| English Songs: Renaissance to Baroque - High Voice
Voix haute [Partition + Accès audio] Hal Leonard
The Vocal Library High Voice. Composed by Various. Arranged by Richard Walters, ...(+)
The Vocal Library High
Voice. Composed by
Various. Arranged by
Richard Walters, Steven
Stolen. Vocal Collection.
Play Along. Softcover
Audio Online. 80 pages.
Published by Hal Leonard
(
(1)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| English Songs: Renaissance to Baroque - High Voice (Book only) Voix haute, Piano Hal Leonard
The Vocal Library. By Various. Arranged by Steven Stolen and Richard Walters. (H...(+)
The Vocal Library. By
Various. Arranged by
Steven Stolen and Richard
Walters. (High Voice).
Vocal Collection. Size
9x12 inches. 80 pages.
Published by Hal Leonard
Corporation.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| English Songs: Renaissance to Baroque - Low Voice Voix basse, Piano [Partition + Accès audio] Hal Leonard
The Vocal Library Low Voice. Composed by Various. Arranged by Richard Walters, S...(+)
The Vocal Library Low
Voice. Composed by
Various. Arranged by
Richard Walters, Steven
Stolen. Vocal Collection.
Play Along. Softcover
Audio Online. 80 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| English Songs: Renaissance to Baroque - Low Voice (Book only) Voix basse, Piano Hal Leonard
The Vocal Library. By Various. Arranged by Steven Stolen, Richard Walters. (Low...(+)
The Vocal Library. By
Various. Arranged by
Steven Stolen, Richard
Walters. (Low Voice).
Vocal Collection. Size
9x12 inches. 80 pages.
Published by Hal Leonard
Corporation.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Boosey Ballad Album 2 Piano, Voix Boosey and Hawkes
Piano Accompaniment; Voice (Voice and Piano) SKU: HL.48011301 Voice an...(+)
Piano Accompaniment;
Voice (Voice and Piano)
SKU: HL.48011301
Voice and Piano.
Composed by Various.
Boosey & Hawkes Voice.
Baroque, Classical,
Collection, Renaissance.
96 pages. Boosey & Hawkes
#M060088025. Published by
Boosey & Hawkes
(HL.48011301). UPC:
073999226898.
9.0x12.0x0.233
inches. Contents:
On the Road to Mandalay
(Speaks) * If I Might
Come to You (Squire) *
Until (Sanderson) * The
Star of Bethlehem (Adams)
* Captain Mac (Sanderson)
* Onaway, Awake, Beloved
(Coleridge-Taylor) *
Nearer, My God, To Thee
(Carey) * An Eriskay Love
Lilt (Kennedy-Fraser) *
In an Old-Fashioned Town
(Squire) * If I Built a
World for You (Lehmann) *
The Lord is My Light
(Allitsen) * Leanin'
(Sterndale Bennett) * The
Holy Boy (Ireland) * The
Lost Chord (Sullivan) *
Who'll Buy My Lavender?
(German) * How Lovely Are
Thy Dwellings (Liddle) *
If (Novello). $50.00 - Voir plus => Acheter | | |
| Mastering the Guitar Class Method Level 1 Guitare [Partition] Mel Bay
9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (...(+)
9th Grade and Higher
Edition. By William Bay
and Mike Christiansen.
For Guitar (All).
Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
(2)$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Renaissance Music For Flute and Guitar Flûte et Guitare [Partition + CD] - Intermédiaire ADG productions
By Allan Alexander Jessica Walsh. For Guitar, Flute. This edition: Guitar, Flute...(+)
By Allan Alexander
Jessica Walsh. For
Guitar, Flute. This
edition: Guitar, Flute.
Renaissance. Level:
Intermediate. Book With
Cd. 110 pages. Published
by ADG productions
(2)$25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Renaissance Music for Flute Flûte traversière - Intermédiaire Mel Bay
Renaissance, Saddle-stitched. Classical. Book. 60 pages. Mel Bay Publications,...(+)
Renaissance,
Saddle-stitched.
Classical. Book. 60
pages. Mel
Bay Publications, Inc
#30738.
Published by Mel Bay
Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Barcarolles for a Sinking City [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139S Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S). UPC:
680160682119. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Barcarolles for a Sinking City Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139L Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L). UPC:
680160682126. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Aural Matters [Partition + CD] Schott
Book/CD package (2 CDs) SKU: HL.49003188 A Student's Guide to Aural Pe...(+)
Book/CD package (2 CDs)
SKU: HL.49003188
A Student's Guide to
Aural Perception at
Advanced Level.
Composed by David Bowman
and Paul Terry. This
edition: Paperback/Soft
Cover. Book with CD.
Edition Schott.
Classical, Collection,
Instruction. Book with 2
CDs. 178 pages. Schott
Music #ED 12430.
Published by Schott Music
(HL.49003188). ISBN
9780946535224. UPC:
841886002289.
8.25x11.75x0.486 inches.
English. Aural
Matters provides useful
resource material for
aural training at
Advanced level in a
single volume with two
accompanying compact
discs. the first part is
packed with examples of
dictation and
discrimination exercises,
carefully graded in
difficulty. The
recordings on disc allow
these practice-materials
to be used by the student
at home, as well as by
teachers in the
classroom. The text
provides a systematic
approach to aural
training * melody and
two-part dictation,
harmonic recognition,
identifying errors in
performance * with
frequent hints and tips
that will enable the
student to develop
increasing skill and
confidence in the tests.
Part Two provides an
recorded anthology of the
compositional techniques
with wich students are
expected to be familiar
at Advanced level. A huge
variety of extracts has
been specially selected
from British folk-songs,
world music, jazz, pop
and the main periods of
art music from the late
Renaissance to modern
times. A detailed
commentary shows how to
recognize periods,
styles, structures,
instruments and
techniques in this music,
with all of these
features copiously
illustrated in the
examples on disc. The
complete work provides an
invaluable resource not
only for the Advanced
level aural syllabus, but
also for any study of
style and analysis in the
wide variety of music
that is encountered
today. Prelude * Part I:
Melody Dictation *
Two-Part Dictation *
Keys, Chords and Cadences
* Intonation * Spot the
Mistakes * Part II:
Prelude to Part II: Aural
and Stylistic Analysis *
Folk Music of the British
Isles * World Music *
Jazz * Popular Music *
Music of the Late
Renaissance * Music of
the Baroque Era *
Classical Music *
Romantic Music * Music in
the 20th Century *
Answers to the Tests *
Index. $47.00 - Voir plus => Acheter | | |
| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU:
CF.CM9588 Composed by
Tomas Luis de Victoria.
Arranged by Jeb Mueller.
Fold. Performance Score.
8 pages. Duration 1
minute, 59 seconds. Carl
Fischer Music #CM9588.
Published by Carl Fischer
Music (CF.CM9588).
ISBN 9781491154106.
UPC: 680160912605. 6.875
x 10.5 inches. Key: Eb
major. Latin. Traditional
Latin. Tomas Luis
de Victoria (15481611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victorias time. It should
be noted that dynamics
are largely subjective,
so performers may make
alternative choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[v??bum k??? p?n?m v?rum]
verbo carnem efficit:
fitque sanguis Christi
merum. [v??b? k??n?m
??fit?it fitkw? s??gwis
k?isti m??um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[?t si s?nsus ?d?fit?it,
?d fi??m?ndum k?? sin
t???um] Jeb
Mueller. TomA!s Luis
de Victoria (1548a1611)
is widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoriaas time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is ao,a which
sounds similar to the
English words bought and
got. The letter ata
should be produced
dentally: lift the tongue
to the top of the mouth
as in English, but
aspirate less on the
release. All occurrences
of asa should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum, [vEE
3/4 bum kEE 3/4 E pEnEm
vErum] verbo carnem
efficit: fitque sanguis
Christi merum. [vEE 3/4
bE kEE 3/4 nEm EEfitEit
fitkwE sEAgwis kE 3/4
isti mEE 3/4 um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[Et si sEnsus EdEfitEit,
Ed fiE 3/4 EmEndum kEE
3/4 sin tEEE 3/4 um] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange lingua based
on a Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano. The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomás Luis
de Victoria
(1548–1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano.The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance.Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria’s time.
It should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and
clarity.PRONUNCIATION
GUIDEVictoria received
much of his training in
Italy, therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is
“o,†which
sounds similar to the
English words bought and
got. The letter
“t†should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of “s†should
be soft and never
hardened to [z], such as
in praise.Verbum caro,
panem
verum,[vɛɾbum
kɑɾɔ
pɑnɛm
vɛrum]verbo carnem
efficit: fitque sanguis
Christi
merum.[vɛɾbɔ
kɑɾnɛm
ˈɛfitʃit
fitkwÉ›
sɑŋgwis kɾisti
mɛɾum]Et si sensus
deficit, ad firmandum cor
sin cerum.[ɛt si
sɛnsus
ˈdɛfitʃit,
É‘d
fiɾˈmɑndum
kɔɾ sin
tʃɛɾum]Jeb
Mueller. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mastering the Guitar Class Method Level 1, Elementary to 8th Grade Edition Guitare [Partition] Mel Bay
By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guita...(+)
By William Bay and Mike
Christiansen. For Guitar
(All). Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Miracle Edward B. Marks Music Company
Full Score SKU: HL.354968 For TTBB Men's Chorus, Woodwind Quintet, and...(+)
Full Score SKU:
HL.354968 For TTBB
Men's Chorus, Woodwind
Quintet, and 2
Percussionists Ful.
Composed by William
Bolcom. LKM Music.
Softcover. 60 pages.
Edward B. Marks Music
#MP094005. Published by
Edward B. Marks Music
(HL.354968). ISBN
9781705109557. UPC:
840126937916.
11.0x17.0x0.42
inches. Subtitled:
Nine Madrigals after
Giovanni Pascoli. Arnold
Weinstein's poem The
Miracle is an evocative
presentation of an
imagined scene from the
life of the Renaissance
painter Paolo Ucello
(1397-1475). The piece
not only summons images
of a painter and his
creations, but also
develops an intense
dramatic situation
involving Ucello and St.
Francis of
Assisi.“The
Miracle”was
commissioned by the
Rutgers Glee Club,
Patrick Gardner,
director. World Premiere
was on March 4, 2000 at
Rutgers University, New
Brunswick, New Jersey.
Movements: Madrigals: I.
bird, no money, bird; II.
joy squeezed into
perspective; III. birds,
birds, birds; IV.
temptation; V. the
bawling out; VI. more of
the bawling out; VII. the
saint gets the point;
VIII. the point of
Paolo's paint; IX. a good
night's rest. $86.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| English Sacred Music Chorale SATB SATB, Piano Faber Music Limited
By Thomas Tallis (1505-1585). Choir Sacred. For with Piano (SATB choir). Book; C...(+)
By Thomas Tallis
(1505-1585). Choir
Sacred. For with Piano
(SATB choir). Book;
Choral (Sacred); Choral
Worship Collection;
Masterworks; Worship
Resources. Faber Edition:
Choral Programme Series.
Masterwork; Renaissance;
Sacred. Published by
Faber Music
$5.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bowman/terry Aural Matters Boo Schott
(BUCH) SKU: HL.49030375 A Student's Guide to Aural Perception at Advan...(+)
(BUCH) SKU:
HL.49030375 A
Student's Guide to Aural
Perception at Advanced
Level. Composed by
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Student book. 176
pages. Schott Music #ED
12430-01. Published by
Schott Music
(HL.49030375). ISBN
9781847610454.
English. Aural
Matters provides useful
resource material for
aural training at
Advanced level in a
single volume with two
accompanying compact
discs. the first part is
packed with examples of
dictation and
discrimination exercises,
carefully graded in
difficulty. The
recordings on disc allow
these practice-materials
to be used by the student
at home, as well as by
teachers in the
classroom. The text
provides a systematic
approach to aural
training - melody and
two-part dictation,
harmonic recognition,
identifying errors in
performance - with
frequent hints and tips
that will enable the
student to develop
increasing skill and
confidence in the tests.
Part Two provides an
recorded anthology of the
compositional techniques
with wich students are
expected to be familiar
at Advanced level. A huge
variety of extracts has
been specially selected
from British folk-songs,
world music, jazz, pop
and the main periods of
art music from the late
Renaissance to modern
times. A detailed
commentary shows how to
recognize periods,
styles, structures,
instruments and
techniques in this music,
with all of these
features copiously
illustrated in the
examples on disc. The
complete work provides an
invaluable resource not
only for the Advanced
level aural syllabus, but
also for any study of
style and analysis in the
wide variety of music
that is encountered
today. $27.95 - Voir plus => Acheter | | |
| Renaissance -- Selected Favorites Transcribed for Guitar Guitare Guitare classique - Intermédiaire Alfred Publishing
(Light Classics Arrangements for Guitar). For Guitar. Book; Classical Guitar ...(+)
(Light Classics
Arrangements
for Guitar). For Guitar.
Book; Classical Guitar
Folio; Masterworks.
Alfred
Classical Guitar
Masterworks. Form:
Transcription. Acoustic;
Masterwork Arrangement.
Intermediate. 32 pages.
Published by Alfred Music
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Can Teach Yourself Recorder - Book DVD Flûte à Bec [DVD] - Débutant Mel Bay
By William Bay and Mike Buerk. For Recorder (Soprano). method. You Can Teach You...(+)
By William Bay and Mike
Buerk. For Recorder
(Soprano). method. You
Can Teach Yourself. All
Styles. Level: Beginning.
Book DVD. Size
8.75x11.75. 80 pages.
Published by Mel Bay
Publications, Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Can Teach Yourself Recorder - Book/CD Flûte à Bec [Partition + CD] - Débutant Mel Bay
by William Bay. For Recorder (Soprano). method. You Can Teach Yourself. All Styl...(+)
by William Bay. For
Recorder (Soprano).
method. You Can Teach
Yourself. All Styles.
Level: Beginning. Book/CD
Set. Size 8.75x11.75. 80
pages. Published by Mel
Bay Publications, Inc.
(2)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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