Uses: General Concert Easter AdventScripture: Isaiah 40:5; Revelation 5:13Raw power characterizes the opening of this festival anthem from the Cathedral Series. Massive chords sweep forwardbringing in fanfare-like choral acclamations of praise. Use of a solo reed adds shine and the martial like theme is a confident call to worship and invitation to prepare the way of the Lord with praise. The church was made forsong and the middle contrasting section celebrates this legacy of praise by increasing intensity until breaking forth with jubilant alleluias. A final canon caps this majestic offering!

Uses: EasterScripture: Matthew 28:5-6; Luke 24:1-3This jubilant anthem for Easter day recounts the miraculous story of Christ's resurrection. Unison voices singing “alleluias” with thepeal of optional handbells proclaim together the glorious news that Jesus lives! Available separately: Unison CelebrationTrax CD. Duration: ca. 2:31

A Gathering of Carols, Choir and Candlelight. Par . This choral compilation brings together beloved carols and new seasonal lyrics with celebrated music from Bach, Handel, Mozart and others. As a collection, you can use this resource throughout Advent and Christmas, or use the optional narration to present the entire work as a cantata. A full line of support products is available to enable your performance options. Score and Parts (instrumentation varies by song) available as a digital download. For the Accompaniment Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. HL00428625: Accompaniment Tracks Songs include: Canon de Noel; Procession of Light; A Classic Advent Flourish; Advent Alleluia; Celebration for Advent; He Shall Feed His Flock; An Etude Carol; Christ Is Born! Let Earth and Heaven Rejoice; Adoramus Te; Christmas Jubilate. / Date parution : 2022-11-29/ Recueil / SATB et Ensemble

from Exsultate Jubilate-The buoyant aria from Mozart's Exsultate jubilate is offered here in an arrangement for treble voices. Wonderful for developing tone and phrasing it is also a great introduction to music of the Classical era.

with Piano Accompaniment online-This compilation of 11 Clarinet solos from the legendary Rubank educational library now includes online access to:Full-performance and accompaniment-only audio tracksPDF Piano accompaniment filesPLAYBACK A multi-functional audio player that allows you to adjust tempo without changing pitch change keys and create practice loops - available exclusively from Hal Leonard.Contents: 'Adagio and Meneutto' (Mozart) 'Alleluja from Exultate Jubilate' (Mozart) 'Bel Canto' (Johnson) 'Chansonette' (Barret) 'Concerto in G Minor' (Handel) 'Estilian Caprice' (Paul) 'Fantasy-Piece Op. 73 No. 1' (Schumann) 'Lamento'(Bassi) 'Menuet from Divertimento in D K. 334' (Mozart) 'Nocturne from Concerto in G Minor' (Verhey) 'Romance Op. 3' (Becker).

Here is the perfect combination of something old and new joined to call the church to praise. With options for youth and children's choirs the anthem is stylistically traditional and contemporary. Starting very simply withMorning Song this stunning sacred choral reminds us all to be people of alleluia!

From the cantata Festival of Faith, this flourish of Easter praise is the perfect exclamation point for Resurrection Sunday. The well-known hymn tune ENGELBERG receives a syncopated and mixed-meter upgrade, driving the piece forward with jubilant energy. A colorful orchestration provides instrumental and track options, lifting the anthem to dizzying heights of praise. Majestic and meaningful! Score and Parts for Full Orchestra (fl 1-2/pic, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Score and Parts for Consort (fl, cl, tpt 1-2, tbn, bls/chm, perc, pno, kybd) each available as a download.

A collection of 10 intermediate (Grade 5-6) classical pieces selected and edited by Vincent Smith for B-flat Trumpet with Piano accompaniment. Features works by great masters of different periods such as Mozart Haydn Wagner Rossini Mendelssohn Böhm and others. Middle range to A above the staff. Pull-out Trumpet part.Trumpet Players Collection Book 2 includes Andante from Trumpet Concerto (Haydn) Alleluia from Exultate Jubilate (Mozart) Cavatina from Stabat Mater (Rossini) Minuet (Hollins) O for the wings of a dove (Mendelssohn) Rigaudon (Böhm) Serenade (Clarke) The heavens declare (Marcello) Trumpet Voluntary (Dupuis) With me have rest from Lohengrin (Wagner).

Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who

Le motet a revêtu différentes formes au cours de son évolution et a joué un rôle important dans le développement de la musique polyphonique vocale entre les XIIIe et XVIIIe siècles. En janvier 1773 Mozart séjourne à Milan en compagnie de son père et y écrit une œuvre originale pour le castrat Venanzio Rauzzini : le motet Exultate Jubilate KV 165. Cette œuvre sacrée en trois parties rappelle une véritable 'sinfonia' italienne : la pièce suit l?ordonnancement logique Allegro - Andante - Allegro final qui se termine par l?Alleluia somptueux témoignage de virtuosité vocale.

Le motet a revêtu différentes formes au cours de son évolution et a joué un rôle important dans le développement de la musique polyphonique vocale entre les XIIIe et XVIIIe siècles. En janvier 1773 Mozart séjourne à Milan en compagnie de son père et y écrit une œuvre originale pour le castrat Venanzio Rauzzini : le motet Exultate Jubilate KV 165. Cette œuvre sacrée en trois parties rappelle une véritable 'sinfonia' italienne : la pièce suit l?ordonnancement logique Allegro - Andante - Allegro final qui se termine par l?Alleluia somptueux témoignage de virtuosité vocale.

Uses: Easter Scripture: Matthew 28:5-6; Luke 24:1-3 Celebrating the triumphant news of Christ's resurrection this jubilant anthem calls “Easter people” to sound the news that Jesus isalive! A recurring refrain of “alleluias” follows each verse and also provides an optional descant as the song nears its conclusion. A simple part for 3 optional handbells heightens the sense of exuberance. Availableseparately: Unison with opt. Descant CelebrationTrax CD. Duration: ca: 3:30

This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization and a recurring instrumental passage smoothly connects the verses. Reflecting common hymn-singing practice the first verse is in unison the second in four-part harmony and the third returns to unison with a soprano descant before closing with a suitably exultant 'Alleluia' and 'Amen'. Christ The Lord Is Risen Today appears on the Mormon Tabernacle Choir and Orchestra at Temple Square's latest CD He is Risen which reached No. 1 in both the 'ClassicalAlbums' and 'Traditional Classical Albums' US charts within two weeks of its release in April 2014.

This festival work by Jerry Estes is perfect for middle school and inexperienced high school choirs. It has limited use of Latin combining with English and the soprano range is slightly higher for use with the upper voices. Thisis an educationally sound up-beat opening choral for your festival or concert. A wonderful choral to teach musicianship! Available separately: 3-part mixed StudioTrax CD.