Dramma per musica in 3 acts. Composed by Francesco Cavalli (1602-1676). Edited by Alvaro Torrente; Nicola Badolato. This edition: Edition of selected works, Urtext edition. Linen. Francesco Cavalli. Opere. Score. Duration 3 hours. Baerenreiter Verlag #BA08901-01. Published by Baerenreiter Verlag (BA.BA08901-01).

Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hendrik, Sara Elisa / Schulze, and Stangalino. This edition: Edition of selected works, Urtext edition. Cloth bound. Francesco Cavalli. Opere. Venice 1655. Edition of Selected Works , Score. Baerenreiter Verlag #BA08915- 01. Published by Baerenreiter Verlag

Dramma per musica. Composed by Francesco Cavalli (1602-1676). Edited by Sara Elisa Stangalino. This edition: Edition of selected works, Urtext edition. Linen. Francesco Cavalli. Opere. Score. Baerenreiter Verlag #BA08906-01. Published by Baerenreiter Verlag (BA.BA08906-01).

Composed by Antonia Bembo (1643-1715). Edited by Conrad Misch. Soli, Choir and Instruments (Piano, Organ, Orchestra). First edition. Choral. Score and parts. Published by Furore Verlag (FV.FUE-6710).

By Francesco Cavalli (1602-1676). Edited by Cristiano Contadin & Monica Pelliciari. For strings and winds with basso continuo. This edition: Paperback. Concerto de' varii stromenti. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Soli voices, 2 violins, basso continuo (Soli, 2 V, Basso Continuo)

SKU: BA.BA08910-01

Dramma per musica. Composed by Francesco Cavalli. Edited by Davide Daolmi and Nicola Usula. This edition: Edition of selected works, Urtext edition. Linen. Francesco Cavalli. Opere. Edition of selected works, Score. Baerenreiter Verlag #BA08910_01. Published by Baerenreiter Verlag (BA.BA08910-01).

ISBN 9790006556700. 33 x 26 cm inches. Text Language: Italian. Preface: Ellen Rosand / Davide Daolmi / Nicola Usula. Text: Francesco Melosio.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Books and Journals

SKU: UT.APS-9

Edited by Christian Speck. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 9. Published by Ut Orpheus (UT.APS-9).

ISBN 9788881095001. 6.5 x 9.5 inches.

Saggi di Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Wilhelm Seidel, Bernhold Schmid, Christian Speck, Glenn Stanley, Andreas Traub, Reinhard Wiesend


Mu sical composition is always related to the work's realisation in sound. A written form is required in order to give shape to the compositional intention. Consequently it is text, the musical text, which mediates between the act of composition and the performance. The object of the musical edition is to prepare the text so that the will of the composer is presented to the musicians in a way that allows the composition to become realised musically. The edition thus inevitably establishes a conflict between divergent orientations, such as between science and practice, preservation and actualization, as well as textual criticism and hermeneutics. Because his editorial decisions are fundamentally interpretive the editor must know and understand the historical and hermeneutical problems of his subject, especially when it comes to determining what stage of the work is to be presented. The editing of music is not always restricted to mediation; it may also represent a translation.
The present collection of essays -- all but one, in German -- is a Festschrift for Petra Weber's 60th birthday. It combines contributions on music and music editing by Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Bernhold Schmid, Wilhelm Seidel, Glenn Stanley, Andreas Traub, and Reinhard Wiesend. Among the composers treated, Ludwig van Beethoven will occupy a prominent place. Special consideration will also given to Didier Lupi, Francesco Cavalli, Johann Sebastian Bach, Johann Adolf Hasse, Franz Schubert, Giovanni Simone Mayr, Ferruccio Busoni, Carl Orff, and Sandor Veress.

6 solo soprano voice, solo mezzo-sporano voice, 2 solo alto voice, 2 solo tenor voice, 2 solo bass voice, string orchestra (Soprano solo (6), Mezzo-soprano solo, Alto solo (2), Tenor solo (2), Bass solo (2), String orchestra)

SKU: BA.BA08792

Opera regia with a prologue and three acts. Composed by Claudio Monteverdi. Edited by Hendrik Schulze. This edition: urtext edition. Paperback. Barenreiter Urtext. Opera. Score. Baerenreiter Verlag #BA08792_00. Published by Baerenreiter Verlag (BA.BA08792).

ISBN 9790006533091. 31 x 24.3 cm inches. Text Language: Italian.

L’i ncoronazione di Poppea, Claudio Monteverdi’s final opera, had a formative impact on the evolution of this genre. Yet its convoluted source situation makes it one of music history’s great enigmas. There are practically no references to the original version that Monteverdi performed in Venice in 1643, as the score has not survived.

To celebrate the 450th anniversary of Monteverdi’s birth, this operatic masterpiece is appearing in an edition close to the presumed original. The new edition is based on the score prepared in Venice and found among the possessions of Francesco Cavalli.

This scholarly edition came about due to a remarkable project at the University of North Texas; it was compiled and edited by Hendrik Schulze and his students on the basis of the latest research findings concerning source evaluation, performance practice and the historical context.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding