| Gospel's Greatest
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
(26)$37.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul [Partition] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Little Violin Music in Memory of Elijah McClain Violon Merion Music
Chamber Music Violin SKU: PR.144407380 Composed by Ellen Taaffe Zwilich. ...(+)
Chamber Music Violin
SKU: PR.144407380
Composed by Ellen Taaffe
Zwilich. Performance
Score. 4 pages. Duration
4 minutes. Merion Music
#144-40738. Published by
Merion Music
(PR.144407380). ISBN
9781491133903. UPC:
680160683475. 9 x 12
inches. In her
powerful Foreword to the
music, violinist Kelly
Hall-Tompkins has
written: “There are
great works which give
voice to important
moments for generations,
and this is one of
them.†The tragedy
of Elijah
McClain’s murder
has moved us all, and for
many musicians the image
of this gentle young man
playing his violin for
kittens at an animal
shelter has added a
poignant extra layer.
Zwilich was a
professional violinist
before turning
exclusively to composing,
and A LITTLE VIOLIN MUSIC
is a memorial from the
heart of one violinist to
another. [THESE NOTES
MAY NOT BE REPRODUCED
OUTSIDE OF THE
PUBLICATION; OK TO QUOTE
A BIT AND GIVE AUTHOR
CREDIT]We often research
important pieces of music
to gain some glimpse into
the mind of the composer
by understanding the
times in which a piece
was written. The times
that brought this piece
into being, 2020, has
been a year like no other
in our lifetimes.With the
suffering of a once in a
century pandemic raging
in ever higher waves, and
millions of people around
the world confined to
their homes with a shared
attention span for the
first time in
generations, we watched
in horror the 8 minute 46
second killing of George
Floyd, a man previously
unknown to us, but now
unwillingly joining a
long list of names of
unarmed African Americans
killed by police. The
anguished backlash of
citizens around the
world, from Japan to New
Zealand to Germany to the
United States, of every
age, color, and creed,
has rallied for weeks and
months on end to demand
enough and that
“Black Lives
Matter.â€And yet, in
the midst of it all is an
America starkly divided
against itself with some
defiantly pushing back,
emboldened by
authoritarian-style
government actions
against its own citizens
occurring all over the
country. It is against
this backdrop that we
ever had a chance to know
of Elijah McClain. Here
in quarantine I sometimes
practice my scales in
front of the news. And
one day the mirror image
looking back at me from
the screen was a slight
young man, warm, affable
brown eyes, and also a
violin under his chin.
The newsreel-style camera
pan so familiar now, I
knew the only reason we
were gazing upon his
unfamous face was that he
too had been killed by
police nearly a year
before. But the
revelation of it in the
broadcast hit me
particularly hard.Ellen
Taaffe Zwilich, who is
not only one of the great
composers of our time, is
also a dear friend, and
called me the next day,
also deeply saddened by
the news. It was from
Ellen that I learned that
Elijah used to play for
the kittens at the local
animal shelter so they
wouldn’t be
lonely. This kind, gentle
soul was aggressively
taken into police custody
while saying, “I am
an introvert. Please
respect the boundaries
that I am speaking...
I’m going
home.†He was never
seen alive again.Ellen
and I spoke of the
sadness and the injustice
of this several times.
She felt a powerful
calling to contribute
something in a statement
and the result is the
piece you now hold in
your hands. I am deeply
honored to be the
dedicatee of the piece,
to have worked together
with Ellen on some of the
final details, and to pen
this score note. As an
invited alumna of the
Eastman School of Music,
I premiered the work for
their virtual event on
Diversity and Inclusion.
Each time I play it,
there is a persistent
lump in my throat because
Ellen has captured
something poignant and
powerful here.There are
great works which give
voice to important
moments for generations,
and this is one of them.
We humbly offer this
piece in memory of Elijah
McClain.Foreword ©
2021 by Kelly
Hall-Tompkins. Used by
permission. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resilience - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piano,
Piccolo, Timpani and
more. - Grade 4 SKU:
CF.SPS93 For Those
Who Continue to Rise.
Composed by Travis
Weller. Set of Score and
Parts.
30+2+12+12+4+12+12+12+4+4
+4+4+4+4+6+6+6+8+9+9+6+9+
6+6+4+2+2+9+4+12+4 pages.
Duration 6 minutes, 10
seconds. Carl Fischer
Music #SPS93. Published
by Carl Fischer Music
(CF.SPS93). ISBN
9781491159774. UPC:
680160918362. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Resilience [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3 and more.
- Grade 4 SKU:
CF.SPS93F For
Those Who Continue to
Rise. Composed by
Travis Weller. Full
score. 30 pages. Carl
Fischer Music #SPS93F.
Published by Carl Fischer
Music (CF.SPS93F).
ISBN 9781491159781.
UPC:
680160918379. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intimate Apparel Theodore Presser Co.
Opera Piano, solo Voices SKU: PR.411411630 Opera in Two Acts. Comp...(+)
Opera Piano, solo Voices
SKU: PR.411411630
Opera in Two Acts.
Composed by Ricky Ian
Gordon. Piano Reduction
Score. 438 pages.
Duration 2 minutes, 30
seconds. Theodore Presser
Company #411-41163.
Published by Theodore
Presser Company
(PR.411411630). ISBN
9781491137635. UPC:
680160691081. English.
Intimate Apparel by Lynn
Nottage. Originally
an award-winning play,
Lynn Nottage’s INTIMATE
APPAREL was inspired by
her great-grandmother’s
life in New York in the
early 20th century. The
Pulitzer-laureate also
created the libretto for
Ricky Ian Gordon’s
grand-yet-intimate opera
whose complete
instrumentation is two
pianos. The story follows
the life of a young,
single seamstress who has
recently emigrated from
Barbados, the fascinating
cast of characters in her
life, and her
socially-unacceptable
feelings of affection for
a Jewish fabric salesman.
The premiere production
of this 2½-hour drama
was televised nationally
from Lincoln Center on
PBS’s “Great
Performances.”. Inti
mate Apparel began with
an old photograph that I
found haphazardly wedged
between the pages of a
Family Circle magazine. I
was helping my
grandmother, who’d
developed debilitating
senile dementia, move
from her longtime home in
Crown Heights, Brooklyn.
In the midst of a pile of
weathered magazines I
discovered a black and
white passport photograph
of my grandmother Waple
and her younger sister
Eurita sitting on their
mother’s lap. It was
the first time I’d ever
seen an image of my
great-grandmother Ethel,
a striking woman with
high West African
cheekbones and a gentle
intensity. She had been a
seamstress from Barbados,
who at the age of 18
arrived alone in New York
City at the dawn of the
Twentieth Century. The
image invited a thousand
questions, none that
could be answered by the
living, and it led me on
a journey to piece
together the history of
my great-grandmother
Ethel, a woman who was
basically a stranger to
me. The only clue that I
had about Ethel, was a
story that my grandmother
had once told me about
her mother corresponding
with a man laboring on
the Panama Canal, who
would eventually become
her husband. I was
fascinated by this story,
which served as the
inspiration for INTIMATE
APPAREL.As I began my
research for INTIMATE
APPAREL at the New York
Public Library, I
discovered that lives of
Black working women in
the early 1900s were
woefully absent from the
archive. So, I found
myself perusing help
wanted listings, boarding
house and clothing
advertisements, looking
for any sign of women
like my great-grandmother
on the printed page. As I
was doing so, I began to
find the characters that
would populate the world
of INTIMATE APPAREL;
Esther the lonely
seamstress, Mrs. Dickson
the proprietress of the
boardinghouse for Black
women, Mr. Marks the
Jewish fabric salesman on
the Lower Eastside, Mrs.
Van Buren the wealthy
white socialite on the
Upper Eastside, Mayme the
sex worker in the
tenderloin, and George
the laborer toiling on
the Panama Canal. As I
was conjuring the
characters, I realized
that I was interested in
the unexpected
intersections between
class, race, and gender
at the turn of the
Twentieth Century, and
what happens when people
across cultural and
economic divides are
thrust into spaces of
intimacy.INTIMATE APPAREL
began its life as a
popular play, but it was
the brilliant composer
Ricky Ian Gordon who
invited me to consider
adapting it into an
opera. He saw something
epic and expansive in the
life of Esther that he
felt demanded to be sung,
and with his loving
guidance I was able to
write my first libretto.
It took me several tries
to figure out how to
wrestle my play into a
form that was new to me.
As a playwright, I kept
wanting to maintain
absolute control of the
narrative. But, it was
Ricky’s words that
freed me creatively to
find my way into the
libretto. He said,
“You’re not trusting
my music as a narrative
tool; I can say “I love
you” without any words,
with just music. So,
allow me to be your
collaborator on the
storytelling.” And once
he said that, we found
INTIMATE APPAREL the
opera together. $110.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Silver Linings Theodore Presser Co.
Chamber Music Marimba, alto Saxophone SKU: PR.114423770 Composed by Stacy...(+)
Chamber Music Marimba,
alto Saxophone SKU:
PR.114423770 Composed
by Stacy Garrop. Set of
Score and Parts. 16+12+16
pages. Duration 11
minutes. Theodore Presser
Company #114-42377.
Published by Theodore
Presser Company
(PR.114423770). UPC:
680160688579. When
RoseWind Duo’s
Clifford Leaman and Scott
Herring commissioned me
for Silver Linings, we
could not have
anticipated that we would
be in the middle of the
COVID-19 pandemic when I
composed the piece. In
the early summer of 2020,
when the three of us met
virtually to discuss
possible topics, we had
all been in lockdown for
several months; the
causes and effects of the
lockdown were at the
forefront of our
discussion. In themidst
of daily tragedies, I had
been seeing news stories
using the words
“silver
lining†to describe
unexpectedly positive
situations arising from
our global situation,
ranging from small
effects (i.e. people
having time to work on
projects they never could
get around to doing) to
global ramifications
(resurging animal
populations in areas
where they’re no
longer challenged for
space with
humanity).Silver Linings
consists of two
movements. Groundhog Day,
the first movement, is
slow and brooding. It
embodies the strong
feeling of déjà vu
that so many of us
experienced early on into
lockdown, as we seemed to
live the same day
repeatedly with minor
variances to our
schedules. There are two
main musical gestures:
the first opens the piece
as a slow, ascending
minor chord which is a
representation of
uncertainty, and the
secondis a falling minor
scale. These gestures
depict how our lives were
reduced to the basic
building blocks of life
– wake up, eat,
work, eat, sleep –
as our daily activities
and livelihoods were
suddenly knocked down.
These same two gestures
are utilized in the
energetic second
movement, Making
Lemonade, except that
they are spun around to
reveal their silver
linings: the minor chord
falls to sound centered
and decisive, and the
minor scale rises as it
bubbles with activity.
Among the seeds of
despair are also
foundseeds of hope, and
the saxophone and marimba
explore this hopefulness
with great vigor and
excitement. $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Rite of Spring Clarinette et Piano Carl Fischer
(Movements I and II Arranged for Clarinet in Bb and Piano). Composed by Igor Fyo...(+)
(Movements I and II
Arranged for Clarinet in
Bb and Piano). Composed
by Igor Fyodorovich
Stravinsky. Arranged by
David Dutkanicz. For Bb
clarinet, piano. 8 2
pages. Duration 7
minutes. Published by
Carl Fischer
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| L'invisible Orchestre [Conducteur d'étude / Miniature] Schott
Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988). ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches. SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017). $72.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Willow-Wood Copse Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS3 Composed by Doris Gazda...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS3
Composed by Doris Gazda.
FS-SWS. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20 pages. Carl Fischer
Music #CAS3. Published by
Carl Fischer Music
(CF.CAS3). ISBN
9780825844881. UPC:
798408044886. 8.5 X 11
inches. Key: D
major. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playingA Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece. A
copse is a thicket of
trees and bushes that may
be found in a meadow or
in open land. In England,
a copse will often be
found on a moor. A copse
needs a source of water
that is usually a stream,
small river or pond. A
copse has abundant plant
and animal life because
it provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds.If you were walking
through the copse in the
midst of willow trees,
bluebells and march
marigolds, you would see
beautiful butterflies,
dragonflies and moths.
You might see a frog or
toad jumping on the banks
of the pond and you would
hear the call of numerous
birds. Ornithologists
often spend many hours
watching and counting
birds in and around a
copse. Migrating birds
such as geese and herons
may also be spotted at
certain times of the
year. If you sit very
quietly, you might catch
sight of a red fox, a
rabbit or squirrel.A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse.To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Aletheia for Mixed Choir Fennica Gehrman
A cappella Choral (SATB divisi a cappella) SKU: HL.48025274 A Cappella...(+)
A cappella Choral (SATB
divisi a cappella)
SKU: HL.48025274
A Cappella Vocal
Score. Composed by
Zibuokle Martinaityte. BH
Large Choral. Choral,
Contemporary. Softcover.
36 pages. Duration 900
seconds. Fennica Gehrman
#M550118577. Published by
Fennica Gehrman
(HL.48025274). ISBN
9798350101249. UPC:
196288157748. Zibuo
kle Martinaityte tells
about the background of
Aletheia (2022) for mixed
choir
(SSSSAAAATTTTBBBB):â€
Aletheia is variously
translated from Greek as
'unconcealedness',
'revealing' or
'unclosedness'. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience. The work is
commissioned by the
Lithuanian National Radio
(LRT Klasika) The war in
Ukraine in spring of 2022
had an impact on all of
us and shattered my
deeply rooted Lithuanian
identity. When the
freedomis threatened and
innocent people are
dying, it is hard to make
sense out of the
reality.Yet there is
poetry even in the worst
nightmares. I was
imagining that the only
instrument people have
even in situations of
destruction, in the midst
of the war, is their
VOICE. It brought back
memories of my youth when
'Singing revolution' was
taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.†Duration
c. 15' The works of New
York -based Lithuanian
composer Zibuokle
Martinaityte (b. 1973)
have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls botha guiding
principle and an
aesthetic measure for
sonic quality. $30.00 - Voir plus => Acheter | | |
| Aletheia for mixed choir Chorale SATB Fennica Gehrman
Mixed choir SKU: FG.55011-857-7 Composed by ŽibuoklÄ— MartinaitytÄ...(+)
Mixed choir SKU:
FG.55011-857-7
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary.
Book. Fennica Gehrman
#55011-857-7. Published
by Fennica Gehrman
(FG.55011-857-7).
Žibuoklė
MartinaitytÄ— tells
about the background of
Aletheia (2022) for mixed
choir (SSSSAAAATTTTBBBB):
Aletheia is variously
translated from Greek as
unconcealedness,
revealing or
unclosedness. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience.
The
war in Ukraine in spring
of 2022 had an impact on
all of us and shattered
my deeply rooted
Lithuanian identity. When
the freedom is threatened
and innocent people are
dying, it is hard to make
sense out of the reality.
Yet there is poetry even
in the worst nightmares.
I was imagining that the
only instrument people
have even in situations
of destruction, in the
midst of the war, is
their VOICE. It brought
back memories of my youth
when Singing revolution
was taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.
Duration
c. 15'
The works
of New York -based
Lithuanian composer
Žibuoklė
MartinaitytÄ— (b.
1973) have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls both a guiding
principle and an
aesthetic measure for
sonic quality. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Rite of Spring Violon et Piano Carl Fischer
(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravins...(+)
(Movements I and II
Arranged for Violin and
Piano). By Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For violin
piano. 8 2 pages.
Duration 7 minutes.
Published by Carl Fischer
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Rite of Spring Saxophone Alto et Piano Carl Fischer
Chamber Music Piano, alto Saxophone SKU: CF.W2657 100th Anniversary(+)
Chamber Music Piano, alto
Saxophone SKU:
CF.W2657 100th
Anniversary. Composed
by Igor Stravinsky.
Arranged by David
Dutkanicz. SWS. Set of
Score and Parts. With
Standard notation. 20+8
pages. Duration 7
minutes. Carl Fischer
Music #W2657. Published
by Carl Fischer Music
(CF.W2657). ISBN
9780825891120. UPC:
798408091125. 9 x 12
inches. On May 29,
1913, an over-capacity
audience in Paris’
Théâtre
desChamps-Élysées
witnessed an historical
spectacle as they became
a brutecatalyst in the
most (in)famous opening
night of the twentieth
century.The Rite of
Spring premiered that
evening in the midst of a
riot inspiredby the
overwhelming primitivism
both onstage and in the
score.One-hundred plus
years later, the music
still incites the senses.
The balletwas first
published in 1914 in a
reduction for two pianos,
and serves asa basis for
this arrangement. This
edition is presented in
honor of thecentennial of
the ballet’s
premiere, and is intended
to give soloists
andaccompanists a chance
to perform this
monumental work. On
May 29, 1913, an
over-capacity audience in
Paris’
Théâtre des
Champs-Élysées
witnessedan historical
spectacle as they became
a brute catalyst in the
most (in)famous opening
nightof the twentieth
century. The Rite of
Spring premiered that
evening in the midst of a
riotinspired by the
overwhelming primitivism
both onstage and in the
score. Subtitled
“Picturesof Pagan
Russia,†the
ancient scenes were
evoked using contemporary
musical
innovations,shattering
expectations of a more
traditional Ballet Russe
production.How was an
ancient ritual of
sacrifice to the earth to
be scored? The unevolved
pesantecharacter of a
village gathering was
portrayed by odd time
signatures and accents.
Melodieswere
geometrically woven as
dissonant pastorales with
grace-notes mimicking
gutturalbreaks in primal
voices. Instruments were
orchestrated against the
grain, straining
soundsinto unrecognizable
timbres. And just like
the dancers on stage,
musicians were
organizedinto alternating
groups often clashing
with one
another.One-hundred plus
years later, the music
still incites the senses.
The ballet was first
publishedin 1914 in a
reduction for two pianos,
and serves as a basis for
this arrangement. This
editionis presented in
honor of the centennial
of the ballet’s
premiere, and is intended
to give soloistsand
accompanists a chance to
perform this monumental
work. Both movements may
beplayed alone, and the
first movement may also
serve as a solo
piece. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Heroic Poem Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Oboes, 3 Flutes (3rd doubles Piccolo), 3 Tr...(+)
Orchestra 2 Bassoons, 2
Clarinets, 2 Oboes, 3
Flutes (3rd doubles
Piccolo), 3 Trombones, 3
Trumpets, 4 Horns, 4
Trumpets ad lib. (in rear
of hall), Bass Clarinet,
Bass Drum, Cele,
Contrabassoon, Cymbals,
English Horn, Gong, Harp,
Snare Drum, Timpani,
Triangle, Tuba SKU:
PR.47600137L Composed
by Radie Britain. This
edition: Large Score.
Contemporary. Large
Score. With Standard
notation. Composed 1946.
Duration 13 minutes.
Theodore Presser Company
#476-00137L. Published by
Theodore Presser Company
(PR.47600137L). UPC:
680160637157. 11x17
inches. This piece,
dedicated to the memory
of a heroic feat, does
not desire to be classed
as a Symphonic Poem in
the generally accepted
sense of this term. It
does not attempt to
picture, or to strictly
follow, the various
mechanical and realistic
phases of this heroic
adventure although, on
the other hand, it does
not entirely avoid
allusion to such
realistic phenomena as
are characteristic of and
inseperable from the
nature of this adventure
and the technical means
of its realization. The
composer's main object,
however, was to try to
express in sound the
emotional phases of an
adventure that might be
called a prototype of
modern romance; to touch
upon its human aspect and
its ethical meaning, not
only in the relation to
the individual, but to
humanity in general. To
the individual, the
venturing Hero, refer the
opening phrases; the
sinister aspect of a bold
inspiration at its first
manifestation. To his
human environments, his
character and conquering
spirit, refer certain
lyrical as well as
martial and ehical
themes. According to the
nature of the venture,
the clash of motoric
forces and that of an
indomitable spirit with
the threatening elements
presented themselves for
musical consideration as
well as the plausible
uncertainty of the
outcome, the increasing
conficence and the final
victory, and triumphant
victory itself. And as
emotion in its purest and
most intense form reverts
to the primitive, the
composer thought it not
amiss to make fragmentary
use of the anthems of two
nations, thus symbolizing
the appeal from soil to
soil; an appeal that
found its joyous echo in
all humanity. And in the
midst of the turbulent
rejoicing stands the lone
figure of the Hero whose
daring had materialized
the dream of aeons. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Heroic Poem [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Oboes, 3 Flutes (3rd doubles Piccolo), 3 Tr...(+)
Orchestra 2 Bassoons, 2
Clarinets, 2 Oboes, 3
Flutes (3rd doubles
Piccolo), 3 Trombones, 3
Trumpets, 4 Horns, 4
Trumpets ad lib. (in rear
of hall), Bass Clarinet,
Bass Drum, Cele,
Contrabassoon, Cymbals,
English Horn, Gong, Harp,
Snare Drum, Timpani,
Triangle, Tuba SKU:
PR.476001370 Composed
by Radie Britain. This
edition: Study Score.
Contemporary. Full score.
With Standard notation.
Composed 1946. Duration
13 minutes. Theodore
Presser Company
#476-00137. Published by
Theodore Presser Company
(PR.476001370). UPC:
680160637140. 9x12
inches. This piece,
dedicated to the memory
of a heroic feat, does
not desire to be classed
as a Symphonic Poem in
the generally accepted
sense of this term. It
does not attempt to
picture, or to strictly
follow, the various
mechanical and realistic
phases of this heroic
adventure although, on
the other hand, it does
not entirely avoid
allusion to such
realistic phenomena as
are characteristic of and
inseparable from the
nature of this adventure
and the technical means
of its realization. The
composer's main object,
however, was to try to
express in sound the
emotional phases of an
adventure that might be
called a prototype of
modern romance; to touch
upon its human aspect and
its ethical meaning, not
only in the relation to
the individual, but to
humanity in general. To
the individual, the
venturing Hero, refer the
opening phrases; the
sinister aspect of a bold
inspiration at its first
manifestation. To his
human environments, his
character and conquering
spirit, refer certain
lyrical as well as
martial and ethical
themes. According to the
nature of the venture,
the clash of motoric
forces and that of an
indomitable spirit with
the threatening elements
presented themselves for
musical consideration as
well as the plausible
uncertainty of the
outcome, the increasing
confidence and the final
victory, and triumphant
victory itself. And as
emotion in its purest and
most intense form reverts
to the primitive, the
composer thought it not
amiss to make fragmentary
use of the anthems of two
nations, thus symbolizing
the appeal from soil to
soil; an appeal that
found its joyous echo in
all humanity. And in the
midst of the turbulent
rejoicing stands the lone
figure of the Hero whose
daring had materialized
the dream of aeons. $41.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hip Fingers Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Eighth Note Publications
By Vince Gassi. For Brass Quintet (Opt. Percussion). Brass Ensemble - Quintet. E...(+)
By Vince Gassi. For Brass
Quintet (Opt.
Percussion). Brass
Ensemble - Quintet.
Eighth Note Publications:
Vince Gassi Jazz Series.
Contemporary. Duration
00:02:00. Published by
Eighth Note Publications
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Aeolians CD Chorale GIA Publications
SKU: GI.G-1087 Jason Max Ferdinand, Conductor. Composed by Jason M...(+)
SKU: GI.G-1087
Jason Max Ferdinand,
Conductor. Composed
by Jason Max Ferdinand.
GIA Choralworks. Music
Education. Listening CD.
GIA Publications #1087.
Published by GIA
Publications (GI.G-1087).
UPC:
785147008729. This
incredible group, on
their self-titled first
recording, melds the
finest choral technique
with true depth of
emotion, creating a
not-to-be-missed
listening experience.
Recorded just days before
COVID-19 abruptly altered
the semester at Oakwood
University and released
in the midst of the
pandemic, coupled with
heightened racial
tensions across the U.S.
and beyond, The Aeolians
seeks to bring hope to so
many who are in need.
Conductor Jason Max
Ferdinand writes,
“You, our audience
should be provoked,
challenged, and leave
with optimism—the
type of optimism that
Mahatma Gandhi and Martin
Luther King possessed.
We, the Aeolians, are no
longer satisfied with
solely displaying musical
prowess. Coupling hope
with mastery could be the
combination that produces
uncompromising societal
transformation. We have
programmed this music,
hoping to appeal to the
mind, but not leaving the
heart untouched.â€
CONTENTS: Forever Music
(Hayes) • Smile
(arr. Dent) •
Promised Land (Burton)
• Pilgrim’s
Hymn (Dawson) •
Examine Me (Dent) •
My Soul Hath Found Refuge
(Simpson-Currenton)
• The Chariot
Jubilee (Dett/ed.
Ferdinand) • Gospel
Train (arr. Burton)
• We Remember Them
(LaBarr) • We Shall
Overcome (arr. Gibson)
• Shout for Joy
(Hailstork) • When
I Lay Me Down to Sleep
(Mulholland). $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Roses Are Falling Voix Mezzo-Soprano, Piano Music Sales
Mezzo-Soprano and Piano SKU: HL.14027822 Composed by Bent Sorensen. Music...(+)
Mezzo-Soprano and Piano
SKU: HL.14027822
Composed by Bent
Sorensen. Music Sales
America. Classical. Book
[Softcover]. 21 pages.
Music Sales #KP01105.
Published by Music Sales
(HL.14027822). ISBN
9788759877579.
English. Roses Are
Falling - 5 songs for
Mezzo-Soprano and Piano
by Bent Sorensen (1998)
with lyrics by Selima
Hill. Programme note:
Roses are Falling had its
origin in a small opera
sketch I created with the
English poet Selima Hill
in just under a week
during an opera workshop
in the south of England
in the autumn of 1998.
After the workshop I was
asked to make a song
cycle out of the
material. The opera
sketch begins with a
woman and a man sitting
alone in a room. They
have drawn aside from the
rest of a large party and
they have just decided to
finish their love affair.
The other guests at the
party come into the room,
and amidst the crowd the
man leaves the room. The
women is leftthere alone
among all these
inconsequential people:
alone, singing her own
thoughts and torment. The
first three songs were
all taken from this part.
In the fourth song, which
was written late, the
text is taken from one of
Selima Hill's poetry
collections. The fifth
and last song comes
partly from the beginning
of the opera, where the
man and the women sit
alone (she knows what is
coming), partly from the
end of the story, where
despite the gab in time
and space they touch each
other with their dreams.
His voice is heard as a
whisper that merges with
hers: He takes me in his
arms like the moon that
turns and take the
evening from the sun.
Roses are Falling was
premiered in 2000 in
London by Lore Lixenberg
and Domenic Saunders. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Of Womb and Tomb - Bundle GIA Publications
SKU: GI.G-9817B Book, Music Collection and CD. Sacred. GIA Publica...(+)
SKU: GI.G-9817B
Book, Music Collection
and CD. Sacred. GIA
Publications #9817B.
Published by GIA
Publications
(GI.G-9817B).
For those who
trust in God, in the pain
of sorrow there is
consolation, in the face
of despair there is hope,
in the midst of death
there is life.
—Order of
Christian Funerals Those
who struggle with the
inability to conceive,
those who know the pain
of losing a child before
birth, and those who have
faced their infant's
death at the time of
birth know that this
season of mourning is
often held inside, hidden
and unseen. But God does
not abandon us. Somehow,
on the other side of loss
an incredible story of
resilience emerges.
Bodies, though they are
never the same again,
heal. Couples try again,
adopt, or reimagine.
Those who mourn in
isolation find not one,
not two, but a community
of others with whom they
can identify. God's
silence is not absence,
it is the patient
listening of a God who
knows our grief
first-hand, who weeps
with us, who holds us as
a mother holds her child.
Death is never the whole
story. The hope of new
life surprises,
confounds, persists. Of
Womb and Tomb: Prayer in
Time of Infertility,
Miscarriage, and
Stillbirth is a
resource for individuals,
couples, and parish
communities who wish to
accompany those on their
grief journey. Filled
with stories, prayers,
Scripture, poems, and
rituals this book may
serve as a guide in
creating prayer
opportunities in a
variety of settings.
Together, let us bear
witness to the Christian
mystery—that new
life is born of the womb
and of the tomb. This is
the printed music
collection, which
corresponds to the
selections found on the
recording (CD-1061),
offers some ideas for
congregational use, but
certainly does not
exhaust the musical
possibilities. This
bundle contains one copy
of the book (G-9816),
music collection
(G-9817), and CD
(CD-1061). $54.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rooted in Love GIA Publications
SKU: GI.G-VHS-478 Meeting with Brother Roger of Taizé. Composed...(+)
SKU: GI.G-VHS-478
Meeting with Brother
Roger of Taizé.
Composed by Taize.
Sacred. VHS. GIA
Publications #478.
Published by GIA
Publications
(GI.G-VHS-478).
The astonishing
adventure of Taizé can
best be understood when
we learn what has marked
the life of its founder,
Brother Roger. This
video, which provides a
kind of in-depth
encounter with him, has
no commentary. It is
Brother Roger himself who
tells his story and that
of Taizé. Intense
experiences in childhood,
an adolescence marked by
doubt and the rediscovery
of prayer, the beginnings
of a vocation, risks
taken in the midst of war
during the early years in
Taiz?, the beginnings of
the community and its
deepest inspiration,
meetings with Pope John
XXIII-these are some of
the steps that Brother
Roger retraces here. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Super Gift From Heaven (Singer 5-Pak) Fred Bock Music Company
By Betty Hager, Fred Bock. (Singer 5 Pak). Fred Bock Publications. Book only. S...(+)
By Betty Hager, Fred
Bock. (Singer 5 Pak).
Fred Bock Publications.
Book only. Size 7x10.5
inches. Published by Fred
Bock Music Company.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Atlantis: The Lost Continent Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4047-01 Composed by Romeyn. Concert Band. Concert Ban...(+)
Grade 3 SKU:
CL.012-4047-01
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (items
CL.WFR373 & CL.WFR387).
Extra full score.
Composed 2011. Duration 5
minutes, 21 seconds. Opus
III Wind Orchestra
Publications
#012-4047-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4047-01).
The mysterious
lost civilization of
Atlantis has captured the
imagination for
generations, and this
powerful programmatic
work from the pen of Rob
Romeyn brings that
mystical world to life in
music. Beautiful
melodies, stark musical
contrasts and bold drama
all describe this
stunning programmatic
piece depicting the
island nation that
existed over 11,000 years
ago in the midst of the
Atlantic Ocean. The music
begins calmly, depicting
a beautiful sunrise over
the city. It develops as
the fateful day ensues,
reaching a stunning
climax as Atlantis, its
people and its humanity
were swallowed by the
sea. A variety of tonal
colors, textures, and
contrasting styles will
make this wonderful piece
a mainstay for concert
and festival use. Solid
scoring and cued solos
will make this work for
many performance
situations. This is truly
an outstanding
contemporary work. Don't
miss this one!! $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Whittled Wordscapes GIA Publications
SKU: GI.G-7314 Essays on Music and Life. Composed by Edwin E. Gord...(+)
SKU: GI.G-7314
Essays on Music and
Life. Composed by
Edwin E. Gordon. Music
Learning Theory (MLT).
Instructional. 120 pages.
GIA Publications #7314.
Published by GIA
Publications (GI.G-7314).
ISBN 9781579997212.
English. Every
great thinker and
innovator, no matter the
depth and breadth of his
work, has moments of
reflection on the
business of living.
Although the level of
commitment required to
take an insight from an
“ah-ha!â€
moment to a fully
realized groundbreaking
concept is high (some
would say, even
life-consuming), even in
the midst of such an
endeavor, there is time
to think on the small
(and not so small)
aspects of what it means
to be human, what it
means to get along in the
world.Edwin E. Gordon is
perhaps the
world’s principal
thinker and researcher in
music education. But, as
with other great
thinkers, Gordon has had
many moments of
reflection on the
business of living. In
Whittled Wordscapes, he
shares his thoughts on a
wide variety of topics,
from Money, Athletics,
and the Arts, to
Mazeltov, from What Is
Intelligence? To Yellow
Pads and Computers. In
this collection of 54
brief essays Gordon
shares thoughts and
insights that are
inspiring, challenging,
and always
thought-provoking.Whittle
d Wordscapes is a rare
glimpse of a great
thinker’s mind as
he considers what makes
the world tick. As you
read, you will discover
your own
“ah-ha!â€
moments, and will find
yourself pondering what
Gordon says long after
putting down this
fascinating book. $9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In the Midst of Thy Temple Chorale SATB SATB, Orgue Novello & Co Ltd.
SATB and Organ. Composed by Matthew Martin. Choral. Octavo. Novello & Co...(+)
SATB and Organ. Composed
by
Matthew Martin. Choral.
Octavo. Novello & Co
Ltd.
#NOV297478. Published by
Novello & Co Ltd.
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Of Womb and Tomb - Music Collection GIA Publications
SKU: GI.G-9817 Prayers in Time of Infertility, Miscarriage and Stillbi...(+)
SKU: GI.G-9817
Prayers in Time of
Infertility, Miscarriage
and Stillbirth.
Sacred. Collection. GIA
Publications #9817.
Published by GIA
Publications (GI.G-9817).
UPC:
785147981732. For
those who trust in God,
in the pain of sorrow
there is consolation, in
the face of despair there
is hope, in the midst of
death there is life.
—Order of
Christian Funerals Those
who struggle with the
inability to conceive,
those who know the pain
of losing a child before
birth, and those who have
faced their infant's
death at the time of
birth know that this
season of mourning is
often held inside, hidden
and unseen. But God does
not abandon us. Somehow,
on the other side of loss
an incredible story of
resilience emerges.
Bodies, though they are
never the same again,
heal. Couples try again,
adopt, or reimagine.
Those who mourn in
isolation find not one,
not two, but a community
of others with whom they
can identify. God's
silence is not absence,
it is the patient
listening of a God who
knows our grief
first-hand, who weeps
with us, who holds us as
a mother holds her child.
Death is never the whole
story. The hope of new
life surprises,
confounds, persists. Of
Womb and Tomb: Prayer in
Time of Infertility,
Miscarriage, and
Stillbirth is a
resource for individuals,
couples, and parish
communities who wish to
accompany those on their
grief journey. Filled
with stories, prayers,
Scripture, poems, and
rituals this book may
serve as a guide in
creating prayer
opportunities in a
variety of settings.
Together, let us bear
witness to the Christian
mystery—that new
life is born of the womb
and of the tomb. This is
the printed music
collection, which
corresponds to the
selections found on the
recording (CD-1061),
offers some ideas for
congregational use, but
certainly does not
exhaust the musical
possibilities. $28.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Am I in the Midst, Volume 1 Piano seul [Partition] - Intermédiaire FJH
Arranged by Lyndell Leatherman. For Piano. The FJH Sacred Library. Sacred. Level...(+)
Arranged by Lyndell
Leatherman. For Piano.
The FJH Sacred Library.
Sacred. Level: Late
Intermediate. Book.
Published by The FJH
Music Company Inc.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Page suivante 1 31 61 ... 241 |