Tanabata-In Japan July the 7th is a holiday known as Tanabata for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai’s musical interpretation of this romantic legend. The alto saxophone and euphonium solos during the middle movement represent the two main themes from the legend.

POD-Released in 2005 the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence Talbot composed a new piece of music each month scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. July - Murmurationwas the seventh piece to be composed and is scored here for solo Piano.

American Beauty/American Psycho-This is the 2015 album from Fall Out Boy an American rock band formed in 2001. Songs include Irresistible Jet Pack Blues Fourth Of July Twin Skeleton's and The Kids Aren' t alright.

The theme music from the original motion picture Born on the Fourth of July starring Tom Cruise. The music was composed by John Williams and this arrangement for brass band is by Andrew Duncan. Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd Section Duration: 5 minutes

Tanabata-Le 7 juillet est un jour férié au Japon appelé Tanabata qui évoque une légende selon laquelle un jeune homme et une jeune femme séparés lun de lautre par la Voie Lactée ne peuvent se réunir que durant cette nuit-là. THE SEVENTH NIGHT OF JULY dItaru Sakai qui met cette romantique légende en musique est une pièce pétillante au finale époustouflant . Une version pour orchestre dharmonie est également disponible. La transcription pour quintette de cuivres a été réalisée par le compositeur.

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale

Par BENJAMIN GEORGE. Picture a day like this is the fourth collaboration between George Benjamin and Martin Crimp, whose acclaimed partnership produced Written on Skin, Lessons in Love and Violence, and Into the Little Hill. The opera – “a kind of Alice in Wonderland, but for adults”, says Crimp – lasts just over an hour and is cast in seven scenes. It is scored for five voices (S-S-MS-CT-Bar) and twenty-two instrumentalists. It premiered at the Aix-en-Provence Festival in 2023, conducted by the composer. Picture a day like this is a bittersweet fable of grief and renewal. Benjamin and Crimp tell the story of a Woman who has lost her child: if, before nightfall, she meets one truly happy person and cuts a button from their sleeve, her child will live again. In her search she meets a pair of lovers, a Composer and their Assistant, an Artisan, Collector, and, in a beautiful garden, the mysterious Zabelle. This limited edition of the full score is one of only one hundred and fifty, presented in a cloth-bound hard cover. It is signed by George Benjamin and Martin Crimp and includes facsimile reproductions of pages from the manuscript and Benjamin’s sketches, and a photograph of Benjamin, Crimp and directors Daniel Jeanneteau and Marie-Christine Soma in rehearsal at the Aix-en-Provence Festival. ‘Benjamin proves with this taut, sharp miniature that he is the finest opera composer of today…a work of depth of feeling, humanistic artistry and expressive rigor…a drama that is miraculously condensed.’ Süddeutsche Zeitung (Reinhard J. Brembeck) 9 July 2023 ‘…spare, haunting, immediate…a fable of loss and anguish for our times… The whole has the slick perfection of a piece crafted specifically for exceptional performers…the score [is] deft and restrained, its occasional outbursts of passion all the more intense for the careful control of the rest…There is a ritualistic slowness to the movement, resembling an underwater memory or the trance-like dullness of bereavement…For Zabelle’s enchanted garden, video artist Hicham Berrada has created an ambivalent scene of blossoming chemical reactions — toxic and vibrant, sinister and fascinating…It is fiendishly clever…. [the opera] tackles huge subjects with daring economy of means…Its impact is unsettling...For all its beguiling beauty, its moments of dark wit and bitter social observation, Picture remains a voyage beyond all comfort zones.’ Financial Times (Shirley Apthorp) 7 July 2023 / Date parution : 2023-10-31/ Répertoire / Choeur et Orchestre

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale

This collection includes authentic First Trumpet parts for twelve John Williams orchestral compositions from his most famous film scores and commissions. A thrilling addition for the serious trumpet player'slibrary.Includes:Star Wars: Main Title ? Summon the Heroes ? Olympic Fanfare and Theme ? Liberty Fanfare (written for the rededication of the Statue of Liberty on July 4 1986) ?Raiders March ? March from 1941 ? Sound the Bells! ? Theme from J.F.K. ? The Cowboys Overture ? Superman March ? Flight to Neverland ? Born on the Fourth of July

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale

Orgelbogen - 17 Preludes and Chorale Fantasies (1955- 2014) by Per Nørgård. Edited by Ivan Hansen. A review in the July/August issue of Choir and Organ magazine stated that Orgelbogen is comprised of 'rigorous works in and uncompromising idiom by a major figure far removed from the world of the Anglican organ loft and choir stalls' concluding that '[a]nyone with an interest in contemporary composition for organ should investigate this - it's a beacon of clear-minded compositional integrity. A review in the May-July 2016 edition of 'The Organ' Magazine states that 'the inherentquality' of this publication makes it 'very strongly recommended to organists of all ages and technical accomplishment.'