| Scales For Advanced Violists
Alto seul [Partition] Alfred Publishing
By Barbara Barber. For Viola. String - Viola Studies or Collection. Book. 36 pag...(+)
By Barbara Barber. For
Viola. String - Viola
Studies or Collection.
Book. 36 pages. Published
by Alfred Music
Publishing
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Total Blues Bassist Basse electrique [Partition + CD] Alfred Publishing
A Fun and Comprehensive Overview of Blues Bass Playing. By Matthew Liston. For B...(+)
A Fun and Comprehensive
Overview of Blues Bass
Playing. By Matthew
Liston. For Bass Guitar.
Bass Guitar Method or
Supplement. Blues. Book
and CD. 128 pages.
Published by Alfred
Publishing.
$20.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Double Stop Beginnings for the Violin, Book One Violon C. Harvey Publications
Composed by Cassia Harvey. For violin. 33 pages. Published by C. Harvey Publicat...(+)
Composed by Cassia
Harvey. For violin. 33
pages. Published by C.
Harvey Publications
$9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Getting into Bluegrass Mandolin Mandoline [Partition + Accès audio] Mel Bay
Composed by Dix Bruce. Squareback saddle stitch. Getting Into. Book and onlin...(+)
Composed by Dix Bruce.
Squareback saddle stitch.
Getting Into. Book and
online audio. Published
by
Mel Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Double Stop Beginnings for the Cello, Book One Violoncelle C. Harvey Publications
By Cassia Harvey. For cello. Instructional; string techniques. Method book. 26 p...(+)
By Cassia Harvey. For
cello. Instructional;
string techniques. Method
book. 26 pages. Published
by C. Harvey Publications
$9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Frohliche Violinevol1geigenschule Violon - Débutant Schott
Violin - very easy SKU: HL.49007122 Geigenschule fur den Anfang. C...(+)
Violin - very easy
SKU: HL.49007122
Geigenschule fur den
Anfang. Composed by
Renate Bruce-Weber.
Arranged by Mark Bruce.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. The most
important aspect of the
violin method 'Die
frohliche Violine' is the
fun of learning to play
the violin: The textbook
is aimed at an early
playful beginning with
the instrument. Over the
course of the lessons,
the pupils are
deliberately addresse.
Classical. 96 pages.
Schott Music #ED 7299.
Published by Schott Music
(HL.49007122). ISBN
9783795722197. UPC:
196288077480.
9.0x12.0x0.282 inches.
German. The most
important aspect of the
violin method 'Die
frohliche Violine' is the
fun of learning to play
the violin: The textbook
is aimed at an early
playful beginning with
the instrument. Over the
course of the lessons,
the pupils are
deliberately addressed in
a language that
corresponds to their age.
Furthermore, the method
provides a stylistically
varied range of classical
and folkloristic
instrumental pieces, and
always gives a lot of
interesting information
on the music and its
composers.Vol. 1:
Detailed introduction to
the bow hold - songs and
instrumental pieces,
using exclusively the
first type of fingering
while focussing on
rhythmic, melodic and
technical variety -
playful touching and
feeling of violin-playing
techniques such as
pizzicato, position
playing, harmonics and
double stops. Vol. 1 is
accompanied by a CD (T
3272) containing all
songs and pieces with
funny dialogues spoken by
children. A motivating
addition to violin
lessons and a great gift
idea! $21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340). ISBN
9788480207591. Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hugh Wood: String Quartet No.4 Op.34 (Score And Parts) Quatuor à cordes: 2 violons, alto, violoncelle Chester
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales Americ...(+)
String Quartet SKU:
HL.14036341 Composed
by Hugh Wood. Music Sales
America. Classical. Set.
Composed 2001. Chester
Music #CH60931. Published
by Chester Music
(HL.14036341). ISBN
9780711955080. Comm
issioned by the BBC and
premiered by the
Chilingirian String
Quartet. Quoting Wood: In
my Second and Third
Quartets I attempted
sectional, agglutinative
forms: in my Fourth I
return to the
conventional four
movement form of my First
Quartet of 1962. Both
works build up (as in the
19th century symphony) to
the Finale, thus making
it the most substantial
movement, which provides
a climax to the work. The
First Movement has, in
both works, only the
status of an
Introduction. But there
the consciously willed
resemblances end. This
Introduction follows the
Second Quartet to a
certain extent, in that
it provides a sort of
'cauldron', from which
elements to be used later
can all be plucked. Its
opening will reappear at
various points throughout
the work, most completely
at a climatic point of
the Finale (bar 110).
Subsequent material will
be more fully worked out
in the second movement, a
large Scherzo. The
Introduction concludes
with an unusually placed
violin cadenza (itself a
rare feature in a string
quartet, the idea lifted
from Elliott Carter's
First Quartet) of which
the opening is to
reappear halfway through
the Finale. The Scherzo
(which follows attacca)
does not have at its
centre a discretely
characterized Trio: a
figure in double-stops
like a distant fanfare
supplies the necessary
contrast of a second
idea. The Slow Movement
has a secondary idea
first heard on the cello
and marked appassionato:
an agitato middle section
recalls the opening of
the work, but in a
formulation which will be
found closely to
anticipate its
reappearance in the
Finale. The Finale is
planned on a broad scale.
Only after a fully worked
exposition of both
primary and secondary
material does the opening
of the whole work return,
now in a greatly extended
form. Then, at bar 140,
the tune of the violin
cadenza is first
harmonized in fanfare
style on the upper
instruments, then
presented as a chorale on
the lower ones, with a
rushing semiquaver
accompaniment above. This
climatic activity mounts
to the very end. The work
is dedicated to the
Chilingirian Quartet, old
friends over many years.
Score available
separately: SOS04044. $83.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Juan Serrano: Flamenco Classical Guitar Tradition, Volume 1 Guitare notes et tablatures Guitare classique [Partition] Mel Bay
(A Technical Guitar Method and Introduction to Music). By Juan Serrano and Corey...(+)
(A Technical Guitar
Method and Introduction
to Music). By Juan
Serrano and Corey
Whithead. For Guitar
(Classical). Methods.
Flamenco. Multiple
Levels. Book. 176 pages.
Published by Mel Bay
Publications, Inc
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Principles of Violin Playing & Teaching Violon [Livre] Dover Publications
Composed by Ivan Galamian and Sally Thomas. For Violin. Book; Reference Te...(+)
Composed by Ivan Galamian
and Sally Thomas. For
Violin. Book; Reference
Textbooks; Textbook -
Instrumental. Dover
Edition.
Published by Dover
Publications
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Early Start on the Violin, Volume 2 Violon Barenreiter
A violin method for children. Composed by Egon Saßmannshaus and Kurt Sassmann...(+)
A violin method for
children.
Composed by Egon
Saßmannshaus
and Kurt Sassmannshaus.
Stapled. With a Chinese
text
booklet. Performance
score.
Baerenreiter Verlag
#BA10754.
Published by Baerenreiter
Verlag
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Violin Studies Violon [Partition + CD] - Intermédiaire Mel Bay
By Usher Abell. For Fiddle and Violin. Technique. Jazz. Level: Intermediate. Boo...(+)
By Usher Abell. For
Fiddle and Violin.
Technique. Jazz. Level:
Intermediate. Book/CD
Set. Size 8.5x10.75. 152
pages. Published by Mel
Bay Publications, Inc.
(1)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trio [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Flute, Horn, Piano SKU: PR.114424380 Composed by Eric Ewaze...(+)
Chamber Music Flute,
Horn, Piano SKU:
PR.114424380 Composed
by Eric Ewazen. Sws.
Score and parts. Theodore
Presser Company
#114-42438. Published by
Theodore Presser Company
(PR.114424380). ISBN
9781491138076. UPC:
680160693467. 18 x 12
inches. If you love
playing Eric Ewazen’s
flute sonatas or horn
chamber music, or if you
are fan of Brahms’s
chamber music, then this
exhilarating work is for
you! Among Ewazen’s
most performed works, the
TRIO, inspired by the
Brahms horn trio and
originally for Violin,
Horn, and Piano, has been
adapted by the composer
for Flute, Horn, and
Piano. With a rollicking
scherzo and beautiful
melodic movements, this
21-minute work is a joy
to play and to listen
to. I’ve always been
fascinated and inspired
by chamber works offering
several instrumental
versions of the same
piece, resulting in a new
feel and color. One
famous example is the
great Franck Sonata,
originally for violin and
piano, and beautifully
arranged for flute and
piano by Jean-PIerre
Rampal. Subsequently
other versions of the
piece were created for an
array of instruments:
cello, oboe, clarinet,
saxophone, and even tuba!
Creating this flute
version of my TRIO (flute
replacing the original
violin part), considered
the range, allowing the
flute to sometimes sing
in a bright, higher
register than the
original violin part;
passages where there were
double stops in the
violin now have
arpeggiated
figurations. The
original scoring for
Horn, Violin, and Piano
was commissioned by and
gratefully dedicated to
Chamberosity,
representing an homage to
one of my favorite
chamber pieces of all
time, the Trio for Horn,
Violin, and Piano by
Brahms. Having both
performed (on piano) and
analyzed that work, I so
loved Brahms’ wonderful
weaving of the colors of
the instruments, creating
an almost orchestral
color palette. For years
I wanted to write a trio
for the same combination,
and when my friends in
Chamberosity were
enthusiastic about me
writing that piece for
them, I was
delighted. The four
movements are modeled
after the Brahms, with a
slow-fast-slow-fast
scheme to the entire
work. A gentle, somewhat
mysterious first movement
accumulates depth and
momentum as it proceeds,
only to return to the
gentle world of the
opening. The second
movement is a rip-roaring
scherzo, a true energetic
dance with melodies
tossed back and forth
from the violin to the
horn, while the piano
provides a resonant
accompaniment, inserting
its own lively melodies
as counterpoint to the
violin and horn. The
third movement is filled
with melancholy, with
long lyric melodies
appearing sometimes as
solos, sometimes as
duets, and sometimes as a
chorale with all three
instruments singing their
soulful songs. The final
movement, following an
austere, dramatic
introduction, turns into
a grand fugue, with a
jumping fugue theme full
of life and excitement,
culminating in the themes
heard in augmentation,
strong and bold. $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All Blues Soloing for Jazz Guitar Guitare notes et tablatures [Partition + CD] - Intermédiaire Guitar Master Class Pub.
Composed by Jim Ferguson. Squareback saddle-stitched, Solos. Guitar Master Class...(+)
Composed by Jim Ferguson.
Squareback
saddle-stitched, Solos.
Guitar Master Class Pub.
Jazz and Blues. Book/CD
Set. Published by Guitar
Master Class Publications
$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Capriccios and Exercises for the Violoncello, op. 15 Violoncelle Barenreiter
Violoncello SKU: BA.BA10936 Composed by Robert Lindley. Edited by Valerie...(+)
Violoncello SKU:
BA.BA10936 Composed
by Robert Lindley. Edited
by Valerie Walden. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
15. Baerenreiter Verlag
#BA10936_00. Published by
Baerenreiter Verlag
(BA.BA10936). ISBN
9790006567287. 31 x 24.3
cm inches. Preface:
Walden,
Valerie. Robert
Lindley
(1776–1855) was
the premier cellist in
England for more than 50
years. In 1822 he became
the first professor of
cello at the Royal
Academy of Music in
London, where he remained
until his retirement in
1851. Lindley, an
esteemed and much
sought-after teacher,
wrote not only the
present
“Capricciosâ€
but also a cello method,
several concertos, and
chamber music in which
the cello is prominently
featured.
The
“Capriccios and
Exercises†contain
a multitude of fingering
patterns in related major
and minor harmonies,
exercises for the thumb
position and many
passages of double stops,
all within a melodious
framework.
Barenreiter’s
scholarly performing
edition is edited by
Valerie Walden, offering
cellists and teachers
outstanding new material
for use in
lessons.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Bluegrass Violin - El Violphn en el Bluegrass Violon [Partition + Accès audio] - Intermédiaire Mel Bay
Composed by Lluis Gomez. Saddle-stitched. Bluegrass. Book and online audio. ...(+)
Composed by Lluis Gomez.
Saddle-stitched.
Bluegrass.
Book and online audio. 52
pages. Mel Bay
Publications,
Inc #30619M. Published by
Mel
Bay Publications, Inc
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Irish Suite (Full Score) - Facile Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 2
SKU: KN.09175S
Composed by Traditional.
Arranged by Elliot Del
Borgo. Solo or Ensemble.
Voyager String Orchestra.
Kendor Music Inc #09175S.
Published by Kendor Music
Inc (KN.09175S). UPC:
822795091755. Score
d in the key of G
throughout, this
entertaining medley of
three great favorites
serves as an excellent
introduction to 6/8
rhythms and offers all
sections a chance to
carry melodic material.
Easy double stops
contribute to a full,
rich sound, and the
gently flowing middle
theme contrasts
beautifully with the
spirited first and final
songs. Duration 3:55. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Progressive Scale Studies for Violin Violon [Partition] - Intermédiaire Mel Bay
by John Bauer. For violin. All styles, scale studies. Level: Intermediate. Book....(+)
by John Bauer. For
violin. All styles, scale
studies. Level:
Intermediate. Book.
Technique. Size 9x11.75.
104 pages. Published by
Mel Bay Pub., Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |