| Keichan - GARA RA BAKO Piano seul Yamaha
Piano Solo SKU: YM.GTP01100046 Composed by Keichan. Arranged by Keichan. ...(+)
Piano Solo SKU:
YM.GTP01100046
Composed by Keichan.
Arranged by Keichan.
Keichan. Artist Folio.
Score. Yamaha Music Media
#GTP01100046. Published
by Yamaha Music Media
(YM.GTP01100046). ISBN
9784636100303. 8.5 x 12
inches. Matching
piano songbook for
Keichan's first CD album
KARA RA BAKO. Keichan, a
Japanese pianist, is
rapidly gaining
popularity in Japan, with
over 1 million
subscribers to his
YouTube channel (as of
May 2022) and regular
appearances on Japanese
TV. The book features 11
of his original pieces
performed with a free and
genre-less style and
arranged for intermediate
level piano solo. The 5
pieces listed in #12-16
have special three-staff
piano scores for both the
piano and the melody
line, faithfully scored
from his original CD
performance. An artist
interview and special
photos included at the
beginning of the
book. $22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Impulse Power Orchestre d'harmonie C.L. Barnhouse
Pre 1 SKU: CL.023-4620-00 Composed by Wada. Young Concert Band. Sound Fou...(+)
Pre 1 SKU:
CL.023-4620-00
Composed by Wada. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR396). Score and set
of parts. Composed 2018.
Duration 1 minute, 34
seconds. C.L. Barnhouse
#023-4620-00. Published
by C.L. Barnhouse
(CL.023-4620-00).
Your beginning
band students will sound
mature beyond their years
with this marvelous work
from the pen of Japanese
composer Naoya Wada. Bold
and powerful, Impulse
Power is the perfect
overture for beginning
musicians, using just the
first six notes learned
in band instruction.
While the ranges, rhythms
and performance demands
are limited,
there’s no musical
compromise with this
masterfully scored work.
Impulse Power is sure to
captivate your students
and audiences alike. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Impulse Power Orchestre d'harmonie C.L. Barnhouse
Pre 1 SKU: CL.023-4620-01 Composed by Wada. Young Concert Band. Sound Fou...(+)
Pre 1 SKU:
CL.023-4620-01
Composed by Wada. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR396). Extra full
score. Composed 2018.
Duration 1 minute, 34
seconds. C.L. Barnhouse
#023-4620-01. Published
by C.L. Barnhouse
(CL.023-4620-01).
Your beginning
band students will sound
mature beyond their years
with this marvelous work
from the pen of Japanese
composer Naoya Wada. Bold
and powerful, Impulse
Power is the perfect
overture for beginning
musicians, using just the
first six notes learned
in band instruction.
While the ranges, rhythms
and performance demands
are limited,
there’s no musical
compromise with this
masterfully scored work.
Impulse Power is sure to
captivate your students
and audiences alike. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on Themes from Tchaikovsky Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Frank Erickson. Concert Band. Concert Band. Frank Erickson Publications. Grad...(+)
By Frank Erickson.
Concert Band. Concert
Band. Frank Erickson
Publications. Grade 3.
Conductor Score and
Parts. 262 pages.
Published by Alfred Music
. Score and Parts.
$60.00 $57 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise of the Avatar Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Vince Gassi. Concert Band; Part(s); Score. Challenger Band Series. 1...(+)
Composed by Vince Gassi.
Concert Band; Part(s);
Score. Challenger Band
Series. 184 pages.
Published by Alfred Music
(AP.45973).
$52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony #4 Orchestre Symphonique [Conducteur d'étude / Miniature] Carl Fischer
For Symphonic Wind Ensemble. Composed by David Maslanka. Classical. Full score (...(+)
For Symphonic Wind
Ensemble. Composed by
David Maslanka.
Classical. Full score
(study). With Standard
notation. 138 pages.
Duration 27 minutes. Carl
Fischer #O005374.
Published by Carl Fischer
$115.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphonie Nr. 3 Es-dur op. 55 Orchestre [Conducteur et Parties séparées] Breitkopf & Härtel
(study score). By Ludwig van Beethoven (1770-1827). For orchestra. Breitkopf Ful...(+)
(study score). By Ludwig
van Beethoven
(1770-1827). For
orchestra. Breitkopf Full
Scores. Parts, Urtext.
112 pages
$21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Let The Word Go Forth Orchestre [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Movement 1 from The Kennedy Dream. Composed by Oliver Nelson. Edited by D...(+)
Movement 1 from The
Kennedy Dream.
Composed by Oliver
Nelson. Edited by Dylan
Canterbury, Rob DuBoff
and Jeffrey Sultanof.
Jazz, Ballad. Score and
parts. Published by Jazz
Lines Publications
(JL.JLP-7089).
$65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now my faith is in one Lord God Chorale SATB SATB [Vocal Score] - Facile Carus Verlag
By Antonio Vivaldi (1678-1741). For SATB Choir, 2 Violins, Viola, Basso continuo...(+)
By Antonio Vivaldi
(1678-1741). For SATB
Choir, 2 Violins, Viola,
Basso continuo. This
edition: Paperbound.
Stuttgart Urtext
editions. Score available
separately - see item
CA.4000400. Mass
sections. Level 3. Vocal
score. Language:
Latin/English. RV 591. 24
pages. Duration 10 min.
Published by Carus Verlag
$13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Impulse Orchestre à Cordes [Conducteur et Parties séparées] FJH
Composed by Brian Balmages. For string orchestra. FJH Beginning Strings. Level 0...(+)
Composed by Brian
Balmages. For string
orchestra. FJH Beginning
Strings. Level 0.5. Score
and parts. Duration 1:15.
Published by The FJH
Music Company Inc
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arranco Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Eric Richards. Jazz Ensemble. Barnhouse Advanced Jazz. Grade 3.5. Score and s...(+)
By Eric Richards. Jazz
Ensemble. Barnhouse
Advanced Jazz. Grade 3.5.
Score and set of parts.
Composed 2003. Duration
0:03:36
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Bug (small band v.) Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire/avancé Sierra Music
(small band version). By Oliver Nelson. Arranged by Oliver Nelson. For jazz band...(+)
(small band version). By
Oliver Nelson. Arranged
by Oliver Nelson. For
jazz band (3-2-4). Oliver
Nelson Series. Swing.
Grade 4. Score and set of
parts. Published by
Sierra Music
$45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Titmouse Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Benny Carter. Jazz ensemb...(+)
Edited by Rob Duboff and
Jeffrey Sultanof.
Arranged by Benny Carter.
Jazz ensemble. For
saxophone quintet (with
rhythm section) (2 Alto
Saxophones, 2 Tenor
Saxophones, Baritone
Saxophone, Guitar, Piano,
Bass, Drums). Swing.
Medium. Score and parts.
Published by Jazz Lines
Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Impulse Piano seul Ricordi
Piano SKU: BT.SY-4507-01 Piano concerto No. 3. Composed by Dai Fuj...(+)
Piano SKU:
BT.SY-4507-01
Piano concerto No.
3. Composed by Dai
Fujikura. Score Only.
Ricordi #SY 4507-01.
Published by Ricordi
(BT.SY-4507-01).
German. $85.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Impulse Orchestre à Cordes [Conducteur] - Débutant FJH
Composed by Brian Balmages. For string orchestra. FJH Beginning Strings. Level 0...(+)
Composed by Brian
Balmages. For string
orchestra. FJH Beginning
Strings. Level 0.5. Score
only. Duration 1:15.
Published by The FJH
Music Company Inc
$5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Um Mitternacht Chorale SSAATTBB SSAATTBB A Cappella [Vocal Score] Universal Edition
(Text Von Friedrich Ruckert). By Gustav Mahler (1860-1911). Edited by Clytus Got...(+)
(Text Von Friedrich
Ruckert). By Gustav
Mahler (1860-1911).
Edited by Clytus Gottwald
(transcriber). For
Ssaattbbb. Vocal Score.
13 pages. Published by
Universal Edition
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Getraeumt Breitkopf & Härtel
36 voices (12S12Mez12A/12T12Bar12B) SKU: BR.PB-5411-07 Study score...(+)
36 voices
(12S12Mez12A/12T12Bar12B)
SKU: BR.PB-5411-07
Study score.
Composed by Adriana
Holszky. Stapled.
Partitur-Bibliothek
(Score Library). World
premiere: Graz
(Steirischer Herbst),
October 10, 1991
Music post-1945; New
music (post-2000). Study
Score. Composed 1989/90.
48 pages. Duration 14'.
Breitkopf and Haertel #PB
5411-07. Published by
Breitkopf and Haertel
(BR.PB-5411-07). ISBN
9790004209837. 8.5 x 21.5
inches. Getraumt
wurde 1989/90 im Auftrag
des Deutschen Musikrates
komponiert und kann
entweder von 36
Frauenstimmen oder 36
Mannerstimmen aufgefuhrt
werden. Die Komposition
verwendet isolierte
Fragmente, die dem
Gedicht ,,Nachtflug von
Ingeborg Bachmann
entnommen sind.Der
Gedanke der
kompositorischen
Verwendung eines
homogenen vokalen
Klangapparats von vielen
solistischen Stimmen, der
ahnlich einem
,,Tausendfussler
funktionieren sollte,
d.h. trotz maximaler
Individualisierung der
einzelnen Glieder die
Scharfe der zentralen
Integration nicht
verliert, war grundlegend
fur dieses Werk. Nicht
die Semantik, sondern die
Klanglichkeit der Worter,
deren Atomisierung, die
assoziativen Verbindungen
unterschiedlicher
Partikel die Isolation
und Hervorhebung
einzelner Phoneme,
standen bei der
Komposition im
Vordergrund. Die
,,ecriture der im Kreis
um den Horer platzierten
36 Stimmen (in der
Partitur auf 9 Gruppen zu
je 4 Stimmen verteilt)
versucht die
auskomponierten Raume und
die entsprechenden
Klangwanderungen wie in
einem ,,pulsierenden
Ozean schwebender Klange
maximal zu
differenzieren. So gibt
es z. B. in den Takten
50-53 der Partitur elf
verschiedene
Farbflachenarten, die
sich verzahnen: 1)
Farbmischung von:
gesungen und geflustert
auf ,,R 2) knarrende
Stimme 3)
Sprechgesang-Impulse in
den extremen Lagen, so
schnell wie moglich 4)
Mischung von: a)
Schnalzen in Richtung
Gaumen, Mundstellung
offen/zu, b)
Lippengerausch ahnlich
dem Gerausch eines
Korkenziehers, c)
Schnalzen in Richtung
vordere Zahne,
Mundstellung offen/zu,
und d) knarrende Stimme
5) Pfeifimpulse 6)
Pfeifen mit
gleichzeitigem
Sprechgesang, glissando
7) Pfeifen mit
gleichzeitiger
Singstimme, glissando 8)
rhythmisiertes
Alternieren von Schnalzen
in Richtung vordere
Zahne, Mundstellung
offen/zu 9) Flustern mit
Handvibrato 10)
Singstimme auf ,,a 11)
,,Einatmen-Ausatmen-Impul
se Das Schleudern der
Gerauschpartikel durch
den 36kopfigen
Klangapparat beruht auch
auf Kategorien visueller
Dimension: dem
Einbeziehen von Nahe und
Weite, Linie und Flache,
Oszillation und
Stillstand,
Richtungsanderung oder
Pendeln der Klange. In
letzter Konsequenz will
die Komposition die
Illusion eines
expandierenden
Klangraumes mit
migrierenden Punkten und
Figuren schaffen. So wird
die Partitur zu einer
,,Landkarte der in Raum
beweglichen
,,Klanglandschaft, die
aus dem Zusammen- und
Wechselspiel vieler
filigranartiger, in sich
geschlossener Klangfelder
entstanden ist. Auch wenn
grossere Blocke oder
Flachen im Werk sich
entfalten, deuten sie
immer auf die
Fluchtigkeit, die
Instabilitat und
Zerbrechlichkeit des
Moments.CDs:ORF-Chor,
cond. Erwin OrtnerCD cpo
999 290-2ORF-Chor, cond.
Erwin OrtnerCD ORF MP
30/4 (30 Jahre
Musikprotokoll Moderne in
Osterreich
1968-1997)Bibliography:Hi
nterberger, Julia:
Zwischen
Sprachzertrummerung und
Textkonservierung.
Schlaglichter auf Adriana
Holszkys Umgang mit
literarischen Texten, in:
Adriana Holszky, hrsg.
von Ulrich Tadday
(Musik-Konzepte, Neue
Folge Heft 160/161),
Munchen: edition
text+kritik 2013, pp.
25-42.Kostakeva, Maria:
Metamorphose und
Eruption. Annaherung an
die Klangwelten Adriana
Holszkys, Hofheim: wolke
2013 (pp. 101f,
141-143).Petersen, Peter:
... getraumt von Adriana
Holszky. Versuch uber ein
Vokalstuck nach Ingeborg
Bachmann, in: Adriana
Holszky, hrsg. von
Eva-Maria Houben,
Saarbrucken 2000, pp.
44-54.
World
premiere: Graz
(Steirischer Herbst),
October 10, 1991. $87.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphonie Nr. 5 c-moll op. 67 Orchestre [Conducteur d'étude / Miniature] Breitkopf & Härtel
(study score). By Ludwig van Beethoven (1770-1827). Edited by Clive Brown. For o...(+)
(study score). By Ludwig
van Beethoven
(1770-1827). Edited by
Clive Brown. For
orchestra. Breitkopf Full
Scores. Parts, Urtext.
120 pages
$22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Rise of the Avatar Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.45973S Composed by Vince Gassi. Concert ...(+)
Concert Band - Grade 1.5
SKU: AP.45973S
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Score. 8 pages.
Duration 2:50. Alfred
Music #00-45973S.
Published by Alfred Music
(AP.45973S). UPC:
038081525617.
English. Energy,
impulse, ascension.
Motifs (avatars) harbor
energy, generate impulse,
and ascend. The avatars
in this new work do
precisely that. Themes
and harmonies soar,
rhythms propel, energy
issues forth---engaging,
energizing, and exciting
the young musicians in
your band. (2:50). $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Niels Rosing-Schow: Voix Interieures (Score) Wilhelm Hansen
Clarinet, Violin, Cello and Piano SKU: HL.14027831 Composed by Niels Rosi...(+)
Clarinet, Violin, Cello
and Piano SKU:
HL.14027831 Composed
by Niels Rosing-schow.
Music Sales America. 20th
Century. Score. Composed
2002. Edition Wilhelm
Hansen #WH30176.
Published by Edition
Wilhelm Hansen
(HL.14027831). ISBN
9788759806241. Work
for Clarinet, Violin,
Cello and Piano. The
composer writes: VOIX
INTERIEURES (1990-92).
The title has a double
reference: to the 'inner
voices' of the mind,
expressing our (hardly
conscious) impulses,
feelings, dreams and to
the 'inner voices' of the
music in the sense of
internal parts and
relations. Thus the title
points to the obscure
reflections of the ones
in the others. During the
piece, there is a gradual
transformation of the
internal parts, such as
interval patterns,
sonorities and dynamics -
running alongside the
easily perceptible
expansion of register.
The music is so to say
'turned inside out'. $43.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dull Roots & Spring Rain Performance Score For Flute Or Clarinet, Oboe, Bassoon Schott
Flute/bassflute (or clarinet), oboe and bassoon - difficult SKU: HL.49018144<...(+)
Flute/bassflute (or
clarinet), oboe and
bassoon - difficult
SKU: HL.49018144
Composed by Benjamin
Schweitzer. This edition:
Saddle stitching. Sheet
music. Woodwind Ensemble.
Performance score, in C.
Composed 2008. 80 pages.
Duration 10'. Schott
Music #ED20746. Published
by Schott Music
(HL.49018144). ISBN
9790001170079.
9.0x12.0x0.21
inches. The image
of a landscape in April,
freed from winter's hold,
with its mixture of
barrenness and still dull
colours, characterises
the basic tone of this
piece. Melodic elements
and fast virtuoso
figurations cannot be
found, instead the piece
is dominated by subtle
nuances of just a few
sounds and textures. The
harmony is based almost
entirely on a single
chord type. Occasionally,
short chains of
repetitions and
oscillating impulses
emerge from this string
of sounds.Ambitious
performers can use this
demanding and varied
piece to try out modern
playing techniques. $36.00 - Voir plus => Acheter | | |
| Volcano Orchestre d'harmonie [Conducteur et Parties séparées] - Avancé De Haske Publications
Symphonic Band - Grade 5 - Score and Parts. By Jan Van Der Roost. Arranged by Ja...(+)
Symphonic Band - Grade 5
- Score and Parts. By Jan
Van Der Roost. Arranged
by Jan Van Der Roost. De
Haske Concert Band Full
Set. Published by DeHaske
Publications.
$282.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Credo Chorale SATB - Intermédiaire Carus Verlag
SATB choir, 2 violins, viola, basso continuo - Level 3 SKU: CA.4000405 Co...(+)
SATB choir, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.4000405 Composed
by Antonio Vivaldi. This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Innovative
practice aids, Sacred
vocal music, Mass
sections. Choral Score.
RV 591. Duration 10
minutes. Carus Verlag #CV
40.004/05. Published by
Carus Verlag
(CA.4000405). ISBN
9790007057374. Key: E
minor. Language:
Latin/English. The
Credo belongs to that
large group of church
works which Vivaldi
composed in Venice
between 1713 and 1717 for
the Ospedale della Pieta,
then his primary place of
employment. The
composition, conceived
solely for choir and
strings, is characterized
by a two-layered formal
design: a continuous,
basic motivic idea, i.e.,
a constant rhythmic
impulse with rapid tone
repetition builds an
instrumental layer, while
on the other hand the
writing for choir renders
the text in a blocklike
structure in chordal
declamation. This
structure will only be
abandoned briefly in the
concluding section of
work, where the text Et
vitam venturi saeculi is
embedded in a concise
fugue. Score available
separately - see item
CA.4000400. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-27
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-27. Published by
Breitkopf and Haertel
(BR.OB-3210-27). ISBN
9790004300732. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-23
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-23. Published by
Breitkopf and Haertel
(BR.OB-3210-23). ISBN
9790004300725. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 ...(+)
Viola (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-19
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
12 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-19. Published by
Breitkopf and Haertel
(BR.OB-3210-19). ISBN
9790004300718. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 ...(+)
Woodwinds (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-30
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Set
of parts. 90 pages.
Duration 43'. Breitkopf
and Haertel #OB 3210-30.
Published by Breitkopf
and Haertel
(BR.OB-3210-30). ISBN
9790004300749. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $92.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Siebengesang Orchestre Schott
Orchestra SKU: HL.49000569 Study Score. Composed by Heinz Holliger...(+)
Orchestra SKU:
HL.49000569 Study
Score. Composed by
Heinz Holliger. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1966-1967. 78
pages. Duration 21'.
Schott Music #AVV 301.
Published by Schott Music
(HL.49000569). ISBN
9790200101324. UPC:
073999292336.
7.5x11.0x0.272
inches. Bei der
Arbeit am 'Siebengesang'
setzte ich mir zum Ziele,
die vielschichtigen
Wechselwirkungen zwischen
einem Individuum (dem
Solisten) und seiner
Umwelt (dem Orchester)
aufzuzeigen und daraus
formgebende
satztechnische Impulse zu
gewinnen.Das Werk
'Siebengesang' ist
7teilig: in den drei
ersten Teilen treten sich
das Soloinstrument und
verschiedene
selbstandige, nach
Register und Klangfarben
geordnete
Orchestergruppen
gegenuber. Im 4. Teil
durchdringen sich
Solooboe und ein Ensemble
von 4 linearen
Instrumenten. Der 5. Teil
ist ein grossangelegtes
Orchester-Crescendo. Uber
23 von Gong-Signalen
markierten
5-Sekunden-Abschnitten
werden nach und nach die
verschiedenen
Orchestergruppen (jede
mit individuellem Tempo)
ubereinander geschichtet.
Der 6. Teil konfrontiert
mit Hilfe eines im Innern
des Instrumentes
angebrachten Mikrophons
verstarkten und
verzerrten Oboenklang mit
dem ganzen Orchester,
wobei die neuen,
ungewohnten Klange der
Oboe das Klangspektrum
des Orchesters in grossem
Masse beeinflussen. Auf
knappstem Raum werden
hier in hektischem
Wechsel die aussersten
strukturellen Gegensatze
zusammengedrangt. Im sehr
ruhigen Schlussteil
vervielfacht sich die
Oboenpartie in 7
Singstimmen, denen als
phonetisches Material die
Schlussverse von Georg
Trakls Gedicht
'Siebengesang des Todes'
zugrunde liegen
[.].-Heinz
Holliger
2 (auch 1
Altfl., 2 Picc.) * 2
(auch Engl. Hr.) * 2
(auch 1 Es-Klar., auch 2
Bassklar.) * 0 * Kfg. - 2
* 2 * 2 * 1 - S. (3 Beck.
* 3 Gongs * 3 Tamt. * 3
Tomt. * 4 Bong. * kl. Tr.
* gr. Tr. * 2 Mar. * 13
Plattengl. * 2 Woodbl. *
2 Tempelbl. * Glsp. *
Xyl.) (3-5 Spieler) - 2
Hfn. * Cel. u. Klav. (1
Spieler) - Str. (7 * 0 *
5 * 4 * 3 [1 m. 5
Saiten]) - Singstimmen (4
S * 3 A; ad lib. chorisch
12 S * 9 A). $24.99 - Voir plus => Acheter | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 ...(+)
Violin 2 (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-16
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-16. Published by
Breitkopf and Haertel
(BR.OB-3210-16). ISBN
9790004300701. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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