SATB choir and chamber orchestra or piano

SKU: MN.CH-1343

Composed by Dale Jergenson. 21st Century. Laurendale Associates #CH-1343. Published by Laurendale Associates (MN.CH-1343).

UPC: 765844006727. English.

Isaac Watts (1674 –1748) was born in Southampton, England and was brought up in the home of a committed religious Nonconformist; his father, also Isaac Watts had been incarcerated twice for his views. Watts could not attend Oxford or Cambridge because of being a Noncomformist and because these universities were restricted to Anglicans, instead attending the Dissenting Academy at Stoke Newington in 1690. Watts lived at Abney Hall in Stoke Newington until his death in 1748; he was buried in Bunhill Fields. He left an extensive legacy of hymns, treatises, educational works, and essays. His work was influential amongst Nonconformist independents and religious revivalists of the 18th century by contributing to English hymnody with new poetry to be used in worship. The older tradition was based on the poetry of the Bible which was developed from the teachings of the 16th-century Reformation leader John Calvin. Watts’ introduction of extra-Biblical poetry opened up a new era of Protestant hymnody with other poets following in his path. Many of Watts’ hymns are included in the Christadelphian Hymnal, the Episcopal Church’s Hymnal 1982, Evangelical Lutheran Worship, the Baptist Hymnal, the Presbyterian Trinity Hymnal, and the Methodist Hymns and Psalms. Many of his texts are also used in the American Hymnal and The Sacred Harp. Several of his hymns are used in the hymnals of the Church of Christ, Scientist and The Church of Jesus Christ of Latter-day Saints. Of the more that 600 tunes in the Sacred Harp, 149 of them have words by Isaac Watts. Similarly, of the 180 tunes in the Missouri Harmony 2005 Edition, Isaac Watts is credited with the words for 75 of them. The majority of these words come from Watts monumental Psalms and Hymns, first published in 1707.

Composed by John Purifoy. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Music: The Music of Holy Week. Good Friday; Holy Week; Lent; Maundy Thursday; Sacred; Spring. Choral Octavo. Jubilate Music Group #00-47244. Published by Jubilate Music Group

Composed by John Helgen. Choral. Octavo. Published by Neil A. Kjos Music Company (KJ.9128).

Choir; French horn; cello; flute; guitar; oboe; orchestra (flute, oboe, horn in F, cello, bass guitar, and piano)

SKU: HP.C5629O

Composed by Hal H. Hopson. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Lent, General Worship, Communion, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5629O. Published by Hope Publishing Company (HP.C5629O).

UPC: 763628256296. Words by Isaac Watts. Galatians 6:14, John 19:25, John 3:16, Luke 23:47-49, Mark 15:38-39, Matthew 27:54, Philippians 3:7-8, Psalms 34:2, Romans 12:1, 1 Corinthians 1:18-24.

Classic Lenten hymn with words by Isaac Watts The familiar Lenten text from Isaac Watts is beautifully paired here with Hal Hopson's tune, GIFT OF LOVE, in this deeply moving choral setting by Lloyd Larson. The addition of the optional instruments provide a stunning orchestral sound. The Orchestration by Mark Kellner contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Cello, Bass Guitar, and Piano.

Choral SSAA choir

SKU: CF.CM9570

Composed by John Ratledge. Psalms 47 from the Bible. Jbc. Performance Score. With Standard notation. 8 pages. Duration 1 minute, 44 seconds. Carl Fischer Music #CM9570. Published by Carl Fischer Music (CF.CM9570).

ISBN 9781491153581. UPC: 680160911080. 6.75 x 10.5 inches. Key: Bb major. Latin. Psalms 47 from the Bible.

Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47A was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:A (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now.In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:  (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world.Rise up and claim the power of JOY!

Flute, Clarinet & Harp

SKU: SU.28040070

For Flute, Clarinet & Harp. Composed by John Newell. Chamber Music, Mixed Ensemble, Harp, Harp with Other Instruments. Score & Parts. Abierto Music #28040070. Published by Abierto Music (SU.28040070).

Sky Music is a set of works inspired by various aspects of the sky overhead, ranging from the impressionistic to the outright lyrical. I. River of Clouds II. The Winds III. Starry Night IV. December Full Moon Rising V. Song of the Mountains and the Sky The first performance took place in Oklahoma City, performed by Valerie Watts (flute), Armand Ambrosini (clarinet) and Gaye LeBlanc (harp). Audio and score previews are available at the composer's web site: johnnewellmusic.com/works /chamber-ensemble/Flute, Clarinet & Harp Duration: 28' Composed: 2004 Published by: Abierto Music.

SATB choir, assembly, organ accompaniment - Beginning

SKU: GI.G-11167

Composed by John Hatton. Arranged by Hal H. Hopson. Choral. Tune name: Duke Street. Sacred. Octavo. GIA Publications #11167. Published by GIA Publications (GI.G-11167).

English. Text Source: Sts. 1-2, para. of Psalm 117, Psalms of David, 1719, sts. 3-4, Pocket Hymn-book, 1786, Isaac Watts, 1674-1748, alt. Text by Isaac Watts.

HLSPL Showcase Solos Pops Early Intermediate - Level 4. Composed by John Williams. Arranged by Jennifer Watts and Mike Watts. Educational Piano Library. Softcover. 8 pages. Published by Hal Leonar

By G.F. Handel / Polish Carol / John Menzies Macfarlane / Charles Gabriel / Att. To John F. Wade. Arranged by A. Laurence Lyon. Text: Isaac Watts/Nancy Boyd Turner/John Menzies Macfarlane/Martin Luther/att. To John F. Wade. For SATB Choir. Christmas. Duration 4:30. Published by Jackman Music Corporation.
Level: Medium / Medium-Difficult (accompaniment).

SSAA chorus and organ - Medium

SKU: JK.01534

Composed by John J. McClellan. Arranged by Robert P. Manookin. Choral 2 Part, Choral SA, Difficulty Medium, Organ Choir, Joy, Praise and Worship, Restoration, Sabbath Day, Service, Spirituality. Christian, Inspirational. Duration 3:20. Jackman Music Corporation #01534. Published by Jackman Music Corporation (JK.01534).

Psalm 92:1-5, Enos 1:27.

Tender hymn arrangement for women's chorus (SSAA) and organ accompaniment.
Compose r: John J. McClellan
Arranger: Robert P. Manookin
Lyricist: Isaac Watts
Difficulty: Medium
Performance time: 3:20
References: Psalm 92:1-5, Enos 1:27.

SATB choir, organ accompaniment - Intermediate

SKU: GI.G-3472

Composed by John Hatton. Arranged by John Ferguson. Choral. Choral. Tune name: Duke Street. Sacred. Octavo. 12 pages. GIA Publications #3472. Published by GIA Publications (GI.G-3472).

Text by Isaac Watts.

Thirty-Nine Famous Songs for Piano with Words, Ten of Which Are Also Arranged As Piano Duets. By George Frideric Handel, James R. Murray, Franz Xaver Gruber, 347. Edited by Maxwell Eckstein. Arranged by Maxwell Eckstein. Text: A. Mattullath; Anonymous; Charles Wesley; Edmund H. Sears; Isaac Watts; John Mason Neale; John T. Mcfarland; Joseph Mohr; Martin Luther; Phillips Brooks; Samuel Mack. For Piano. Solo part. 63 pages. Published by Carl Fischer.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0109

Composed by Howard Goodall. Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 57 seconds. MorningStar Music Publishers #56-0109. Published by MorningStar Music Publishers (MN.56-0109).

UPC: 688670221262. English, Latin. John 20:1.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, tenor solo, SATB choir and piano. The text is by Christina Georgina Rossetti, Isaac Watts (“When I survey the wondrous cross,”) and drawn from John 20:1 (this text in Latin). The music is serene, acknowledging the grief of those who are left to mourn. Duration 6:57.

SSAATTBB chorus and piano - Difficult / difficult acc.

SKU: JK.00600

Composed by John J. McClellan. Arranged by Ralph Laycock. Choral SATB, Difficulty Hard, Piano Choir, Joy, Praise and Worship, Sabbath Day, Service, Spirituality. Christian, Inspirational. Duration 4:00. Jackman Music Corporation #00600. Published by Jackman Music Corporation (JK.00600).

Psalm 92:1-5, Enos 1:27.

Stirring hymn arrangement for double mixed chorus (SSAATTBB) and piano. Highest soprano note: A.
Composer: John J. McClellan
Arranger: Ralph Laycock
Lyricist: Isaac Watts
Difficulty: Difficult / difficult acc.
Performance time: 4:00
References: Psalm 92:1-5, Enos 1:27.

Piano Solo. By Various Artists. This edition: 080689395383. Book (not sheet music). Softcover. 144 pages. Published by Word Music.

SATB chorus and piano - medium

SKU: JK.01734

Composed by George Job Elvey, John Hatton, and Louis Bourgeois. Arranged by Brent Jorgensen. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Thanksgiving, Special Events Conference (Ward, God the Father, Jesus Christ - Savior, Prayer, Thanksgiving. Christian, Inspirational. Duration 5:25. Jackman Music Corporation #01734. Published by Jackman Music Corporation (JK.01734).

Psalm 92:1, 1 Thessalonians 5:18.

Thanksgiv ing medley for mixed chorus (SATB) and piano, including text and melodies from Praise God, from Whom All Blessings Flow, Come Ye Thankful People, All That Dwell below the Skies and finishing with Prayer of Thanksgiving.
Composer : Louis Bourgeois, George J. Elvey, John Hatton
Arranger: Brent Jorgensen
Lyricist: Thomas Kern, Henry Alford, Isaac Watts, Jan Pinborough
Difficulty: medium
Performance time: 5:25
Reference: Psalm 92:1, 1 Thessalonians 5:18.

Piano Solo. Arranged by Carol Tornquist. Sacred Folio. Size 9.25x12 inches. 248 pages. Published by Word Music.

SSAATTB chorus and organ - medium

SKU: JK.01919

Composed by John J. McClellan. Arranged by James C. Kasen. Choral SATB, Difficulty Medium, Organ Choir, Joy, Missionary Work, Praise and Worship, Restoration, Service, Spirituality. Christian, Inspirational. Jackman Music Corporation #01919. Published by Jackman Music Corporation (JK.01919).

UPC: 093285019195. Psalm 92:1-5, Enos 1:27.

Arranged for the Saturday afternoon session of the October 2019 General Conference, James Kasen's setting of Sweet Is the Work is nothing short of awe-inspiring! A soul-stirring organ accompaniment elevates the old and familiar hymn to more contemplative worship of the King who rules in the eternal world of joy. This piece will be appropriate in any sacred setting. It features verses 1, 3, 4 and 6 of the hymn.
Text: Isaac Watts
Music: John J. McClellan
Arranger: James C. Kasen
Difficulty: medium
Performance Time: 3:30
References: Psalm 92:1-5, Enos 1:27

Chorus, piano (SAB chorus, piano) - Medium Easy

SKU: AU.9781506452531

Composed by John Carter. Augsburg choral Library. Published by Augsburg Fortress (AU.9781506452531).

ISBN 9781506452531. Isaac Watts.

Tony Ward has adapted the text of St. Patrick's Breastplate and composed a new gentle, lilting melody. Several possible optional instrumental parts available, as well as optional assembly participation. Especially appropriate for celebrations of baptism.

(from The Passion of The Christ). By John Debney. Arranged by Mike Watts. (2 part). Sacred Choral. Size 6.75x10.5 inches. 11 pages. Published by CHERRY LANE.

For Voice and Piano. By Felix Mendelssohn Bartholdy; Francois A. Gevaert; Franz Gruber; George Frideric Handel; Martin Luther; Melchior Vulpius. Arranged by Johann Sebastian Bach; Michael Praetorius; Norwood Hinkle. Text: Anonymous; Archer Gurney; Charles Wesley; Isaac Watts; James F. Montgomery; John Mason Neale; Martin Luther; Oley Edsall; Sir Walter Scott; W.E.A.; William C. Dix. For Voice Solo, Piano. Classical. Piano/Vocal Score. 34 pages. Published by Theodore Presser Company.

By John J. Mcclellan / Arr. Nibley. Arranged by Reid Nibley. Text: Isaac Watts. For SAATB Choir. Level: Medium Difficullt. Published by Jackman Music Corporation.

(from The Passion of The Christ). By John Debney. Arranged by Mike Watts. (SATB). Sacred Choral. Size 6.75x10.5 inches. 11 pages. Published by Hal Leonard Sacred.

By Sid Wyche, Mayme Watts. Arranged by John Berry. Easy Jazz Combo. Published by Hal Leonard.

SATB choir and keyboard accompaniment

SKU: AU.9780800675561

Composed by John Carter. General. Augsburg Choral Library. Anthem. Octavo. Published by Augsburg Fortress (AU.9780800675561).

ISBN 9780800675561.

You see the title We Sing the Mighty Power, O God and you think big and loud - not with this exquisite setting. Here the composer takes the awesome angle and treats us to a setting of the Isaac Watts text with quiet reverence.

By Various. For Drums. DVD. DVD. Hudson Music #HDDVDMD24. Published by Hudson Music