By Mark Hayes. For SATB choir and piano (with optional unison, 2 trumpets, 3 octave handbells (instrument parts)). Christmas, Sacred. Sacred Anthem

Composed by John Parker, music by Greg Gilpin. Choir Sacred. SATB choir. Choral Octavo. Choral Designs. Sacred; Spiritual. 12 pages. Published by Alfred Music

SATB Choir and Piano

SKU: HL.14018437

Composed by Luigi Cherubini. Music Sales America. Sacred. Part. Music Sales #NOV950631. Published by Music Sales (HL.14018437).

The Requiem Mass in C Minor, Cherubini's first, was commissioned for the anniversary of the execution of Louis XVI by the restored French monarchy. The Requiem was highly admired by the public and critics as well as by Mendelssohn, Berlioz and Beethoven. Cherubini sets a solemn tone right from the beginning by using the lower Strings and winds only to accompany the Voices and continues to display his inventiveness with great effectiveness throughout the work. The thunder and lightning of the Dies Irae, the prayerful pianissimo sections of the Agnus Dei accompanied by ostinato, the complete lack of soloists are all remarkable elements of this historically importantwork.Luigi Cherubini was a composer, conductor, teacher, administrator and music publisher who, though born in Italy, dominated the musical world of Paris for nearly five decades. His composing life can be divided very roughly into to phases: the operatic phase during the French Revolutionary period and the equally successful religious music phase at the beginning of the Restoration afterwards. His directorship of the Paris Conservatoire strengthened its position at the peak of musical education on the Continent.

Composed by John Parker, music by Greg Gilpin. Choir Sacred. Women's Choir. Choral Octavo. Choral Designs. Sacred; Spiritual. 12 pages. Published by Alfred Music

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065712

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1815. D 324. 16 pages. Duration 30 minutes. Carus Verlag #CV 40.657/12. Published by Carus Verlag (CA.4065712).

ISBN 9790007085292. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065711

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1815. D 324. 16 pages. Duration 30 minutes. Carus Verlag #CV 40.657/11. Published by Carus Verlag (CA.4065711).

ISBN 9790007085285. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065719

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1815. D 324. Duration 30 minutes. Carus Verlag #CV 40.657/19. Published by Carus Verlag (CA.4065719).

ISBN 9790007134570. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065749

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1815. D 324. 16 pages. Duration 30 minutes. Carus Verlag #CV 40.657/49. Published by Carus Verlag (CA.4065749).

ISBN 9790007085322. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065713

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Viola. Composed 1815. D 324. 8 pages. Duration 30 minutes. Carus Verlag #CV 40.657/13. Published by Carus Verlag (CA.4065713).

ISBN 9790007085308. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065714

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1815. D 324. 8 pages. Duration 30 minutes. Carus Verlag #CV 40.657/14. Published by Carus Verlag (CA.4065714).

ISBN 9790007085315. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065705

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Choral Score. Composed 1815. D 324. 20 pages. Duration 30 minutes. Carus Verlag #CV 40.657/05. Published by Carus Verlag (CA.4065705).

ISBN 9790007085254. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065708

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1815. D 324. 60 pages. Duration 30 minutes. Carus Verlag #CV 40.657/08. Published by Carus Verlag (CA.4065708).

ISBN 9790007085261. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ, [2 horns, 3 trombones]

SKU: CA.4065709

Composed by Franz Schubert. Edited by Manuela Jahrmarker. This edition: urtext. 1x 40.657/21 oboe 1, 1x 40.657/22 oboe 2, 1x 40.657/23 bassoon 1, 1x 40.657/24 bassoon 2, 1x 40.657/31 trumpet 1, 1x 40.657/32 trumpet 2, 1x 40.657/41 timpani. Stuttgart Urtext Edition: Schubert. German title: Messe In B Rev.2001. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1815. D 324. 60 pages. Duration 30 minutes. Carus Verlag #CV 40.657/09. Published by Carus Verlag (CA.4065709).

ISBN 9790007085278. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108063

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Single Part, Viola. Composed 1728/31. BWV 80b. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/63. Published by Carus Verlag (CA.3108063).

ISBN 9790007206819. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and part available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108069

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Set of Orchestra Parts. Composed 1728/31. BWV 80b. Duration 30 minutes. Carus Verlag #CV 31.080/69. Published by Carus Verlag (CA.3108069).

ISBN 9790007134129. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and parts available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108061

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Single Part, Violin 1. Composed 1728/31. BWV 80b. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/61. Published by Carus Verlag (CA.3108061).

ISBN 9790007206796. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and part available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108053

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Vocal score. Composed 1728/31. BWV 80b. 32 pages. Duration 30 minutes. Carus Verlag #CV 31.080/53. Published by Carus Verlag (CA.3108053).

ISBN 9790007183370. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108055

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Choral Score. Composed 1728/31. BWV 80b. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.080/55. Published by Carus Verlag (CA.3108055).

ISBN 9790007183387. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108071

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Single Part, Oboe. Composed 1728/31. BWV 80b. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.080/71. Published by Carus Verlag (CA.3108071).

ISBN 9790007206833. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and part available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108062

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Single Part, Violin 2. Composed 1728/31. BWV 80b. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/62. Published by Carus Verlag (CA.3108062).

ISBN 9790007206802. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and part available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108099

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Single Part, Organ. Composed 1728/31. BWV 80b. 16 pages. Duration 30 minutes. Carus Verlag #CV 31.080/99. Published by Carus Verlag (CA.3108099).

ISBN 9790007206857. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and part available separately - see item CA.3108000.

Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3

SKU: CA.3108064

Cantata for Reformation Day. First Leipzig version. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Ein Feste Burg (Erste Leipz. Fassung). Sacred vocal music, Cantatas, Reformation day. Single Part, basso continuo. Composed 1728/31. BWV 80b. 16 pages. Duration 30 minutes. Carus Verlag #CV 31.080/64. Published by Carus Verlag (CA.3108064).

ISBN 9790007206826. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and part available separately - see item CA.3108000.

Woodwinds (solos: SATB - choir: SATB - 3(picc).3(cor ang).3(B-clar) 3(dbl bsn) - 4.4.3.1 - timp.perc- hp- org - str)

SKU: BR.OB-5380-30

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Folder. Orchester-Bibliothek (Orchestral Library).

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Requiem; Romantic; Late-romantic. Set of parts. 298 pages. Duration 95'. Breitkopf and Haertel #OB 5380-30. Published by Breitkopf and Haertel (BR.OB-5380-30).

ISBN 9790004341872. 10 x 12.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Woodwinds (solos: SATB - choir: SATB - 2.2.chal.0(2) - 2.2.0.0. - timp - theorbe - str)

SKU: BR.OB-5593-30

Urtext. Composed by Jan Dismas Zelenka. Edited by David Erler. Choir; Folder. Orchester-Bibliothek (Orchestral Library).

Royal Funeral Music

Requiem; Baroque. Set of parts. 116 pages. Breitkopf and Haertel #OB 5593-30. Published by Breitkopf and Haertel (BR.OB-5593-30).

ISBN 9790004344859. 10 x 12.5 inches.

For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog.Have a look into the piano vocal score.

Royal Funeral Music.