(Book/USB Flash Drive Play-Along Pack). By Various. For C Instruments. Real Book Play-Along. USB Flash Drive. 462 pages. Published by Hal Leonard

By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

Piano Solo - Easy-Intermediate

SKU: FP.FBS03

Composed by Sarah Baker. Sheet Music and Books. Nine pieces on a day time theme for solo piano, by Sarah Baker. Suggested grade 4-5. Classical. Collection. Forsyths Publications #FBS03. Published by Forsyths Publications (FP.FBS03).

ISBN 9790570500192.

Sara h Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.

All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills. Suitable for players of around grade 4-5 standard, her evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!

Air Balloon!: One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front! The sound of the gas being blown into the balloon to try to keep it high enough to pass the house sounded so loud and intimidating, and then there was the bustle of the neighbours as we all went out into the street to watch. It was both terrifying and exhilarating to watch the balloon float past and then land so near by.

Buzzards Circling: There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. Growing up in the Chilterns gave me plenty of opportunity to watch buzzards and red kites. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.

There’ s A Cow In The Garden Eating The Flowers: Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child, looking out of the window and seeing the cow walking round and eating the flowers. The final phrase articulates my longing: ‘I wish it would come again’.

Wat ching The World Go By: A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.

Autumn Skies: A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone. Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.

Snake In The Pond: One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again. Here I portray the sense of the hazy summer afternoon as I peacefully watched the tiny movements of fish in the pond, contrasted with the fear and excitement of seeing the snake appear.

Morning Commute: I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. There is one main road out of the village where I grew up, and that got more and more congested the closer we got to the town. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.

The Witch’s Cottage: My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.

These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up. - Sarah Baker 2023.

(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald. For voice solo. Sacred Vocal. Published by Lillenas Publishing Company

Composed by Jacob Narverud. Fold. Octavo. 8 pages. Duration 2 minutes. Carl Fischer Music #CM9648. Published by Carl Fischer Music

By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Published by Jackman Music Corporation.

By Scott Joplin. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 850 pages. Published by Subito Music.

(Seven Contemplative Guitar Solos Written in Free-Form Style). By William Bay. For Guitar (Fingerpicking). Solos. Bill's Music Shelf. Contemporary. Intermediate-Advanced. Book Online Audio. 24 pages. Published by Mel Bay Publications, Inc

by Costel Puscoiu. For Recorder (Soprano). solos. Classic. Level: Intermediate. Book. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.

Orchestra String Orchestra - Grade 5

SKU: FJ.ST6411S

Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Score. Duration 8:00. The FJH Music Company Inc #98-ST6411S. Published by The FJH Music Company Inc (FJ.ST6411S).

English.

Written as a response to the numerous tragedies occurring throughout the world, this music is meant to draw the performer and listener away from the chaos of the world and into a tranquil space. Inspired by Vaughan Williams' Fantasia on a Theme of Thomas Tallis, the piece is scored for double orchestra but may be played in a traditional seating arrangement. Directors will find that it is also quite effective as a chamber work for smaller orchestras. Stunning, with solo opportunities for every principal player.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

by Gail Smith. For piano. solos. Classic. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.

SATB choir, piano

SKU: LO.10-5625MD

Composed by Jay Rouse. Choral. Crossings Worship Series. Sacred Anthem. Octavo. Medallion Music #10/5625MD. Published by Medallion Music (LO.10-5625MD).

ISBN 9780787775575.

This multi-generational arrangement of the famous Sy Miller and Jill Jackson song is crafted to beautifully incorporate a children’s choir and adults choir. The delicate opening by the children’s choir begins in unison before splitting into two easy-to-sing parts before leading into a power crescendo where the children are joined by full SATB scoring. In a suspenseful moment, the arrangement relaxes into a quiet, touching ending with a children’s solo singing the opening melody “Let there be peace on earth and let it begin with me.”.

Choral (Preview CD)

SKU: HL.226381

A Cantata for Christmas. Composed by Heather Sorenson. Daybreak Christmas Choral. Advent, Cantata, Carol, Christmas, Christmas/Advent Sacred, General Worship, Sacred. CD. Duration 3000 seconds. Published by Daybreak Music (HL.226381).

ISBN 9781495091544. UPC: 888680674656. 5.0x5.0x0.078 inches.

Composed in both traditional and blended choral stylings, this cantata weaves the historic symbolism of both the Lion of Judah and the Lamb of God into the Christmas story. Through original songs and traditional carols, singers and listeners are reminded that this story is not just an event in history, but a living story that still impacts the world today. Narration, solos, congregational participation and optional children's voices, along with gorgeous orchestrations by Keith Christopher, all work together to make this service a time of both celebration and worship. Songs include: Overture/Sing Christmas!; And So We Wait; It Came upon a Midnight Clear; Who's the Little Baby?; Sleep Little Lion, Sleep Little Lamb; Where Is Peace Tonight?; In This Moment; Angels from the Realms of Glory; Carol of the King. Score and Parts (fl 1-2/pic, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tbn 3/tba, perc 1-2, timp, hp, pno, rhy, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

By Various. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Softcover. 304 pages. Published by Hal Leonard.

(25 Sing-Along Songs to Cheer You Up!). By Ian Whitcomb. For Ukulele (Soprano). Solos. Bill's Music Shelf. Bluegrass. Intermediate. Book Online Audio. 52 pages. Published by Mel Bay Publications, Inc

Ave Maria Piano Solo, Composed by Johann Sebastian Bach, Charles Francois Gounod Abide With Me Vocal And Piano Be Still, My Soul Vocal And Piano Day By Day Vocal And Piano God Will Take Care Of You Vocal And Piano He Leadeth Me Vocal And Piano His Eyes Is On The Sparrow Vocal And Piano I Must Tell Jesus Vocal And Piano I Need Thee Every Hour Vocal And Piano In The Garden Vocal And Piano A Mighty Fortress Is Our God Vocal And Piano Moment By Moment Vocal And Piano Savior, Like A Shepherd Lead Us Vocal And Piano Thou Will Keep, Him In Perfect Peace Vocal And Piano 'tis So Sweet To Trust In Jesus Vocal And Piano What A Friend We Have In Jesus Vocal And Piano Music for Solemn Moments arranged by Jerry Ray. For voice and piano. Piano Collection; Piano Supplemental. Sacred. Late Intermediate. Songbook. Vocal melody, lyrics, piano accompaniment and chord names. 44 pages. Published by Alfred Music Publishing

By Hugh Livingston. Piano. Level: Medium. Sacred Piano. Published by Lorenz Publishing Company.

Concert Band; Orchestra - Grade 1.5

SKU: AP.49213S

Composed by Robert Sheldon. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Sound Innovations for Concert Band. Score. Duration 2:10. Alfred Music #00-49213S. Published by Alfred Music (AP.49213S).

ISBN 9781470648558. UPC: 038081569352. English.

This version of As Twilight Falls by Robert Sheldon is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The sense of peace and tranquility of twilight on a summer's evening inspires this lovely, lyrical offering. An excellent teaching opportunity for phrasing and expression, As Twilight Falls provides a moment of contrast at any young band's concert performance and is now available in Alfred's 5-part FLEX format. Correlates to Book 1, Level 5 of Sound Innovations for Concert Band.

Percussio n Accompaniment Track Download. (2:10).

Concert Band; Orchestra - Grade 1.5

SKU: AP.49213

Composed by Robert Sheldon. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Sound Innovations for Concert Band. Score and Part(s). Duration 2:10. Alfred Music #00-49213. Published by Alfred Music (AP.49213).

ISBN 9781470648541. UPC: 038081569345. English.

This version of As Twilight Falls by Robert Sheldon is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The sense of peace and tranquility of twilight on a summer's evening inspires this lovely, lyrical offering. An excellent teaching opportunity for phrasing and expression, As Twilight Falls provides a moment of contrast at any young band's concert performance and is now available in Alfred's 5-part FLEX format. Correlates to Book 1, Level 5 of Sound Innovations for Concert Band.

Percussio n Accompaniment Track Download. (2:10).

Choral (SATB)

SKU: HL.422599

Arranged by Heather Sorenson. Shawnee Sacred. Christmas. Octavo. 16 pages. Duration 270 seconds. Published by Shawnee Press (HL.422599).

ISBN 9781705161425. UPC: 196288061519. 6.75x10.5x0.036 inches. Isaiah 7:14, Luke 2:11, Matthew 2:1-11.

Drawing from folk traditions, this lovely manger moment is blessed with flowing vocal lines and pristine piano patterns. All is calm and peace in this lush setting utilizing the full richness of the choir. Score and Parts (chm, tmp, perc, solo vn, vn 1-2, va, vc, db) available as a digital download.

Composed by Jay Rouse. Sacred, Christmas. Published by Lorenz Publishing Company