| Vii. Symfonie No. 7 D Minor, Op. 70 Orchestre [Conducteur] Barenreiter
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For orchestra. This e...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
orchestra. This edition:
Urtext edition.
Paperback. Score.
English/Czech/German. No.
7, Op. 70. Duration 38
minutes. Published by
Baerenreiter Verlag
$150.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seven Brides For 7 Brothers - Musical Selections
Piano, Voix [Partition] - Intermédiaire Alfred Publishing
Lyrics by Johnny Mercer, music by Gene De Paul. Songbook for voice and piano. Fr...(+)
Lyrics by Johnny Mercer,
music by Gene De Paul.
Songbook for voice and
piano. From the Broadway
musical "Seven Brides For
7 Brothers". 27 pages.
Published by Alfred
Publishing.
(5)$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Collected Songs (44 Songs, including 7 Cycles or Sets High Voice) Voix haute, Piano Boosey and Hawkes
Collected Songs. (44 Songs, including 7 Cycles or Sets High Voice). By Gerald Fi...(+)
Collected Songs. (44
Songs, including 7 Cycles
or Sets High Voice). By
Gerald Finzi (1901-1956).
High Voice. Boosey and
Hawkes Voice. 176 pages.
Boosey and Hawkes
#M051934003. Published by
Boosey and Hawkes
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Decorum Clavecin [Conducteur] Breitkopf & Härtel
Harpsichord SKU: BR.EB-9211 Composed by Adriana Holszky. Solo instruments...(+)
Harpsichord SKU:
BR.EB-9211 Composed
by Adriana Holszky. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Stuttgart, June 7,
1983 Music post-1945;
New music (post-2000).
Score. Composed 1983. 12
pages. Duration 7'.
Breitkopf and Haertel #EB
9211. Published by
Breitkopf and Haertel
(BR.EB-9211). ISBN
9790004184073. 9.5 x 13.5
inches. CD: Maria
Grossmann (harpsichord)
Aulos 53595 und
Koch-Schwann-Aulos 3-1417
2 Bibliography : Petersen
, Birger: Neue Musik.
Analysen, Berlin: Simon
Verlag fur
Bibliothekswissen 2013,
pp. 97-110.
World
premiere: Stuttgart, June
7, 1983. $34.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| tocco [Conducteur et Parties séparées] Breitkopf & Härtel
Voice(s) with various inst. (S,S-sax,A-sax,T-sax,Bar- sax) SKU: BR.EB-9359(+)
Voice(s) with various
inst.
(S,S-sax,A-sax,T-sax,Bar-
sax) SKU:
BR.EB-9359 For
Soprano and Saxophone
Quartet. Composed by
Manuela Kerer. Voice;
stapled. Edition
Breitkopf. Movement I
via, Movement II toccato
- toccato can also be
performed without via,
but via not without
toccato World
premiere: Schloss
Werdenberg,
Schlossmediale, June 7,
2019 Music post-1945;
New music (post-2000).
Score and parts. Composed
2018/19. 40 pages.
Duration 13'-19'.
Breitkopf and Haertel #EB
9359. Published by
Breitkopf and Haertel
(BR.EB-9359). ISBN
9790004188293. 9 x 12
inches. Dionysos,
der Gott des Weines,
erfullte Konig Midas als
Dank fur die Freilassung
des Silenos einen
folgenschweren Wunsch:
Alles was Midas in
Zukunft beruhren wurde
sollte zu Gold werden.
Midas hatte dabei nicht
bedacht, dass sich auch
Essen und Getranke
verwandeln wurden. Noch
fataler war wohl nur,
dass Midas' Mitmenschen
bei jeglicher seiner
Beruhrungen zu Gold
erstarrten. Es ist der
Moment, der Augenblick,
der Atemhauch dieser
Erstarrung und
Ausloschung, der mich
klanglich interessiert.
Bruchteile, Sekunden
werden zu Minuten des
sich-Verbergens, der
Qual, der Hoffnung, des
Fluchs. Die
klangfarblich-durchwebten
Raster von Sopran und
Saxophonquartett werden
musikalisch gedehnt,
mikroskopiert und
seziert, getragen von
einer fiktiven Sprache.
Unbehagen - Unruhe -
Hektik - Wut - Panik -
Resignation -
Verzweiflung - Tod: Die
Musik durchlebt
verschiedene Stadien. Sie
sind uns vielleicht naher
als wir denken mogen,
denn steht Midas'
Beruhrung nicht
sinnbildlich fur einen
schweren
Schicksalsschlag?
Umschreibt die
Versteinerung eigentlich
ein schweres Trauma oder
eine Depression? In
diesem Sinne beruhrt mich
Midas' todliche Beruhrung
zutiefst. ,,tocco,
italienisch fur
Beruhrung, leichter
Druck, Anschlag (kurzer
Klang), Hauch, Spur. Io
tocco = Ich beruhre
,,via, italienisch fur
weg oder Weg ,,toccato,
italienisch fur beruhrt
(Manuela Kerer,
2019)
Movement I
via, Movement II toccato
- toccato can also be
performed without via,
but via not without
toccatoWorld premiere:
Schloss Werdenberg,
Schlossmediale, June 7,
2019. $57.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Magdalene Chorale SATB [Octavo] Ione Press
(No. 3 from Three Sacred Songs ). Composed by Derek Healey. For SATB choir, flu...(+)
(No. 3 from Three Sacred
Songs ). Composed by
Derek Healey. For SATB
choir, flute, piano ad
lib. General, 21st
Century. Moderately
Difficult. Octavo. Text
Language: English. 12
pages. Published by Ione
Press
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Burgon: A Vision (7 Songs) Orchestre Chester
Orchestra SKU: HL.14005345 Composed by Geoffrey Burgon. Music Sales Ameri...(+)
Orchestra SKU:
HL.14005345 Composed
by Geoffrey Burgon. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. Chester
Music #CH60983. Published
by Chester Music
(HL.14005345). ISBN
9780711938335. A
Vision was written for
the tenor Anthony Rolfe
Johnson and commissioned
by the London Mozart
Players. The first
performance was at the
Gregynog Festival in June
1991. Geoffrey Burgon has
set 7 poems of John Clare
(1793-1846) and the poems
that Burgon has chosen
were all written whilst
Clare was in Northampton
Asylum. The work is
scored for tenor and
string orchestra. There
is a prominent part for
solo violin, which
reflects Clare's love of
that instrument and upon
which he would play folk
tunes and dances. $43.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony in E minor Rebirth Op. 7 Orchestre [Conducteur] PWM (Polskie Wydawnictwo Muzyczne)
Orchestra SKU: BT.PWM8821 Composed by Mieczyslaw Karlowicz. Classical. Sc...(+)
Orchestra SKU:
BT.PWM8821 Composed
by Mieczyslaw Karlowicz.
Classical. Score Only.
248 pages. Polskie
Wydawnictwo Muzyczne
#PWM8821. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM8821).
Work on this
piece began in the spring
of 1899 durng Kar owiczs
studies in Berlin and he
finished it after
graduating and returning
home in June 1902. Its
premiere took place on
March 21, 1903 in Berlin,
and the Polish premiere
on April 7, 1903 in Lviv.
The symphony has a
classic, four-movement
structure, but in terms
of architecture it is
much closer to symphonic
poems. It consists of the
movements: 1. Andante.
Allegro 2. Andante non
troppo 3. Vivace 4.
Allegro maestoso. ''In
terms of orchestration
and instrumentation
technique it represents
Kar owiczs early,
academic period. The
composer still used
double wind enriched with
piccolo flute, unlike in
his later orchestral
works the symphonic
poems. The orchestration
of the work indicates
that the composer was
guided by Tchaikovskys
symphonic model. Kar
owicz here still
willingly operates with
various sound blocks of
entire instrumental
groups, treating them in
a choral manner, with
tight chordal pillars''
(Leszek Polony). Before
the Polish premiere the
composer gave a
comprehensive literary
programme of the work in
the Lviv newspaper S owo
Polskie, in which he
referred to each
consecutive movement of
the Symphony. In his last
words he wrote, ''We hear
a hymn of revival, at
first quiet and sweet,
then wider and wider, and
fuller. Already the time
has come; to hear the
fanfare. Only one more
step! And although the
spirits fall again in
doubt, we hear a powerful
and solemn hymn of
rebirth.''. $45.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Birthday Fanfare Ensemble de Trompettes [Conducteur et Parties séparées] Winwood Music
By William Walton (1902-1983). Brass Ensemble. For 7 C Trumpets or B-flat Trumpe...(+)
By William Walton
(1902-1983). Brass
Ensemble. For 7 C
Trumpets or B-flat
Trumpets, Percussion.
Ceremonial fanfare. Light
Concert. Medium. Score
and parts. Standard
Notation. Duration 0:40.
Published by Winwood
Music
$15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jasper Drag Violon, Clarinette, Piano (trio) Schott
(Violin, Clarinet, and Piano). Composed by Alvin Singleton. For Clarinet, Piano,...(+)
(Violin, Clarinet, and
Piano). Composed by Alvin
Singleton. For Clarinet,
Piano, Violin (Score and
Parts). Ensemble. 36
pages. Schott Music
#ED30053. Published by
Schott Music
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Standards - Paperback Songs
Ligne De Mélodie, Paroles et Accords [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Standards and
vocal standards. Series:
Hal Leonard Paperback
Songs. 255 pages. 4x6.7
inches. Published by Hal
Leonard.
(12)$8.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| La Muse et le Poete, Op. 132 Piano Trio: piano, violon, violoncelle LudwigMasters Publications
Violin, Violoncello and Piano SKU: AP.36-60783002 Composed by Camille Sai...(+)
Violin, Violoncello and
Piano SKU:
AP.36-60783002
Composed by Camille
Saint-Saens. String Duo
and Ensemble, Piano Trio,
Conductor Score and
Parts. Master String
Series. Score and
Part(s). LudwigMasters
Publications
#36-60783002. Published
by LudwigMasters
Publications
(AP.36-60783002). ISBN
9798888528655. UPC:
659359997112.
English. The piano
trio version of LA MUSE
ET LE POÈTE, Op. 132 was
written by Camille
Saint-Saëns (1835-1921)
in 1910 during a vacation
to North Africa, and that
version premiered at
Queen's Hall on June 7,
1910, with Eugene Ysaÿe
on violin, Jospeh
Hollmann on cello, and
the composer at the
piano. Saint-Saëns
transcribed the version
for violin, cello and
orchestra that same year,
and the same two string
players premiered that
version on October 20 at
the Sarah Bernhardt
Theater in Paris under
Fernand Le Borne. Despite
the title (which was
later added by the
publisher to make it more
marketable), no program
is intended for the work
and neither instrument
represents either the
muse or the poet.
Saint-Saëns himself
referred to the piece as
a conversation between
the two instruments
instead of a debate
between two
virtuosos.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $12.99 - Voir plus => Acheter | | |
| Amazing Grace - Folksongs around the World Chorale 3 parties SAB - Facile Schott
Choral (SAB and Solo) - easy to intermediate SKU: HL.49019419 SAB with...(+)
Choral (SAB and Solo) -
easy to intermediate
SKU: HL.49019419
SAB with Baritone
Solo. Composed by
Various. Edited by
Wilfried Fischer. This
edition: Paperback/Soft
Cover. Sheet music.
Choral Collection.
Classical, Folk,
Traditional. Softcover.
248 pages. Schott Music
#ED21178. Published by
Schott Music
(HL.49019419). ISBN
9783795746001.
7.5x10.75x0.717 inches.
German -
English. For SAB
chorus and solo male
voice. $29.99 - Voir plus => Acheter | | |
| J-Pop Best Hits for January-June 2022 Piano seul [Conducteur] Yamaha
Piano Solo SKU: YM.GTP01100655 Composed by Various. J-Pop. J-POP. Score. ...(+)
Piano Solo SKU:
YM.GTP01100655
Composed by Various.
J-Pop. J-POP. Score.
Yamaha Music Media
#GTP01100655. Published
by Yamaha Music Media
(YM.GTP01100655). ISBN
9784636104608. 8.5 x 12
inches. The
definitive selection of
the 30 hottest songs that
were big hits in early
2022 is now available! It
includes J-POP hits and
the theme songs for
Japanese TV dramas and
Animes. Enjoy it to the
fullest! $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Meet The Great Composers - Book 2, Repertoire Book Piano seul [Partition] - Intermédiaire Alfred Publishing
17 Original Pieces and Arrangements of Piano Masterworks for the Intermediate Th...(+)
17 Original Pieces and
Arrangements of Piano
Masterworks for the
Intermediate Through Late
Intermediate Student.
Arranged by Maurice
Hinson and June C.
Montgomery. Masterworks;
Piano Collection; Piano
Supplemental. Learning
Link. Masterwork
Arrangement. Book. 44
pages. Alfred Music
#00-18117. Published by
Alfred Music
(1)$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Distant Music: Praise: Psalms and Prayers 1 Chorale SATB SATB, Orgue [Conducteur] Crescendo Music Publications
SATB Choir and Organ SKU: C4.9790902260473 Composed by Various. Classical...(+)
SATB Choir and Organ
SKU:
C4.9790902260473
Composed by Various.
Classical. Score.
Crescendo Music
Publications
#9790902260473. Published
by Crescendo Music
Publications
(C4.9790902260473).
ISBN 9790902260473.
8.27 x 11.7
inches. Forming
part of the A Distant
Music anthology, Praise:
Psalms and Prayers 1
showcases 20 sacred
choral works by
Australian composers,
most published here for
the first
time.
Containing a
variety of accompanied
and unaccompanied works,
Praise: Psalms and
Prayers 1 offers choirs
access to quality
Australian sacred music.
Settings include texts
from the Book of Psalms,
well-known prayers as
well as a spiritual poem
by Australian Erica
Jolly.
The 90-page
volume covers a range of
abilities and variety of
compositional styles. $39.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Benedicamus Domino Chorale 2 parties SA Hal Leonard
Composed by Thomas Juneau. Henry Leck Creating Artistry. Concert. Octavo. 12 p...(+)
Composed by Thomas
Juneau.
Henry Leck Creating
Artistry.
Concert. Octavo. 12
pages.
Published by Hal Leonard
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Benedicamus Domino Chorale 2 parties TB Hal Leonard
Composed by Thomas Juneau. Henry Leck Creating Artistry. Concert. Octavo. 12 p...(+)
Composed by Thomas
Juneau.
Henry Leck Creating
Artistry.
Concert. Octavo. 12
pages.
Published by Hal Leonard
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Aquarell [Conducteur] Deutscher Verlag für Musik
String orchestra (str: 7.7.4.4.2) SKU: BR.DV-1775 Fur 24 Streichinstru...(+)
String orchestra (str:
7.7.4.4.2) SKU:
BR.DV-1775 Fur 24
Streichinstrumente.
Composed by Edison
Denissow. Orchestra;
Softcover. Deutscher
Verlag. World premiere
Paris, June 12, 1975.
Symphonic poem; Music
post-1945. Full score.
Composed 1975. 48 pages.
Duration 10'. Deutscher
Verlag fur Musik #DV
1775. Published by
Deutscher Verlag fur
Musik (BR.DV-1775).
ISBN 9790200411331. 9
x 12 inches. World
premiere Paris, June 12,
1975 Diesem Werk liegt
der Choral von Johann
Sebastian Bach zugrunde
den Alban Berg in seinem
Violinkonzert zitiert
hat. Bei meiner
Komposition handelt es
sich nicht um Variationen
im engeren Sinne vielmehr
ist hierbei das
Bach-Thema Ausgangspunkt
und Basis fur die
nachfolgende musikalische
Entwicklung. Hinsichtlich
seiner Art der
Zitatbehandlung steht
dieses Werk in enger
Verwandtschaft zu meinen
,,Haydn-Variationen sowie
zu den ,,Variationen uber
ein Thema von Franz
Schubert . (Edison
Denissow)
CD No
buko Imai
(Viola) Nieuw
Sinfonietta
Amsterdam Ltg. Lev
Markiz BIZ DC 518 Das
Werk beginnt in einem
chromatisch
angereicherten c-moll.
Bei ,,Poco piu mosso
intoniert das Cembalo das
Thema der c-moll-Fuge aus
dem ,,Wohltemperierten
Klavier I von Johann
Sebastian Bach hier
allerdings in einer etwas
deformierten Gestalt und
um einen Ton hoher
geruckt. In der Reprise
tritt zum ersten Mal im
Orchester ein
c-moll-Akkord auf und
erst in der Coda
erscheint die Tonart
C-dur die jedoch im
Moment ihres Auftretens
sogleich durch
Zwolftonigkeit
,,verschleiert wird.
(Edison Denissow)
CD Nobuko Imai
(Viola) Annelie de Man
(Cembalo) Nieuw
Sinfonietta
Amsterdam Ltg. Lev
Markiz BIS DC 518
The piece starts in a
chromatically enriched C
minor. At Poco piu mosso
the harpsichord intones
the theme from the C
minor fugue in the first
book of J. S. Bach's Das
Wohltemperierte Klavier
though somewhat
transformed and raised up
a tone. In the repeat a C
minor chord appears for
the first time and only
in the coda does the key
of C major appear only to
be dodecaphonically
veiled at the very moment
it arises. (Edison
Denisov). $59.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Marche fatale Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-9253 Composed by Helmut Lachenmann. Solo instruments; st...(+)
Piano SKU:
BR.EB-9253 Composed
by Helmut Lachenmann.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253). ISBN
9790004185537. 9 x 12
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Marche fatale Orchestre [Conducteur] Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU:
BR.PB-5432 Composed
by Helmut Lachenmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432). ISBN
9790004212790. 10 x 12.5
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $63.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa Brevis [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and
Opt. Choir - Grade 2
SKU:
BT.DHP-1033337-015
Composed by Jacob De
Haan. Musica Sacra. Hymns
& Chorals. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033337-015. Published by
De Haske Publications
(BT.DHP-1033337-015).
9x12
inches. Missa
Brevis, written for
choir and wind band, was
commissioned by the
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(France), in celebration
of the millennium of Pope
Leon IX’sbirth in
Éguisheim (France).
The composer conducted
the first performance on
June 23, 2002. It was
performed live for the
French television channel
France 2. The mass
movements Kyrie,
Gloria, Credo, Sanctus,
Benedictus, and
Agnus Deiare very
suitable for the Catholic
as well as the Protestant
liturgy. For this mass,
various ways for
performing in diverse
variable strengths are
possible. An instrumental
performance is possible
if the brass represents
the choir parts. In
thisoption, it is
desirable for the brass
to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is approached. In
a performance with a
large choir, the brass
can work very well as a
support. Inthat case, the
dynamics of the brass
should be adapted
somewhat, since these are
actually intended for an
instrumental performance.
You can also leave out
the brass entirely for
the benefit of the choir.
For the accompaniment of
smaller choirs, youcan
opt for a small ensemble
from the band. This can
also be a quartet, put
together as desired. For
the performance of this
mass, the obvious choice
is one of the above
options. However, as an
alternative, a
performance with a
combination of
theseoptions
(vocally/instrumentally)
is also possible not just
from an artistic point of
view (variation), but
also from a practical
starting point for
example in the case that
the choir has rehearsed
only two movements. With
a full strength,
theconductor can vary the
instrumentation to his or
her liking. Then the
brass can also play a
role in the accompaniment
(instead of supporting
the choir). The following
combinations are
possible: 1. clarinet
choir (from Eb Clarinet
to BassClarinet) 2.
clarinet choir +
saxophones 3. brass
(flugelhorns, horns,
euphoniums, bass
section) 4. brass (2
trumpets / 2
trombones) 5. double
reeds (optional + flute,
optional + string
bass) 6. tutti 7.
all winds 8.
allbrass In a
performance by brass band
and choir, it is usually
advisable to leave out
option 1 (choir + brass +
band). The choir sings
self-reliantly,
accompanied by a full
brass band. In an
instrumental performance,
you can consider a
combinedquartet (two
cornets and two
trombones) + brass
band. Choral parts
available
separately.
Mis
sa Brevis, geschreven
voor koor en blaasorkest,
werd gecomponeerd in
opdracht van de Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (dir.
Philippe Pfisterer) in
Guebwiller (Frankrijk),
ter gelegenheid van het
duizendstegeboortejaar
van paus Leo IX. In zijn
geboorteplaats,
Éguisheim (Elzas,
Frankrijk), vond op 23
juni 2002 de première
van deze mis plaats onder
leiding van de componist.
Het betrof een
live-registratie voor de
Franse televisiezender
France 2. Demisdelen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
en Agnus Dei
lenen zich uitstekend
voor zowel de katholieke
als de protestantse
liturgie. Er zijn voor
deze mis diverse
uitvoeringsmogelijkheden
mogelijk, aangezien er
sprake is van
eenvariabele bezetting.
Een instrumentale
uitvoering behoort
uitdrukkelijk tot de
mogelijkheden, indien het
scherp koper de
koorpartijen
vertegenwoordigt. In deze
optie is het wenselijk
dat het scherp koper zich
separaat opstelt van de
rest van hetorkest
(bijvoorbeeld op een
galerij), zodat het idee
van dubbelkorigheid wordt
benaderd. Bij een
uitvoering voor groot
koor werkt het scherp
koper zeer goed als
ondersteuning. In dat
geval kan de dynamiek van
het koper iets worden
aangepast,aangezien deze
in eerste instantie
bedoeld is voor een
instrumentale versie. Ook
kan men ervoor kiezen het
scherp koper helemaal weg
te laten ten gunste van
het koor. Bij begeleiding
van kleinere koren kan
men kiezen voor een klein
ensemble uit hetorkest.
Dit kan ook een naar wens
samengesteld kwartet
zijn. Voor de uitvoering
van deze mis ligt het
voor de hand een van deze
opties te kiezen. Als
alternatief is echter ook
een uitvoering mogelijk
met een combinatie van
deze opties
(vocaal/instrumentaal)
niet slechts vanuit een
artistiek motief
(afwisseling), maar ook
vanuit een praktisch
motief, voor het geval
dat het koor bijvoorbeeld
slechts twee delen heeft
ingestudeerd. Bij een
volledige bezetting kan
de dirigent
deinstrumentatie naar
believen afwisselen.
Hierbij kan ook het
scherp koper in de
begeleiding een rol
krijgen (in plaats van
ondersteuning van het
koor). Zo zijn de
volgende combinaties
mogelijk: 1.
clarinet choir (van
Es-klarinet tot
basklarinet) 2.
clarinet choir +
saxofoons 3. zacht
koper (bugels, hoorns,
euphoniums, bassen)
4. scherp koper (2
trompetten / 2
trombones) 5.
dubbelrieten (eventueel +
fluit, eventueel +
contrabas) 6.
tutti 7. alle
hout 8. alle
koper In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones) +
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis,
geschrieben für Chor
und Blasorchester
entstand im Auftrag des
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(Frankreich),
anlässlich des
tausendjährigen
Jubiläumsder Geburt
von Papst Leo IX in
Éguisheim. Der
Komponist dirigierte die
Uraufführung am 23.
Juni 2002. Sie wurde live
vom französischen
Fernsehen France 2
übertragen. Die
Messesätze Kyrie,
Gloria, Credo, Sanctus,
Benedictus und
Agnus Deieignen
sich ausgezeichnet sowohl
für die katholische
als auch die
protestantische Liturgie.
Diese Messe kann in
diversen variablen
Spielstärken
aufgeführt werden.
Eine
Instrumentalaufführung
ist möglich, wenn das
Blech die Chorstimme
übernimmt.Um der Idee
von zwei Chören in
dieser Variante
möglichst gerecht zu
werden, empfiehlt es
sich, das Blechregister
getrennt vom Rest des
Blasorchesters
aufzustellen
(beispielsweise auf einer
Galerie). In einer
Aufführung mit einem
großen Chor kann
dasBlechregister sehr gut
als Unterstützung
dienen. In diesem Fall
sollten die
Dynamikangaben der
Blechbläser etwas
angepasst werden, da sie
ja eigentlich für eine
Instrumentalaufführung
gedacht sind. Man kann
zugunsten des Chors auch
völlig auf dasBlech
verzichten. Zur
Begleitung kleinerer
Chöre können Sie
ein kleines Ensemble aus
dem Blasorchester
wählen. Dies könnte
auch ein Quartett in
beliebiger
Zusammensetzung sein.
Für die Aufführung
dieser Messe bietet sich
eine der oben
genanntenVarianten an.
Eine Kombination dieser
Wahlmöglichkeiten
(vokal/instrumental) ist
jedoch auch möglich
und das nicht nur vom
künstlerischen
Standpunkt aus betrachtet
(zur Abwechslung),
sondern auch aus
praktischen Erwägungen
beispielsweise, wennder
Chor nur zwei Sätze
einstudiert hat. In
voller Besetzung kann der
Dirigent die
Instrumentierung nach
Belieben variieren. Dann
können die
Blechbläser auch eine
Rolle in der Begleitung
übernehmen (anstatt
den Chor zu
unterstützen). Die
folgendenKombinationen
sind möglich:
1. Klarinettenchor
(von Klarinette in Es bis
Bassklarinette) 2.
Klarinettenchor +
Saxophone 3. Blech
(Flügelhorn, Horn,
Euphonium,
Bassregister) 4.
Blech (2 Trompeten / 2
Posaunen) 5.
Doppelrohrblattinstrument
e (wahlweise + Flöte,
wahlweise +
Kontrabass) 6.
Tutti 7. Alle
Holzbläser 8.
Alle Blechbläser
In einer Aufführung
mit Brass Band und Chor
ist es gewöhnlich
ratsam, nicht die erste
Option (Chor + Blech +
Blasorchester) zu
wählen. Der Chor singt
unabhängig, begleitet
von einer
vollständigen Brass
Band. In einer
Instrumentalaufführung
könnenSie sich für
ein kombiniertes Quartett
(zwei Kornette und zwei
Posaunen) + Brass Band
entscheiden. Chorstimmen
separat
erhältlich.
Missa Brevis est une
messe pour Orchestre
d’Harmonie et
Choeur composée la
demande du Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (Dir. :
Philippe Pfisterer) de
Guebwiller en France,
l’occasion des
célébrations
dumillénaire de la
naissance du Pape Léon
IX Éguisheim. La
création mondiale a eu
lieu le 23 juin 2002 sous
la direction du
compositeur, et a
été diffusée en
direct sur la chaîne
de télévision
nationale France 2. Les
différentes parties de
cettemesse (Kyrie,
Gloria, Credo,
Sanctus,
Benedictus et
Agnus Dei)
conviennent autant la
liturgie catholique
qu’ la liturgie
protestante. Missa
Brevis peut être
interprétée dans
différentes
combinaisons
instrumentales. Ellepeut
être jouée dans une
version purement
instrumentale, où les
cuivres prennent en
charge la partie vocale.
En tel cas, il est
conseillé de placer
les cuivres
l’écart de la
formation (sur une
estrade, par exemple) de
façon reproduire
l’idée dedeux
groupes indépendants.
Dans le cadre
d’une
interprétation avec un
grand Choeur, les cuivres
jouent un rôle de
soutien. Leurs nuances
doivent alors être
adaptées dans la
mesure où elles ont
été écrites,
l’origine, pour
une version
instrumentale.Il est
également possible de
ne pas faire intervenir
les cuivres et de
privilégier le Choeur.
Pour accompagner de
petits ensembles vocaux,
il faut opter pour une
formation instrumentale
réduite voire même
un Quatuor
(instrumentation au
choix).
Pourl’interprét
ation de cette messe
l’un des choix
proposés ci-dessus
s’impose. Il
existe néanmoins une
alternative qui consiste
interpréter cette
oeuvre en combinant ces
options (vocales /
instrumentales). Cela
peut être
bénéfique tant
d’un point devue
artistique (variante) que
pratique dans le cas
où le Choeur
n’a travaillé
que deux mouvements de la
messe. Si le chef dispose
de deux formations
complètes (Choeur et
Orchestre
d’Harmonie), il
peut varier
l’instrumentation
selon ses
préférences. ce
moment-l , il peut
confier un rôle
d’accompagnement
et non de soutien aux
cuivres de sa formation.
Les combinaisons
suivantes peuvent être
formées : 1.
Choeur de Clarinettes (de
la Clarinette Mib la
Clarinette
Basse) 2. Choeur de
Clarinettes +
Saxophones 3.
Cuivres (Bugles, Cors,
Barytons / Euphoniums,
Basses) 4. Cuivres
(2 Trompettes / 2
Trombones) 5.
Instruments anches
doubles (Fl te et
Contrebasse cordes
optionnelles) 6.
Tutti 7. Tous les
Bois 8. Tous les
Cuivres Dans le
cadre d’une
interprétation par un
Brass Band accompagné
d’un Choeur, il
est préférable de
supprimer l’option
1 (Choeur + Cuivres +
Orchestre
d’Harmonie) car le
Choeur étant autonome.
Dans une version
instrumentale pour
Cuivres, il estpossible
de former la combinaison
suivante : Quatuor (2
Cornets / 2 Trombones) et
Brass Band.Partitions
pour chœur
disponibles
séparément.
Parti per coro
disponibili a parte. $327.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Library Of Piano Classics 2
Piano seul [Partition] Music Sales
By Peter Pickow (Editor) ; Amy Appleby (Editor). For Piano. Romantic, Classical....(+)
By Peter Pickow (Editor)
; Amy Appleby (Editor).
For Piano. Romantic,
Classical. Sheet Music.
320 pages. Published by
Music Sales.
(3)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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