| Gravity's Dream Chorale SATB SATB [Octavo] Theodore Presser Co.
(SATB Choir A Cappella). By Steven Stucky (1949-). SATB chorus. For Soprano, Alt...(+)
(SATB Choir A Cappella).
By Steven Stucky (1949-).
SATB chorus. For Soprano,
Alto, Tenor, Bass, Piano
(for Rehearsal Only).
Words by Kate Light.
Ithaca College Choral
Series. First performance
by the Ithaca College
Choir, Lawrence Doebler,
conductor. Choral.
Octavo. Standard
notation. Composed JUNE
20 2009. 16 pages.
Duration 5 minutes.
Published by Theodore
Presser Company
$3.00 $2.85 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Are One Chorale SATB Theodore Presser Co.
Composed by Behzad Ranjbaran. SATB chorus. For SATB Choir. Premiere: Ithaca Coll...(+)
Composed by Behzad
Ranjbaran. SATB chorus.
For SATB Choir. Premiere:
Ithaca College, Lawrence
Doebler conducting.
Duration 5 minutes.
Theodore Presser Company
#312-41854. Published by
Theodore Presser Company
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch. Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Odysseus,
die is aangespoeld op de
kust van de Phaeaken,
maakt kennis met koning
Alcinoüs. In het
paleis van de
laatstgenoemde vertelt
hij wat hij heeft
meegemaakt sinds zijn
vertrek uit Troje.
Odysseus en zijn
metgezellen legdeneerst
aan op het eiland van de
Ciconen, waar ze de stad
Ismarus plunderden. Toen
ze weer op zee waren,
brak een storm los, die
ze naar het land van de
gastvrije Lotophagen
bracht. Daarna zeilden ze
naar het eiland van de
Cyclopen.Odysseus en
twaalf van zijn
metgezellen kwamen
terecht in de grot van
Polyphemus. Deze verslond
een aantal van hen, maar
werd uiteindelijk door
Odysseus verslagen: hij
voerde de reus dronken,
waarna die in slaap viel.
Vervolgensstak hij een
gloeiende paal in zijn
ene oog om hem blind te
maken. Odysseus en zijn
mannen ontsnapten uit de
grot door ieder onder de
buik van een van
Polyphemus’
schapen te gaan hangen.
Eenmaal weer aan boord
riep Odysseusuitdagend
naar de cycloop en
onthulde zijn naam.
Woedend wierp Polyphemus
rotsblokken in de
richting van het schip in
een poging het te laten
zinken. Nadat ze het
Cyclopeneiland hadden
verlaten, arriveerden ze
bij Aeolus, heerservan de
winden. Aeolus gaf
Odysseus een zak met
daarin alle krachtige
winden behalve één
- die hem rechtstreeks
terug naar zijn
thuisbasis Ithaca zou
voeren. Toen het schip
Ithaca bijna had bereikt,
besloten de metgezellen,
die nieuwsgierigwaren
naar de inhoud, de zak te
openen. De winden
ontsnapten en er ontstond
een enorme storm.
Odysseus en zijn
bemanning kwamen terecht
in het land van de
kannibalistische
Laestrygonen, die alle
schepen lieten zinken,
opéén na. De
overlevenden vluchtten
naar Aeaea, het eiland
van de tovenares Circe,
die de metgezellen van
Odysseus in zwijnen
veranderde. Met de hulp
van een tegengif dat hij
had gekregen van Hermes,
lukte het Odysseus om
Circe te
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
U
lysse, épuisé par
la terrible tempête
qu’il a subie,
échoue sur le rivage
des Phéaciens. Reçu
au palais du roi
Alcinoos, Ulysse
entreprend le récit
des épreuves
passées depuis son
départ de Troie.
Arrivés dans
l’île des
Cicones, Ulysse et ses
compagnons mettent la
cité d’Ismaros
sac puis reprennent la
mer. Les vents les
emportent chez les
Lotophages, un peuple
paisible. Ulysse aborde
au pays des Cyclopes. Il
pénètre dans la
caverne de Polyphème
accompagné de douze
hommes. Après avoir vu
le Cyclope dévorer
deux de ses compagnons
chaque repas, Ulysse ruse
pour lui échapper. Il
l’enivre puis
embrase un épieu
taillé, qu’il
plante dans l'œil
unique du Cyclope
endormi,l’aveuglan
t définitivement. Les
survivants sortent
ensuite cachés sous le
ventre de ses brebis et
regagnent leurs bateaux.
Faisant preuve
d’orgueil, Ulysse
crie sa véritable
identité au risque de
faire sombrer son navire
sous une pluie de
rochers. Ulysse aborde
l’île
d’Eolie, au
royaume du maître des
vents. Eole offre Ulysse
un vent favorable pour
regagner Ithaque, et une
outre renfermant tous les
vents contraires.
Hélas, la curiosité
des marins
d’Ulysse aura
raison de cet heureux
dénouement car, en
ouvrant l’outre,
les vents contraires
s’échappent et
déchaînent une
nouvelle tempête.
Après avoir
dérivé plusieurs
jours, ils parviennent
chez les Lestrygons
cannibales qui
détruisent
l’escadre. Les
survivants reprennent la
mer avec un unique navire
et abordent dans
l’île
d’Aiaié,
séjour de la
magicienne Circé.
Ulysse envoie des
éclaireurs dans les
terres. Imprudemment
entrés dans la demeure
de la magicienne, ils
sont transformés en
pourceaux. Seul Ulysse
échappe au
sortilège gr ce
l’antidote que lui
indique Hermès.
Vaincue, Circé
s’offre au
héros et rend ses
compagnons leur forme
humaine. Avant de laisser
partir Ulysse, Circé
lui conseille
d’aller au pays
des morts consulter
l’ombre du devin
Tirésias. Après une
journée de navigation,
le bateau d’Ulysse
atteint le pays des
Cimmériens. Il
s’acquitte des
rites appropriés pour
pouvoir
s’entretenir avec
l’ me. $62.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch. Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Odysseus,
die is aangespoeld op de
kust van de Phaeaken,
maakt kennis met koning
Alcinoüs. In het
paleis van de
laatstgenoemde vertelt
hij wat hij heeft
meegemaakt sinds zijn
vertrek uit Troje.
Odysseus en zijn
metgezellen legdeneerst
aan op het eiland van de
Ciconen, waar ze de stad
Ismarus plunderden. Toen
ze weer op zee waren,
brak een storm los, die
ze naar het land van de
gastvrije Lotophagen
bracht. Daarna zeilden ze
naar het eiland van de
Cyclopen.Odysseus en
twaalf van zijn
metgezellen kwamen
terecht in de grot van
Polyphemus. Deze verslond
een aantal van hen, maar
werd uiteindelijk door
Odysseus verslagen: hij
voerde de reus dronken,
waarna die in slaap viel.
Vervolgensstak hij een
gloeiende paal in zijn
ene oog om hem blind te
maken. Odysseus en zijn
mannen ontsnapten uit de
grot door ieder onder de
buik van een van
Polyphemus’
schapen te gaan hangen.
Eenmaal weer aan boord
riep Odysseusuitdagend
naar de cycloop en
onthulde zijn naam.
Woedend wierp Polyphemus
rotsblokken in de
richting van het schip in
een poging het te laten
zinken. Nadat ze het
Cyclopeneiland hadden
verlaten, arriveerden ze
bij Aeolus, heerservan de
winden. Aeolus gaf
Odysseus een zak met
daarin alle krachtige
winden behalve één
- die hem rechtstreeks
terug naar zijn
thuisbasis Ithaca zou
voeren. Toen het schip
Ithaca bijna had bereikt,
besloten de metgezellen,
die nieuwsgierigwaren
naar de inhoud, de zak te
openen. De winden
ontsnapten en er ontstond
een enorme storm.
Odysseus en zijn
bemanning kwamen terecht
in het land van de
kannibalistische
Laestrygonen, die alle
schepen lieten zinken,
opéén na. De
overlevenden vluchtten
naar Aeaea, het eiland
van de tovenares Circe,
die de metgezellen van
Odysseus in zwijnen
veranderde. Met de hulp
van een tegengif dat hij
had gekregen van Hermes,
lukte het Odysseus om
Circe te
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
U
lysse, épuisé par
la terrible tempête
qu’il a subie,
échoue sur le rivage
des Phéaciens. Reçu
au palais du roi
Alcinoos, Ulysse
entreprend le récit
des épreuves
passées depuis son
départ de Troie.
Arrivés dans
l’île des
Cicones, Ulysse et ses
compagnons mettent la
cité d’Ismaros
sac puis reprennent la
mer. Les vents les
emportent chez les
Lotophages, un peuple
paisible. Ulysse aborde
au pays des Cyclopes. Il
pénètre dans la
caverne de Polyphème
accompagné de douze
hommes. Après avoir vu
le Cyclope dévorer
deux de ses compagnons
chaque repas, Ulysse ruse
pour lui échapper. Il
l’enivre puis
embrase un épieu
taillé, qu’il
plante dans l'œil
unique du Cyclope
endormi,l’aveuglan
t définitivement. Les
survivants sortent
ensuite cachés sous le
ventre de ses brebis et
regagnent leurs bateaux.
Faisant preuve
d’orgueil, Ulysse
crie sa véritable
identité au risque de
faire sombrer son navire
sous une pluie de
rochers. Ulysse aborde
l’île
d’Eolie, au
royaume du maître des
vents. Eole offre Ulysse
un vent favorable pour
regagner Ithaque, et une
outre renfermant tous les
vents contraires.
Hélas, la curiosité
des marins
d’Ulysse aura
raison de cet heureux
dénouement car, en
ouvrant l’outre,
les vents contraires
s’échappent et
déchaînent une
nouvelle tempête.
Après avoir
dérivé plusieurs
jours, ils parviennent
chez les Lestrygons
cannibales qui
détruisent
l’escadre. Les
survivants reprennent la
mer avec un unique navire
et abordent dans
l’île
d’Aiaié,
séjour de la
magicienne Circé.
Ulysse envoie des
éclaireurs dans les
terres. Imprudemment
entrés dans la demeure
de la magicienne, ils
sont transformés en
pourceaux. Seul Ulysse
échappe au
sortilège gr ce
l’antidote que lui
indique Hermès.
Vaincue, Circé
s’offre au
héros et rend ses
compagnons leur forme
humaine. Avant de laisser
partir Ulysse, Circé
lui conseille
d’aller au pays
des morts consulter
l’ombre du devin
Tirésias. Après une
journée de navigation,
le bateau d’Ulysse
atteint le pays des
Cimmériens. Il
s’acquitte des
rites appropriés pour
pouvoir
s’entretenir avec
l’ me. $327.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| I Am in Need of Music Chorale SATB SATB, Piano Carl Fischer
Composed by Jesse Beulke. Sws. Octavo. 16 pages. Duration 4 minutes, 20 se...(+)
Composed by Jesse Beulke.
Sws. Octavo. 16 pages.
Duration 4 minutes, 20
seconds. Carl Fischer
Music
#CM9653. Published by
Carl
Fischer Music
$3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Finally On My Way To Yes Chorale SSATB Seafarer Press
By Elizabeth Alexander. For SSATB Choir, piano (SSATB). Medium-difficult. Durati...(+)
By Elizabeth Alexander.
For SSATB Choir, piano
(SSATB).
Medium-difficult.
Duration 7 minutes
$4.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Unknown Soldier's Prayer Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312418520 For SATB Chorus, a cappella...(+)
Choral SATB choir, piano
SKU: PR.312418520
For SATB Chorus, a
cappella. Composed by
Gary Schocker. Premiere:
Ithaca Choral Society;
Ithaca, NY. Octavo. With
Standard notation.
Composed 2007. 8 pages.
Duration 5 minutes.
Theodore Presser Company
#312-41852. Published by
Theodore Presser Company
(PR.312418520). UPC:
680160570256. 6.875 x
10.5 inches. Key: A
minor. Inspired by
the words of an unknown
Confederate soldier, this
is flute virtuoso and
composer Gary Schocker's
first choral piece,
though he has previously
established himself as a
gifted writer of musi
cals. Commissioned for
the prestigious Ithaca
College Choral Series,
Unknown Soldier's Prayer
premiered in November
2007. A hauntingly
beautiful a cappella
piece with the profoundly
moving lyrics, I asked
for all things, that I
might enjoy life; I was
given life, that I might
enjoy all things,
Schocker's ambitious
choral endeavor is sure
to make a lasting
impression. For college
or professional choirs.
Duration: 5'. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Son et lumière Merion Music
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Chimes, Clari...(+)
Orchestra Bass Clarinet,
Bass Drum, Bassoon 1,
Bassoon 2, Celesta,
Chimes, Clarinet,
Clarinet 1, Clarinet 2,
Claves, Contrabass,
Contrabassoon, Cowbell,
Crotales, English Horn,
Glockenspiel, Harp, Horn
1, Horn 2, Horn 3, Horn
4, Maracas, Marimba, Oboe
1 and more. SKU:
PR.11641737S Composed
by Steven Stucky. Study
Score. 68 pages. Duration
9 minutes. Merion Music
#116-41737S. Published by
Merion Music
(PR.11641737S). ISBN
9781491136133. UPC:
680160688432. Son
et lumière
(“sound and
light,†a kind of
show staged for tourists
at historic sites or
famous buildings) is an
orchestral entertainment
whose subject is the play
of colors, bright
surfaces, and shimmery
textures. I have tried in
this music to recapture
the élan and immediacy
that regular meters and
repetitive rhythms make
possible—something
forbidden during the
modernist regime but
recently restored in the
post-modern work of
composers like John
Adams, Steve Reich, and
others. Throughout its
brief nine-minute span,
then, the piece is built
almost exclusively of
short, busy ostinato
figures—my
attempt, I suppose, to
achieve the rhythmic
vitality of minimalism,
but without giving in to
the over-simple harmonic
language that usually
comes with
it.Surprisingly, the
musical materials seemed
determined to shape
themselves into an
approximation of
nineteenth-century sonata
form. We hear an
introduction, a first
theme (based on triadic
broken chords), a second
theme (beginning with the
flute solo), and a
closing theme (led by two
piccolos). In a sort of
development section,
these materials are
recombined in new ways;
in a recapitulation, both
the first and second
themes are recalled more
or less intact (part of
the second is actually
repeated quite
literally).Then, in the
coda, a second surprise:
as if another, different
music has been lurking
all the while behind the
shiny surface, the
strings now unexpectedly
split off from the rest
of the orchestra to
assert a new, more
passionate, more
“seriousâ€
voice, transcending the
external show of sound
and light.Son et
lumière, commissioned
by the Baltimore Symphony
Orchestra, was composed
between June and December
1988 in Ithaca (N.Y.), in
Los Angeles, and at the
artists’ colony
Yaddo, in Saratoga
Springs (N.Y.). David
Zinman conducted the
first performance in
Baltimore on 18 May 1989;
André Previn gave the
West Coast premiere with
the Los Angeles
Philharmonic on 18
January, 1990. Son et
lumière (“sound
and light,†a kind
of show staged for
tourists at historic
sites or famous
buildings) is an
orchestral entertainment
whose subject is the play
of colors, bright
surfaces, and shimmery
textures. I have tried in
this music to recapture
the élan and immediacy
that regular meters and
repetitive rhythms make
possible—something
forbidden during the
modernist regime but
recently restored in the
post-modern work of
composers like John
Adams, Steve Reich, and
others. Throughout its
brief nine-minute span,
then, the piece is built
almost exclusively of
short, busy ostinato
figures—my
attempt, I suppose, to
achieve the rhythmic
vitality of minimalism,
but without giving in to
the over-simple harmonic
language that usually
comes with
it.Surprisingly, the
musical materials seemed
determined to shape
themselves into an
approximation of
nineteenth-century sonata
form. We hear an
introduction, a first
theme (based on triadic
broken chords), a second
theme (beginning with the
flute solo), and a
closing theme (led by two
piccolos). In a sort of
development section,
these materials are
recombined in new ways;
in a recapitulation, both
the first and second
themes are recalled more
or less intact (part of
the second is actually
repeated quite
literally).Then, in the
coda, a second surprise:
as if another, different
music has been lurking
all the while behind the
shiny surface, the
strings now unexpectedly
split off from the rest
of the orchestra to
assert a new, more
passionate, more
“seriousâ€
voice, transcending the
external show of sound
and light.Son et
lumière, commissioned
by the Baltimore Symphony
Orchestra, was composed
between June and December
1988 in Ithaca (N.Y.), in
Los Angeles, and at the
artists’ colony
Yaddo, in Saratoga
Springs (N.Y.). David
Zinman conducted the
first performance in
Baltimore on 18 May 1989;
André Previn gave the
West Coast premiere with
the Los Angeles
Philharmonic on 18
January, 1990. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Fire! (Wild Ride on a Fire Engine) Orchestre d'harmonie - Facile Boosey and Hawkes
Concert Band (Score) - Grade 3 SKU: HL.48024505 Composed by Dana Wilson. ...(+)
Concert Band (Score) -
Grade 3 SKU:
HL.48024505 Composed
by Dana Wilson.
Windependence Apprentice
Advanced. Concert.
Softcover. 28 pages.
Boosey & Hawkes
#M051664054. Published by
Boosey & Hawkes
(HL.48024505). UPC:
888680896737.
9.0x12.0x0.081
inches. Fire
engines have long had a
romantic quality, evoking
feelings of excitement
and wonder! This piece
takes us for a whimsical
spin around the
neighborhood –
careening around turns,
flying through
intersections and over
bumps, warning everyone
to get out of the way of
this magical machine!
Recorded by the Ithaca
College Concert Band
(Ithaca, NY) –
Benjamin Rochford,
conductor. Dur: 3:45. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Excursion Contrebasse, Piano (duo) Theodore Presser Co.
Composed by Ellen Taaffe Zwilich (1939-). Premiere: Michael Cameron bass; Intern...(+)
Composed by Ellen Taaffe
Zwilich (1939-).
Premiere: Michael Cameron
bass; International
Society of Bassists
annual convention, Ithaca
College School of Music,
Ithaca, NY. Solo part
with piano reduction.
With Standard notation.
Composed 2017. Duration 6
minutes. Theodore Presser
Company #144-40702.
Published by Theodore
Presser Company
(PR.144407020).
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.11540425S
Composed by Carter Pann.
Study Score. 92 pages.
Duration 26 minutes.
Theodore Presser Company
#115-40425S. Published by
Theodore Presser Company
(PR.11540425S). UPC:
680160688142. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $46.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ave Maria Potenza Music
Tuba and piano SKU: P2.90082 Composed by Max Bruch. Arranged by Patrick G...(+)
Tuba and piano SKU:
P2.90082 Composed by
Max Bruch. Arranged by
Patrick Geren. Solo
music, Romantic.
Published by Potenza
Music (P2.90082).
Max Bruch's
'Ave Maria', Op.61 for
Cello & Orchestra
(composed/published in
1892) was based off an
earlier motif presented
in Bruch's dramatic
cantata, 'Das
Feuerkreuz', Op.52 (The
Fiery Cross) for Soprano.
The edition with Trombone
Choir was produced for
Dr. Aaron Tindall and the
Ithaca College Trombone
Troupe whom premiered it
at the Northeast Regional
Tuba & Euphonium
Conference (NERTEC),
hosted at Ithaca College
in 2013. The extensive
melodic passages and
Bruch's unique harmonic
language will challenge
the performer to maintain
an emotional dialogue
with the audience. 'Ave
Maria' is a truly
masterful work by the
composer. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.11540425L
Composed by Carter Pann.
Large Score. 92 pages.
Duration 26 minutes.
Theodore Presser Company
#115-40425L. Published by
Theodore Presser Company
(PR.11540425L). UPC:
680160688159. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $82.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Eleventh Commandment Chorale SATB SATB [Partie séparée] Theodore Presser Co.
A Silly Piece with A Serious Message, Along with Apologies to A Few Old Friends ...(+)
A Silly Piece with A
Serious Message, Along
with Apologies to A Few
Old Friends - S.A.T.B,
with Piano or Organ. By
Richard Wernick. Edited
by Ithaca College. SATB
chorus and keyboard. For
SATB Chorus, Piano,
Organ. Ithaca College
Choral Series. Choral.
Choral Part(s). 16 pages.
Published by Theodore
Presser Company.
$3.00 $2.85 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ave Maria Potenza Music
Euphonium and piano SKU: P2.80116 Composed by Max Bruch. Arranged by Patr...(+)
Euphonium and piano
SKU: P2.80116
Composed by Max Bruch.
Arranged by Patrick
Geren. Solo music.
Published by Potenza
Music (P2.80116).
Max Bruch's
'Ave Maria', Op.61 for
Cello & Orchestra
(composed/published in
1892) was based off an
earlier motif presented
in Bruch's dramatic
cantata, 'Das
Feuerkreuz', Op.52 (The
Fiery Cross) for Soprano.
The edition was produced
for Dr. Aaron Tindall and
the Ithaca College
Trombone Troupe whom
premiered it at the
Northeast Regional Tuba &
Euphonium Conference
(NERTEC), hosted at
Ithaca College in 2013.
The extensive melodic
passages and Bruch's
unique harmonic language
will challenge the
performer to maintain an
emotional dialogue with
the audience. 'Ave Maria'
is a truly masterful work
by the composer. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Shelley Songs Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362033390 The Fugitives. Composed...(+)
Choral SATB choir, piano
SKU: PR.362033390
The Fugitives.
Composed by Samuel Adler.
Classical. Part. With
Standard notation.
Duration 2:45. Theodore
Presser Company
#362-03339. Published by
Theodore Presser Company
(PR.362033390). UPC:
680160059355. Two
Shelley Songs were
composed in 1981 on a
commission from Ithaca
College and published by
Elkan-Vogel, Inc. in the
Ithaca College Choral
Series in 1982. The two
poems by Shelley used
here are To- and The
Fugitives. Both of these
pieces, published
separately, are scored
for mixed chorus with
piano accompaniment. In
order to perform them
well, an excellent
pianist is essential, for
the accompaniment to the
second poem The Fugitives
is quite difficult,
though quite pianistic.
The style of the first
poem is in a somewhat
romantic idiom while the
second contrasts it with
rather wild harmonic
writing utilizing large
skips, clusters and other
dissonant chordal
devices. Great care is
taken throughout to make
these difficult sounding
portions as easy as
possible to perform by
taking great care of the
voice leadings. The two
pieces should be done as
a pair, but could
conceivably be done
separately. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best We Can Be GIA Publications
SKU: GI.G-317206 A History of the Ithaca High School Band 1955-67....(+)
SKU: GI.G-317206
A History of the
Ithaca High School Band
1955-67. Composed by
Bruce Musgrave and Frank
Battisti. Music
Education. 208 pages. GIA
Publications #317206.
Published by GIA
Publications
(GI.G-317206). ISBN
9781574631593. UPC:
884088530266. This
inspiring story provides
an extraordinary model
for band programs of
today and tomorrow
explaining how the most
creative high school band
program in America's
history evolved and
functioned daily, with
glimpses of individuals
involved including
Frederick Fennell, Norman
Dello Joio, Vincent
Persichetti, William D.
Revelli, Warren Benson,
Richard Franko Goldman,
Donald Sinta, Harvey
Phillips, Doc Severinsen
and Benny Goodman. Click
here for a YouTube video
on The Best We Can Be: A
History of the Ithaca
High School Band
1955-67. $34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.115404250
Composed by Carter Pann.
Set of Score and Parts.
92+8+12+12+12+12+8+8+12+1
2+12+12+12+12+12+12+8+12+
12+12+8+8+8+8+8+8+8+8+8+8
+8+8+8+8+8+8+12+8+8+8+8+8
+8 pages. Duration 26
minutes. Theodore Presser
Company #115-40425.
Published by Theodore
Presser Company
(PR.115404250). UPC:
680160688135. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $285.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Master Conductors: Frank Battisti [DVD] GIA Publications
| | |
| The Hang is On... Potenza Music
Bass clarinet and CD SKU: P2.30138 Composed by Josh Oxford. Solo music, 2...(+)
Bass clarinet and CD
SKU: P2.30138
Composed by Josh Oxford.
Solo music, 20th century.
Published by Potenza
Music (P2.30138).
The Hang is
On... for Clarinet and CD
attempts to bridge the
gap between dance music
and concert music. It is
music that can work in a
club or at a recital.
This was inspired by the
Michael Jackson hit PYT.
The accompaniment was
mixed by Colleen
Harwood. - Josh
Oxford Josh Oxford,
born in 1985, is a
performer, composer, and
arranger of myriad styles
of music. Using his
collection of vintage
synthesizers, Josh is the
leader of The OXtet, a
jazz fusion ensemble that
Oxford composes all the
music for. Josh has
studied with Janet
Radmore, Jim Latten, Rick
Eleck, Gordon Stout, and
Ed Mann. He has performed
throughout the central
New York area on piano,
percussion, and Moog
synthesizer. Josh
graduated with a BM in
percussion performance
from the Ithaca College
School of Music in 2007.
While at school, he
performed in a variety of
ensembles, including the
Ithaca College Klezmer
Ensemble, Wind Ensemble,
Orchestra, and Jazz Lab.
After suffering a
debilitating car crash in
2010, Josh has devoted
his energy to composing.
His music can be heard on
Aaron Tindall's recording
This Is My House and on
The OXtet's debut CD. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ave Maria Potenza Music
Tuba and trombone ensemble SKU: P2.90090 Composed by Max Bruch. Arranged ...(+)
Tuba and trombone
ensemble SKU:
P2.90090 Composed by
Max Bruch. Arranged by
Patrick Geren. Chamber
music. Published by
Potenza Music (P2.90090).
Max Bruch's
'Ave Maria', Op.61 for
Cello & Orchestra
(composed/published in
1892) was based off an
earlier motif presented
in Bruch's dramatic
cantata, 'Das
Feuerkreuz', Op.52 (The
Fiery Cross) for Soprano.
The edition with Trombone
Choir was produced for
Dr. Aaron Tindall and the
Ithaca College Trombone
Troupe whom premiered it
at the Northeast Regional
Tuba & Euphonium
Conference (NERTEC),
hosted at Ithaca College
in 2013. The extensive
melodic passages and
Bruch's unique harmonic
language will challenge
the performer to maintain
an emotional dialogue
with the audience. 'Ave
Maria' is a truly
masterful work by the
composer. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Elizabethan Songs Theodore Presser Co.
(For S.A.T.B. Chorus, A Cappella). Composed by Lowell Liebermann. SATB chorus. F...(+)
(For S.A.T.B. Chorus, A
Cappella). Composed by
Lowell Liebermann. SATB
chorus. For SATB, Piano
Rehearsal. Ithaca College
Choral Series. Premiered
November 13, 1999, Ithaca
College, conducted by
Lawrence Doebler. Choral.
Piano reduction/vocal
score. Standard notation.
Opus 63. 16 pages.
Duration 5 minutes.
Theodore Presser Company
#312-41777. Published by
Theodore Presser Company
$3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 8 Schott
Choral; Orchestra; Vocal Solo (Study Score) SKU: HL.49045992 Lieder De...(+)
Choral; Orchestra; Vocal
Solo (Study Score)
SKU: HL.49045992
Lieder Der
Verganglichkeit.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score.
Classical, Song Cycle.
Softcover. Composed
2004-2005/2007. 156
pages. Duration 3300
seconds. Schott Music
#ED22969. Published by
Schott Music
(HL.49045992). ISBN
9790001203708. UPC:
842819100218.
8.0x11.5x0.418 inches.
German. Lieder Der
Verganglichkeit 3
Soloists (SMezBar), Mixed
Choir and Orchestra Study
Score. The form of
this work is not so much
based on the classical
symphony, but is closer
to a song cycle structure
which has now grown
toinclude 13 movements
for choir and orchestra.
The Romantic
characteristics and form
of the 8th Symphony are
both reminiscent of
Gustav Mahlers choral
symphonic works and his
Lied von der Erde.
Krzysztof Penderecki here
extends and augments his
expressive musical
material, for example
through cluster
techniques and glissandi,
possibilities which he
has been systematically
exploring since the
1950s. He has compiled
the texts from poetry by
Eichendorff, Rilke,
Brecht, Kraus, Hesse,
Goethe, Bethge and von
Arnim on the theme of
forests and trees, which
has long been close to
his heart as demonstrated
by his private arboretum
near Luslavice ('my
personal Ithaca')
containing over 1500
species of trees. $76.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Magnificat and Nunc Dimittis Chorale SATB [Conducteur] Theodore Presser Co.
Choral Organ, Piano, SATB choir SKU: PR.362033250 S.A.T.B., with Piano...(+)
Choral Organ, Piano, SATB
choir SKU:
PR.362033250
S.A.T.B., with Piano
or Organ. Composed by
Vincent Persichetti.
Ithaca College Choral
Series. Choral. Score.
With Standard notation.
Opus 8. Duration 9
minutes. Theodore Presser
Company #362-03325.
Published by Theodore
Presser Company
(PR.362033250). UPC:
680160059249. Text:
Anonymous.
Anonymous. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| It Takes Four to Tango Quatuor de Clarinettes: 4 clarinettes [Conducteur et Parties séparées] Theodore Presser Co.
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff....(+)
For 3 B-Flat Clarinets
and Bass Clarinet
(Quartet or Ensemble). By
Daniel Dorff. Wind
quartet. For Clarinet I,
Clarinet II, Clarinet
III, Bass Clarinet. Score
and parts. 4 pages.
Duration 2:30. Published
by Theodore Presser
Company.
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Music Teacher's First Year GIA Publications
SKU: GI.G-317210 Tales of Challenge, Joy and Triumph. Composed by ...(+)
SKU: GI.G-317210
Tales of Challenge,
Joy and Triumph.
Composed by Elizabeth
Peterson. Music
Education. 232 pages. GIA
Publications #317210.
Published by GIA
Publications
(GI.G-317210). ISBN
9781574631654. UPC:
884088575618. From
a first-year teacher
whose instruments were
stolen before entering
his building, to a
teacher who received hate
mail before her first
day, to a teacher whose
sensitivity, flexibility
and insight gained her
the respect of her
ensemble in only weeks,
this collection of true
stories from first-year
teachers is a delightful
description of their real
world. In addition, each
chapter includes
discussion questions for
pre-service and young
teachers as they prepare
for their teaching
future. ...extremely
valuable for those just
beginning their careers,
as well as veterans in
the field. ... Sharing
experiences, stories,
problems and solutions
make us all better
teachers. This book does
a tremendous job
identifying the do's and
don'ts. - Anthony J.
Maiello, Professor of
Music, Director of
Instrumental Studies,
George Mason University
Reading, reflecting and
discussing these real
stories will provide
future music teachers
with a clear-sighted view
of the challenges,
expectations, and
successes of novice
teachers. ...an important
book for students and
their teachers who value
the preparation of the
whole music teacher. -
Dr. Mark Fonder,
Professor, Music
Education Department,
Conductor, Ithaca College
Concert Band Your book
will provide valuable
information and insights
into the 'first years' of
teaching and will be a
valuable resource for
those entering the
profession. The
'Questions for
Discussion' at the end of
each chapter are
excellent. Bravo. - Frank
L. Battisti, Conductor
Emeritus, New England
Conservatory Wind
Ensemble Click here for a
YouTube video on The
Music Teacher's First
Year. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Circe Zimbel Press
Soprano & Organ SKU: SU.80101426 For Soprano & Organ. Composed by ...(+)
Soprano & Organ SKU:
SU.80101426 For
Soprano & Organ.
Composed by Carson
Cooman. Vocal/Choral,
Solo Voice. Accompanied
by organ. Performance
Score. Zimbel Press
#80101426. Published by
Zimbel Press
(SU.80101426).
Set includes 2
scoresCirce
(2010–11), a
cantata for soprano and
organ, takes a
contemporary approach to
the genre of the baroque
secular solo cantata. As
with many baroque works,
the subject matter is
taken from the classical
world; in this case it is
the story of Circe, the
sorceress (or minor
goddess: daughter of the
sun god Helios and the
sea nymph Perse) from
Homer’s Odyssey.
However,in the spirit of
contemporary adaptation,
the texts are three poems
by American poet Louise
Glück from her book
Meadowlands (1996), a
large section of which
contains poems related to
characters from the
Odyssey. In the Odyssey,
Odysseus and his men,
returning home from the
Trojan War, are lured to
Circe’s island
(Aeaea). Through her
magic, Circe transforms
Odysseus’s men
into animals, but with
help from the god Hermes,
Odysseus is able to
resist her magic himself,
and Circe is forced to
restore his men to human
form. For the next year,
Odysseus and his men
remain on the island in
leisure, and Odysseus
becomes Circe’s
lover. However, after the
year has passed, Odysseus
decides to continue the
journey home to Ithaca
(to return to his wife
Penelope, who is
patiently waiting for
him). Circe reluctantly
lets him go. Despite her
divine heritage, the
Circe of
Glück’s poems
is consumed with the
quite human emotions of
longing, bitterness, and
jealousy. The musical
language of the work is
contemporary, though
there is a great deal of
allusion to baroque style
and specific musical
forms (including
sarabande, loure, ground,
plaint, and
musette).Soprano and
Organ Duration: 9’
Composed: 2010 Published
by: Zimbel Press. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Annabel Chorale SATB Mark Foster Music
Ithaca College Choral Series. Composed by Timothy C. Takach. Mark Foster. Fes...(+)
Ithaca College Choral
Series.
Composed by Timothy C.
Takach. Mark Foster.
Festival, Concert.
Octavo. 16
pages. Published by Mark
Foster Music
$2.50 $2.375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Apotheosis of the Earth: The Music of Karel Husa [CD d'écoute] Mark Custom Music
By Ithaca College Wind Ensemble. By Karel Husa (1921-). For wind ensemble. Mark ...(+)
By Ithaca College Wind
Ensemble. By Karel Husa
(1921-). For wind
ensemble. Mark Masters.
Classical. Audio CD.
Duration 55:59. Published
by Mark Custom Music
$14.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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