| 15 Inventions [Conducteur et Parties séparées] Forton Music
Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Rainford. For ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Robert Rainford. For oboe
and bassoon duet.
Intermediate-Advanced.
Score and parts.
Published by Forton Music
$15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Scenes from an English Landscape Orchestre d'harmonie [Conducteur] - Intermédiaire G and M Brand Music Publishers
Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3...(+)
Concert band (Piccolo,
Flute 1/2, Oboe 1/2,
Bassoon 1/2, Bb Soprano
Clarinet 1-3, Eb Alto
Clarinet, Bb Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Cornet (in Bb) 1-3,
Trumpet (in Bb) 1/2,
French Horn 1-4 ,
Trombone 1-3, Euphonium,
Tuba, Stri) - grade 4
SKU: CN.S11242
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost. $7.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Quintet for Wind Instruments in E-flat Major, Op. 88 No. 2 Quintette à Vent G. Henle
(Set of Parts). By Anton Reicha (1770-1836). Edited by Henrik Wiese, Norbert MÌ...(+)
(Set of Parts). By Anton
Reicha (1770-1836).
Edited by Henrik Wiese,
Norbert MÌ_llemann, and
Norbert M. For Woodwind
Quintet. Henle Music
Folios. Softcover. 100
pages. G. Henle #HN828.
Published by G. Henle
$45.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Intermediate Music for Two, Volume 2 [Conducteur et Parties séparées] - Intermédiaire Last Resort Music Publishing
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon)....(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe or Violin) and Cello
(or Bassoon). Duets.
Intermediate Music for
Two. Classical. Level:
Intermediate. Score with
2 parts. Published by
Last Resort Music
Publishing.
$22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Richard and Renée Orchestre d'harmonie Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Contrabassoon, Flute 1,
Flute 2, Flute 3, Flute
4, Horn 1, Horn 2, Horn
3, Oboe 1, Oboe 2,
Piccolo, Trumpet 1,
Trumpet 2, Trumpet 3,
alto Saxophone and more.
SKU: PR.115402050
For Wind Symphony and
Piano. Composed by
Carter Pann. Sws score.
Wind Band Select.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2009.
4+4+4+4+4+4+4+4+4+4+4+4+4
+4+4+4+4+4+4+4+4+4+4+4+4+
4+4+4+4+4+4+12+4+4+4+4+4+
42 pages. Duration 10
minutes. Theodore Presser
Company #115-40205.
Published by Theodore
Presser Company
(PR.115402050). ISBN
9781491102152. UPC:
680160594252. 9 x 12
inches. Key: Bb
mixolydian. RICHARD
AND RENÉE (2009) is a
two-part gift to the
composer’s
friends, conductor
Richard Floyd and
clarinetist Renée
Kershaw. Movement I is
“Renée’s
Reply†to Erik
Johnson’s marriage
proposal when the two
were visiting Pann in
Positano, Italy. Movement
II is
“Floyd’s
Fantastic Five-Alarm Foxy
Frolic,†a joyous
ragtime two-step
featuring the inventive
exuberance that has
garnered great excitement
for Pann’s
music. $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife [Conducteur] Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.11441998S Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S). UPC:
680160681730. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suite for Wind Quintet Theodore Presser Co.
Chamber Music Bassoon, Clarinet, Flute, Horn, Oboe SKU: PR.114419490 Comp...(+)
Chamber Music Bassoon,
Clarinet, Flute, Horn,
Oboe SKU:
PR.114419490 Composed
by Amanda Harberg. Folio.
Set of Score and Parts.
40+16+16+16+12+12 pages.
Duration 18 minutes.
Theodore Presser Company
#114-41949. Published by
Theodore Presser Company
(PR.114419490). ISBN
9781491131435. UPC:
680160677320. 9 x 12
inches. The depth
and inventiveness of
Amanda Harberg’s
SUITE FOR WIND QUINTET
can only be described as
remarkable. Harberg
combines the rich
tradition of renaissance
and baroque dance suites
with her own American
voice, stirring up
dramatic, exciting sounds
and stories. Cantus uses
the imitative entries of
renaissance motets as a
jumping off point into a
more contemporary world.
The playfully virtuosic
Furlana refers to the
Italian folk dance rhythm
in 6, punctuated by lots
of unexpected 5’s.
Fantasia hints at being a
lullaby with an animated
and jazz-influenced
middle section, and the
closing Cabaletta is true
to its 19th-century
meaning of a rousing
closing section following
beautiful lyricism. SUITE
FOR WIND QUINTET was
commissioned and
premiered by the Dorian
Wind Quintet. Amanda
Harberg’s Suite
for Wind Quintet was
commissioned by the
Dorian Wind Quintet in
2017. The piece was the
result of a conversation
in a bar between Harberg,
Dorian’s flutist
Gretchen Pusch and
Pusch’s husband
Richard Bayles, on the
occasion of
Dorian’s
clarinetist Ben
Fingland’s 40th
birthday party. A year
and a half later, the
Dorian Wind Quintet gave
the world premiere of
Harberg’s quintet
at Bargemusic, and has
incorporated it into
their repertoire ever
since. Suite for Wind
Quintet is in four
movements- 1. Cantus, 2.
Furlana, 3. Fantasia and
4. Cabaletta. The melodic
material heard in the
very opening of the piece
can be heard recurring
and transforming
throughout the four
movements, until it
unites triumphantly in
the final coda with the
theme of the concluding
movement. The piece was
inspired by the concept
of placing Renaissance
and Baroque-inspired
dance suites into
Harberg’s idiom as
a 21st century
composer. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messe solennelle (Saint Cecile) for Soloists, Choir and Orchestra Barenreiter
Flute-picc, 2 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horn, 2Kor, 2 trumpets,...(+)
Flute-picc, 2 flutes, 2
oboes, 2 clarinets, 4
bassoon, 4 horn, 2Kor, 2
trumpets, 3 trombones,
timpani, Be, Tr-Gr, harp
(Piccolo flute, Flutes
(2), Oboes (2), Clarinets
(2), Bassoons (4), Horns
(4), Cornets (2),
Trumpets (2), Trombones
(3), Timpani, Cymbals,
Concert bass drum, Harp)
SKU: BA.BA08966-65
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. 192 pages.
Baerenreiter Verlag
#BA08966_65. Published by
Baerenreiter Verlag
(BA.BA08966-65). ISBN
9790006563982. 32.5 x
25.5 cm
inches. Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$122.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wind Quintet [Conducteur et Parties séparées] Subito Music
Flute, Oboe, Clarinet, Bassoon & Horn SKU: SU.29120040 For Flute, Oboe...(+)
Flute, Oboe, Clarinet,
Bassoon & Horn SKU:
SU.29120040 For
Flute, Oboe, Clarinet,
Bassoon & Horn.
Composed by Todd Mason.
Score & Parts. Subito
Music Corporation
#29120040. Published by
Subito Music Corporation
(SU.29120040).
Wind Quintet is
in three movement for the
traditional arrangement
of flute, oboe, clarinet,
horn, & bassoon. This
piece offers a wide range
for performers and
audiences alike. The 1st
movement is witty and
fast paced with an
engaging mix of
semi-chromatic tonalism.
The 2nd movement has a
long melodic arc with
beautiful harmonies. The
finale engages with
Stravinsky-esque splashes
of color and a
wonderfully active
dialogue between the
musicians as the themes
are bounced around and
developed. Each
instrument has
it’s moments to
shine in this animated
and inventive
quintet.Flute, Oboe,
Clarinet, Bassoon & Horn
Duration: 13' Composed:
2020 Published by: Todd
Mason. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bläserquintett Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor EMB (Editio Musica Budapest)
Wind Quintet SKU: BT.EMBZ14152 Composed by Endre Szervánszky. Book Onl...(+)
Wind Quintet SKU:
BT.EMBZ14152 Composed
by Endre Szervánszky.
Book Only. Composed 1997.
128 pages. Editio Musica
Budapest #EMBZ14152.
Published by Editio
Musica Budapest
(BT.EMBZ14152).
First published
in 1957, this work has
been reprinted multiple
times and appears now as
both a full score as well
as the individual parts
that comprise it. Endre
Szervanszky (1911-1977)
created this work during
a creative period when
the basic starting point
for musical invention was
Hungarian folk song.
However, the demanding
and expert reshaping of
this musical material
also characterized his
musical creations. This
quintet for winds has
also earned recognition
from instrumental
musicians with its
sophistication,
intensity, superb
instrumental arrangement,
and classical
four-movement
structure.This
publication is printed on
high-quality,
age-resistant paper that
is producedin an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Glory of Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, C...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Claves, Crash Cymbals,
Euphonium, Euphonium
T.C., Field Drum, Flute,
Flute 1, Flute 2, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 1, Percussion
2 and more. - Grade 4 and
up SKU: CF.SPS11
Fantasia on
Greensleeves.
Composed by Traditional.
Arranged by Elliot Del
Borgo.
FS-SWS-1Å’
Spine. Carl Fischer
Symphonic Performance
Series. Score and Set of
Parts. With Standard
notation. 36 pages. Carl
Fischer Music #SPS11.
Published by Carl Fischer
Music (CF.SPS11). ISBN
9780825843747. UPC:
798408043742. 9 X 12
inches. Key: D
minor. A brilliant
and contrapuntally
elaborate fantasy on the
haunting and beautiful
Christmas carol,
Greensleeves, (a.k.a.
What Child Is This), this
is one of Del Borgo's
most powerful symphonic
sketches. The fragments
of the tune are assembled
and re-assembled in ever
more inventive ways and
the scoring is expert and
full of the signature
colorful Del Borgo
percussion writing.
Duration: 5' 30. $110.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rondino Scherzino Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Flut...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet,
Euphonium, Flute, Flute
2, Horn, Oboe, Snare
Drum, Suspended Cymbal,
Timpani, Triangle,
Trumpet, Tuba, Xylophone,
alto Saxophone, baritone
Saxophone, tenor, tenor
Saxophone - Grade 1.5
SKU: CF.FPS27
Composed by Douglas
Townsend. FS-SWS. Carl
Fischer First Plus
Performance Series. Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #FPS27.
Published by Carl Fischer
Music (CF.FPS27). ISBN
9780825848049. UPC:
798408048044. 9 X 12
inches. Key: Bb
major. Fresh and
surprising, Rondino
Scherzino, makes
inventive use of
percussion instruments to
articulate the rondo-like
recurrences of the
memorable main theme. A
delight to play and
listen to, this clever
piece will be a favorite
with both band and
audience. Duration:
2’ Key: Bb Ranges:
Trumpet – C; Horn
– C; Trombone
– Bb. $58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The King of Glory - Orchestral Score and Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2425L Composed by Joseph M. Martin. Arranged by Bran...(+)
Orchestra SKU:
LO.30-2425L Composed
by Joseph M. Martin.
Arranged by Brant Adams.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2425L.
Published by Lorenz
Publishing Company
(LO.30-2425L). UPC:
000308121858. Fill
your sanctuary with Palm
Sunday majesty and
excitement with this
anthem from Joe Martin.
The first of three verses
is a lively
call-and-response setting
of the scripture:
“Who is this King
of glory?†The
contrasting middle verse
is an inventive pairing
of the traditional hymn
tune LEONI with the text
“All Glory, Laud
and Honor.†The
final verse returns the
lively theme of the first
in counterpoint with
drum-like hosannas. An
energetic accompaniment
that ties all three
verses together, whether
provided by piano alone
or orchestra, makes this
anthem the perfect choice
for Palm Sunday. (From
the cantata Who Is This
King? SATB –
55/1096L; SAB –
55/1097L.)
Instrumentation: 2
Flutes, Oboe, 2
Clarinets, Bassoon, 2 F
Horns, 3 Trumpets, 2
Trombones, Tuba, Timpani,
2 Percussion, Violin 1 &
2, Viola, Cello,
Bass. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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