Virtuoso South American Guitar. Performed by Jorge Morel. Guitar Book. Size 8.5x11.25 inches. 104 pages. Published by Ashley Mark Publishing Company.

Organ

SKU: BA.BA07795

Episoden/Phrasen. Composed by Jorge E. López. Stapled. Aus Strada degli eroi. Performance score. Composed 2000. 21 pages. Duration 6 minutes. Baerenreiter Verlag #BA07795_00. Published by Baerenreiter Verlag (BA.BA07795).

ISBN 9790006523610. 41.3 x 29.7 cm inches.

World Premiere 12/09/2002, Schwaz (Tirol).

Coro E Strumenti Vari (Highlights)

SKU: HL.50575795

Composed by Nicolas Bacri. Editions Durand. Classical. Score Only. Composed 2007. Editions Durand #DF15340. Published by Editions Durand (HL.50575795).

Flute, Clarinet, Cello and Harp (Chamber Orchestra)

SKU: HL.14017054

Composed by Jorgen Jersild. Music Sales America. 20th Century. Set. Composed 2002. Edition Wilhelm Hansen #WH29203. Published by Edition Wilhelm Hansen (HL.14017054).

ISBN 9788759868690. Italian.

Jorgen Jersild's Fantasia E Canto Affetuoso is a work for Flute, Clarinet, Cello and Harp. Score and Parts.

String orchestra

SKU: BO.B.3292

Composed by Jordi Cervello. Instrumental Sets. Duration 17:35. Published by Editorial de Musica Boileau (BO.B.3292).

English comments:
This is the definitive version of Biogenesis, a piece that Cervello had written in 1976, together with his friend Jorge Wagensberg, and which was awarded the First Prize at the Spanish Ministry for Education and Science's Permanent Composition and Musical Research Competition. The new version was made at 1984-85 Lux et umbra is written for a string group consisting of four first and four second violins, three violas, three cellos and a double bass. The conceptual battle between darkness and light is represented by the instability between the notes B and C, and by the compartmentation of the group of fifteen strings into divisi that provide an independent arrangement for each instrument, thus bestowing great substance upon the texture of the music. A cello cadence emerges from a slow and straightforward beginning. A process of contrasts then begins, culminating in a molto vivace passage of a scherzando nature, which alludes to the Baroque concerti grossi. The music once again plays with chiaroscuro until reaching its climax, from which point the conclusion slowly begins, establishing itself in the high register until fading away. The work was first performed at Barcelona's Palau de la Musica by the English Chamber Orchestra, directed by Enrique Garcia Asensio, in 1987. That same year, in the newspaper El Pais, the observations of the composer and critic Francesc Taverna-Bech paid tribute to the work's intelligence as regards the use of and search for instrumental resources (in this case, string instruments, about which Cervello knows a great deal), the skill involved in endowing the lyrical line with tension, and a singular touch that confers formal essence upon the musical discourse. In La Vanguardia, Jordi Llovet wrote that this is a work in which, as is the case with most of Cervello's compositions, the listener finds something covertly religious, a mysterious secret, a transcendence linked to the origins of communication requiring more than a single being, which provides excitement. In 1990, when the Orquesta de Granada (Orchestra of Granada) performed the work at Barcelona's Grec festival, the critic Cesar Calmell opined, in the same newspaper, that inch by inch, surely and imperturbably, Cervello built up a perfect world that reflects the image of the craftsman who, so astonished at the delights of his trade, is unable to do anything but turn the very backdrop of tragedy into something pleasant. Lux et umbra was recorded by the Orchestra Estatal of the Hermitage, conducted by Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Music critic

Comentari os del Espanol:
Se trata de la version definitiva de Biogenesis, obra que habia escrito en 1976 en colaboracion con su amigo Jorge Wagensberg y que obtuvo el Primer Premio, en el ano de su creacion, en el Concurso Permanente de Composicion e Investigacion Musical del Ministerio de Educacion y Ciencia. La nueva version fue realizada en 1984-85. Lux et umbra esta escrita para un grupo de cuerda integrado por cuatro primeros violines, cuatro segundos, tres violas, tres violoncelos y un contrabajo. El combate filosofico entre la oscuridad y la luz lo lleva a cabo la inestabilidad entre las notas si y do y la compartimentacion del grupo de quince cuerdas en unos divisi que llegan a una escritura independiente para cada instrumento, otorgando una gran importancia a la textura sonora. De un principio lento y descarnado emerge una cadencia del violonchelo. A continuacion da comienzo un proceso de contrastes que culmina en un pasaje molto vivace de caracter scherzando que alude a los concerti grossi del barroco. La musica juega de nuevo con el claroscuro hasta llegar a la cumbre sonora iniciando el final lentamente que se instala en el registro agudo hasta desvanecerse. La estreno en el Palau de la Musica de Barcelona la English Chamber Orchestra en el ano 1987 bajo la direccion de Enrique Garcia Asensio. Ese mismo ano, en el periodico El Pais, el compositor y critico Francesc Taverna-Bech reconocia en sus comentarios la inteligencia en el uso y la busqueda de los recursos instrumentales -en este caso la cuerda, de la que Cervello es profundo conocedor-, la destreza para revestir de tension la linea lirica y un tacto particular para conferir entidad formal al discurso sonoro. Jordi Llovet, en La Vanguardia, escribia que en esta obra, se encuentra, como en la mayor parte de la produccion de Cervello, algo secretamente religioso, un arcano misterioso, una trascendencia vinculada a los origenes de la comunicacion impracticable con el ser unico que resulta apasionante. En el ano 1990, cuando la Orquesta de Granada la toco en el Grec de Barcelona, era el critico Cesar Calmell quien, en el mismo periodico consideraba que Cervello construyo palmo a palmo, segura e imperturbablemente, un mundo perfecto que refleja la imagen del artesano que, de tan admirado con las delicias de su oficio, no puede hacer otra cosa que convertir en agradable el fondo mismo de la tragedia. Lux et umbra esta grabada por la Orquesta Estatal del Hermitage, dirigida por Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Critico musical.

Guitar

SKU: M7.DUX-852

500 Jahre Musik für klassische Gitarre. Edited by Michael Langer. Score with online audio files. 112 pages. Edition Dux Verlag #DUX 852. Published by Edition Dux Verlag (M7.DUX-852).

ISBN 9783934958562.

Nebe n berühmten Klassikern alter Meister wie dem Prélude Nr. 1 von Heitor Villa-Lobos, den Etudes simples VI-X von Leo Brouwer und The Frog Galliard von John Dowland findet der Liebhaber Stücke wie die Milonga von Jorge Cardoso, Cavatina - die Filmmusik aus The Deer Hunter - und Danza Brasilera von Jorge Morel. Eigene Arrangements von Stings Fragile und dem berühmten Klavierstück Agua e vinho von Egberto Gismonti runden die Sammlung ab. So eignet sich Saitenwege 2 hervorragend als Begleiter für den Gitarrenunterricht. Mit Audio-Download. Michael Langer - Herausgeber und international renommierter Gitarrist - hat alle Titel dieses Buches eingespielt.

Composed by Jorge Martin. E.C. Schirmer Publishing #8871. Published by E.C. Schirmer Publishing

2 guitars

SKU: M7.BBA-4024

En forma de concierto italiano. Composed by Domenico Cimarosa. Sheet music. Performance score. MDS (Music Distribution Services) #BBA 4024. Published by MDS (Music Distribution Services) (M7.BBA-4024).

The Cimarosa Sonatas represent a chest of melodic ideas in which the Neapolitan universe of contrasts takes shape, where freshness sometimes alternates tender melancholy and heartfelt sadness that have always been the counterpart in the culture of that city. Domenico Cimarosa was one of the most prominent opera composers of the late 18th century. He is a transitional figure between the generation of classical operas of the second half of the 18th century (e.g., Gluck and Mozart), and the later generation of early 19th century Italian composers such as Rossini and Donizetti. The work of Jorge Martínez Zárate as a composer and transcriber is vast, he has written original works for one and two guitars and has made more than a thousand transcriptions, a large number of them have been published in Argentina and also in the United States, France and Italy.

Vocal and Guitar

SKU: HL.14037075

Composed by Nils Espersen. Music Sales America. Book [Softcover]. Composed 2005. 24 pages. Edition Wilhelm Hansen #WH30269. Published by Edition Wilhelm Hansen (HL.14037075).

ISBN 9788759807675.

Indh old:
Og det var en skaersommerdag ; En yndig og frydefuld sommetid ; Marken er mejet ; Nu falmer skoven trindt om land
Torrild, Johannes: Nar vinteren rinder i groft og i grav
Malling, Jorgen, f. 1836: Hor, hor hvor det tor
Ring, Oluf: Den kedsom vinter gik sin gang ; Nar egene knoppes ; Danmark nu blunder den lyse nat ; Sig naermer tiden
Lindeman, Ludvig Mathias: Jeg vaelger mig april
Gebauer, J. C.: Nu lakker det ad tiden smat
Gade, Niels W.: Gron er varens haek (2 versioner)
Hansen, Hans, f. 1817: Fo' ajle di sma blomster
Nielsen, Age, f. 1922: Midsommerteltet, de lyse naetter
Nielsen, Carl, f. 1865: Se dig ud ensommerdag ; Den sorte fugl er kommet
Mortensen, Otto, f. 1907: Du danske sommer, jeg elsker dig ; Septembers himmel er sa bla ; Liden sol i disse uger
Weis, Flemming: Fyldt med blomster blusser aebletraeets gren
Agerby, Aksel: Jeg er havren
Weyse, C. E. F.: Vipper springe over klinge
Balslev, Harald: Det lysner over agres felt
Nebelong, J. H.: Nu falmer skoven trindt om land
Aagaard, Thorvald: Spurven sidder stum bag kvist ; Sneflokke kommer vrimlende
Hartmann, J. P. E.: I sne star urt og busk i skjul
Hamburger, Povl: Der er ingenting i verden sa stille som sne
Laub, Thomas: Der er ingenting i verden sa stille som sne ; Det er hvidt herude
Jeppesen, Knud, f. 1892: Vintergaek er brudt af mulden.

Sonatas No. 3 in G minor and No. 4 in E minor. By Benedetto Marcello. Edited by Jorgen Glode. For Alto recorder (f,g), Basso continuo. Hortus Musicus. Playing Score; Set of Parts. Op. 2. Published by Hortus Musicus (German import).