| Hungarian Dances for Trombone & Piano Trombone et Piano - Avancé Cherry Classics
Trombone and Piano - advanced SKU: CY.CC2940 Composed by Johannes Brahms....(+)
Trombone and Piano -
advanced SKU:
CY.CC2940 Composed by
Johannes Brahms. Arranged
by James Miller. German
Romantic. Solo part and
Piano accompaniment. 35
pages. Cherry Classics
#2940. Published by
Cherry Classics
(CY.CC2940). ISBN
9790530057582. Brah
ms' 21 Hungarian Dances
were completed in 1869
and sent to his publisher
without opus numbers.
Only three of the works
are original
compositions. The music
mostly of one to five
minutes in length was
Brahm's biggest seller,
originally for solo
Piano, but once they were
arranged for piano four
hands, they exploded in
popularity.
Jame
s Miller has beautifully
arranged five of them (1,
5, 7,8 and 9) for
Trombone with Piano
accompaniment and are
appropriate very advanced
performers.
The
sound clips are of Mr.
Miller from his solo CD
album, Coast
to Coast, featured on CD
Baby. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My Heart Will Go On (Love Theme from Titanic) Chorale 3 parties 3 parties aigues - Débutant Hal Leonard
Discovery Level 1. Composed by James Horner (1953-2015). Arranged by Cristi Ca...(+)
Discovery Level 1.
Composed
by James Horner
(1953-2015).
Arranged by Cristi Cary
Miller. Discovery Choral.
Movies, Pop. Octavo. 16
pages. Published by Hal
Leonard
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dream Lover Chorale SSAA SSAA A Cappella Barbershop Harmony Society
By Manhattan Transfer and James Taylor. By Bobby Darin (1936-1973). Arranged b...(+)
By Manhattan Transfer and
James Taylor. By Bobby
Darin
(1936-1973). Arranged by
Kohl Kitzmiller.
Barbershop
Harmony Society. A
Cappella,
Barbershop. Octavo. 8
pages.
Barbershop Harmony
Society
#213187. Published by
Barbershop Harmony
Society
$3.20 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dream Lover Chorale TTBB TTBB A Cappella Barbershop Harmony Society
By Manhattan Transfer and James Taylor. By Bobby Darin (1936-1973). Arranged b...(+)
By Manhattan Transfer and
James Taylor. By Bobby
Darin
(1936-1973). Arranged by
Kohl Kitzmiller.
Barbershop
Harmony Society. A
Cappella,
Barbershop. Octavo. 8
pages.
Barbershop Harmony
Society
#213185. Published by
Barbershop Harmony
Society
$3.20 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dream Lover Chorale SATB SATB A Cappella Barbershop Harmony Society
By Manhattan Transfer and James Taylor. By Bobby Darin (1936-1973). Arranged b...(+)
By Manhattan Transfer and
James Taylor. By Bobby
Darin
(1936-1973). Arranged by
Kohl
Kitzmiller. Barbershop
Harmony Society. A
Cappella,
Barbershop. Octavo. 8
pages.
Barbershop Harmony
Society
#213189. Published by
Barbershop Harmony
Society
$3.20 $3.04 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Wanna be Ready [Octavo] Galaxy Music Corporation
By James Miller. For soprano voice solo or tenor voice solo, SATB choir. General...(+)
By James Miller. For
soprano voice solo or
tenor voice solo, SATB
choir. General,
Spiritual. Octavo. 12
pages. Published by
Galaxy Music Corporation
Octavo General,
Spiritual
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Daniel (Didn't My Lord Deliver Daniel?) Galaxy Music Corporation
Arranged by James Miller. For Low voice & piano. General. Vocal Music. 8 pages. ...(+)
Arranged by James Miller.
For Low voice & piano.
General. Vocal Music. 8
pages. Published by
Galaxy Music Corporation
$6.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ye Banks and Braes Schirmer
By James Miller. For Unison Choir, descant and piano (Unison Voices). Secular. C...(+)
By James Miller. For
Unison Choir, descant and
piano (Unison Voices).
Secular. Choral. 4 pages
$1.55 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path -- Beginning Drumset Course, Complete Batterie [DVD] Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
DVD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. 136 pages.
Published by Alfred Music
Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path -- Beginning Drumset Course, Level 2 Batterie [Partition + CD + DVD] - Facile Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
CD; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music Publishing
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path -- Beginning Drumset Course, Level 2 Batterie [Partition + CD + DVD] - Débutant Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). Composed by R...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). Composed
by Rich Lackowski. For
Drumset.
Artist/Personality; Book;
CD; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Skip to My Lou Chorale TTBB TTBB, Piano Alfred Publishing
Arranged by Greg Gilpin. Choir Secular. Men's Choir. Choral Octavo. Choral Desig...(+)
Arranged by Greg Gilpin.
Choir Secular. Men's
Choir. Choral Octavo.
Choral Designs. Folk;
Secular. 16 pages.
Published by Alfred Music
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path -- Beginning Drumset Course, Level 2 Batterie [Partition + CD] Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection.
Beginner. 48 pages.
Published by Alfred Music
Publishing
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On the Beaten Path -- Beginning Drumset Course, Level 2 Batterie [Partition + DVD] - Facile Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Readings in African American Church Music and Worship - Volume 2 GIA Publications
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. Af...(+)
SKU: GI.G-8462
Composed by James
Abbington. Edited by
James Abbington. African
American Church Music
Series. Sacred. Book. 824
pages. GIA Publications
#8462. Published by GIA
Publications (GI.G-8462).
ISBN 9781622771004.
English. The volume
you are holding is a
vivid testimony …to
the value of examining
this variety and dynamism
from multiple,
overlapping points of
view …to the value
of both realist and
idealist voices …to
the value of articulating
wisdom. From the foreword
by John D. Witvliet,
Calvin Institute of
Christian Worship Since
the publication of the
first volume of Readings
in African American
Church Music and Worship,
public and academic
interest in the music and
worship in black churches
has significantly
increased. This second
volume makes available
the most recent
scholarship on
twenty-first-century
developments and trends,
through a representative
number of articles,
essays, and chapters
written by brilliant
musicians, authors, and
theologians of our time.
The list of contributors
includes some of the
finest emerging scholars,
whose voices we will be
hearing for years to
come, as well as
offerings from seasoned
authors, whose research
and writings are well
regarded by peers and the
worshiping community at
large. The significant
contributions—from
names new and
familiar—greatly
broaden the field of
study. The 43 chapters of
this volume are divided
into 7 categories:
Worship and Liturgical
Practices Perspectives on
Praise and Worship
Liturgical Theologies Hip
Hop and/in the Church
Proclamation of the Word
Perspectives on Women and
Gender Hymnody: Sound and
Sense Insightful,
thought-provoking,
challenging,
hopeful—this
volume will be a source
of knowledge, a stimulus
for discussion, and a
call to (re)consider the
many and varied
viewpoints of the African
American church.
Featuring the writings
of: James Abbington,
LaTrese Adkins, Sandra L.
Barnes, Tuere A. Bowles,
Ruthlyn Bradshaw, Michael
Joseph Brown, Melvin L.
Butler, James H. Cone,
David Douglas Daniels
III, Robert Darden, Leo
H. Davis Jr., Valerie
Bridgeman Davis, Michael
Fox, Kenyatta R. Gilbert,
Daniel White Hodge,
Birgitta J. Johnson,
Alisha Jones, Tammy L.
Kernodle, S T Kimbrough,
Jr., Cheryl A.
Kirk-Duggan, Cleophus J.
LaRue, Monica T. Leach,
Tamura Lomax, Pamela P.
Martin, Marvin A.
McMickle, Monica R.
Miller, Stephanie Y.
Mitchem, Thomasina
Neely-Chandler, Deborah
S. Pollard, Luke A.
Powery, Samuel D.
Proctor, Teresa L. Reed,
Braxton D. Shelley,
Martha Simmons, Josef
Sorett, Rodney A. Teal,
Frank Thomas, Kathleen S.
Turner, Kenneth C. Ulmer,
Gayle Wald, James Melvin
Washington, Ralph C.
Watkins, Lisa M. Weaver,
Melinda E. Weekes,
Christina Zanfagna James
Abbington is Associate
Professor of Church Music
and Worship, Candler
School of Theology, Emory
University, Atlanta,
Georgia. He also serves
as Executive Editor of
the African American
Church Music Series,
published by GIA
Publications, Inc. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Choral Stanzas for Hymns, Vol. 2 Chorale Augsburg Fortress
| | |
| Spirit of God Chorale SATB SATB A Cappella Paraclete Press
SATB choir a cappella - Medium/Difficult SKU: PL.0604 Composed by Aaron D...(+)
SATB choir a cappella -
Medium/Difficult SKU:
PL.0604 Composed by
Aaron David Miller.
Cathedral. Choral,
General, Pentecost.
Octavo. Paraclete Press
#0604. Published by
Paraclete Press
(PL.0604). *
prayerful choral setting,
using lush harmonies,
suspensions, and
descending lines with
lifted endings to depict
the traditional 19th
century text * duetting
and trios, as well as
contrapuntal entrances
add clarity and
transparency to this
elegant setting *
cadences overlapping with
new entrances give a
timeless, suspended
affect * closing section,
a sort of coda reflects
and repeats the text,
Spirit of God, first
contrapuntally, and
finally, with a four-part
final cadence * the
climactic phrase, my
heart an altar, and your
love the flame reflects
the essence of this
anthem by prize-winning
composer Aaron David
Miller Using warm
harmonies, some with
dissonances, this
sensitive anthem is
primarily syllabic with
mostly connected vocal
lines that move
diatonically having
limited skips. The gentle
character remains
relatively soft
throughout. - James
McCray, The Diapason June
2006. $2.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Swingin' Yanks Fanfare [Conducteur et Parties séparées] - Facile Curnow Music
Fanfare Band - Grade 2.5 SKU: BT.CMP-0495-01-020 Composed by James Hosay....(+)
Fanfare Band - Grade 2.5
SKU:
BT.CMP-0495-01-020
Composed by James Hosay.
Spotlight on
Entertainment. Original
Light Music. Set (Score &
Parts). Composed 2001.
Curnow Music #CMP
0495-01-020. Published by
Curnow Music
(BT.CMP-0495-01-020).
Liberate your
band with the sounds of
1940’s swing!
James L. Hosay has
combined the styles of
WWII era big-band legends
Benny Goodman and Duke
Ellington with the
unmistakable sounds of
Glen Miller to create a
swingin’
swayin’ piece you
are sure to love. Salute
the veterans of WWII with
this rip-roaring
throwback to the
1940s. $89.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beatus Vir Chorale SATB - Facile Chester
Choral (SATB) - Grade 3 SKU: HL.259449 SSATB with Rehearsal Piano Acco...(+)
Choral (SATB) - Grade 3
SKU: HL.259449
SSATB with Rehearsal
Piano Accompaniment.
Composed by James
Whitbourn. Choral.
Classical, General
Worship, Sacred. Octavo.
12 pages. Chester Music
#CH86658. Published by
Chester Music
(HL.259449). UPC:
888680747442.
6.5x10.0x0.029
inches. James
Whitbourn's “Beatus
Vir†(Blessed is
the man who fears the
Lord) is here set for
SSATB choir. With long,
supporting lines are sung
by the lower voices, the
soprano 1 & 2 weave
mellismatic lines over
the top in a chant-like
style. Composer Whitbourn
is known for his rich
harmonies and shifting
tonal centers and this
new work is true to this
style. Commissioned for
the Choir of St
MatthewÂ’s Church,
Northampton. First
performed on St Matthew's
Day, 21 September 2017,
conducted by Justin
Miller. $3.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Colonnade [Conducteur] Theodore Presser Co.
Orchestra Bassoon, Cello, Clarinet, Contrabass, Flute, Harp, Horn, Marimba, Oboe...(+)
Orchestra Bassoon, Cello,
Clarinet, Contrabass,
Flute, Harp, Horn,
Marimba, Oboe,
Vibraphone, Viola, Violin
1, Violin 2 SKU:
PR.416414230 For
Chamber Orchestra.
Composed by James
Matheson. This edition:
Version 6/10/10. Sws.
Contemporary. Full score.
With Standard notation.
Composed February 13
2003. 84 pages. Duration
18 minutes. Theodore
Presser Company
#416-41423. Published by
Theodore Presser Company
(PR.416414230). ISBN
9781598066630. UPC:
680160602087. 9x12
inches. Colonnade
is James
Matheson’s
intriguing response to
the Albany
Symphony’s
commission to create a
work inspired by the NY
State Board of Education
Building, designed by the
renowned architect Rafael
Guastavino. Matheson
explains that “A
colonnade acts as a
metaphor for the tension
between knowledge and
perception. The columns
are the same height and
equidistant from each
other; while the mind
understands this fully,
there exists no place
from which one can
perceive this –
the columns always appear
to be of uneven height
and spacing. If one then
adds motion to
perspective, identical
columns acquire
elasticity, and begin to
change kaleidoscopically
– they shrink,
grow, become closer, and
then further
apart.†This
structural paradox is
given musical life in the
outer sections of
Colonnade, while the
long, arching middle
section is inspired by
the vaulted ceiling of
one of the
building’s largest
rooms, enhancing the
structure’s
spacious openness and
lightness. Colonnade
is inspired by
Albany’s majestic
New York State Board of
Education Building, and
written on a commission
from the Albany Symphony
Orchestra. It was an
intriguing task, in part
because in order to
accept the commission I
had to agree to write a
work “inspired
by†a building I
had not yet seen.
Thisproblem was
compounded by the fact
that, for me, the very
notion of extra-musical
inspiration is a complex
one, particularly with
respect to literary or
visual sources. I
generally find ideas and
abstracted notions more
generative of musical
ideas than specific ones
(a poem, an experience, a
painting). So when I went
to seeand tour the
building, I sought to
identify fundamental
formal aspects of the
building which I could
process into musical
ideas, and would then be
linked to the building
through a sense of formal
relationship. In theend,
two characteristics of
the building stood out as
noteworthy and
undiminished by time
(compared with, for
instance, the
building’s
rotunda, which contains a
series of quaintly
outdated allegorical
paintings): theexterior
colonnade and a beautiful
interior vaulted ceiling,
designed by Rafael
Guastavino.For me, a
colonnade acts as a
metaphor for the tension
between knowledge and
perception. We all know,
for instance, that the
columns are of the same
height and are
equidistant from each
other. Nevertheless,
while the mind
understands this fully,
it is also the case that
there exists no place
– no standpoint or
viewpoint –
anywhere in the universe
– from which one
can perceive this; the
columns always appear to
be of uneven height and
spacing. If one then adds
motion to perspective
– a walk along the
colonnade, for instance
– the fixed, even,
rigidly identical columns
acquire elasticity, and
begin to change
kaleidoscopically
– they shrink,
grow, become closer, and
then further apart.
Further, the detail of
the building’s
façade behind the
colonnadeshifts into and
out of visibility, with
different portions
obscured by the columns
from each vantage point.
These considerations
underlie the outer
sections of Colonnade, in
which a continuously
repeated, continuously
varied rising figure
– suggestive of a
column –
dominates. The iterations
of this elastic,
evolvingfigure are
interspersed with other
music – suggestive
of the building’s
façade. The second
feature of the building
that caught my attention
was the vaulted ceiling,
designed by Guastavino,of
one of the
building’s largest
rooms. The ceiling
enhances the spaciousness
of the room, giving it an
openness and lightness
that is quite
captivating. The middle
section of Colonnade has
this openness at its
core, and is dominated by
long, arching lines that,
to me, suggest the
refined beauty of this
ceiling.World premiere
March 8, 2003; Albany
Symphony Orchestra
conducted by David Alan
Miller. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My Heart Will Go On (Love Theme from Titanic) CD Chorale Hal Leonard
Choral (VoiceTrax CD) SKU: HL.282924 Discovery Level 1. Composed b...(+)
Choral (VoiceTrax CD)
SKU: HL.282924
Discovery Level 1.
Composed by James Horner.
Arranged by Cristi Cary
Miller. Discovery Choral.
Movies, Pop. CD. Duration
255 seconds. Published by
Hal Leonard (HL.282924).
UPC: 888680790851.
5.0x5.0x0.148
inches. With My
Heart Will Go On, the
late James Horner created
a love song for the ages,
winning the Academy Award
for Best Original Song in
the 1997 mega-hit
Titanic. Sung
unforgettably by Celine
Dion, the Grammy and
Golden Globe-winning
ballad is now available
for younger choirs. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Connecting Practice, Measurement, and Evaluation GIA Publications
SKU: GI.G-9140 Selected papers from the Fifth International Symposium ...(+)
SKU: GI.G-9140
Selected papers from
the Fifth International
Symposium on Assessment
in Music Education.
Edited by Timothy S.
Brophy. Assessment. Music
Education. 608 pages. GIA
Publications #9140.
Published by GIA
Publications (GI.G-9140).
ISBN 9781622771783.
English. With
Contributions byFrank
Abrahams Â
 Michael L.
Alexander Â
 Kimberly Lansinger
AnkneyEdward
Asmus   Rafael
Guerini Atolini Â
 William BauerElaine
Bernstorf Â
 Leonardo
Borne   Pamela
BurnardFrederick
Burrack   Paul
Chapin Â
 Jian-Jun
Chen-EdmundWilliam
Cirullo Â
 Richard
Colwell Â
 Rachel E.
CopelandBaisheng
Dai   Paul F.
Doerksen Â
 Cláudia Elisiane
Ferreira dos SantosDavid
Edmund Â
 Jian-Jun
Chen-Edmund Â
 Jan EdwardsGeorge
Engelhard, Jr. Â
 José Carlos
Godinho   Sandy
GoldieChristina
Haaf   Dee
Hansen   Jason
HawkinsMichele L.
Henry   René
Human   Ryan
JohnSangmi Kang Â
 Don Lebler Â
 Kathleen A.
MelagoJennifer S.
McDonel   M.
David Miller Â
 Tobias S. MonteGlenn
Nierman Â
 Helena de Souza
Nunes   Denese
OdegaardDouglas C.
Orzolek   Kelly
A. Parkes Â
 Phillip PayneJohn
Peasant, Jr. Â
 Jared R.
Rawlings   Gary
K. RitcherMaria Gleice
Rodrigues Â
 Maria Runfola Â
 Shelley
SandersonEdilson
Schultz Â
 Ronald G.
Sherwin   Scott
C. ShulerTimothy W.
Smith   Nathan
St. Pierre Â
 Stephanie
StanderferCynthia L.
Wagoner Â
 Dennis Ping-Cheng
Wang   Jeffrey
WardBrian C.
Wesolowski Â
 Stefanie A.
Wind Â
 Chia-Chieh WuBrian C.
Wuttke   Hyesoo
YooThe 5th International
Symposium on Assessment
in Music Education was
hosted by the University
of Florida, James Madison
University, and The
Shenandoah Conservatory
of Shenandoah University.
The symposium brought
together 288 participants
from 17 nations and six
continents to learn of
each other’s work,
establish collaborations
and professional
networks, and shape new
directions for research
in this important area of
music education in
Williamsburg, Virginia,
from February 18-21,
2015. The four keynote
addresses and 37 papers
published in this volume
document music assessment
practice and the
measurement and
evaluation of music
learning across the world
in local, state, and
national contexts at all
levels. The attendees
also attended special
work sessions to discuss
the key questions of the
symposium, and their
discussions are
summarized in this
collection. As music
educators across the
world come to terms with
increased expectations
for accountability of
learning in music, the
scholars and
practitioners who have
contributed to this
volume provide insight to
guide their work.About
the EditorsTimothy S.
Brophy is Professor of
Music Education and
Director of Institutional
Assessment at the
University of Florida in
Gainesville. Florida.
Jeffrey Marlatt is
Associate Professor of
Music Education and
Assistant Dean for
Student Learning,
Director of Music
Education, and holds the
Charlotte A. & Verne E.
Collins Endowed
Professorship at the
Shenandoah Conservatory
of Shenandoah University,
Winchester, Virginia.
Gary Ritcher is Professor
and Coordinator of Music
Education at James
Madison University,
Harrisonburg,
Virginia. $47.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Swingin' Yanks Fanfare [Conducteur] - Facile Curnow Music
Fanfare Band - Grade 2.5 SKU: BT.CMP-0495-01-120 Composed by James Hosay....(+)
Fanfare Band - Grade 2.5
SKU:
BT.CMP-0495-01-120
Composed by James Hosay.
Spotlight on
Entertainment. Original
Light Music. Score Only.
Composed 2001. Curnow
Music #CMP 0495-01-120.
Published by Curnow Music
(BT.CMP-0495-01-120).
Liberate your
band with the sounds of
1940’s swing!
James L. Hosay has
combined the styles of
WWII era big-band legends
Benny Goodman and Duke
Ellington with the
unmistakable sounds of
Glen Miller to create a
swingin’
swayin’ piece you
are sure to love. Salute
the veterans of WWII with
this rip-roaring
throwback to the
1940s. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Page suivante 1 31 |