Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pages. Mel Bay Publications, Inc #31036M. Published by Mel Bay Publications, Inc

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. Beginner. 40 pages. Published by Alfred Music

Violin Duet

SKU: HL.348319

Composed by Various. String Duet. Classical. Softcover. 64 pages. Published by Hal Leonard (HL.348319).

ISBN 9781540097354. UPC: 840126930016. 9.0x12.0x0.201 inches.

Classical Themes for Violin Duet is designed for violinists familar with first position and comfortable reading basic rhythms. In each two-page arrangement, violin 1 and violin 2 take a turn playing the melody for a fun and challenging ensemble experience. It includes 30 well-loved melodies by J.S. Bach, Beethoven, Debussy, Gershwin, Grieg, Liszt, Mussorgsky, Tchaikovsky, Vivaldi, Wagner, and more.

Guitar solo

SKU: GH.GE-11464

Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464).

ISBN 979-0-070-11464-6. A4 inches.

Work note by the composer:

When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone.
The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work.
Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line.

The work is divided in three parts.
I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other.
The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end.

II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere.

III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible!

Benjamin Staern

SKU: SU.00220521

Keyboard, Piano/Harpsichord. CD (PDF Scores). CD Sheet Music #00220521. Published by CD Sheet Music (SU.00220521).

This CD Sheet Music™ collection brings together over 70 sonatinas and nearly 200 standard study works composed during the development of the virtuoso piano repertoire from the 18th through the early 20th centuries. SONATINAS: Beethoven, Clementi, Diabelli, Dussek, Gurlitt, Haydn, Kuhlau, Lichner, Mozart, Reinecke, Spindler STANDARD STUDY WORKS: Albeniz (Danza Èpañola), CPE Bach(Solfegietto), JS Bach (Jesu, Joy of Man's Desiring), Bartók (For Children, Ten Easy Pieces), Beethoven (Für Elise, Six Ländler, Twelve German Dances), Bizet (Toreador Song, Brahms (Ballade in D minor, Intermezzos, Op. 117), Chopin (selected Mazurkas, Preludes, Waltzes), Couperin (Les Moissonneurs, Debussy (Arabesque No. 1, Claire de Lune, Rèverie), Dvorák (Humoreske), Fauré (Sicilienne), Granados (Danza de la Rose), Grieg (Peer Gynt Suite), Handel (Giga, Sarabamde), Haydn (Andante Grazioso), Joplin (The Entertainer, The Easy Winners), Liszt (Consolation, Liebestraum), MacDowell (To A Wild Rose), Mendelssohn (selected Songs without Words), Mozart (Rondo a la Turca, Fantasy in D minor), Moussorgsky (Meditation), Pachelbel (Canon in D, Prokofiev (Vision Fugitive), Puccini (O mio babbino caro), Purcell (Suite in G), Rachmananoff (Prelude in C# minor), Ravel (Pavance pour une Infante Défunte), Satie (Gymnopédie Nos. 1-3), D. Scarlatti (selected Sonatas), Schoenberg (6 Little Piano Pieces), Schubert (Ecossaise, Marche Militaire), Schumann (selected pieces from Album for the Young and Scenes from Childhood), Scriabin (Preludes), Sibelius (Romance), J. Strauss (Mein Herr Marquis), Tchaikovsky (Album for the Young, None But the Lonely Heart), Verdi (Anvil Chorus from Il Trovetore, March from Aida), Weber (Variations on Vien qua Dorina bella), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 1100+ pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Recorded by Frank Almond, Concertmaster of the Milwaukee Symphony. By Frank Almond. By Various. String Solo. Classical. Softcover Audio Online. 48 pages. Published by G. Schirmer

Saddle-stitched, Tunebooks. Bluegrass. Book and online audio. 108 pages. Mel Bay Publications, Inc #30970M. Published by Mel Bay Publications, Inc

Composed by Johann Sebastian Bach (1685-1750). Arranged by Jake Pincus. This edition: perfect binding. Editiones Classicae. Book and online audio. 48 pages. Published by Mel Bay Publications, Inc

By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Masterworks. Baroque. Duration 00:03:00

Solo piano - Intermediate

SKU: FJ.H1024

Composed by Johann Sebastian Bach. Edited by Edwin Mclean. Keyboard Catalog Heading; Masterworks. FJH Classic Editions. Form: Suite. Baroque; Masterwork; Recital. Book. The FJH Music Company Inc #98-H1024. Published by The FJH Music Company Inc (FJ.H1024).

ISBN 9781619283480. UPC: 241444437070. English.

In 1725, J.S. Bach gave his second wife, Anna Magdalena, a Notenbüchlein - a collection of solo keyboard pieces and arias. Most of the keyboard pieces were composed by friends, colleagues, and his son, Carl Philipp Emanuel Bach. The easier keyboard works were probably used to instruct their children, while the arias would have been performed by Anna Magdalena, who was a singer. For this edition, Edwin McLean has chosen and expertly edited the most popular and easier keyboard pieces. Originally, the pieces contained no dynamics and virtually no phrasing, which is typical of baroque harpsichord music and even early 18th-century fortepiano music. Sectional dynamics have been added editorially and may be changed at the discretion of the performer. A minimal amount of phrasing and articulation has also been added for clarity. This edition preserves the original notation for appoggiaturas, where small eighth or quarter notes resolve to the principal note. Ossias have been included to show how to play them; ossias also appear when needed for ornaments such as trills and mordents.

(Jazz Play-Along Volume 120). By Johann Sebastian Bach (1685-1750). Jazz Play Along. Softcover with CD. 80 pages. Published by Hal Leonard

Composed by Various. Classical. Textbook. Trinity College London #TCL020598. Published by Trinity College London

21 pieces plus exercises for Trinity College London exams 2021-2023. Composed by Various. Classical. Textbook. Trinity College London #TCL020574. Published by Trinity College London

Piano - Easy-Intermediate

SKU: YM.GTP01098166

Keyboard. Arranged Classic. Score. Yamaha Music Media #GTP01098166. Published by Yamaha Music Media (YM.GTP01098166).

ISBN 9784636981667.

Ther e are many music sheet books available for children, but not many for adults who have just started playing the piano. The Otona Piano series is designed for those adults who are beginner piano players.
Here is a great piano collection for those who want to take their piano playing to the next level! It is also a great selection for live performances!

Edited by Helen Marlais. For Piano. Succeeding with the Masters. Level: Intermediate through Early Advanced. Book. Published by The FJH Music Company Inc.

Music Minus One Piano Book/Online Audio. Composed by Johann Sebastian Bach (1685-1750) and Johann Christoph Friedrich Bach (1732-1795). Sheet music with CD. Music Minus One. Classical. Softcover Audio Online. 80 pages. Music Minus One #MMO3021. Published by Music Minus One

For Piano. Includes a high-quality printed music score and a compact disc containing a complete version of each composition with soloist (1st piano), in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the soloist. Published by Music Minus One.

Mandolin Play-Along Volume 4. Composed by Johann Sebastian Bach (1685-1750). Mandolin Play-Along. Classical. Softcover Audio Online. 16 pages. Published by Hal Leonard

For the Piano. By Johann Sebastian Bach. Piano Collection. Softcover. Size 9x12 inches. 40 pages. Published by G. Schirmer, Inc.

Solos and Duets. Composed by Chuck Bianchi. Squareback saddle stitch, Solos/Duets/Ensembles, Featured Products, Technique, Theory and Reference, Classical. Style. Book. 88 pages. Mel Bay Publications, Inc #30654. Published by Mel Bay Publications, Inc

11 Pieces by 11 Composers G. Schirmer Instrumental Library. Composed by Various. String Solo. Classical. Softcover Audio Online. 80 pages. Published by G. Schirmer

(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard

Arranged by Joseph Knaus. String Quartet (Suzuki). 72 pages. Published by Alfred Publishing.