Par CASTLE JOSEPH. Joseph Castle has compiled and edited 76 time-honored classic guitar solos, reflecting his comprehensive knowledge of the guitar and of music in general. Selections range in time from 1500 through the Romantic period. Composers include Mozart, Carcassi, Beethoven, Gluck, and many others. Standard notation only. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Guitare Classique

Marchons, Marchons Gaiement, Joseph Tu Es Bien Joyeux. Par NICOLAS BERNADETTE. Deux titres de J-F Dandrieu (1682-1738) / Niveau : 1er Cycle / Répertoire / 3 Guitares

Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only.The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella

Compositeur/Auteur : ARBAN Joseph Discipline/Instrument : saxophone Mib Collection : Delangle Claude Support : Partition Style/Genre : classique Date de parution : avr.-03

Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre

Piano Trios (previously attributed to Joseph Haydn). Par PLEYEL IGNAZ. Quel meilleur professeur de composition de musique de chambre pourrait-on imaginer que Joseph Haydn? L’Autrichien Joseph Pleyel s’imprégna si bien du savoir-faire de son maître que ses trios avec piano en Ut majeur et Fa majeur composés dans un riche style galant furent d’abord attribués au grand maître (numéros d’inventaire Hob. XV:3 et Hob. XV:4). De son vivant, les compositions de Pleyel connurent une grande popularité et furent largement diffusées. Ses 50 trios avec piano y occupent une place particulière aux côtés des symphonies et des quatuors à cordes. La présente édition Urtext en présente deux exemples particulièrement brillants. / Partition brochée / Répertoire / Trio avec Piano

Ein Deutsches Weihnachtsliederspiel Nach Oberbayerischen und Tiroler Weisen. Par HAAS JOSEPH. Das Weihnachtsliederspiel Christnacht des Komponisten und Pädagogen Joseph Haas gehört zu den Klassikern des geistlichen Spiels. Haas hatte den Mangel an für Laien spielund singbarer weihnachtlicher Oratorienliteratur beklagt. ?Nichts lag näher, als die altbekannten lieben weihnachtlichen Volksweisen zu einem einheitlichen Liederspiel zu vereinigen. Als ich den Plan durchdachte, wurde es mir klar, dass sich nur solche Melodien, die der gleichen deutschen Landschaft angehören, zu einem stilistisch einwandfreien Organismus verbinden können. Der mir befreundete Münchener Gesangspädagoge Professor Anton Schiegg, ein gründlicher Kenner süddeutscher Volkskunst, machte mich auf den kostbaren Schatz der bezaubernden oberbayerischen und Tiroler Krippenlieder aufmerksam?, so beschreibt Joseph Haas die Anregung zu seinem Spiel, das für Kinder ab 10 Jehren und für Jugendliche geeignet ist. Eine Aufnahme des Werkes ist bei TYXart erschienen und kann hier bestellt werden. / Niveau : 2 / Répertoire / Solistes, Ch?ur Mixte SATB et Orgue

Báïlèro (Soprano, SATB, Tenor). Par CANTELOUBE JOSEPH. Composed by Joseph Canteloube, Bàï lèro is part of the first series out of five, from Songs From The Auvergne. It is the most famous song of the series, and this edition was written for Soprano Solo, Tenor Solo and SATB. The lyrics are in local dialect ; Occitan and have the French translation below, they consist of questions asked to the bàï lèro. The piece is introduced by the SATB singing slowly and in a contemplative way, with a strict tempo. The Soprano solo then starts with the lyrics, followed by an SATB transition towards the Tenor solo. The piece is then replayedwith no introduction and different lyrics to finish with all the voices in perfect harmony. Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series 'Songs from the Auvergne' inspired by the area his family was from./ Répertoire / Chant

Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre

Joseph, lieber Joseph mein. Par BODENSCHATZ ERHARD / ECCARD JOHANNES. Wei cor achten -/ Répertoire / Choeur Mixte

Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra Edition no. BA 7898-90 ISMN 9790006566020 Joseph Joachim's 'Fantasies on Hungarian and Irish [Scottish] Themes' was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the 'Fantasy on Hungarian Themes' in German cities met his need for self-display as the 'Hungarian lad', to use Mendelssohn's jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.

1Er Mvt. Par HAYDN JOSEPH. Formation : Musique de Chambre, Solo - Instrumentation : 1 Piano Solo - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 11 mn 20 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale, Incontournable Réédité - Compositeur : Joseph HAYDN - / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Répertoire / Piano