By Jeremy Dibble. For SATB choir, a cappella/with keyboard. Mixed Voices. Christmas Choral Collection. Vocal score

Composed by Marilyn Bergman, Alan Bergman, and Dave Grusin. Arranged by Jeremy Fox. Choral Octavo. Alfred Pop Series. Secular. 8 pages. Published by Alfred Music (AP.45553).

Mezzo-Soprano Voice and Piano

SKU: BT.MUSM570360703

Composed by Jeremy Dale Roberts. Score Only. 8 pages. University of York Music Press #MUSM570360703. Published by University of York Music Press (BT.MUSM570360703).

English.

Jeremy Dale Roberts ' Spoken To A Bronze Head (2009) for Mezzo Soprano and Piano. This is a setting for text by Ursula Vaughan Williams . ' In all the long years that I knew her and it was a matter of regret between us I never set a word of Ursula’s poetry. It was only after her death, when I was asked to contribute a setting of one of her poems to a celebratory concert held at the Royal College of Music that I ‘jumped’: I knew immediately which one I wanted to do lines ‘Spoken to a Bronze Head’. This was the portrait bust of RVW made by David McFall: not the Jacob Epstein which neither of them liked very much. It stood always in her sitting room, a benign presence, a‘virtual’ companion in her long widowhood. My setting is in an ‘arioso’ style, quite simple and austere maybe to match the rather ‘Augustan’ style of the verse. It is of course a memorial, also a salute: and I wanted to enshrine in it the two of them, Ralph and Ursula. So at the heart of it is a clangourous, bronze-like chord, lifted from the last movement of VW’s 6th Symphony, from which I quote a passage just before the conclusion . - Jeremy Dale Roberts.

Choral (TTBB a cappella)

SKU: HL.1432574

Arranged by Jeremy Nabors. National/Emerson Fred Bock. Octavo. Hal Leonard #NM1094. Published by Hal Leonard (HL.1432574).

UPC: 196288203254.

Jerem y Nabors's new new arrangement of a Russian melody is sure to excite your TTBB singers. The low range of the bass and the rhythmic interplay of the other voices, coupled with an energetic accelerando at the end delightfully conjures up the imagery of the spinning blue ball! A real challenge for your singers, this piece will be a thrill for your audience at your next concert or festival!

By Jeremy Camp. Piano/Vocal/Guitar Artist Songbook. Softcover. 160 pages. Published by Hal Leonard

(Piano). Composed by Jeremy Norris. For Piano. Piano Solo. Softcover. 8 pages. Schott Music #ED21664. Published by Schott Music

Arranged by Jeremy Summerly. (SSA a cappella). Faber Program Series. Festival. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

Chamber Music Piano

SKU: PR.140401320

Composed by Eubie Blake. Edited by Lara Downes. Arranged by Jeremy Siskind. Sws. Score. 8 pages. Duration 3:45. Theodore Presser Company #140-40132. Published by Theodore Presser Company (PR.140401320).

ISBN 9781491134177. UPC: 680160684274. 9 x 12 inches. Key: F major.

LOVE WILL FIND A WAY is one of the great hits of the 1920s – an era of remarkable cultural growth giving rise to “The Roaring '20s,” “The Harlem Renaissance,” and a fun-loving society known for the Charleston dance craze and the surge of jazz into the mainstream of American music. A song from Shuffle Along, the first all-Black Broadway musical, LOVE WILL FIND A WAY has been arranged by pianist Jeremy Siskind especially for Lara Downes’ recording that launches the Rising Sun series.
According to Langston Hughes, Eubie Blake’s 1921 Shuffle Along was the real start of the Harlem Renaissance. In Hughes’ words: “Everybody was in the audience, including me. It gave just the proper push, a pre-Charleston kick, to that Negro vogue of the '20s that spread to books, African sculpture, music, and dancing.”As Broadway’s first all-Black hit musical, with an all-star cast including Paul Robeson and a young Josephine Baker, Shuffle Along ran for an unprecedented 504 performances in New York, then toured nationally for three years as the first Black musical to play in white theaters across the United States. The show’s appeal to a multi-racial audience, and its integration of the jazz and Broadway communities, not only changed the history of the American musical theater, but made important strides forward in American race relations.Love Will Find a Way is one of the show’s most popular tunes. This intimate, pensive arrangement by Jeremy Siskind celebrates the song’s centenary by making it a love song for our own time as much as its own – a reminder that no matter how dark the path or how gray the skies, love will always find a way.

By Jeremy Kempton. Arranged by Jeremy Kempton. For Trombone Duets. Baroque and Classical. Intermediate to advanced. Score booklet. Published by Cherry Classics

Chamber Ensemble

SKU: BT.MUSM570209088

On Track. By Sadie Harrison. Set (Score & Parts). 15 pages. University of York Music Press #MUSM570209088. Published by University of York Music Press (BT.MUSM570209088).

English.

13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus, Ensemble Performance. On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument, and these parts come with a licence for printing as many copies as needed, directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music: there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles. The editor of the compilation, Sadie Harrison, comments: Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer, and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles, approaches and sounds. There is something in here for everybody, at whatever level, and on whatever instrument. This is what GCSE Music teachers are crying out for, and finally here is something that really hits the mark. Harrison's comments are echoed by recent examiners' reports from EdExcel, one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues, saying that it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply. Fixed Ensembles Sadie Harrison — On the run!for clarinet in Bb, violin, 'cello, piano Ed Hughes — Matthew's Mazurkafor piano duet Jeremy Dale Roberts — 'Takes three...' for trumpet, 'cello, piano Matthew Roddie — Gone Clubbin' for violin, 'cello Thomas Simaku — From Across the Sea for 2 flutes, clarinet in Bb Flexible Ensembles David Blake — Piece for Luis and Justin for four instruments Anthony Gilbert — U-GO for Arirang for four instruments Jo Kondo — A Birthday Toast for any number of instruments David Lumsdaine — A tree dances for Orpheus for three instruments Paul Mealor — Swing Slow for two instruments Robert Saxton — There and Back for three instruments John Stringer — Duo for two instruments Lu s Tinoco — Diversion for four instruments.

Books and Journals

SKU: UT.QC-4

Edited by Roberto Illiano and Rohan H. Stewart-MacDonald. Paperback (Soft Cover). Quaderni Clementiani. Essays by Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanova, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDo. Classical. Books and Journals. 568 pages. Ut Orpheus #QC 4. Published by Ut Orpheus (UT.QC-4).

ISBN 9788881094783. 6.5 x 9.5 inches.

Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner Lott


The career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys.
The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition.
This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.

By Lars Hagstrom and Jeremy Chesman. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 72 pages. Alfred Music #00-47161. Published by Alfred Music

Concert Band - Grade 2.5

SKU: AP.48129

Arranged by Jeremy Bell. Concert Band; MakeMusic Cloud; Performance Music Ensemble. Young Symphonic. Christmas; Traditional; Winter. Score and Part(s). 256 pages. Duration 3:00. Alfred Music #00-48129. Published by Alfred Music (AP.48129).

ISBN 9781470657130. UPC: 038081554792. English.

For on This Day, a Child Is Born arranged by Jeremy Bell is a colorful medley of three Christmas carols---a bright setting of Ukrainian Bell Carol, a warm chorale version of Greensleeves, and an arrangement of We Three Kings that features a Middle-Eastern flavor. (3:00).

Concert Band - Grade 2.5

SKU: AP.48129S

Arranged by Jeremy Bell. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Christmas; Traditional; Winter. Score. 16 pages. Duration 3:00. Alfred Music #00-48129S. Published by Alfred Music (AP.48129S).

ISBN 9781470657147. UPC: 038081554808. English.

For on This Day, a Child Is Born arranged by Jeremy Bell is a colorful medley of three Christmas carols---a bright setting of Ukrainian Bell Carol, a warm chorale version of Greensleeves, and an arrangement of We Three Kings that features a Middle-Eastern flavor. (3:00).

For String Orchestra and Harp. Composed by Franz Xaver Gruber. Arranged by Jeremy S. Martin. This edition: Concert Strings. Performance Music Ensemble; Single Titles; String Orchestra. LudwigMasters Holiday Music for Strings. Score and Part(s). Duration 5:00. LudwigMasters Publications #36-50250194. Published by LudwigMasters Publications

(PERUSAL BOOK)

SKU: HL.298931

Perusal Pack. Composed by Janet Yates Vogt and Mark Friedman. Recorded Promo - Stockable. Softcover Media Online. Hal Leonard #HPYR-PP. Published by Hal Leonard (HL.298931).

UPC: 888680955410. 9.0x12.0x0.23 inches.

This is the authorized 35-40 minute edition of the TYA musical for elementary schools and youth theatres (grades 2-5). Through a series of workshops with industry professionals and actual kids, Younger@Part® musicals are tailor-made for younger actors. Song keys are changed where needed, songs and scenes are edited for time and content, while keeping the spirit of the original show intact. There are great parts for girls, boys and can feature any size ensemble/chorus, who are featured throughout the show. Sail off on a fantastic musical excursion when a band of comical pirates lands at North Beach looking for an expert digger to join their crew. Braid Beard and his mates enlist young Jeremy Jacob as they look for the perfect spot to bury their treasure. Jeremy learns that adventuring can be lots of fun, but love and home are treasures you can't find on any map. Your elementary school-age cast will love flaunting their pirate swagger in this delightful and swashbuckling musical adventure! Click here for information on licensing this production.

Composed by Jeremy Woolstenhulme. String Tracks XVIII. Full set. Neil A. Kjos Music Company #SO383C. Published by Neil A. Kjos Music Company (KJ.SO383C).

SATB choir, piano accompaniment - Early intermediate

SKU: GI.G-9115

Composed by Jeremy Young. Christmastide, Christmas Vigil, Christmas Night. Christmas. Sacred. Octavo. 20 pages. GIA Publications #9115. Published by GIA Publications (GI.G-9115).

UPC: 785147911500. English. Text Source: Vv.: 'A Hymn on the Nativity of My Saviour', Ben Jonson, 1572-1637, ref.: Jeremy Young. Text by Ben Jonson.

This lively Christmas anthem employs a light hemiola in the chorus to set the rhythmic tone, while the accompaniment helps propel the piece forward. The playfulness between SA and TB voices keeps this buoyant choice for Christmas exciting and approachable for your congregation and choir. .

Arranged by Jeremy Walton. For SATB choir with optional Flute (or Violin). Scripture References: Isaiah 7:14 -- Numbers 24:17. Advent, Sacred. Choir. 12 pages

Soprano voice and Piano

SKU: C4.9790902261197

Composed by Jeremy Woodside. Classical. Score. Crescendo Music Publications #9790902261197. Published by Crescendo Music Publications (C4.9790902261197).

ISBN 9790902261197. 8.27 x 11.7 inches.

Jeremy Woodside's dynamic setting of the poetry of Blake, Wordsworth, Shakespeare and Lord Tennyson is anything but reserved. These quirky and charming pieces show real finesse and care at word-setting and the fresh approach is revelatory.

SSB and Piano

SKU: HL.14028833

Composed by Jeremy Saville. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV400069. Published by Music Sales (HL.14028833).

Composed by Jeremy Young. Ordinary Time 8 A, Children. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #4066. Published by GIA Publications (GI.G-4066).

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4

SKU: CF.SPS87

Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2 +2+2+3+3+3+4+4+4+4+3+3+3+ 6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87).

ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”) ; be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion and more. - Grade 4

SKU: CF.SPS87F

Composed by Jeremy Martin. Sws. Sps. Full score. 24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87F. Published by Carl Fischer Music (CF.SPS87F).

ISBN 9781491156452. UPC: 680160914999. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”) ; be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.