. Published b...(+)
SKU: HL.50495754
Composed by Various. MGB.
Ricordi #NR138277.
Published by Ricordi
(HL.50495754).
$29.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Violin, Strings and Basso Continuo - RV280, Op. 6 No. 5 Ricordi
String Ensemble SKU: HL.50600909 Critical Edition Score. By Antoni...(+)
String Ensemble SKU:
HL.50600909
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 22 pages.
Ricordi #PR1446.
Published by Ricordi
(HL.50600909). ISBN
9788881920235. UPC:
888680699673. 8x10.75
inches. Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mottetto per San Paolino Chorale SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice
solo, SATB choir,
ottavino, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
tuba, percussion, 2
violin, viola, cello,
contrabass SKU:
CA.2740315 Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Double bass.
Sacred vocal music,
Motets. Single Part,
Double Bass. SC. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/15. Published by
Carus Verlag
(CA.2740315). ISBN
9790007201999. Language:
Latin. Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La Vera Storia Di Babbo Natale [Partition + Accès audio] Progetti Sonori
Other Classroom SKU: BT.PSM0502 Composed by Enzo Iacchetti. Book with Onl...(+)
Other Classroom SKU:
BT.PSM0502 Composed
by Enzo Iacchetti. Book
with Online Audio.
Progetti Sonori #PSM0502.
Published by Progetti
Sonori (BT.PSM0502).
Italian. $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mottetto per San Paolino Chorale SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice
solo, SATB choir,
ottavino, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
tuba, percussion, 2
violin, viola, cello,
contrabass SKU:
CA.2740314 Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Violoncello.
Sacred vocal music,
Motets. Single Part,
Cello. SC. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/14. Published by
Carus Verlag
(CA.2740314). ISBN
9790007201982. Language:
Latin. Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mottetto per San Paolino Chorale SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice
solo, SATB choir,
ottavino, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
tuba, percussion, 2
violin, viola, cello,
contrabass SKU:
CA.2740311 Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Violin 1.
Sacred vocal music,
Motets. Single Part,
Violin 1. SC. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/11. Published by
Carus Verlag
(CA.2740311). ISBN
9790007201951. Language:
Latin. Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Violin, Strings and Basso Continuo - RV318, Op. 6 No. 3 Ricordi
String Ensemble SKU: HL.50600907 Critical Edition Score. By Antoni...(+)
String Ensemble SKU:
HL.50600907
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 22 pages.
Ricordi #PR1444.
Published by Ricordi
(HL.50600907). UPC:
888680699635. 8x10.75
inches. Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto for Violin, Strings and Basso Continuo - RV239, Op. 6 No. 6 Ricordi
String Ensemble SKU: HL.50600910 Critical Edition Score. By Antoni...(+)
String Ensemble SKU:
HL.50600910
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 26 pages.
Ricordi #PR1447.
Published by Ricordi
(HL.50600910). ISBN
9788881920242. UPC:
888680699659. 8x10.75
inches. Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mottetto per San Paolino Chorale SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice
solo, SATB choir,
ottavino, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
tuba, percussion, 2
violin, viola, cello,
contrabass SKU:
CA.2740313 Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Viola. Sacred
vocal music, Motets.
Single Part, Viola. SC. 8
pages. Duration 15
minutes. Carus Verlag #CV
27.403/13. Published by
Carus Verlag
(CA.2740313). ISBN
9790007201975. Language:
Latin. Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |