Zehn Kompositionen von Georg W. Druckenmuller, Andreas Duben, Johann Lorentz, Heinrich Scheidemann, Samuel Scheidt und J.P. Sweelinck. Edited by Moser, Hans Joachim; Fedtke, Traugott. For Organ. Playing Score. Published by Baerenreiter-Ausgaben (German import).

(piano reduction). By Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese / Jan P. Schulz. Arranged by Jan Philip Schulze. For flute solo, 2 oboes, 2 horns, strings. Edition Breitkopf. Piano reduction. KV 314. 48 pages. Published by Breitkopf and Haertel

Samtliche Orgel-und Clavierwerke, IV.1: Lied- und Tanzvariationen. By Jan Pieterszoon Sweelinck. Edited by Siegbert Rampe. For organ/harpsichord/piano. Urtext Edition (paperbound). Published by Baerenreiter Verlag (German import).

Guitar

SKU: BT.HITPCSONG85

Composed by Django Reinhardt. Arranged by P. Cuillerier. Book with CD. Composed 2011. 96 pages. Hit Diffusion #HITPCSONG85. Published by Hit Diffusion (BT.HITPCSONG85).

Véritable livre-hommage qui retrace sa vie et ses rencontres, doublé d’un manuel d’apprentissage complet qui permettra d’initier les adeptes du jazz manouche l’art de Django. Existe aussi dans le collection : Georges Brassens, Francis Cabrel, Téléphone et JJ.Goldman.

(Easy Piano Accompaniment, Features 1/2, I, II, Ii1/2, III, Iii1/2, IV, V, V1/2 and VI Positions). By Johann Sebastian Bach Woody Guthrie. Arranged by Janice Tucker Rhoda. For Piano, Contrabass. This edition: Book 2. EASY. Solo part with piano reduction. Standard notation. 64 pages

By Janice Kapp Perry. Arranged by Robert P. Manookin. For Organ Book. Level: Medium. Published by Jackman Music Corporation.

By Glenda Casey, Brad White, Jan Juneau, Bobbie Douglass. (Mixed Part-Learning CDs(4)). Essential Elements Choir. CD only. 288 pages. Published by Hal Leonard.

Level 4 Mixed, Performance/Accompaniment CD. By Glenda Casey, Brad White, Jan Juneau, Bobbie Douglass. (Mixed Perf/Acc CDs (2)). Essential Elements Choir. CD only. 288 pages. Published by Hal Leonard.

(Flute and Piano Reduction). Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Andr�¡s Adorj�¡n and Jan Philip Schulze. For Flute, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1207. Published by G. Henle

Cello and piano

SKU: BO.B.1002

Composed by Jan Joosten. Bowed Instruments. Published by Editorial de Musica Boileau (BO.B.1002).

A Huguenot Psalm. By Jan P. Sweelinck. Arranged by Paul Boepple. For SATB. Published by Theodore Presser Company.

By Jan P. Sweelinck. Arranged by Chester L. Alwes. For SATB choir (divisi). Prima Cantate Series. Sacred Anthem, Advent, Christmas, General. Moderately difficult. Octavo. Published by Roger Dean Publishing . Octavo. Sacred Anthem, Advent, Christmas, General.

Ed. Critica P. Gosset, P. B. Brauner - Riduzione per canto e pianoforte. By Gossett. By Gioachino Rossini (1792-1868). Opera Vocal Score Series (Ricordi). Opera or Operetta. Vocal Score. Composed 2006. 340 pages. Ricordi #CP 13454800. Published by Ricordi

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

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By Leos Janacek (1854-1928). For cantata (solo voice - tenor, mixed choir, piano). Vocal music. Czech title: Elegie na smrt dcery Olgy. Classical. Choral score. Publication language: Czech/German/English. Published by Editio Baerenreiter Praha

By Alan Bullard. For Violin solo. (Alternative pieces for the Preparatory Test are contained in Party Time!, page 28). Level: P. 12 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Piano Solo

SKU: YM.GTP01100655

Composed by Various. J-Pop. J-POP. Score. Yamaha Music Media #GTP01100655. Published by Yamaha Music Media (YM.GTP01100655).

ISBN 9784636104608. 8.5 x 12 inches.

The definitive selection of the 30 hottest songs that were big hits in early 2022 is now available! It includes J-POP hits and the theme songs for Japanese TV dramas and Animes. Enjoy it to the fullest!

By Janet Linker. For handbell choir. Handbell Choir Music. Sacred. Full Score. Published by Beckenhorst Press

Composed by Janet Gardner. Concert, Novelty. Performance/accompaniment CD. Published by Heritage Music Press

A Collection for Group Singing for All Occasions. By Mitch Miller. P/V/C Mixed Folio. Traditional Pop. Vocal score book. With vocal score notation and chord names. 128 pages. Alfred Music #00-CN0027. Published by Alfred Music

All-In-One Piano Course. Composed by Jane Bastien, Lisa Bastien and Lori Bastien. Bastien New Traditions. Method book. 71 pages. Published by Neil A. Kjos Music Company

(P/V/G Folio). By Bob Dylan. For voice, piano and guitar chords. Piano. Folk Rock. Difficulty: medium. Songbook. Vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. 180 pages. Music Sales #AM91466. Published by Music Sales

(Standard Repertoire for the Developing Pianist). Edited by Jane Magrath. For Piano. Book; Graded Standard Repertoire; Masterworks; Piano Collection. Classics for Students. Masterwork; Recital. Early Intermediate. 32 pages. Published by Alfred Music