Onze courtes réflexions sur Bist du bei mir par GH Stölzel arr JS Bach pour piano (de facile à intermédiaire) Judith Serota a été directeur exécutif des Festivals Spitalfields à l'est de Londres jusqu'à la fin de 2007. Comme une surprise en laissant présente à elle, alors directeur artistique du Festival, Diana Burrell, l'idée de réunir un ensemble de pièces pour piano de difficulté facile à intermédiaire pour elle de jouer. Ceux-ci devaient avoir des variations sur un thème: Bist du bei mir, une chanson pour voix et basse continue en JS Klavierbüchlein secondes de Bach ou 'Livre petit clavier'. Les variations ont été rédigés par les directeurs artistiques du Festival de Spitalfields, tous les compositeurs avec lesquels Judith avaient travaillé au cours des 20 années précédentes. Depuis lors, plusieurs compositeurs plus, liés au Festival au cours de ces années, ont contribué pièces. Le résultat est Variations pour Judith, 'onze courtes réflexions' sur le thème. / Piano

Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue

Par BLEZZARD JUDITH. Judith Blezzard This book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development, revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored, and a large section is devoted to the often surprisingly ingenious ways in which secular music has, since the beginnings of the English church, been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall, from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations, this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory, as is often presumed to be the case. Although the book, with its use of musical examples, is designed primarily for the general musical reader - both amateur and professional, its broadly historical approach will appeal to those interested in English cultural heritage, the church, and its worship. ISBN 0 85249 784 9 Judith Blezzard This book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development, revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored, and a large section is devoted to the often surprisingly ingenious ways in which secular music has, since the beginnings of the English church, been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall, from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations, this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory, as is often presumed to be the case. Although the book, with its use of musical examples, is designed primarily for the general musical reader - both amateur and professional, its broadly historical approach will appeal to those interested in English cultural heritage, the church, and its worship. ISBN 0 85249 784 9/ Livre / Livre

Par BINGHAM JUDITH. Magnificat and Nunc Dimittis (York Service) arranged for mixed voice a cappella by Judith Bingham. / Choral Music / Répertoire / Voix Mixtes

Par BINGHAM JUDITH. Ceaselessly Weaving Your Name by Judith Bingham. Arranged for SATB choir a cappella. / Choral Music / Répertoire / Voix Mixtes

Compositeur(S): Louis Bessieres. Par MAGRE JUDITH. Hubert Käppel wurde für diese Bearbeitung in der internationalen Fachpresse gerühmt und bewundert und er hat durch Konzerte und CD-Einspielungen bewiesen, dass diese Version trotz aller Schwierigkeiten hervorragend spielbar ist./ Feuillet / Chant et Piano

Par BINGHAM JUDITH. Sbar Soli—SATB Chorus—2.2.Ca.1.B-cl.2.Cbsn—4.3.3.1—3Perc—Org—Str / Choral Music / Répertoire / Voix Mixtes

Par WEIR JUDITH. / Musique contemporaine / Répertoire / Hautbois et Réduction Piano

12 Poems by Judith G. Wolf for Countertenor, Cello, and Orchestra. Par FUCHS KENNETH. This piece, along with three others, earned the composer a Grammy for the 2018 Best Classical Compendium. Composer's program note excerpt: Judith G. Wolf's expressive poems take us on a memorable journey through everyday life, the support of family and friends, the joy of love, and the pain of grief and loss. I was moved by her work to compose Poems of Life, an orchestral song cycle that sets to music twelve poems from Wolf's most recent volume of poetry, Otherwise. The poems weave a narrative of eternal love, the pain of loss through death, emotional transformation through grief, and spiritual enlightenment. CONTENTS: Prologue 1. Ethereal 2. Time Slips Away Movement 1 3. Gary Died 4. Just Like That 5. Watching for Death 6. Face Movement 2 7. Sisters 8. Forever Gone 9. The Retreat Movement 3 10. The Dream Epilogue 11. Conversation 12. Epiphany. Orchestra accompaniment rental item is available separately from the publisher./ Répertoire / Chant et Piano

Blezzard Judith (Editor). Par BLEZZARD JUDITH. This is a collection of seven beautiful motets by French composers of the 19th century. The beauty of text and music in this repertory transcends liturgical constraint, widening the context in which the music can be used to enhance worship and meditation. This collection, showing a diversity of style and texture, is ideal for church or concert use, it includes evocative settings by the lesser-known Massenet and Caplet as well as motets by Franck, Faure, Saint-Saens and a new two-part version of Gounod's Ave Maria. Scored for SA chorus with Organ or Piano accompaniment. / Niveau : Assez Facile / Date parution : 1998-05-21/ Recueil / SA

Petit Cheval s'ennuie dans sa prairie : il aimerait tant avoir des ailes pour aller loin, par-delà les montagnes, par-delà l'horizon... À peine a-t-il prononcé ces mots, que Petit Cheval sent quelque chose qui bouge sur son dos... Une histoire pour rêver et grandir, une musique magnifique interprétée au piano par Isabelle Aboulker. Un livre et un CD pour découvrir l'extraordinaire richesse musicale du piano. Comment joue-t-on du piano ? Quelles sont les plus belles sonorités ? Comment est fabriqué le piano ? Depuis quand existe-t-il ? Quelles musiques les grands compositeurs ont-ils écrit pour lui ? Une partie documentaire présentée par Judith Birnbaum.

Play your favorite songs quickly and easily with the Drum Play-Along Series. Just follow the drum notation, listen to the CD to hear how the drums should sound, then play along using the separate backing tracks. The lyrics are also included for quick reference. The audio CD is playable on any CD player. For PC and MAC computer users, the CD is enhanced so you can adjust the recording to any tempo without changing the pitch! Includes: Chop Suey! Duality Here to Stay Judith Nice to Know You Nookie One Step Closer Whatever.