| Concerto Violon Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, ...(+)
Orchestra Bass Trombone,
Bassoon 1, Bassoon 2,
Celesta, Clarinet 1,
Clarinet 2, Contrabass,
English Horn, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Viola, Violin 1 and more.
SKU: PR.41641366L
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L). UPC:
680160585755. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. $180.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Orchestre d'harmonie Theodore Presser Co.
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band
SKU: PR.416413660
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Perfect. Contemporary.
Full score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366.
Published by Theodore
Presser Company
(PR.416413660). ISBN
9781598063578. UPC:
680160601899. 9x12
inches. Trained as
a violinist in his native
Tehran, composer Behzad
Ranjbaran eagerly drew
inspiration from the
traditional Persian
kamancheh and its
delicate, lyrical sound
when creating his
profoundly luscious and
brilliant Concerto for
Violin and Orchestra.
This work was completed
in 1994 and premiered in
England by Joshua Bell,
who also gave the first
American and Canadian
performances. The
Concerto for Violin and
Orchestra is the
recipient of the Rudolf
Nissim Award from ASCAP,
and it was supported in
part by a grant from The
National Endowment for
the Arts. The solo part
with a piano reduction as
well as a large score are
available on custom
print. For advanced
players. Duration:
31'. From my early
years studying violin at
the Tehran Music
Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Aaron Jay Kernis - Air (Flute / Piano) Flûte traversière et Piano - Avancé Associated
for Flute and Piano. By Aaron Jay Kernis. Woodwind Solo. Size 9x12 inches. 14 pa...(+)
for Flute and Piano. By
Aaron Jay Kernis.
Woodwind Solo. Size 9x12
inches. 14 pages.
Published by Associated
Music Publishers, Inc.
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ladies in Lavender for Violin and Piano Violon et Piano Faber Music Limited
By Nigel Hess (1953-). For violin and piano. String - Violin and Piano. Faber Ed...(+)
By Nigel Hess (1953-).
For violin and piano.
String - Violin and
Piano. Faber Edition.
Movies. Published by
Faber Music
(2)$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Asia and More 2 Violons (duo) [Partition] Universal Edition
(Violin Duets). By Aleksey Igudesman. For 2 Violins. World Music. 51 pages. Publ...(+)
(Violin Duets). By
Aleksey Igudesman. For 2
Violins. World Music. 51
pages. Published by
Universal Edition
$23.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ladies In Lavender Fantasy Vln/Pno Violon et Piano Faber Music Limited
Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess....(+)
Violin, Piano
SKU: HU.F0571537316
For Violin and Piano.
Composed by Nigel Hess.
Strings, Repertoire,
Solos. Ladies in
Lavender: Fantasy.
Softcover Book. 12 pages.
Faber Music #F0571537316.
Published by Faber Music
$17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Meditation from the Opera Thais for String Orchestra Orchestre à Cordes [Conducteur et Parties séparées] - Facile Southern Music Ltd
Score and Parts. Composed by Jules Massenet (1842-1912). Arranged by Lauren ...(+)
Score and Parts. Composed
by
Jules Massenet
(1842-1912).
Arranged by Lauren
Keiser.
Southern Music.
Classical.
Softcover. Southern Music
Company #SO119C.
Published by
Southern Music Company
$40.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fantasy from Ladies in Lavender Violon et Piano - Intermédiaire Faber Music Limited
By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Pia...(+)
By Nigel Hess (1953-).
For Violin. Part(s);
Score; Solo; String -
Violin and Piano. Faber
Edition. 20th Century;
Masterwork; Movie.
Advanced; Intermediate.
Published by Faber Music
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Succeed as a String Player [Partition] String Letter Publishing
Teen Strings Shows You How. String Letter Publishing. Softcover. 154 pages. Publ...(+)
Teen Strings Shows You
How. String Letter
Publishing. Softcover.
154 pages. Published by
String Letter Publishing.
$16.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spirituals & Gospels - Facile Schott
Keyboard - easy SKU: HL.49015303 19 New Arrangements for Keyboard....(+)
Keyboard - easy SKU:
HL.49015303 19 New
Arrangements for
Keyboard. Edited by
Steve Boarder. Arranged
by Steve Boarder. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 24 pages.
Schott Music #ED7473.
Published by Schott Music
(HL.49015303). ISBN
9783795750398. UPC:
073999490633.
9.0x12.0x0.089
inches. Keine
Frage! Zu einem modernen,
komfortabel
ausgestatteten Keyboard
gehoren auch zeitgemasse,
ansprechende
Notenausgaben. Diese
Serie ist fur die
Keyboards der neuen
Generation
massgeschneidert, die die
leicht spielbaren
Arrangements im
Supersound erklingen
lassen. Die Ausstattung
der Hefte durfte alle
Erwartungen eines
Keyboarders erfullen. Sie
finden: Vorschlage zur
Registrierung, zum Tempo,
zur Begleitautomatik, zum
Einsatz von Effekten,
leicht spielbare
Fingersatze, Hinweise zur
Ausfuhrung jedes Stuckes
und je eine Tabelle, in
die Sie Ihre personlichen
Gestaltungsideen
eintragen konnen. Die
doppelseitige Einlage:
zeigt Ihnen alle Griffe
fur den Einsatz der
Einfinger-Akkord-Automati
k, gibt Ihnen
grundlegende
Informationen uber die
Moglichkeiten Ihres
Instruments, enthalt
speziell auf das Keyboard
zugeschnittene Tipps zum
Uben, mit deren Hilfe Sie
jedes dieser Stucke
vorfuhrreif spielen
lernen und erklart und
ubersetzt im Mini-Lexikon
mehr als 60 Begriffe aus
der Fachsprache des
Keyboarders. $16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ring With 6: Year-Round II Cloches [Partition] Hope Publishing Company
(Music for 6 Ringers). Arranged by Martha Thompson. For 12 Bells, 3-6 Ringers wi...(+)
(Music for 6 Ringers).
Arranged by Martha
Thompson. For 12 Bells,
3-6 Ringers with optional
handchimes. This edition:
Complete. Collection.
Ring with 6 Series.
General Worship, Sacred.
Handbell score. 24 pages.
Published by Hope
Publishing Company
$39.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Joshua Fit The Battle Cloches Hope Publishing Company
Arranged by Thomas Gregory. General Worship, Sacred. Handbell score. 8 pages. P...(+)
Arranged by Thomas
Gregory. General Worship,
Sacred. Handbell score.
8 pages. Published by
Hope Publishing Company
(HP.2788).
$6.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Raider's Last Crusade - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute, Horn, Jingle
Bells, Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2,
Percussion 3, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 2.5 SKU:
CF.YPS251 Composed by
Ed Kiefer. Yps. Set of
Score and Parts.
16+4+8+8+8+4+4+10+4+4+8+8
+8+8+6+6+6+4+6+2+2+4+4+1+
24 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #YPS251.
Published by Carl Fischer
Music (CF.YPS251).
ISBN 9781491161340.
UPC:
680160919932. Commi
ssioned by the Midway
High School Band, NC
Joshua Tew and Jesse
Shelton, Directors
Commission funded by the
Simple Gifts Grant Fund
(Clinton, NC) In memory
of Deborah Tew, mother of
Joshua Tew This
composition is a great
concert opener or
festival selection for a
young band. Beginning
with a joyful motive and
lots of featured
percussion, it uses
sudden dynamic changes
and a dark middle section
to create plenty of
contrast and excitement.
The ending begins very
softly, building to a
tension filled climax
that eventually returns
to the joyful motive from
the beginning of the
piece. Lots of fun for
the musicians and the
audience! Be sure to keep
the tempo moving
throughout--don't let it
slow down or it will lose
energy, especially in the
soft sections. Keep
articulations crisp and
let the horns wail
(doubles in altos). Make
sure your percussionists
observe the marked
dynamics and do not cover
the winds. Otherwise,
this piece is very
accessible, with
reasonable ranges and
rhythmic challenges. It
may take a minute or two
to balance the dark
chords in the middle
section, but it will be
well worth it for the
contrast. Have
fun!. Commissioned by
the Midway High School
Band, NCJoshua Tew and
Jesse Shelton,
DirectorsCommission
funded by the Simple
Gifts Grant Fund
(Clinton, NC)In memory of
Deborah Tew, mother of
Joshua TewThis
composition is a great
concert opener or
festival selection for a
young band. Beginning
with a joyful motive and
lots of featured
percussion, it uses
sudden dynamic changes
and a dark middle section
to create plenty of
contrast and excitement.
The ending begins very
softly, building to a
tension filled climax
that eventually returns
to the joyful motive from
the beginning of the
piece. Lots of fun for
the musicians and the
audience!Be sure to keep
the tempo moving
throughout--don’t
let it slow down or it
will lose energy,
especially in the soft
sections. Keep
articulations crisp and
let the horns wail
(doubles in altos). Make
sure your percussionists
observe the marked
dynamics and do not cover
the winds. Otherwise,
this piece is very
accessible, with
reasonable ranges and
rhythmic challenges. It
may take a minute or two
to balance the dark
chords in the middle
section, but it will be
well worth it for the
contrast. Have fun! $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| How Firm a Foundation/Simple Gifts Cloches Hope Publishing Company
Handbells 3-6 octave handbell choir 3-7 octave handbell choir - Level 2 - 3 S...(+)
Handbells 3-6 octave
handbell choir 3-7 octave
handbell choir - Level 2
- 3 SKU: HP.2183
Arranged by Susan T.
Nelson. General Worship,
Sacred. Handbell score.
Hope Publishing Company
#2183. Published by Hope
Publishing Company
(HP.2183). UPC:
763628121839. 1
Corinthians 3:11, 2
Timothy 2:19, Jeremiah
29:11, Psalms 42:5, 1
Peter 4:12, 2 Corinthians
12:9, Genesis 26:24,
Hebrews 13:5, Isaiah
43:1-5, Joshua 1:5-9,
Romans
8:37-39. Medley of
hymn tunes Lots of
special techniques
enhance the flavor and
add challenge for your
ringers. How Firm A
Foundation/Simple Gifts
Medley employs
both hymn tunes,
skillfully interwoven
throughout in this highly
orchestral,
multi-textural
arrangement. It is scored
for 3-7 octaves of
handbells with OPTIONAL
3-4 octaves of
handchimes, plus optional
3-4 octaves of
handchimes, plus optional
2-3 octaves of Petit &
Fritsen or Silver Melody
Bells. An orchestral bell
(tubular) part is added
which can substitute for
the alternate bells if
they are not available.
This setting also sports
a bell tree (Simple
Gifts) in the upper 5th
octave. A glockenspiel
part is provided
especially for 3 and 4
octave choirs, which
duplicates the bell tree
part. $6.50 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| E-Z Play Today #199 - Jumbo Songbook
Piano, Voix et Guitare [Partition] - Débutant Hal Leonard
Keyboard/vocal/chords songbook for voice and keyboard. With lyrics, chord names,...(+)
Keyboard/vocal/chords
songbook for voice and
keyboard. With lyrics,
chord names, big note
notation and registration
guide. Series: Hal
Leonard E-Z Play Today.
488 pages. Published by
Hal Leonard.
(6)$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jumbo Easy Guitar Songbook Guitare notes et tablatures Guitare classique [Partition] - Facile Hal Leonard
Performed by Various. Easy Guitar (Simplified arrangements for guitar). With not...(+)
Performed by Various.
Easy Guitar (Simplified
arrangements for guitar).
With notes and tablature.
Size 9x12 inches. 400
pages. Published by Hal
Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jumbo Songbook Orgue Hal Leonard
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Huge Book of Really Easy Melodies for Guitar in TAB Guitare notes et tablatures Guitare classique - Facile Alfred Publishing
(The Most Famous Melodies of All Time Arranged for Easy Guitar). For Guitar. Thi...(+)
(The Most Famous Melodies
of All Time Arranged for
Easy Guitar). For Guitar.
This edition: Easy Guitar
TAB. Book; Guitar Mixed
Folio; Guitar TAB; Solo
Guitar TAB (EZ/Int). 288
pages. Published by
Alfred Music Publishing
$25.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Daily Ukulele - Baritone Edition Ukulele Baryton Hal Leonard
Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcove...(+)
Arranged by Jim Beloff
and Liz Beloff. For
Baritone Ukulele. Fake
Book. Softcover. 336
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Autoharp: Complete Method And Music Autoharp Ashley Publications
Autoharp Complete Method. For Autoharp. Ashley Publications. Theory. 96 pages. A...(+)
Autoharp Complete Method.
For Autoharp. Ashley
Publications. Theory. 96
pages. Ashley Mark
Publishing Company
#AS10462. Published by
Ashley Mark Publishing
Company
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs of Yale Schirmer
Voice and Piano. By Various. Arranged by Marshall Bartholomew. Choral. Size 7.5x...(+)
Voice and Piano. By
Various. Arranged by
Marshall Bartholomew.
Choral. Size 7.5x10.7
inches. 244 pages.
Published by G. Schirmer,
Inc.
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Daily Ukulele
Ukulele [Partition] Hal Leonard
(365 Songs for Better Living). Arranged by Jim Beloff and Liz Beloff. Ukulele. S...(+)
(365 Songs for Better
Living). Arranged by Jim
Beloff and Liz Beloff.
Ukulele. Softcover. 336
pages. Published by Hal
Leonard
(5)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Abracadabra Saxophone & CD Saxophone Alto [Partition + CD]
Alto Saxophone SKU: BT.9781408105290 Composed by Jonathan Rutland. Abraca...(+)
Alto Saxophone SKU:
BT.9781408105290
Composed by Jonathan
Rutland. Abracadabra.
Method. Book with CD.
Collins Music Publishing
#9781408105290. Published
by Collins Music
Publishing
(BT.9781408105290).
ISBN 9781408105290.
English. The
perfect book for pupil
and teacher
- Tunes you know and
want to play
- Technique carefully
graded
- Clear
fingering diagrams
- Concise theory
explanations
- Jazz improvisations
andstyles
- New
duets
- Fresh new
look
$14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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