Bb
Edition. By Various.
Fake Book. Bebop, Jazz.
Softcover. 248 pages.
Published by Hal Leonard
(HL.295068).
ISBN
9781540055200. UPC:
888680945091.
8.5x11.0x0.592
inches.
Your new
official bebop bible!
Over 200 classics
arranged for Bb
instruments in Real Book
style. Titles include:
Anthropology * Au Privave
* Be-Bop * Boneology *
Boplicity (Be Bop Lives)
* Byrd Like * Cherokee
(Indian Love Song) *
Confirmation * Donna Lee
* Doxy * Epistrophy *
52nd Street Theme * Four
* Goin' to Minton's *
Good Bait * Groovin' High
* Hi-Fly * Hot House * In
Walked Bud * Jay Bird *
Lady Bird * Lennie's
Pennies * Moose the
Mooche * Move * Oblivion
* Oleo * Parisian
Thoroughfare * Rosetta *
Salt Peanuts * Solar *
Teaneck * Tin Tin Deo *
Tour De Force *
Tricrotism * Wail *
Woodyn' You * Yardbird
Suite * and more! Comb
bound.
Volume 56 - Thelonious Monk Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
Volume 56 - Thelonious Monk by Thelonious Monk. Edited by Jamey Aebersold. For a...(+)
Volume 56 - Thelonious
Monk by Thelonious Monk.
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jamey Aebersold
Play-A-Long series.
Intermediate, advanced.
Book and CD. 50 pages.
Published by Jamey
Aebersold Jazz
(C Edition) Performed by Thelonious Monk. For C instruments. Format: fakebook. W...(+)
(C Edition) Performed by
Thelonious Monk. For C
instruments. Format:
fakebook. With leadsheet
notation and chord names.
Jazz and bebop. 96 pages.
9x12 inches. Published by
Hal Leonard.
Thelonious Monk - Early Gems. (Jazz Play-Along Volume 156). By Thelonious Monk. ...(+)
Thelonious Monk - Early
Gems. (Jazz Play-Along
Volume 156). By
Thelonious Monk. For E§
Instruments, C
Instruments, B-flat
Instruments, Bass Clef
Instruments. Jazz Play
Along. Softcover with CD.
72 pages. Published by
Hal Leonard
Composed by Luigi Zaninelli. For Soloist(s) with Concert Band (One on a part: So...(+)
Composed by Luigi
Zaninelli. For Soloist(s)
with Concert Band (One on
a part: Solo Alto
Saxophone Piccolo Flute 1
Flute 2 Oboe 1 Oboe 2
English Horn Solo B-flat
Clarinet B-flat Clarinet
1 B-flat Clarinet 2
B-flat Clarinet 3 B-flat
Bass Clarinet 1 B-flat
Bass Clarinet 2 E-flat
Contralto Clarinet
Bassoon 1 Bassoon 2 F ).
Grade 4. Score and parts.
Duration 4:00. Published
by C. Alan Publications
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to ...(+)
Chamber Music Saxophone
Quartet
SKU:
PR.114417130
&
Happy Birthday to
Prism. Composed by
Chen Yi. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2014.
24+12+12+12+8 pages.
Duration 14 minutes.
Theodore Presser Company
#114-41713. Published by
Theodore Presser Company
(PR.114417130).
ISBN
9781491110409. UPC:
680160626687. 9x12
inches.
A recipient
of the New Music USA 2013
Live Music For Dance
Award commissioning
grant, Not Alone is
inspired by the ancient
Chinese poet Li Bai's
poem Drinking Alone under
the Moon with the Shadow.
The premiere was given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned the work to
celebrate its 25th
Anniversary NYC Season.
From the Program Note by
Matthew Levy (The PRISM
Quartet), Not Alone
(2014) is an
interdisciplinary
work...but it stands
alone in a chamber music
setting. The work spans a
stunning range of
textures, from
introspective solos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alone for a
2017 release on XAS
Records titled Paradigm
Lost. But we're excited
for a wider community of
saxophonists to embrace
the work, and share it
with their own audiences.
Not Alone is published
together with Happy
Birthday to PRISM, a
brief miniature that Chen
Yi wrote for the
quartet's 20th
anniversary celebration
in 2004. For advanced
performers.______________
___________Text from the
scanned back cover:NOT
ALONE for Saxophone
QuartetHAPPY BIRTHDAY TO
PRISM for Saxophone
QuartetNot Alone is a
14-minute saxophone
quartet and dance score
inspired by the ancient
Chinese poet Li
Bai’s
“Drinking Alone
under the Moon with the
Shadow.†The
expansively-textured sax
quartet matches the
exploratory and dramatic
movements and gestures in
the dance. NOT ALONE was
commissioned by the
Nai-Ni Chen Dance Company
which premiered the work
in collaboration with the
PRISM Quartet. Also
included in this
publication is Chen
Yi’s fascinating
take on “Happy
Birthday to You,â€
composed in celebration
of Prism’s 25th
anniversary season. A
recipient of the New
Music USA 2013 Live Music
For Dance Award
commissioning grant, Not
Alone is inspiredby the
ancient Chinese poet Li
Bai’s poem
“Drinking Alone
under the Moon with the
Shadow.†The
premierewas given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned thework to
celebrate its 25th
Anniversary NYC
Season. Program Note
by composer Chen YiThe
original inspiration for
this work for both the
choreographer and the
composer came from the
Tang Dynasty poem - Alone
Under the Moon by Li Bai.
The poem describes the
poet being alone in a
garden. The moon and his
shadow became his
companions that night.
The choreographer brings
this idea to modern life
in an urban setting. She
created a series of
“mindscapesâ€
which are the result of
the exploration of the
different mental and
physical states of being
alone.Through
self-examination, the
choreographer raises the
question: are we ever
really alone? Our
physical being may be
standing by itself, but
what about our
introspective self? When
we are still, we let our
thoughts pass by like
flowing water. If we
could engage with our
shadows, what would it be
like?Program Note by
Matthew Levy, The PRISM
QuartetThe PRISM Quartet
has commissioned a great
many composers since our
founding days in 1984.
Chen Yi is among ahandful
of our very favorites,
and one to whom
we’ve returned
time and time again. Her
music is powerful,
expansive,intimate, and
draws connections between
Eastern and Western,
ancient and modern
traditions in a voice all
her own.Chen Yi has
written or adapted four
works for the PRISM
Quartet. She penned a
wonderful miniature
called HappyBirth day to
PRISM to celebrate the
ensemble’s 20th
anniversary back in 2004
(Dedication, Innova
Recordings).We
subsequently commissioned
her to compose Septet
(2008) for Erhu, Pipa,
Percussion, and Saxophone
Quartet(2008), premiered
and recorded with the New
York ensemble Music From
China (Antiphony, Innova
Recordings 2010).In 2015,
the PRISM Quartet
performed and recorded
(XAS Records) a new
version of her saxophone
quartet concerto,BA YIN,
with the University of
Missouri-Kansas City Wind
Ensemble under the baton
of Steven Davis
(originally writtenfor
the Rascher Quartet and
scored for saxophones and
string
orchestra.).Finally, Not
Alone (2014) is an
interdisciplinary work
written for the Nai-Ni
Chen Dance Company with
the PRISMQuartet, but it
stands alone in a chamber
music setting. The work
spans a stunning range of
textures, from
introspectivesolos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alonefor a
2017 release on XAS
Records titled Paradigm
Lost. But we’re
excited for a wider
community of saxophonists
toembrace the work, and
share it with their own
audiences.In his liner
notes for the recording,
WNYC’s John
Schaefer writes:
“As with much of
her music, Chen employs
percussiveeffects and
glissandi; in Chinese
music these are not
considered
“extended
techniques†or
special effects, but
animportant part of the
performer’s
arsenal. Here, they help
create the twilit mood of
the opening moments. The
piecesoon becomes more
dramatic, suggesting the
arrival of the
drinker’s
companions (real or
imagined) and his or
herincreasingly garrulous
outbursts. Passages of
consonance and discord
can easily be heard as
companionable singingand
bouts of drunken
argument. The piece
bustles along on a kind
of restless energy,
until, finally, that
restlessnesssubsides,
giving way to a gently
humorous ending where a
short falling phrase
signals the drinker
falling
asleep.â€.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. S...(+)
Chamber Music String
Quartet
SKU:
PR.114405050
Composed
by John Downey. Set of
Score and Parts. With
Standard notation. 53
pages. Duration 25
minutes. Theodore Presser
Company #114-40505.
Published by Theodore
Presser Company
(PR.114405050).
UPC:
680160008377. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique efffect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water ,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorlines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluch
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against the
sheets of sound conjured
up by the two violins
playing a flood of
swirling figures, evokes
a kind of static motion
in spae. Here, the
virtually imperceptible
manner in which this
hushed whisper continues
incessantly, can suggest
the potential fluidity
with which movement may
inch forward... Later
into the fourth movement
, two fairly extended
solos by the second and
then the first violins,
lead to a kind of
spontaneous dialogue
among the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of 'psycho-rhythmics
contributes to an on-rush
of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet
SKU:
PR.11440505S
Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S).
UPC:
680160008391. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
(Venite Adoremus
Dominum). Composed by
John Purifoy. Sacred
Christmas Choral.
Christmas. Octavo. 8
pages. Published by Hal
Leonard (HL.118956).
UPC: 884088903855.
6.75x10.5
inches.
The
traditional Christmas
text and new music
combine to create an
introspective work filled
with reverent mystery and
rich emotion. Set in a
rocking 6/8 and minor
mode, the first verse
opens with back and forth
phrases between the women
and men, leading into a
contrasting homophonic
section in the 2nd verse.
Following a modulation,
the original melodic
material then returns for
the final verse.
Excellent for school,
church and community
concerts!
Composed by Howard J. Buss (1951-). For solo flute. The 4 movements explore imag...(+)
Composed by Howard J.
Buss (1951-). For solo
flute. The 4 movements
explore imaginary
scenarios one may
experience during future
space travel and the
colonization of distant
worlds.. 21st Century.
Grade 5-6. Solo part.
Composed 2013. Duration
7'45 . Published by
Brixton Publications
Piano - advanced SKU: HL.49044170 Piano Solo. Composed by Ulvi Cem...(+)
Piano - advanced
SKU:
HL.49044170
Piano
Solo. Composed by
Ulvi Cemal Erkin. This
edition: Saddle
stitching. Sheet music.
Piano Solo. Classical,
Contemporary. Softcover.
Composed 1946. 26 pages.
Duration 15'. Schott
Music #ED 21700.
Published by Schott Music
(HL.49044170).
ISBN
9790001194846.
9.0x12.0x0.123
inches.
The Sonata
is one of Erkin's works
which the casual listener
may fail to attribute to
a particular geography at
a first hearing. He will
however become absorbed
by a unique sense of
identity, surprising
harmonies and rhythms
which integrate with such
sincerity and
authenticity in the
flowof the music. At a
more attentive hearing,
one can discover features
of ancient Anatolian
music which Erkin always
transforms with
extraordinary
inspiration, enfolding
audiences unfamiliar with
this culture in a music
which is often profoundly
spiritual with an
admirably woven
polyphonic texture in
which not one bar seems
superfluous or out of
place.The first movement
Allegro is woven from two
contrasting themes. The
first is a vigorous
progression in the middle
register with
contrapuntal elements
quasi as counterpoint. A
luminous second theme
evoking folk tunes
connects back to the
first theme and the
movement ends in a brisk
tone.In the second
movement Adagio molto
sostenuto a profound,
introspective first theme
is developed in
variations of exquisite
lyricism. The imposing
middle section which
forms a rondo suggests
latent unrest.Imbued with
energy and determination,
the final Allegro
consists of abstracted
elements of Anatolian
folk music bearing the
creative stamp of Erkin.
The movement ends with an
impressive crescendo.
Choral (SSA Choir) SKU: HL.1194271 From Avatar: The Way of Water. ...(+)
Choral (SSA Choir)
SKU: HL.1194271
From Avatar: The Way
of Water. By The
Weeknd. By Abel Tesfaye.
Arranged by Mark A.
Brymer. Pop Choral
Series. Disney,
Motivational, Movies,
Multicultural, Pop.
Octavo. Duration 215
seconds. Published by Hal
Leonard (HL.1194271).
UPC: 196288133537.
6.75x10.5x0.036
inches.
Avatar: The
Way of Water was released
in movie theaters 13
years after the original,
yet it proceeded to scoop
up nearly every box
office record along the
way. This introspective
song by The Weeknd makes
us ponder the importance
of family (while
including diction
opportunities in the
unique
“Na'viâ€
language)!
Choral (SAB Choir) SKU: HL.1194270 From Avatar: The Way of Water. ...(+)
Choral (SAB Choir)
SKU: HL.1194270
From Avatar: The Way
of Water. By The
Weeknd. By Abel Tesfaye.
Arranged by Mark A.
Brymer. Pop Choral
Series. Disney,
Motivational, Movies,
Multicultural, Pop.
Octavo. Duration 215
seconds. Published by Hal
Leonard (HL.1194270).
UPC: 196288133520.
6.75x10.5
inches.
Avatar: The
Way of Water was released
in movie theaters 13
years after the original,
yet it proceeded to scoop
up nearly every box
office record along the
way. This introspective
song by The Weeknd makes
us ponder the importance
of family (while
including diction
opportunities in the
unique â??Na'viâ?
language)!
Choral (SATB) SKU: HL.1194269 From Avatar: The Way of Water. ...(+)
Choral (SATB)
SKU: HL.1194269
From Avatar: The Way
of Water. By The
Weeknd. By Abel Tesfaye.
Arranged by Mark A.
Brymer. Pop Choral
Series. Disney,
Motivational, Movies,
Multicultural, Pop.
Octavo. Duration 215
seconds. Published by Hal
Leonard (HL.1194269).
UPC: 196288133513.
6.75x10.5
inches.
Avatar: The
Way of Water was released
in movie theaters 13
years after the original,
yet it proceeded to scoop
up nearly every box
office record along the
way. This introspective
song by The Weeknd makes
us ponder the importance
of family (while
including diction
opportunities in the
unique â??Na'viâ?
language)!